San Jose Music Lessons

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Average Cost of Music Lessons in San Jose, CA

The average cost of 60-minute music lessons in San Jose is $75. While the exact cost will vary depending on the teacher, type of lesson, and your location, you should expect to spend anywhere between $34 and $115 per hour.

30-min $17
 
$45 average
$75
45-min $25
 
$61 average
$90
60-min $34
 
$75 average
$115

For the best experience, we typically recommend 60-minute music lessons. However, students looking for a more affordable option may want to consider a shorter lesson length of 45 or 30 minutes. On average, 45-minute music lessons are 19% less expensive at $61, and 30-minute lessons cost 40% less at $45.

Curious how much music lessons cost in your area? Do a quick search to get local prices for the best music teachers near San Jose.

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Music Lessons in San Jose, CA

It takes time, patience, dedication and persistence to make it in the musical industry. Diamonds in the rough don't make themselves sparkle; they need the help of a fine craftsman to help them form. In order to really excel, musicians need the guidance of a professional instructor to master their craft.



TakeLessons can help you find that perfect teacher. Within the San Jose area, several professional musicians are willing to give their time to help younger musicians lead the next generation. All San Jose music instructors complete yearly background checks to ensure your safety, as well as an extensive interview process - so you know you’re being taught by the best of the best. Moreover, your first music lesson comes with a 100% Money Back Guarantee, so there is absolutely no risk in trying it out!



In addition to security and a great network of teachers, TakeLessons offers variety. Popular subjects include guitar, bass, drums and percussion, piano and voice. We also offer brass and woodwind instrument lessons, such as the trumpet, saxophone, clarinet, trombone and French horn. For our more advanced students, we also offer lessons in music theory, performance techniques, recording secrets and song composition.



Don't wait to take your music skills to the next level! Simply use our easy search tool to find a teacher for San Jose music lessons, or call 877-231-8505 to speak with a friendly TakeLessons representative who will guide you through the process. Book your private music lessons today, and start working toward all of your music goals!

About Hristo V.

