Newton Upper Falls, MA Piano Lessons
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Popular Piano Teachers near Newton Upper Falls, MA
Check out some of our most popular teachers near Newton Upper Falls, MA including Newton Center, Newton Highlands, Waban, Needham Heights and Nonantum.
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About Bethany A.
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About Bethany
I started studying classical piano at the age of 6 and continued through high school before going on to study with Robert Shannon at Oberlin Conservatory, where I majored in music history and theory (as well as English and creative writing - I've always had a lot of interests!). I also sang in choirs from a early age, including my high school's Madrigal Singers, the MMEA Northeast District Chorus, and the Oberlin College Choir, a select group which performs regularly with the Cleveland Orchestra. After graduation, I tried out a variety of musical activities, including singing with a semi-professional a Capella group, None of the Above, and appearing in local community theatre productions. But I finally realized that I'm most comfortable behind a piano, whether playing and conducting for musical theatre, coaching singers, writing music for
youth productions, or teaching the next generation of music lovers how to navigate the keys. And while I perform mostly Broadway-style music now, my classical training continues to serve me well; using good technique not only allows me to play more accurately and expressively, it also protects me from injuries that might otherwise arise from long rehearsals and a busy performance schedule.
I'm excited about where my musical journey has taken me, and I look forward to helping you start or continue yours.
*** Lesson Details ***
I'm serious about making sure my students learn basic skills, like reading notes and rhythms and learning to interpret music artistically, that will serve them not only as developing pianists but in any future musical endeavors. To that end, I choose method books (such as the Faber Piano Adventures series) and supporting materials that build a strong foundation of musical knowledge, and I help each student construct a practice schedule that's appropriate to his or her level.
However, although I do maintain a certain amount of structure, I am very patient and relaxed in my approach to each individual student. I recognize that not everyone learns at the same speed or in the same way, so as long as I can tell you're putting in the effort, I will also try my hardest to find what works for you! And I know it's easiest to stay motivated when working on music you love, so I like to supplement the regular lesson materials with music of the student's choice, whether that means offering a selection of level-appropriate classical pieces, helping locate an arrangement of a favorite song, or coming up with our own arrangement if a good one doesn't already exist. And while my own background is strongest in classical and Broadway styles, I'm happy to have students work on music from any genre. One of the best parts of teaching is when I get to learn something new as well.
*** Studio Equipment ***
Malden studio: Dedicated studio with 88-key weighted keyboard, recording equipment, and large collection of sheet music. Parents can sit in on lessons or wait downstairs. Parking in driveway or on street. We have cats.
Bedford studio: Front room setup for lessons with upright piano and stereo. Laptop available to record lessons. Parents can sit in on lessons. Parking available in driveway and street.
*** Travel Equipment ***
I would expect the student to provide a piano or suitable keyboard (88 keys, weighted keys or at least somewhat touch-sensitive, with a clear piano sound). For vocal students, it would be helpful for them to have a separate music stand as well.
*** Specialties ***
In terms of vocal music, I am definitely most comfortable with Broadway-style repertoire, but I have experience with some of the classical repertoire as well. As a pianist I have a solid classical background but am also very familiar with Broadway playing styles; I think I've done a little of everything at this point, so I could adapt to any interests my students might have. I am trained in the Taubman piano technique, which focuses on healthy, effective motions, so I try to incorporate some elements of that in my teaching, to the extent
that I think a particular student will benefit from it.
As for methods: for beginning and intermediate piano students I tend to use the Faber Piano Adventures series, supplemented by additional exercise books (Dozen a Day, for example), simple classical pieces (Bastien publishes a book that I like), or other materials depending on the student's interest and level of achievement (pop, Broadway, etc.). For advanced students I would use different exercise books (Hanon, Czerny, etc.) and focus more on repertoire than method, continuing to teach theory and technique as it comes up.
For vocal students I have mostly stuck to whatever materials/repertoire the student was most interested in, plus vocal exercises to support any problems or challenges they might be working on (e.g., range, vowel formation, learning a healthy mix/belt technique).
I'm excited about where my musical journey has taken me, and I look forward to helping you start or continue yours.
*** Lesson Details ***
I'm serious about making sure my students learn basic skills, like reading notes and rhythms and learning to interpret music artistically, that will serve them not only as developing pianists but in any future musical endeavors. To that end, I choose method books (such as the Faber Piano Adventures series) and supporting materials that build a strong foundation of musical knowledge, and I help each student construct a practice schedule that's appropriate to his or her level.
