Brooklyn Music Lessons

Looking for private in-home or in-studio lessons? Our Brooklyn teachers are ready to get you started. Find your teacher today!

Featured On

How it Works

From finding the perfect teacher to managing payments, scheduling and tracking your progress, we take care of all the details, so you can focus on learning. Learn More

Search for a teacher

Compare hundreds of teachers based on the criteria that matter to you, including background checks, age and experience.

Schedule your lessons

When you've found the perfect match, schedule your lessons online using the teacher's real-time availability.

Connect with your teacher

Your teacher will welcome you with a personalized curriculum to meet your specific goals and you'll be able to manage your entire schedule through our free online account.

Can't find a teacher in Brooklyn?

No problem. Our online lesson platform connects you with any teacher, anywhere. All you need is a reliable Internet connection, a webcam and a microphone.

Convenient

Zero travel time is great for a busy schedule.

Affordable

Typically priced lower than local lessons.

Effective

Online students stick with lessons as long as local students.

Learn More

Music Lesson Reviews from Students

Students are raving about their Music instructors on TakeLessons. Check out some of these recent reviews.

And they're not alone!

Our teachers have taught

2 , 4 5 1 , 7 0 5

lessons and counting!

Popular Music Teachers near Brooklyn

Check out some of our most popular teachers near Brooklyn including Washington, Baltimore, Arlington, Silver Spring and Alexandria.

Showing 10 of 200+ results View More

About Timothy H.

Close
Profile_27771_pi_416806_2692809124022_757681283_n
Washington, DC

View Full Profile
About Timothy
I hold a Bachelors of Fine Arts from The University of the Arts in Philadelphia, PA. With over 15 years of experience, in both piano and voice, I've had to opportunity to perform, both domestically and internationally, with such great acts as Peter Nero and The Philly Pops, The Philadelphia Symphony Orchestra, and many others. I served as lead singer, pianist, and co-songwriter for a number of independent bands covering numerous genres including, but not limited to, Jazz, Pop, Rock, Acoustic, and A Capella.

Since moving to Washington DC, I've immersed myself within the local music community playing a handful of group and solo acts. I currently maintain a home music studio well equipped with musical instruments and music technology. I'm constantly practicing, writing, and recording to improve myself as an artist.

My teaching style
is unique and individualized to each student. I set personalized goals to make every lesson a success, and I push my students to get the most out of themselves just like I do myself. I'm always enthusiastic and humor driven to create a personable learning environment for students of any age. Music is my life, and I'm so thrilled to have the opportunity to share my greatest passion with the hope that my students, too, will fall in love with music!

*** Lesson Details ***
My lesson environment is laid back and stress-free. I like my students to feel inspired and encouraged as they begin or continue their music education. I introduce fun and innovative ways to build students' musicianship and creativity while retaining classical methods to develop strong technique and proper performance and practice habits.

For beginners, we'll be exploring the basics of either piano, or voice, while focusing on proper technique, basic theory, and a solid skill set. Within 3-6 months, my students are able to read music and understand the language of it.

For intermediate-advanced, we'll focus on building musicianship and skill sets by furthering studies in music theory, varying styles of repertoire, proper techniques that will greatly improve your piano and/or voice abilities, songwriting, improvisation, and live performance skills.

I ask that my students come prepared to every lesson with the motivation and commitment to learn something new each week! Lessons are a fun and creative way to discover yourself as an artist and a person, so let's get started!!

*** Studio Equipment ***
Kawai CN25 Upright Electric Piano, 13" MacBook Pro and iPad mini (Apple), A-Audio Elite HD Headsphones, BeatsStudio Studio Headphones (beats by dr. dre) and G900DX Studio Headphones (Gear One).
...
Reviews
Silhouette-80
Patrick C. February 21, 2018
· Piano · Online
Silhouette-80
Veronique April 21, 2017
· Singing · In home
Tim is a very knowledgeable, skilled, and professional instructor. You can really tell he loves teaching. He will challenge you so you can improve. Yet, he makes the lessons extremely fun! I am excited to have found such an awesome teacher!
Silhouette-80
Julia G. November 30, 2016
· Piano · In home
Tim is a very good instructor with a tremendous amount of patience and experience. He breaks down the topic to smaller portions of information so it is very easy to process and practice. Highly recommend.
View Details
View Profile
Timothy H.