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San Jose, CA
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About Hristo
Hristo is an impressionistic modern jazz guitarist and composer from Sofia, Bulgaria. Now residing in the San Francisco Bay Area, Hristo leads a variety of modern jazz formations, ranging from duets to quintets. Hristo has toured nationally and internationally, appearing at some of the most prestigious jazz clubs and festivals, and has also performed guitar clinics in Europe and Japan. He has written more than 270 original compositions, many articles on jazz improvisation, and a book on chordal theory and construction entitled Between the Voicings: A New Approach to Chord Building for Guitarists. The Hristo Quartet’s 2009 debut album, Song for Messambria (First Orbit Sounds Music) quickly received outstanding reviews by the international jazz community and was selected as one of the six best jazz albums of 2009 by E-JAZZ NEWS.
“His sophi
sticated and adventurous work is imbued with shimmering harmonies and lyrical improvisations.” – JAZZTIMES MAGAZINE
“His multihued compositions are like impressionistic sound paintings.” – JAZZIZ
“You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers.” – Improvijazzation Nation Magazine
“Hristo may be one of the best kept secrets in jazz today. He is the epitome of sonic gold.” – DIGITAL JAZZ NEWS
“Hristo plays as the cultural end result of his life experiences. Simply put, he plays more so from the heart than he does the head.” – Critical Jazz
“A richly textured album full of strong melodic and rhythmic ideas and with some superb playing throughout.” – THE JAZZ MANN (England)
As jazz critic Edward Blanco describes: “Heis the newest guitarist to enter the national jazz scene and does so with a stunner of a recording in Song for Messambria, one of the finest debut albums I've had the pleasure of appraising this year.”
The record presents a unique blend of ECM-style modern jazz, classical, and Brazilian tone textures, and showcases the completely unique and masterful interpretation of the jazz idiom by each one of its members. In late 2009, Hristo released his second studio album featuring Latin Grammy-nominated pianist Weber Iago. The Secrets of an Angel is an impressionistic landscape painted by the delightful and graceful conversation between the two instruments (guitar/piano).
As jazz critic Brad Walseth describes: “On the heels of his impressive debut recording, Song for Messambria, guitarist Hristo returns along with pianist Weber Iago for a wonderful guitar/piano duet recording - The Secrets of an Angel...while the gentle title track shimmers like a glistening iceberg on a cold sea. The delightful two-part ‘The Last Pirate” is a highlight - brilliantly showcasing the exciting romantic bend inherent in his music, while the nostalgic lullaby “Leka Nosht (Good Night)” recalls a faraway youth and rounds out this fine release.”
In 2010 Hristo wrote a large scale jazz work (The Perperikon Suite) especially to be premiered at the 53rd Monterey Jazz Festival. This 7 movements jazz suite is inspired by the ancient Thracian city of Perperikon (located on the territory of Bulgaria), and combines orchestral, classical, jazz, and fusion elements depicting the history and mystery of this enchanting place. The work marks Hristo third album and one of his most adventurous and sophisticated works up to date. For the recording of this project the Hristo Quartet was joined by virtuoso vibraphonist and multi-instrumentalist Christian Tamburr.
As jazz critic Dan Bilawsky describes: “Shimmering harmonies resonate throughout these modern jazz marvels, and the soloists work their way around and through this accessible and exciting music with equal measures of taste, technique and spirit. His pieces are peppered with signpost sonorities and ideas that often reappear throughout a given song, creating a sense of continuity and thematic steadiness that develops around individual soloists. While this group ably establishes its own aural identity, which threads its way through the whole album, each movement of the suite has different strengths and a unique sonic footprint. Brought to life as a tale of two cities, The Perperikon Suite ultimately occupies its own wondrous world within the confines of its jazz borders.”
As jazz critic Brent Black describes: “There is an incredible warmth to his playing, a fluidity of movement and direction held firmly in place by a stellar quintet that provides ample support for the lyrical imagery created on this release. Aside from the superior sound which almost smacks of a live in the studio recording, there is a true working band feel that he has been able to obtain. He displays an unparalleled versatility moving from the flash of “The Acropolis” to the more introspective “The Southern City” allowing for a wonderfully paced recording. The drumming of Joe DeRose creates a special dynamic tension on the tune “The Great Hall.” A release that ends far too soon. Wonderfully crafted, well paced and a sonic tapestry that stands up as well as any release for this past year.”
As jazz critic Bruce Lindsay describes: “The music, performed by a terrific quintet, is beautiful: it captures images not of a city in ruins but of a city full of life, of vibrant activity. The Perperikon Suite is an impressive creation. Each individual tune is beautifully crafted, but so, too, is the Suite as a whole. His response to the ancient city is remarkable in both its conception and its performance.”
As jazz critic Michael Bailey describes: “Many time motifs are used throughout this suite. Tick-tock ascending and descending figures pass as a thread through cloth, to hold this musical garment—a coat of many colors—together. He achieves this effect with no apparent effort or change in guitar tone or approach. Merely by affecting the time signatures, he makes his magic. The Perperikon Suite is soft-spoken and brainy music that exists out of the ordinary.”