However, although I do maintain a certain amount of structure, I am very patient and relaxed in my approach to each individual student. I recognize that not everyone learns at the same speed or in the same way, so as long as I can tell you're putting in the effort, I will also try my hardest to find what works for you! And I know it's easiest to stay motivated when working on music you love, so I like to supplement the regular lesson materials with music of the student's choice, whether that means offering a selection of level-appropriate classical pieces, helping locate an arrangement of a favorite song, or coming up with our own arrangement if a good one doesn't already exist. And while my own background is strongest in classical and Broadway styles, I'm happy to have students work on music from any genre. One of the best parts of teaching is when I get to learn something new as well.
*** Studio Equipment ***
Malden studio: Dedicated studio with 88-key weighted keyboard, recording equipment, and large collection of sheet music. Parents can sit in on lessons or wait downstairs. Parking in driveway or on street. We have cats.
Bedford studio: Front room setup for lessons with upright piano and stereo. Laptop available to record lessons. Parents can sit in on lessons. Parking available in driveway and street.
*** Travel Equipment ***
I would expect the student to provide a piano or suitable keyboard (88 keys, weighted keys or at least somewhat touch-sensitive, with a clear piano sound). For vocal students, it would be helpful for them to have a separate music stand as well.
*** Specialties ***
In terms of vocal music, I am definitely most comfortable with Broadway-style repertoire, but I have experience with some of the classical repertoire as well. As a pianist I have a solid classical background but am also very familiar with Broadway playing styles; I think I've done a little of everything at this point, so I could adapt to any interests my students might have. I am trained in the Taubman piano technique, which focuses on healthy, effective motions, so I try to incorporate some elements of that in my teaching, to the extent
that I think a particular student will benefit from it.
As for methods: for beginning and intermediate piano students I tend to use the Faber Piano Adventures series, supplemented by additional exercise books (Dozen a Day, for example), simple classical pieces (Bastien publishes a book that I like), or other materials depending on the student's interest and level of achievement (pop, Broadway, etc.). For advanced students I would use different exercise books (Hanon, Czerny, etc.) and focus more on repertoire than method, continuing to teach theory and technique as it comes up.
For vocal students I have mostly stuck to whatever materials/repertoire the student was most interested in, plus vocal exercises to support any problems or challenges they might be working on (e.g., range, vowel formation, learning a healthy mix/belt technique).
...
Reviews
· Piano · In studio
· Piano · In studio
· Singing · In studio
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Bethany A.
Malden, MA 02148
starting at
$35
/ 30-min
About Shawn M.
CloseAbout Shawn
Hello! I am a professional working drummer with over 20 years of performing and teaching experience. My current band, Eight To The Bar, has been the winner of Best Band Connecticut for the past 5 years straight. We perform internationally in many venues, including festivals, casinos, and concert halls. The repertoire is diverse and challenging, drawing on the traditions of R&B, Swing and Motown.
*** Lesson Details ***
Lessons with me will be fun and constructive. I gear my lesson plan to your individual needs with a strong focus on fundamental technique, proper grip and stroke as well as helping you find your balance and relaxation behind the kit through posture and ergonomic set- up.
We will be able to explore the techniques of your favorite drummers. Through my wide range of experience I will be able to give you the skills nec
*** Lesson Details ***
Lessons with me will be fun and constructive. I gear my lesson plan to your individual needs with a strong focus on fundamental technique, proper grip and stroke as well as helping you find your balance and relaxation behind the kit through posture and ergonomic set- up.
We will be able to explore the techniques of your favorite drummers. Through my wide range of experience I will be able to give you the skills nec
essary to function within your favorite genre of music. At the same time, I may introduce you to some forms of music less familiar to you. You can then use that experience to bring a fresh approach to your chosen style.
The name of the game is time-keeping and time feel. You will be expected to practice with a metronome, but also with recorded tracks. We will record your playing and listen back. This is one of the best ways to improve your playing.
Double bass and/or double pedal also taught as well as left foot clave, Latin percussion, piano, and music theory.
*** Studio Equipment ***
Two drum sets, full PA, fender rhodes piano, congas, timbales and hand percussion, frame drums, bongos, DVD player, audio recording capabilities. Parents can sit in on lesson.
*** Travel Equipment ***
I can bring a practice pad set to the student's home. Metronome, ipod, some lesson handouts, and occasionally DVD's will also be brought.