Timothy H.

Washington, DC 20001
(26)
starting at
$45 / 30-min

About Wilma Evangeline B.

Close
Profile_28773_pi_1530547_745196432158065_604990394_n
Bowie, MD

View Full Profile
About Wilma Evangeline
*** Studio Equipment ***
Upright Piano
Yamaha Electric Keyboard, Guitar, Violin, Flute & Drums

*** Travel Equipment ***
Guitar, Keyboard,

*** Specialties ***
Early Childhood Music, General Music Education, Music Therapy & Special Education Services
...
Reviews
Thumb_124285_pi_IMG-20171119-WA0001
Godson O. April 2, 2018
· Vocal Training · In studio
Great teacher
Silhouette-80
Gionni C. February 11, 2018
· Piano · In studio
My son left very happy, he wanted to show me what he learned. So far so good
Silhouette-80
Robert February 3, 2018
· Guitar · In studio
Mrs. Wilma is an amazing instructor. I really enjoyed all of my lessons. I can now play my guitar. Thank you. Bless you.
View Details
View Profile
Wilma Evangeline B.

Wilma Evangeline B.

Bowie, MD 20716
(34)
starting at
$30 / 30-min

About Michael K.

Close
Profile_395286_Michael%202013%20photo
Arlington, VA
View Full Profile
About Michael
- I teach beginners, and intermediate guitar students.
- My students' ages range from 8 years to older adults.
- Styles taught: Folk, Folk Rock, and Classical
- I have taught guitar for more than 10 years.
- I have performed professionally for over 25 years.
- I have released five audio recordings.

*** Lesson Details ***
My students' musical interests, goals and abilities dictate the direction that we select for their lesson plans. By recognizing and understanding each students learning style, I use techniques/methods that are suited to that particular student. This improves the speed and the quality of learning.
I am flexible and easy going but focused - and I encourage my students to do the same. I want my students to succeed and be able to play the music that they enjoy!


*** Studio Equipment ***
Numerous electric, acoustic steel string and classical guitars.
Electric Bass
IMac Computer
IPad
Sound System with microphone

*** Specialties ***
I use various techniques,methods and combinations ranging from Hal Leonard, Mel Bay, Berklee Music, Suzuki, YouTube videos and video to record particular lesson segments (which I then email to students to view as an aid during their home practice sessions).
...
Reviews
Silhouette-80
Matt June 11, 2018
· Guitar · In home
I have been taking lessons from Michael for about 9 months, and it has been one of the best experiences I have ever had. He is an excellent guitar player, and instructor. He is patient, thorough, and very willing to pace his instruction with the ability of the student. I am in my late 50's and he is just the person I had hoped for in a teacher. I consider going to lesson not a chore, but a pleasure.
Silhouette-80
Theodor (. November 25, 2015
· Guitar · In home
Great start!
Silhouette-80
Mohammed Al Dhaheri November 17, 2015
· Guitar · In studio
I just started to learn how to play guitar. It is hard to learn , but Micheal makes it easier to learn.
View Details
View Profile
Michael K.

Michael K.

Arlington, VA 22207
(7)
starting at
$35 / 30-min

About Travis P.

Close
Profile_77799_pi_11025118_10153119984588535_8065389942763426285_n
Kensington, MD

View Full Profile
About Travis
Hi,

My name is Travis, and I have been playing trumpet for 17 years. I have been teaching for 8. I love working with new students, and became more focused on private lessons during my Sophomore year in college. Speaking of which, I earned a Bachelors of Music in Trumpet Performance from the University of Maryland College Park.

While there, I played with the Wind Orchestra, Symphonic Orchestra and Jazz Band. I am also a regular performer with the Prince Georges Philharmonic.