As jazz critic Brad Walseth describes: “The new songs are the strongest he has written yet, and the addition of Tamburr serves to take the music to an even higher level. Hristo, meanwhile, continues to impress the listener with his addictive blend of jazz with touches of classical, Brazilian and Eastern European influences in both his playing and songwriting. In lieu of visiting the legendary site yourself, listeners are urged to take a musical journey to the ancient location as seen through the senses of Hristo and shared with you through his highly satisfying musical presentation.”
As jazz critic Ed Blanco describes: “Hristo and his inspirational quintet provide an all-new experience on The Perperikon Suite, a concept album that is accessible, creative and a pleasure to spin often.”
In 2012 Hristo embarked on yet another musical chapter of his life. Heartmony is the long awaited and highly anticipated follow up to the first duet recording by the guitarist and pianist Weber Iago (The Secrets of an Angel). As the title of the record will suggest, Heartmony explores a truly intimate, honest, and emotional conversation between the two instruments. The music, which transports you from impressionistic landscapes to folkloric tales and from melancholic memories to meditative trances, is simply the purest harmonious sounds he has put on tape up to date. Straight from the heart, healing energy that will embrace you long after you listen to it.
“An absolutely wonderful recording.” – JAZZTIMES
“If ever there were a marriage between classical music and jazz then this Heartmony is it. Hristo and Weber Iago have created a very special experience.” – Grady Harp (Amazon.com)
“Both on and off the bandstand, he is an artist who wears his emotions on his sleeve. His new “Heartmony,” a duo session with his frequent collaborator, Brazilian pianist Weber Iago, provides a master class in the way a chord or harmonic progression can evoke a flood of sensations.” – Andrew Gilbert (San Jose Mercury News)
“Guitarist Hristo and longtime collaborator, pianist Weber Iago, have created a work of sublime musicality with Heartmony. Exquisitely lyrical, although a bit too sweet, this opus brings together multiple musical influences into a coherent and cohesive, multilayered narrative, the momentum of which does not slack from the first few notes to the very last. He and Iago interweave long musical threads into a shimmering soundscape of serene beauty.” – Hrayr Attarian (All About Jazz)
As jazz critic Brent Black describes: “Heartmony is a sonic mosaic pieced together from heartfelt feelings and emotions carried through time and communicated in an incredibly heartwarming and emotional presentation that exemplifies the zen concept of less is more perhaps as well as any recording of the last decade. The musical sound of one hand clapping. His and Weber's music transcends the more traditional jazz idiom in much the same fashion that their recorded work here is that of a more cohesive unified voice with subtle shadings, lyrical swells and the textured nuances that creates music that is to be experienced. An incredibly beautiful artistic statement of personal experience.”
“Guitarist Hristo and pianist Weber Iago sounds like a perfect match in a musical heaven, if such things exist. What I’m saying here is that this is a duet album that sounds perfect, music made from the heart and soul. There’s warmth, there’s care, and there’s a human quality to this that no machine can replicate, and it is that Heartmony that makes this a powerful album worth listening to repeatedly.” – John Books
As jazz critic Dan Bilawsky describes: “The eleven originals are all musical offerings from the heart and soul, but this isn't a one-dimensional recital. Some songs are full of life and positive energy, while others have a sense of regret and nostalgia sewn into their being, but they're all painted in sharp, vivid colors, thanks to the skills of both artistic practitioners at play.”
“This set of guitar-piano duets is quietly emotional, always intriguing and quite original. His clear toned guitar blends in perfectly with Iago’s powerful piano and the two musicians often seem to think as one. Heartmony is quite thought provoking and well worthy of many close listens. Highly recommended.” – Scott Yanow
“Hristo and Iago play together with the assurance born of long and fruitful collaboration. They know each other well, and it shows in the skillful way they complement each other. They take a beautiful melody and run with it. They wring every bit of emotion out of it. There are passages in a composition like “Memories in Black and White,” nocturnal moments in “The Last Leaves which Fell in Fall,” that sound like they could have been written by a nineteenth century Polish Romantic. Then there are moments in the same songs where there are glints of French Impressionists.” – Jack Goodstein (blogcritics.com)
“Hristo is a gifted composer and master guitarist whose stylish approach to the music makes him a hidden wonder of the jazz world. Heartmony is an intelligent musical statement and gentle follow up to his previous works, a relaxing soulful musical experience sure to touch a piece of your heart.” – Ed Blanco (E-JAZZ NEWS)
In January 2013, Hristo released “Familiar Fields” – his 5th record as a leader (and his 2nd quartet recording). The music presented in this session clearly displays the multidimensional tonal evolution of the band and each one of its individual members. The addition of drummer extraordinaire Mike Shannon to the quartet establishes a portal to new sonic landscapes and emotions to be explored in this collection of 9 original pieces by the guitarist. The music, which takes the listener through the realms of impressionistic, classical, jazz, experimental, and new age, always retains the unique sonic footprint that has brought critical acclaim to the quartet all over the world.
“He  paints a vivid pastoral landscape with epic sweep, often recalling the big-sky sound of Pat Metheny. Obviously, these musicians are more than comfortable with one another, as one delicate solo seamlessly segues into another.” – JAZZIZ