*** Specialties ***
All styles and levels: rock, jazz, Latin, percussion as applied to drumset. Reading, time feel, counting and singing
The name of the game is time-keeping and time feel. You will be expected to practice with a metronome, but also with recorded tracks. We will record your playing and listen back. This is one of the best ways to improve your playing.
Double bass and/or double pedal also taught as well as left foot clave, Latin percussion, piano, and music theory.
*** Studio Equipment ***
Two drum sets, full PA, fender rhodes piano, congas, timbales and hand percussion, frame drums, bongos, DVD player, audio recording capabilities. Parents can sit in on lesson.
*** Travel Equipment ***
I can bring a practice pad set to the student's home. Metronome, ipod, some lesson handouts, and occasionally DVD's will also be brought.
*** Specialties ***
All styles and levels: rock, jazz, Latin, percussion as applied to drumset. Reading, time feel, counting and singing
...
Reviews
· Drum · In studio
· Drum · In home
· Piano · In home
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Shawn M.
Norwood, MA 02062
starting at
$35
/ 30-min
About Vasiliy M.
Close
I teach general piano lessons since 2010.With every new student our mutual journey into the world of music begins from the very basic stage; we begin with discussing student's proper sitting position at the instrument,basic introduction sessions on the general buildup of the instrument, its keyboard layout, and proceed, gradually, to the notation symbols on the music staff introduction to the student. Through the diligent preliminary talk we will discuss various aspects of interest that my students have developed in relation to playing piano, so we could plan and design our future lessons according to an initial discussion. My job and responsibility will be to make an intelligent assessment of my students' natural abilities for the given subject of study, to create vigorous learning atmosphere during our meetings, and to give my students professional instructions to the best of my humble abilities, for the benefits of their musical , aesthetic, and personal development. I will ...
About Vasiliy
Hello,
I am Vasiliy M, Boston University School of Music Alumnus (DMA in Composition). We dwell in Boston since Fall 2002; before that time , we lived in New York, where I studied Composition at Mannes College, The New School For Music. I received both BM, and MM degrees from Mannes in 1999, and 2001, respectively. Before an arrival to US, in 1994, I studied Jazz Performance, Electric Bass Major, and Classical Composition, at Moldova State Conservatory, from 1988 to 1993, respectively.
I was raised in the family, where music is an essential part of its daily life; my father, Grigoriy, before his retirement, was a military band trombone player, and, quite naturally, I was exposed to music, and encouraged by my parents to learn playing an instrument of my choice, from my early childhood.
My mother, Anisia Kondrat'ievna,
I am Vasiliy M, Boston University School of Music Alumnus (DMA in Composition). We dwell in Boston since Fall 2002; before that time , we lived in New York, where I studied Composition at Mannes College, The New School For Music. I received both BM, and MM degrees from Mannes in 1999, and 2001, respectively. Before an arrival to US, in 1994, I studied Jazz Performance, Electric Bass Major, and Classical Composition, at Moldova State Conservatory, from 1988 to 1993, respectively.
I was raised in the family, where music is an essential part of its daily life; my father, Grigoriy, before his retirement, was a military band trombone player, and, quite naturally, I was exposed to music, and encouraged by my parents to learn playing an instrument of my choice, from my early childhood.
My mother, Anisia Kondrat'ievna,
possesses both beautiful vocal abilities and perfect pitch , although she has never had a chance to develop her natural gifts any further. But I have heard my mother singing, and these moments remain one of the most touching and impressive musical experiences, that I have ever received, and remember to this very day.
Only after a considerable life experiences, abound of trials and mistakes, at the age of twenty five, I have come to a clear realization, that music remains my greatest passion, and that I would have to become a professional musician. With help and support of friends and colleagues, I have entered Community College in Soroki city, Moldova Republic, where I have studied Choral Conducting for Amateurs. I have graduated from school in May of 1988, having written a few instrumental and vocal compositions of my own, and, quite unexpectedly for myself, was invited, that summer, to visit Moldova State Conservatory, with the prospect of audition for the Composition Major. After the meeting with the Chair of the Department, I was offered an opportunity to be accepted to the Master Degree Program in Composition, provided I will have completed two years of preliminary studies of Music Theory, Music Harmony/Voice Leading, and many other related disciplines.