As each student is different, so is my technique and teaching method. Generally, I have students work through the fundamentals of the instrument including fingerings, embouchure, breathing and scales. Once mastered, the more difficult obstacles such as range, dexterity, repertoire and endurance are approached. I do not work with a set schedule for s
tudents, and tailor the lesson plan for the student's growth and practice.
...
Reviews
Silhouette-80
Levi November 30, 2017
· Trumpet · In home
Travis is a wonderful, encouraging & enthusiastic teacher. My son (10) loves going there. He learns a lot and progresses quite quickly - and at the same time it’s always fun.
Silhouette-80
Hannah B. August 17, 2017
· Trumpet · In home
Travis was great. He paced the lesson right for my daughter and started instilling some fundamentals that she was missing. He is kind and friendly. And a great musician!
Thumb_109626_pi_IMG00038-20110606-1039
Bomani August 8, 2017
· Trumpet · In studio
Travis is a great teacher, he is patient and has vast knowledge of music theory. He has a warm personality which sets the tone for me to learn. He started with the basics, my posture, breathing and how to hold the trumpet and it's parts. I look forward to each lesson.
View Details
View Profile
Travis P.

Travis P.

Kensington, MD 20895
(8)
starting at
$30 / 30-min

About Earl C.

Close
Profile_96402_pi_2%20Bethesda%20Blues%20%26%20Jazz
Greenbelt, MD

View Full Profile
About Earl
International guitarist Earl C. is now offering in-person and online coaching sessions. With more than thirty years of experience, he has performed with many well-known artists including grammy-nominated celebrities and others such as Freddie Jackson, Regina Belle, EU, Angela Bofill, Alyson Williams, Mya, Syleena Johnson, Nick Colionne, Mike Phillips, Michael Lington, Bobby Lyle, Marcus Johnson, Bob Baldwin, Pamela Williams, and more.
...
Reviews
Silhouette-80
Cierra June 22, 2018
· Guitar · In home
Earl is an outstanding guitar teacher. He exudes a passion for playing the guitar that makes learning fun and effective! He is highly recommended.
Silhouette-80
Ken October 22, 2015
· Bass Guitar · In studio
Earl Carter is extremely knowledgeable, and very patience. You will find that each session is enjoyable yet challenging. I would recommend Him to anyone from the beginner all the way to the more advanced student. If you have the desire to learn the art of music then you will enjoy His instruction. I couldn't ask for a better instructor.
Thumb_79919_pi_photo%20%281%29
Jocelyn S. September 18, 2015
· Acoustic Guitar · In home
Although I lacked the commitment to follow through with my lessons, Earl's teaching ability is STELLAR!!! In the short time I was taking lessons with him, I learned a lot, relatively quickly.
View Details
View Profile
Earl C.

Earl C.

Greenbelt, MD 20770
(7)
starting at
$30 / 30-min
View More
View Previous

About Christine P.

Close
Profile_90993_pi_image
Alexandria, VA
View Full Profile
About Christine
The Exquisite Voice, Inc.

Christine is a professional vocal coach and piano instructor with an exceptional reputation. She is the owner of The Exquisite Voice, Inc. and resides in The Historic Parkfairfax community of Alexandria.

She has over eight years of teaching experience and has taught hundreds of students and given thousands of lessons, (including the full spectrum of learning needs) during this time (both vocal and piano throughout the DMV area). She is considered an expert in her field for vocal technique and maintains a very active studio.

Christine's unique and highly effective approach to voice has allowed her to continue to help beginning to professional level students advance their technique with incredible results.

Christine is a master of vocal technique and focuses on properly diagnosing and addressing vocal
issues as well as integrating the body to fully support the voice.

She addresses vocal issues in a very practical and logical order by first identifying the primary source of the vocal issues and starting to work from there.

This is a simple, but crucial difference that is apparent in her approach. The very nature of secondary issues are that they are simply the extensions of the primary issues and therefore primary issues should really become the focus and starting point of the technical work.

It is from Christine’s experience and observation that she has concluded that secondary issues will always be dysfunctional (regardless of time and effort put into correcting them) as long as the primary issues have not been resolved. Oftentimes secondary issues will significantly self-correct on their own or can be approached reasonably once the primary source has been corrected.

This can only happen if the teacher knows this and is aware on how to approach the correct order in which to work and to address issues.

Making sense of primary versus secondary issues is absolutely fundamental to legitimately correcting problems successfully. Unfortunately it is often that the student is ultimately left to the enormous task of discovering this on their own, if ever and if they are lucky after years of study because the teacher is often focused on surface level issues, which are always easy to hear.

This is because most professionals are not versed in hearing such nuanced differences, nor capable to offer to work in such a refined manner.