“Once again he has produced an immaculately crafted, often supremely beautiful album.” –
The Jazz Mann (England)

“If Pat Metheny and Larry Carlton are considered the kings of impressionistic jazz guitar, then certainly Hristo is a crown prince and ready to lead a palace coup. In fact, “Familiar Fields” easily stands equal to even their greatest albums. Part of the reason for that has to be credited to Hristo’s choice of musicians in the quartet. The musical affinity and effortless grace shines forth on this album like few recordings I have ever heard. They share a single heart and mind that bursts forth in illumination on every track. There is no weak moment or weak player on this album.” – Travis Rogers (JAZZTIMES)
“Over the past few years, Bulgarian-born, Bay Area-based guitarist and composer Hristo has consistently crafted music of great lyrical beauty. With his self-named quartet or quintet, or in duet with pianist and frequent collaborator Weber Iago, he has advanced a sound that manages to sound intimate and epic at the same time. He does so again on Familiar Fields (First Orbit Sounds), his latest recording with his quartet, which welcomes new member Mike Shannon on drums. As he has on previous recordings, He makes use of classical imagery and narratives in song titles such as “The Prophet’s Daughter,” “The Mask of Agamemnon” and “Wounded by a Poisoned Arrow,” the last of which is our selection. His instrumental voice bears echoes of the tonal warmth and big-sky sweep of Pat Metheny, as he and Iago, his beyond-simpatico musical compatriot, switch off on leads, riding the rolling hillocks of rhythm provided by Shannon and acoustic bassist Dan Robbins. Shannon proves an exceptional addition to the group, responding to and driving his companions in equal measure.” – JAZZIZ
As jazz critic Hrayr Attarian describes: “Bulgaria-born and San Francisco-based Hristo has established himself as a modern day troubadour. His enchanting and fantastical tunes have the feel of medieval ballads abundantly peppered with futuristic sounds. His sixth release, Familiar Fields, presents nine impressionistic originals that showcase his maturing compositional skills as well as the superlative, improvisational talents of his working quartet. With each album he oeuvre ripens and becomes more sophisticated without losing its delightfully spirited edge. Familiar Fields not only stands on its own merit as sublime music but also whets the appetite for what is yet to come.”

“Familiar Fields is a highly intelligent, thought-provoking Impressionistic escapade.” – Nicholas Mondello (All About Jazz)

“This release is a clear statement from an artist comfortable with who he is and where he is going. There are no absolute truths in music but instead there are shades of gray which he and his quartet fill in with the precision of a surgeon and the soul of a true artist. Never caught up in the academics of his works, he instead conducts a sonic exploration with the end result being a release that gives up something new with each subsequent spin. An ebb and flow unmatched, or perhaps unlike him, an ebb and flow that other artists simply can not match. As close to perfect as it gets!” – Brent Black (CriticalJazz.com)