Why do I bring all of these facts to this Essay? I know for the fact now, that I was not ready for what was awaiting ahead of me, back then. There was no way, that I could cope with the demands of Composition Program curriculum. But I have had love for music, that my parents have implemented in me throughout my childhood; I have had natural abilities, that Heavens supplied me with: and I have had a chance to make my dream a reality, providing I do everything that I will have to, during the following years of struggles and study.
The decision was made, and my studies have begun. I have come through every mistake, defeat, and mind-barriers imaginable, and if it would not be a continuous stream of professional help and support, that I have received from my numerous teachers, mentors, and professors, along the years of study, my goals could never be attained to any modest, but real degree.
Whenever I have a chance to teach, tutor, or assist other musicians with their study, my past experience always reminds me, that any person may experience some difficulties of various nature with the learning material, from time to time, and that those difficulties should be addressed by student's teacher with the highly individual approach, however time-and effort-consuming it may be. Patience and respect, in regard to the students, have become as important aspects of teaching to me, as those of discipline and professionalism.
My studies have come to an end; I see now, that the world of music is an endless entity, for it has no boundaries, and we all have to maintain our further progress, in order to move to our chosen destinations, and to help others with their own advancements.
Sincerely
Vasiliy M.
*** Lesson Details ***
I would be more than willing to assist my prospective students with their various musical endeavors, and people's willingness to either play music instruments,take voice lessons, or to study Music Theory/ Musicianship disciplines will serve us as a starting point for our work. Through the diligent preliminary talk we will discuss various aspects of interest that my students have developed in relation to music, so we could plan and design our future lessons according to an initial discussion. My job and responsibility will be to make an intelligent assessment of my students' natural abilities for the given subject of study, to create vigorous learning atmosphere during our meetings, and to give my students professional instructions to the best of my humble abilities, for the benefits of their musical , aesthetic, and personal development. I will encourage my students to learn as much as they can, at the given moment, but I will not ever attempt to exceed people's natural capabilities. Participation in Music with love and fun should be as rewarding and valuable to the music amateur, as professional performing career ( with its highly demanding standards) stands for classically trained musicians. During our study sessions, we will work upon the goals and tasks that we have discussed at the beginning of our meetings. My ultimate goal as a teacher was and will always be to help my students discover and bring forward their best creative potentials through the intensive musical studies and practice, and, at the same time, to favor heir initial interest's transformation into a deep, serious passion.
*** Studio Equipment ***
Living Room, Italian keyboard Real Piano PRO 2
*** Travel Equipment ***
Honda Insight 2011
*** Specialties ***
As a Bass - player, I have been performing in Big-Band Orchestras, Jazz Sextets, Quartets, Trios, Duos.
I was also a Progressive-Rock Band Bass-Player.
John Pretlor Band, (R&B style, Soft Jazz) hired me, as a Bass Player, before I went to Mannes College, to study Composition.
Music Theory - wise, I have taught Fundamentals of Music, Elementary Music, Music Theory I, II, Keyboard Harmony, Music Analysis, Post-Tonal Theory.
Only after a considerable life experiences, abound of trials and mistakes, at the age of twenty five, I have come to a clear realization, that music remains my greatest passion, and that I would have to become a professional musician. With help and support of friends and colleagues, I have entered Community College in Soroki city, Moldova Republic, where I have studied Choral Conducting for Amateurs. I have graduated from school in May of 1988, having written a few instrumental and vocal compositions of my own, and, quite unexpectedly for myself, was invited, that summer, to visit Moldova State Conservatory, with the prospect of audition for the Composition Major. After the meeting with the Chair of the Department, I was offered an opportunity to be accepted to the Master Degree Program in Composition, provided I will have completed two years of preliminary studies of Music Theory, Music Harmony/Voice Leading, and many other related disciplines.
Why do I bring all of these facts to this Essay? I know for the fact now, that I was not ready for what was awaiting ahead of me, back then. There was no way, that I could cope with the demands of Composition Program curriculum. But I have had love for music, that my parents have implemented in me throughout my childhood; I have had natural abilities, that Heavens supplied me with: and I have had a chance to make my dream a reality, providing I do everything that I will have to, during the following years of struggles and study.
The decision was made, and my studies have begun. I have come through every mistake, defeat, and mind-barriers imaginable, and if it would not be a continuous stream of professional help and support, that I have received from my numerous teachers, mentors, and professors, along the years of study, my goals could never be attained to any modest, but real degree.