The voice requires an execution of many things that must function together properly in order for it to work. Considering this makes it is easy to understand why the voice is viewed as the most complicated instrument to diagnose and teach. Therefore, it is absolutely important to invest in teachers who greatly have a handle on the voice and how to go about making sense of it.

She also specializes in teaching students process and development through highly mindful practices. She believes that in order for the voice to function optimally, the body, mind and emotional state of the singer must all be receptive and responsive in a positive way. This is because they are all inherently interconnected.

Christine teaches in a mindful manner to help students become more observant and aware of their own approach. By doing so we can realistically create the opportunity to arrive to better choices.

Christine’s extensive experience and knowledge in various styles and specialties in vocal intonation, along with her continuous education (over twenty years) and dedication to the authentic Italian traditions of bel canto and verismo opera has allowed for her to develop an approach that can extended into all legitimate styles of singing. Her personal approach to the voice is beyond comparison, nor can it be matched.

She has a phenomenal ear and can make rapid and highly accurate assessments of technical issues in a very brief sitting. Christine is exceptional at explaining vocal pedagogy and directing students on how to make corrections for themselves.

Christine is a dramatic soprano and is very confident and experienced with large instruments (that are more difficult to train for various reasons and require more specialized training). Having an extremely rare and large voice herself has given her invaluable insight toward fully understanding all other voice types and the discipline necessary to achieve efficient technique.

Many teachers can be limited in their view and teach "their technique" as opposed to helping the student develop their own technique and what works best for them. Christine has a great talent for figuring out what a students needs to do in their approach in order to achieve the results and keep the lessons progressive.

Developing proficient technique in a complete and effective way leads toward discovering the full capacity and beauty of our instrument without compromise. We need to find our voice to find ourselves as artist.

Her methods in vocal intonation translate directly and indirectly into all styles of legitimate singing, which she coaches many varying styles and will direct student toward appropriate repertoire. Students will learn the full potential of their instrument under her guidance. It is her belief that technique should always lead toward one sounding natural, no matter the style and that one fully learns their instrument’s capability to access endless artistic choices as a performer.

Christine offers very traditional based vocal lessons with a focus on improving technique through practical exercises and song repertoire designed for each student's unique vocal needs. She will offer necessary guidance and adjustments to ensure the student's continuous development.

Her goal is for her vocal students to discover their authentic voice and to find freedom in their technique and most importantly their expression as artists.

What you can expect to learn:

Vocal pedagogy and how the voice functions properly; how to effectively think about your voice to get the body to cooperate (aurally, physically, mentally, emotionally, etc.);

Integrating the body to fully support the voice Rebounding the body, which is at the core of support, but often times very apparently neglected because most trained singers/teachers from even the highest institutions do not understand how it works or do it effectively themselves. It is sadly becoming a lost art. This is the most advanced concept of singing and yet is absolutely necessary to master in order to access genuine support. Christine clearly demonstrates and explains how this concept functions and her refinement of it is by far not common knowledge.

Other concepts include sustaining an open throat, internal space for optimal resonances, legitimate dynamics directed from the body and compressed air, anchoring the body to maintain the larynx low;

Various placement techniques, air that can rebound using breath direction, centering the voice/cut internally by aligning the horizontal (mask) and vertical planes (chest, back of head, top of head and spine) support and placement that function together, developing a mixed middle sound that passes easily into low and high registers and broadens range; articulation that is aligned with vertical planes and naturally hooks up chest and top of head (releases in head) without forcing or placing, tongue, jaw and neck release, body posture that is conducive for support and keeps the body open and functional;

Various artistic and performance techniques, musical interpretation appropriate to context, time period and style, aligning the voice and body/acting to come across accurately in our portrayals and the process behind this, memorization techniques, execution of timing for expressive reasons and ways to think about timing that doesn’t conflict with the natural structure of a song, but allows for flexibility in phrasing, phrasal development and song development.

Piano:
Christine is also a highly sought out piano instructor for her ability to establish an exceptional foundation in beginning piano students and those who wish to continue their studies and build upon the fundamentals. She specializes in reading skills and excellent technique.

It is her belief that having a solid foundation sets the tone for determining if a student will continue with their studies and therefore this is the most vital part of a student's development and future progress.