“The Hristo Quartet, ladies and gentlemen, is in peak form. They have no competition: no other music in the jazz idiom is quite as satisfying.” – Grady Harp (Amazon.com)
“The musical bond between guitarist Hristo and pianist Weber Iago is as strong as that of Chick Corea and Gary Burton, with proof being their two sublime duet recordings, The Secrets of an Angel and Heartmony, as well as three small group sessions under his name. For the Familiar Fields quartet date with regular bassist Dan Robbins and new drummer Mike Shannon, chose nine gems to play from his vault of more than 270 original compositions. As usual, as one listens to his music, the words lyrical, impressionistic, spiritual, and passionate come to mind, and also his term "heartmony," which he defines as the simultaneous combination of feelings and emotions, especially when produced by experiences, memories, and stimulations pleasing to the heart, body, and soul." – Scott Albin (JAZZTIMES)
“The emotional essence of any Hristo recording can be seen before it’s heard via the distinctive oil paintings the guitarist creates for his CD jackets. his artwork for Familiar Fields is impressionistic, haunting and autumnal, the same qualities that characterize his latest collection of tunes. The foursome’s interplay is highly intricate, resulting in emotive tunes that wax and wane in intensity. Whether you call it post-bop or post-fusion, his brand of jazz is passionate and ethereal. He has developed into a formidable guitarist and intelligent composer, and since he’s only 32 years old, his best work may be yet to come.” – Ed Kopp (Jazziz)
“Within his tone and technique, it’s not difficult to hear the influences of Wes Montgomery, Pat Metheny and Lee Ritenour. He is adept at the full range of extended techniques but is most often described - justifiably - as an impressionist.” – Karl Ackermann (All About Jazz)
“Of the many attributes that Bulgarian (San Francisco based) guitarist Hristo possesses - refined technical abilities, warm tonality, and expressive soulfulness - his gift to convey beautiful stories through intricate composition is always at the heart of his appeal.” – Mark F. Turner

In October 2013, Hristo released his 6th album as a leader. "Rhodopa" is a beautifully crafted sonic pairing of the extremely emotional and lyrical Bulgarian folklore and the multidimensional and deeply textured world of modern jazz harmony. On his new music journey, the guitarist is joined by virtuoso Bulgarian clarinetist Liubomir Krastev. As jazz critic Dan Bilawsky describes: “Hristo and Liubomir Krastev cover everything from the mystical to the mournful and the grim to the gleeful on this absorbing duo date.”

“Hristo takes improvisational music to a third dimension of texture you can feel. Rhodopa is my selection for album of the year for 2013. Critically acclaimed guitar virtuoso Hristo started the year with the release of the highly regarded Familiar Fields. With Rhodopa, has now assumed his rightful place as a global virtuoso of unrivaled talent and ability. As artistically gifted as he is technically proficient, Hristo moves to the head of the pack with this stellar outing.” – Brent Black (CriticalJazz.com)

“Hristo boldly departs from the group setting and gives the audience even more of what they crave - soulful arrangements and virtuosity with heart. There is a beauty and an elegance that comes through on each and every one of Hristo's recordings. The music he composes, the arrangements he crafts, the musicians that he assembles together and the dignity and reverence of his musicianship speak of the heart of the man and his love of life.” – Travis Rogers (JAZZTIMES)

As jazz critic Hrayr Attarian describes: “The warm, poetic tunes are like fairy tales in verse. They are imbued with nostalgia, and shimmer with a variety of muted colors and sentiments. Krastev's softly undulating tones waver against his vibrating strings in a spiritual celebration of abstract beauty. This thematically unified work is a genre bending, elegant and satisfying opus and a new high for he who continues to excel himself on each fresh release.”

“Modern jazz guitarist, pianist and composer Hristo always refreshes the ear and the soul with his inordinately sensitive, mesmerizing, and beautiful approach to music. He is unique - and artist who explores every avenue of approach to both folk music and jazz and the result is an experience that simply no one else can match.” – Grady Harp (Amazon.com)

“With Rhodopa, guitarist/composer Hristo and clarinetist Liubomir Krastev meld musical minds, dive exuberantly into an array of earthy Bulgarian folk material and come up with four hands of beauty. The result is a panoply of aural color, emotion, and technical artistry.” – Nicholas Mondello (All About Jazz)

As jazz critic Ed Blanco describes: "Rhodopa is an instrumental serenade of Bulgarian folklore music interpreted by a world-class guitarist and clarinetist. Hristo and Liubomir Krastev deliver an enchanting and relaxing escape from reality with a fifty-three minute encounter of soul-reaching music."