Whenever I have a chance to teach, tutor, or assist other musicians with their study, my past experience always reminds me, that any person may experience some difficulties of various nature with the learning material, from time to time, and that those difficulties should be addressed by student's teacher with the highly individual approach, however time-and effort-consuming it may be. Patience and respect, in regard to the students, have become as important aspects of teaching to me, as those of discipline and professionalism.
My studies have come to an end; I see now, that the world of music is an endless entity, for it has no boundaries, and we all have to maintain our further progress, in order to move to our chosen destinations, and to help others with their own advancements.
Sincerely
Vasiliy M.
*** Lesson Details ***
I would be more than willing to assist my prospective students with their various musical endeavors, and people's willingness to either play music instruments,take voice lessons, or to study Music Theory/ Musicianship disciplines will serve us as a starting point for our work. Through the diligent preliminary talk we will discuss various aspects of interest that my students have developed in relation to music, so we could plan and design our future lessons according to an initial discussion. My job and responsibility will be to make an intelligent assessment of my students' natural abilities for the given subject of study, to create vigorous learning atmosphere during our meetings, and to give my students professional instructions to the best of my humble abilities, for the benefits of their musical , aesthetic, and personal development. I will encourage my students to learn as much as they can, at the given moment, but I will not ever attempt to exceed people's natural capabilities. Participation in Music with love and fun should be as rewarding and valuable to the music amateur, as professional performing career ( with its highly demanding standards) stands for classically trained musicians. During our study sessions, we will work upon the goals and tasks that we have discussed at the beginning of our meetings. My ultimate goal as a teacher was and will always be to help my students discover and bring forward their best creative potentials through the intensive musical studies and practice, and, at the same time, to favor heir initial interest's transformation into a deep, serious passion.
*** Studio Equipment ***
Living Room, Italian keyboard Real Piano PRO 2
*** Travel Equipment ***
Honda Insight 2011
*** Specialties ***
As a Bass - player, I have been performing in Big-Band Orchestras, Jazz Sextets, Quartets, Trios, Duos.
I was also a Progressive-Rock Band Bass-Player.
John Pretlor Band, (R&B style, Soft Jazz) hired me, as a Bass Player, before I went to Mannes College, to study Composition.
Music Theory - wise, I have taught Fundamentals of Music, Elementary Music, Music Theory I, II, Keyboard Harmony, Music Analysis, Post-Tonal Theory.
...
Reviews
· Piano · In studio
· Piano · In home
· Music Theory · In home
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Vasiliy M.
Boston, MA 02113
starting at
$35
/ 30-min
About Itai G.
Close
As a person with years of experience working with children, I am patient and enthusiastic, and my main goal when teaching beginners is to inspire a continued interest in playing the piano. It is important for me to make the lessons fun, and therefore I am attentive to my students' needs, strengths, goals, and concerns. I incorporate ear-training into my lessons, emphasize the understanding of rhythm, and teach students to have a productive practicing ethic. I consider myself an encouraging person with a positive outlook, and feel that a child's self-confidence is an integral part of their learning.
For beginner students, I like to use method books and guide them through every step of the complicated process of learning how to read music. After several months, a beginner student will have learned how to count rhythm in a piece of music, identify notes in notation, play some basic scaled correctly, and would be working on a simple song or Classical piece.
For advanced students, I
About Itai
I graduated from SUNY Purchase with a BA in Studio Composition in 2007, and from Hebrew College with a Masters' Degree in Jewish Education in June, 2016. I have been working in after-school, Hebrew school, camp, and other supplementary educational settings for the past ten years. Most of my students are learning piano, and I also have a few Hebrew students. My Hebrew students are either studying for their bnei mitzvah, maintaining their conversational Hebrew, or learning for the purpose of competence of services or Torah study. My piano students have ranged from age 4 to young children learning Classical pieces to teens learning to play the songs they like to adults working on their songwriting and improvisation. My strengths are improvisation, music theory and ear training, accompaniment of popular songs - rock, theater, pop, folk, etc.
Please feel free to get in touch and ask questions!
The review posted on my profile was from when I used my English name, Ricky.
Please feel free to get in touch and ask questions!
The review posted on my profile was from when I used my English name, Ricky.
...