She teaches Russian technique, which allows for flexibility, strength and tonal beauty of musical lines. This technique can be applied to all styles of playing piano such as pop, jazz and is not limited to just the classical repertoire.

Her goal is for all of her music students to become increasingly independent as musicians to where they feel confident to teach themselves and others and to ultimately find enjoyment in the process of learning music.

Her approach helps students advance their technique, reading proficiency, including music theory and expand their artistic capabilities.

Education and continuation of voice:

She received her music education in classical vocal performance from George Mason University and has vigiourously continued her studies in opera with Mrs. Fabiana Bravo, who studied with Luciano Pavarotti and Renata Scotto and has had a fabulous career singing at the Met. Christine specializes in Italian for classical rep.

General styles I coach:
Opera (bel canto and verismo) classical, sacred, hymnal, traditional, jazz, r&b, folk, and other variations of these popular styles.

Christine also has an international recording career as an adult contemporary artist.

Voice lessons begin at age 14-55 and piano at age 6-any age. Please no inquires about exceptions on age or travel, I will not respond. I teach from my home only, regardless of distance. I am worth waiting for and traveling to:)

What do I expect from students who are applying:

Those who are very hard working, motivated, passionate, dedicated, responsible, considerate, humble and serious about lessons and greatly improving as musicians should apply only regardless of aspirations as a hobby or professionally.

I strongly believe that music is a discipline and this is how it will be approached during lessons. This is a teacher-student effort. Taking responsibility for your part is a must. That means trying to the best of your abilities to put my advice and guidance into practice away from lessons is necessary to your improvement.

I am looking for potential long-term students who are willing and ready to work hard in a practical and realistic manner, regardless of age, learning needs or proficiency.

Singing is a long-term sustained process to develop that can absolutely not be rushed and I want students who understand this. I have very limited availability and I am only seeking serious students who have a positive, professional attitude and will value me as a teacher. You need not know anything about voice, just have a good work ethic and attitude :)

Thank you and looking forward to working together!

Warmly,
Christine Padua
...
Reviews
Silhouette-80
Brittany March 12, 2018
· Classical Voice · In studio
I have some musical experience as a hobby (piano, violin, choral arts), so I can be somewhat critical when I meet musicians. I have to say, though, that Christine is an extremely talented vocalist and instructor - I daresay a vocal genius :) The way she describes and encourages understanding of abstract concepts about air direction and body support is very unique. While it remains technical, it also makes you think differently about your body in terms of physical and emotional space. If, like me, you're a technical-minded person in the more general sense, this kind of approach is helpful because you have to engage both sides of your brain. I'm always challenged at Christine's lessons, and there has been great improvement in my voice from 7 months of lessons with her. I'm also having fun in this process, which is why I continue to come back!

I highly recommend Christine. Give it a shot; you won't regret it.
Silhouette-80
Thomas M. February 16, 2018
· Singing · In home
She is incredibly talented. And truly understands how sound is created through voice. I highly recommend her to anyone. I am a beginner, by the way, with zero vocal experience. I'm looking forward to my next lesson!
Silhouette-80
Vesela D. January 20, 2018
· Opera Voice · In studio
Lessons were extremely useful for me. Christine is great at explaining the technique of opera singing and helping the student feel and find their own voice. Christine is an amazing vocal coach I would recommend to everyone.
View Details
View Profile
Christine P.

Christine P.

Alexandria, VA 22302
(15)
starting at
$42 / 30-min

About Florentina B.

Close
Profile_105635_pi_19114642_1480791071943416_2104040376_n
Alexandria, VA

View Full Profile
About Florentina
I am teacher since I was an adolescent. Always wanted to do everything it takes so my pupils take what they need from my lessons, understand and assimilate all the information, and also live with the desire of coming back and continuing with me the journey in the field they have selected.
Many of my students became my close friends that I go to see operas, broadway shows , concerts or other cultural and entertaining events with.
I also organize recitals and interesting meetings with the participation of my students.
For any additional information, contact me and I will answer in no time.
...
Reviews
Silhouette-80
Kayla P. June 16, 2018
· Singing · In studio
Great job! Kayla loved the lesson!
Silhouette-80
Tommy B. June 8, 2018
· Piano · In home
Florentina is outstanding! She is incredible with my son, and I’m constantly amazed by how well he connects with her on the lessons. She is very professional, always on time and very communicative with regards to his homework and schedule. He’s now preformed both for family and friends, and also in front of an audience. He continues to enjoy and look forward to lessons. Florentina is highly recommended.
Silhouette-80
Noah B. May 19, 2018
· Classical Piano · In studio
My Son Noah was extremely happy with his first lesson! He says Ms. Florentina was great! He is looking forward to his next lesson, he says Ms. Florentina makes it fun to learn. Something he never said about his two previous instructors...
View Details
View Profile
Florentina B.