"You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers. With Liubomir’s reeds, they form a cultural jazz experience that can’t be compared with anything else!" – Dick Metcalf (Improvijazzation Nation Magazine)

On top of leading his own quartet, quintet, duo projects, and co-leading the group SEVA, Hristo also co-writes and plays guitar with Joe De Rose and Amici - an energetic jazz/fusion formation lead by drummer Joe De Rose. Hristo has appeared on countless radio shows/programs all around the world.

Hristo has also performed in world-class jazz venues and festivals including Yoshi’s Jazz Club (Oakland, CA), Bach Dancing and Dynamite Society (Half Moon Bay, CA), Kuumbwa Jazz Center (Santa Cruz, CA), Anthology (San Diego, CA), Catalina Jazz Club (Hollywood, CA), The Jazz Corner (Hilton Head Island, SC), Heidi's Jazz Club (Cocoa Beach, FL), Alvas Showroom (San Pedro, CA), The Jazz Station (Eugene, OR), Egan's Ballard Jam House (Seattle, WA), Timucua White House (Orlando, FL), Ivories Jazz Club (Portland, OR), The Herbst Theater (San Francisco, CA), SOhO Jazz Club (Santa Barbara, CA), as well as major jazz festivals including the 53rd Monterey Jazz Festival (Monterey, CA), 2009/2010/2012/2013 AT&T San Jose Jazz Festival (San Jose, CA), 2010 and 2012 Redwood City “Jazz on Main” (Redwood City, CA), Okazaki Jazz Festival (Okazaki, Japan) and many more.

Hristo holds a B.A. in Music (Jazz Studies) from San Jose State University in San Jose, CA.
He has also studied in the prestigious Roland Music Academy in Caracas, Venezuela.

Students can benefit from Hristo's completely amazing knowledge on the instrument as well as music/harmony theory. He will work and design unique and specific goals tailored to each student's individual interests. His dedication and passion for teaching are first class!!!

*** Lesson Details ***
I design my lessons with the specific student goals in mind.

For Beginner students: we will start by exploring rhythm concepts and understanding how to read music. Learning the physics of the guitar and exploring the notes in the first few positions. Learning open position chords, and simple chords progressions, major and pentatonic scales,etc.

For Intermediate students: we will continue expanding our knowledge of the higher positions of the guitar, as well as develop better sight-reading skills. Bar cords and chord transposition, and music theory. Expanding our scalar vocabulary to modes, and minor scales. Learning arpeggios and classical etudes.

For Advance students: Close interval voicings, jazz improvisation, chord to scale relationships, and harmonic substitutions are some of the concepts we will cover. Learning solo guitar playing (chord melody), incorporating walking bass lines, transcription skill and arranging skills.

*** Studio Equipment ***
A specific music room with a few guitars, a keyboard, amps, and recording equipment and music stands

*** Travel Equipment ***
I provide my guitar and amp.
Students should provide their guitars and amps (if needed)

*** Specialties ***
I specialize in Jazz guitar, improvisation, harmonic studies and theory.
Chord melodies, building lines, phrasing, voice-leading, chordal improvisation, and re-harmonization/substitution.
...
Reviews
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Kim L. April 26, 2014
· Guitar ·
Outstanding Performer

Hristo is the most inspirational teacher I've every had the pleasure to learn from. He shares his talent in a way that I look forward to every lesson. His patience and positive reinforcement encourages me to keep practicing. He selects the appropriate music for my level and teaches all genres. Thank you for working with me every week. I hope I get to work with him for as long as I can until he becomes too famous to continue teaching us.
Silhouette-80
AllenH April 4, 2012
· ·
Great Instructor

I've been taking lessons from Hristo for a couple of months now. He is friendly, affable, and extremely patient. I enjoy our lessons, and have learned quite a bit in the short time we have been working together.
Silhouette-80
JeanetteY March 7, 2012
· ·
wonderful instructor and very accomodating. We are appreciative of his talents!!
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Hristo V.

Hristo V.

San Jose, CA 95118
(9)
starting at
$65 / 30-min

About Kathryn G.