Reviews
· Piano · In home
· Piano ·
Ricky has been teaching my daughter for last 5 years. My daughter is now 15 years old. She already played piano for a couple of years before Ricky started working with her and at that time was getting disinterested. We were looking for someone who would bring that interest and spark back into her playing piano. I was looking for a special teacher who can teach basics of improvisation and accompaniment to a young child. After talking with several potential teachers, we decided to work with Ricky.
Ricky has proven to be an amazing teacher for my daughter. He is patient, creative and able to adjust to the childâs needs. I was amazed when couple of months after my daughter started working with him; she was already improvising and playing really cool pieces of music. That kind of teaching has inspired my daughter to continue playing piano for the last 5 years. She has accompanied two of her friends singing at her school talent shows and graduation ceremony with encouragement and inspiration Ricky has provided her all along.
Ricky frequently encourages my daughter to pick her own songs she would like to work on. Ricky has a strong knowledge of music theory and has incorporated that in his lessons. I love that my daughter is learning music theory, improvisation, accompaniment and reading music all with the same teacher. It is not easy to find a teacher who is so creative to include all of these in his teaching method. I would highly recommend Ricky as a piano teacher for any age.
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Itai G.
Auburndale, MA 02466
starting at
$40
/ 30-min
About Gabriela H.
Close
"Staying authentic and purely yourself is not easy while everyone around you tells you what to do and what not to do, though that is exactly what makes a great artist unique and popular, especially in an academic surrounding with so many talented musicians around you. As a student, performing artist, and educator, I will always have as one of my ultimate goals to never lose my curiosity - curiosity for the other style or technique I don't know yet, the other artist I haven't discovered yet, or a new depth I haven't been able to experience yet through music. There is and will always be more, and that's the beauty of music. I try to help my students understand the benefits of staying open-minded and challenge them to do things they might not normally do to make them leave their comfort zone and dig deeper into the unknown."
"I want to make my students think about what they want to express with their original song or what the story is behind a cover song and in what social and ...
About Gabriela
Gabriela Martina is a composer, arranger, and bandleader. Released in 2016 with a four-star review from DownBeat, her newest album, No White Shoes, represents a major step in the singer’s sojourn as a 21st-century musician. Martina had the opportunity to perform and collaborate with heavyweights like Meshell Ndegeocello, Jack DeJohnette, and Angelique Kidjo. She recorded with veteran drummer J.R. Robinson and was a semi-finalist in the Shure Voice Competition at the 2009 Montreux Jazz Festival, performing with guitarist Lee Ritenour’s band. Martina released a critically hailed EP in 2010, Curiosity, which included her original song “Ain’t Nobody,” a finalist in the American Society of Composers, Authors, and Publishers Foundation Young Jazz Composer Awards in 2012. She sings in four languages (German, English, French, and Spanish) and is
currently performing with various groups up and down the East Coast. Martina owns her own booking agency called Red Velvet Sounds and is cofounder and curator of the In Momentum concert series.
Martina is a social activist who is passionate about learning more about other cultures, helping to develop a sense for community, and fighting inequality and racism. She is a strong advocate of causes that promote equal human rights independent of religious or political affiliations. From 2009 to 2010, Martina was the founder and president of the Cultural Leaders Club at Berklee College of Music, where students investigated causes and effects in terms of race, gender, and ethnicity issues. Sonic Relief, which Martina cofounded, was awarded the Berklee Urban Service Award 2016 for using music to aid people in need.
*** Travel Equipment ***
I would prefer if students have a piano or keyboard at their homes. If not, I'm sure we'll find a way.
I do have a car.
*** Specialties ***
I love to work on improvisation, on finding yourself as a musician/an artist, helping students to find a way of coming from covering songs to a level of first steps towards writing songs themselves (including work on theory and ear training - helps to progress)
I feel comfortable teaching in the following genres:
- a cappella
- blues
- jazz
- soul/r n' b
- pop/rock
- electro/urban
- classical
- experimental
Martina is a social activist who is passionate about learning more about other cultures, helping to develop a sense for community, and fighting inequality and racism. She is a strong advocate of causes that promote equal human rights independent of religious or political affiliations. From 2009 to 2010, Martina was the founder and president of the Cultural Leaders Club at Berklee College of Music, where students investigated causes and effects in terms of race, gender, and ethnicity issues. Sonic Relief, which Martina cofounded, was awarded the Berklee Urban Service Award 2016 for using music to aid people in need.
*** Travel Equipment ***
I would prefer if students have a piano or keyboard at their homes. If not, I'm sure we'll find a way.
I do have a car.