Florentina B.

Alexandria, VA 22312
(33)
starting at
$50 / 45-min

About Amanda D.

Close
Profile_110851_pi_20170414-030
Baltimore, MD

View Full Profile
About Amanda
New York-born Flutist Amanda is a versatile performer active as a soloist, orchestral and chamber musician. Amanda was most recently named the first place winner of the National Society of Arts and Letters Woodwind Competition in Washington, DC. She has also received first place awards in the Best Mozart Performance category of the global Great Composer Competition Series, the 2014 Central Ohio Flute Association Young Artist Competition, the 2013 Rochester Flute Association Emerging Artist Competition, the 2012 Donald E. Webster Scholarship Competition, and the 2012 Stefan Scholarship Competition. In 2015, she was invited to participate in the Third International Maxence Larrieu Flute Competition, taking place in Nice, France, and was one of only three flutists invited from the United States.
Amanda is currently a substitute flutist wit
h the Canton and Firelands Symphonies, and appeared as a guest principal with the Canton Symphony for their March 2018 Masterworks Concert. During her studies at the Oberlin Conservatory of Music, she was principal of the Oberlin Orchestra, and performed in the orchestra at Chicago Symphony Center as a part of their 150th-Anniversary tour. At Oberlin, Amanda appeared frequently as an ensemble-member for faculty concerto recordings. She has appeared in the Schikele Bassoon Concerto and the Augusta Reed Thomas Bassoon Concerto released on the Oberlin and Naxos labels on the album Full Moon in the City. She has also appeared in recordings of the Carter Flute Concerto and the Trigos Guitar Concerto No. 1 (forthcoming releases). In addition to her orchestral opportunities at Oberlin, Amanda has attended the Pierre Monteux School and Festival, the Miami Summer Music Festival, and the Bach Institute at Emmanuel Music.
To supplement her love for performing, Amanda has also been active in the field of Arts Administration. Co-founder of the Oberlin Flute Association, Amanda spent two years bringing prominent flute artists to Oberlin. This included advertising in the Cleveland area, managing a strict budget, and organizing all details of the artists’ visits. She also worked at the Oberlin Concert Productions office as assistant director and program editor, and was administrative assistant with Oberlin Conservatory Summer Programs. She is currently a staff member in the Peabody Career Services office, providing professional development support for students at Peabody.
She has recently graduated from Oberlin College and Conservatory, where she received a Bachelor of Music in flute performance and a Bachelor of Arts in biology as a part of the college’s double-degree program. She is currently pursuing a Master of Music at the Peabody Conservatory, under the guidance of Marina Piccinini.
...
Reviews
Thumb_123251_pi_ajumma_
Ozge Y. February 10, 2018
· Flute · In studio
She encourages, she finds analogies to explain, she is more patient with me then I am with myself. She also explains the terms, gives tips on how to read the notes. She is able to identify the mistakes and give the right advice on how to improve. Her advice on how to practice made all the difference for me. I started with a giant cookie bite sized embouchure and within a few lessons I have managed to make it smaller thanks to her instructions. There is hope for me afterall.
Looking forward to playing a duet with her without me making a mess. Thank you Amanda!
Thumb_59a431a8e8f19_review_20863382_10155634434916823_7904268727545286225_o
Mike August 28, 2017
· Flute · Online
Amanda is an outstanding teacher. She inspires and challenges me to play pieces I did not think I could play. She is able to take difficult passages and break them down step my step so I can learn how to play them properly. I am sure I would not be playing as I am now, if it weren’t for Amanda’s skilled teaching. She is also friendly, makes the lessons interesting and fun and is very professional. I have taken lessons both in person and on Skype and she excels in both modes.
View Details
View Profile
Amanda D.