*** Specialties ***
I love to work on improvisation, on finding yourself as a musician/an artist, helping students to find a way of coming from covering songs to a level of first steps towards writing songs themselves (including work on theory and ear training - helps to progress)
I feel comfortable teaching in the following genres:
- a cappella
- blues
- jazz
- soul/r n' b
- pop/rock
- electro/urban
- classical
- experimental
...
Reviews
· Singing · In studio
· Singing · In studio
· Music Performance · In home
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Gabriela H.
Brighton, MA 02135
starting at
$100
/ 45-min
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About Beau S.
Close
I teach important musicianship skills as well as proper technique and relevant music theory.
About Beau
*** Lesson Details ***
I studied music performance at UMass Dartmouth. I have the tools and resources to teach the students what they need to know in order to teach themselves. In lessons, I focus on what the student wants to learn, however for younger students I tend to stick with the methods books for a while.
I am a big fan of applying relevant elements of music theory to the music we're learning: it helps to understand the science behind the music. Noticing patterns and understanding common terminology will make it easier to learn pieces and play with other musicians.
*** Studio Equipment ***
Kimball baby grand piano.
I can teach at my house in Attleboro as well as come to you.
*** Specialties ***
Music theory and classical piano. (Classical and pop)
I studied music performance at UMass Dartmouth. I have the tools and resources to teach the students what they need to know in order to teach themselves. In lessons, I focus on what the student wants to learn, however for younger students I tend to stick with the methods books for a while.
I am a big fan of applying relevant elements of music theory to the music we're learning: it helps to understand the science behind the music. Noticing patterns and understanding common terminology will make it easier to learn pieces and play with other musicians.
*** Studio Equipment ***
Kimball baby grand piano.
I can teach at my house in Attleboro as well as come to you.
*** Specialties ***
Music theory and classical piano. (Classical and pop)
...
Reviews
· Piano · In studio
· Piano · In studio
· Piano · In home
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Beau S.
Attleboro, MA 02703
starting at
$27
/ 30-min
About Elias M.
Close
I tailor my teaching approach to my individual students' needs, and help my students pursue the piano at the speed and level of intensity they desire. I am as happy to help beginners take casual lessons as I am to help more advanced students prepare for recitals and auditions. I believe that a varied dose of repertoire with a sprinkling of scales and exercises is essential to any pianist's success. Most importantly, I help my students develop musicality alongside their technical skills.
About Elias
Hello! My name is Elias, and I'm a classical cellist, pianist, and an aspiring symphony orchestra and opera conductor. I recently graduated from Harvard University where I studied music. Before transferring to Harvard, I attended the New England Conservatory of Music where I was a cello performance major and Tufts University where I studied history. As a cellist I have attended various music festivals including the Aspen Music Festival and School and the Bowdoin International Music Festival, and I have performed in concerts and master classes across the country. As a pianist, I have served as a rehearsal pianist and vocal coach for numerous operatic productions, and I frequently accompany both singers and instrumentalists. I am looking for piano and cello students of any age and level!
...
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Elias M.
Cambridge, MA 02138
starting at
$30
/ 30-min
About Mark M.
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My youth and adult piano students study using a thorough method that utilizes technical exercises, music theory study, and appropriate repertoire.
About Mark
I am an active performer eager to teach organ, piano, voice, and general musicianship skills to youth and adults. Private lessons are given at Trinity Lutheran Church in Worcester. My students have gone on to undergraduate and graduate performance schools and hold full-time positions in churches, schools, and other performing organizations around the country. I believe music is not only an aesthetic pursuit, but also a primary way to develop one's sense of self-esteem, community, trust, openness, and character. Building skill as a musician exercises the brain, builds logic, and fosters discipline.
Members of Trinity Lutheran Church, Worcester get a discount of 50% off all lesson rates posted here on TakeLessons. Message me to recieve instructions on how to take advantage of these great rates.
Members of Trinity Lutheran Church, Worcester get a discount of 50% off all lesson rates posted here on TakeLessons. Message me to recieve instructions on how to take advantage of these great rates.
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Reviews
· ·
· Piano · In studio
· Organ · In studio
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Mark M.
Worcester, MA 01609
starting at
$40
/ 45-min
About cindy M.
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I teach in a supportive environment to enable students to read music and foster a lifelong love of it. I am an experienced teacher for over 30 years with a degree in music ed and piano.