Amanda D.

Baltimore, MD 21201
(2)
starting at
$34 / 30-min

About Emily O.

Close
Profile_115413_pi_IMG_0495
Millersville, MD
View Full Profile
About Emily
I became a church pianist at the age of 14 and have been for over 10 years. My speciality is Hymn Playing Improvization, but I also enjoy playing and teaching classical, gospel, theory, technique, ear training, and memorization. During College, I won alternate for the Original Music Competition for my piano solo "The Journey." I have been teaching since 2013 and am thrilled when my students develop a love of music!
...
View Details
View Profile
Emily O.

Emily O.

Millersville, MD 21108
starting at
$30 / 30-min

About Andre G.

Close
Profile_127149_pi_trombone%20profile%20pic
Hyattsville, MD

View Full Profile
About Andre
Hello, my name is Andre! I'm a trombonist with over 20 years experience. I've played with several artists and have experience in several musical genres. My playing ability is backed by several years of music theory study and a degree in music performance. Whatever your goals are for trombone study, I can chart a course that leads straight to it while enhancing your learning experience along the way.
...
View Details
View Profile
Andre G.

Andre G.

Hyattsville, MD 20782
starting at
$45 / 30-min

Recent Music Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music articles on our blog.

Expert Tips: How to Play the Violin with Accompaniment

Expert Tips: How to Play the Violin with Accompaniment

Playing the violin with accompaniment can be difficult, as it requires different skills. Below, violin teacher Julie P. shares some expert tips on how to play the violin with accompaniment... If you want to play the violin with an accompaniment, you might find that there are a few new skills you need to develop. When you play the violin by yourself there’s no one you need to coordinate with for tempo, dynamics, and rhythm. But as soon as you add someone else to the mix, things can star … Read More

Expert Tips: How to Play the Violin with Accompaniment
Playing the violin with accompaniment can be difficult, as it requires different skills. Below, violin teacher Julie P. shares some expert tips on how to play the violin with accompaniment... If you want to play the violin with an accompaniment, you might find that there are a few new skills you need to develop. When you play the violin by yourself there’s no one you need to coordinate with for tempo, dynamics, and rhythm. But as soon as you add someone else to the mix, things can star
5 Easy Ukulele Songs to Brighten a Bad Day
Looking for a pick me up? Music teacher Willy M. put this great list of easy ukulele songs together that are sure to turn your frown upside down... I’ve had bad days; you’ve had bad days, it seems that sometimes there’s no escaping them. It’s like the wise sage once said, “it rains on the just and the unjust.” Well, you can sit around and sulk, eat a pint of ice cream and watch movies that make you cry your eyes out, or you can learn these five easy ukulele songs that will brighten any
5 Ways To Prepare For Bluegrass Guitar Lessons
Starting bluegrass guitar lessons is fun and exciting, and odds are you'll have a lot to learn! Guitar teacher Samuel B. shares a few things you'll want to do before you get started... Bluegrass is as much a piece of American musical culture as jazz, blues, country, gospel and early rock and roll. All of these styles (save for jazz) are based on the same three chords: C, F and G7th. Three of these styles (blues, country and gospel) are based on a slow rhythm that allows the guitarist room to ex
Are You Making the Most of Your Violin Practice?
Gifted musicians don't appear from nowhere fully-formed and ready to take to the concert platform.  For every 45-minute concerto or 90-minute recital you hear, hours of hard work have gone into every note, every phrase, and even how the music is approached, learned, and memorized! It may seem strange to say that proper practice is the most nerve-wracking element of mastering your violin, but if you don't know how to structure the session, how can you ever be sure that you're working on the righ
5 Easy Tips for Maintaining a Healthy Violin
Are you taking proper care of your violin? Below, violin teacher Ruth V. shares some tips on how to maintain a healthy violin… Learning how to properly care for your violin is important for many different reasons. First, it ensures you get the best sound when playing the violin. More importantly, it helps protect your investment. Violins are expensive, and the last thing you want to do is carelessly tarnish your instrument by not taking care of it. Below are five tips that will help

Get Started with Free Resources

Why TakeLessons?

Play-button

Are You a Teacher?

Find out how TakeLessons can help you grow and manage your business

Learn More