About cindy
At my studio, each student receives a personalized education based on their abilities, experience, and interests. I welcome children and adults, beginners and intermediate learners. My goals are to help you read music so you can play any instrument and learn the technique to play the piano. After we cover the basics, we branch off to classical music or any genre you are interested in. Lessons include ear training, chords, and music history to make you well rounded and knowledgeable.
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Reviews
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· Piano · In studio
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cindy M.
Wilmington, MA 01887
starting at
$42
/ 30-min
About Alexandra D.
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I am experienced in teaching students of all ages, from beginners and beyond. Coupling a focus on technique and sight-reading with music that inspires personal taste and interest, I can have you showing noticeable piano improvement after three lessons.
About Alexandra
Hello! I'm a singer and actor who performs everything from opera to musical theatre to jazz to straight theatre. I have performed as far away as Bruges, Belgium.
As a teacher, I have taught privately and in the classroom for the past 14 years. I have taught for the Metropolitan Opera Guild Urban Voices as a Master Teaching Artist, for the Boston Symphony Orchestra's Days in the Arts program, for Watertown Children's Theatre, and for the North End Music and Performing Arts Center where her students have shared the stage with the Boston Landmarks Orchestra and the Boston One City Choir.
As a performer, her favorite roles include Anita in "West Side Story", Jo March in "Little Women", and Carmen in "Carmen".
As a teacher, I have taught privately and in the classroom for the past 14 years. I have taught for the Metropolitan Opera Guild Urban Voices as a Master Teaching Artist, for the Boston Symphony Orchestra's Days in the Arts program, for Watertown Children's Theatre, and for the North End Music and Performing Arts Center where her students have shared the stage with the Boston Landmarks Orchestra and the Boston One City Choir.
As a performer, her favorite roles include Anita in "West Side Story", Jo March in "Little Women", and Carmen in "Carmen".
...
Reviews
· Singing · In studio
· Piano · In studio
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Alexandra D.
Salem, MA 01970
starting at
$25
/ 30-min
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Piano Lesson Reviews from Students
Students are raving about their Piano instructors on TakeLessons. Check out some of these recent reviews.
Review by Anetta
"Frankie teaches the perfect mix of fun and serious technique! His care to make sure the student not only learns but understands why and what they are lear
ning has me excited to stick with piano for the long haul! I can't wait to se what future lessons bring! :)"
...
Boston, MA teacher:
Frankie P.
Review by Genna
"Only had 1 lesson so far. My daughter seemed to enjoy her lesson. He seems very nice."
Boston, MA teacher:
Aaron M.
Review by Joseph Li
"Excellent piano teacher. Very patient and full of encouragement. I am very happy and lucky having her as my piano teacher."
Boston, MA teacher:
Kelly J.
Review by Janet
"Nipun has very thoughtful suggestions for technique and phrasing. He's a careful listener, an excellent communicator, and clearly an outstanding teacher."
...
Boston, MA teacher:
Nipun M.
Review by Michael
"Amber helped me improve my technique and play with better dynamics. I like that she often plays along with the student to demonstrate her lesson."
Boston, MA teacher:
Amber A.
Review by Lorenzo
"Knowledgeable, kind and sensitive & the kids excitedly enjoy learning with Heather -- Wonderful!"
Boston, MA teacher:
Heather K.
Review by Daughter
"Kelly is very patient and thorough. Watching my daughter blossom into a piano player is very rewarding. Kelly is excellent with kids!"
Boston, MA teacher:
Kelly J.
Review by Polly
"Kristin was great. My daughter was excited to keep having lessons."
Boston, MA teacher:
Kristin M.
Review by Naomi
"Jake is clearly a natural with kids. This was my 5 year old daughter's first lesson. Although she was initially nervous, Jake helped her easily transition
into the lesson, playfully keeping her on task. She wants to "play every day!""
...
Boston, MA teacher:
Jake H.
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Recent Piano Articles from the Blog
Whether you're just starting out or a seasoned pro, check out the Piano articles on our blog.
5 Reasons Why Hanon Exercises are Useless
Are Hanon exercises really effective at teaching piano students? Below, piano teacher James F. shares five reasons why he believes Hanon exercises aren't as useful as many think... A lot of piano teachers swear by the old familiar Hanon exercises as a great way of teaching technique to their students. I strongly disagree. Im familiar with a lot of different ways of developing piano technique, and I think that Hanon is among the least efficient. Why? Below Ive provided five reas … Read More