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San Francisco, CA

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About Kathryn
From the moment Kat was tall enough to reach the keys she made so much noise on her family's piano that they eventually bought a kid-sized version to keep in her room. When Kat turned 7 her family got her the best present ever; lessons with an amazing piano teacher.

Kat also began to study flute several years later and soon realized that music was the life for her. She majored in music in both high school and college graduating with a BA in Music from St. Norbert College in DePere, Wisconsin.

Kat has a very diverse career in music. From a full time private music teacher to the Musical Director of a Burning Man Opera, to the Section Leader for a Youth Orchestra, to the keyboard player in a Theatrical Heavy Metal Band, Kat is always thrilled to stretch her wings and try new things.

*** Lesson Details ***

I teach Tuesdays
and Wednesdays in San Francisco, and the rest of the week in the Santa Cruz area!

PLEASE NOTE - because I commute into SF to teach I do not offer in-home lessons. I teach at a lovely studio in the inner sunset!

I have a ridiculous sense of humor. I believe in stickers, high fives, and celebratory fist-bumps. And yes, that goes for the adults as well.

I always looked forward to my lessons because they were so fun, even if I knew I hadn't practiced enough. That is exactly what I try to create for every student I work with.

Besides the humor, I customize lesson plans to fit you. Not just the types of music you want to learn, but HOW you learn. My number one goal is that you completely understand what you are learning. I don't mind in the least if I need to explain a new lesson 10 different ways-€“ we will work together until you really get it! Understanding what you're doing makes it so much more fun.

Have a favorite song stuck in your head, but the sheet music is still too hard? No problem. I'm happy to write the song out for you at your own level. I want you to enjoy yourself, and if that means Lady GaGa then I'm happy to oblige. I will probably stick Mozart in when you're not looking just to make sure you're learning a lot of different things, but that's what teachers are for.

Of course we cover fundamentals and start with the basics. I typically incorporate music theory and ear training with your lessons as well . In 6 months on piano, with regular practice, you will be comfortably reading music and playing songs you enjoy with both hands AT THE SAME TIME! (Gasp!) On flute in 6 months you will also be able to read music comfortably, will no longer feel like you are about to drop the flute at any given moment, will have a solid range of notes and have a solid feeling of control while you play.

I look forward to sharing music with you!

*** Studio Equipment ***
piano, seating for parents

*** Specialties ***
My number one goal is comprehension -to make sure that all of my students really understand what they are doing. I work very hard to ensure an atmosphere where all of my students - no matter their age - can feel comfortable to say "I don't understand".
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Reviews
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Hailey May 15, 2017
· Piano · In studio
Kathryn is great. Her positive approach really builds confidence and makes you look forward to the next session.
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Andrea February 9, 2017
· Piano · In studio
My first lesson with Kathryn was fantastic. As an adult student, I was a bit embarrassed by knowing absolutely nothing about piano, and Kathryn would have none of it! She was wonderfully disarming, positive, and really knew how to structure the lesson so that I'd walk out motivated. I'm thrilled to continue lessons with her on the piano.
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Mia January 23, 2017
· Piano · In studio
Doing great so far!
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Kathryn G.

Kathryn G.

Ben Lomond, CA 95005
(34)
starting at
$31 / 30-min

About Nicholas M.

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San Jose, CA
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About Nicholas
Nicholas M. is available to give voice and piano lessons in-home and in-studio.

What to expect in a voice lesson:

Vocal warm-ups
Technique and style development
Selected songs to practice
A recorded copy of the lesson to review and practice with.

As a private instructor, Nicholas seeks to develop students of his own to build excellent technique that they may become confident and comfortable singers and pianists in any style they desire.

Nicholas' Choral Experience:

Past Conductors:
Dr. Sharlene Archibeque, Dr. Amanda Quist, Lou De La Rosa, Daniel Hughes and Dr. Jeffrey Benson.

Past Choir Concert Tours:
Europe 2005 with De La Rosa and 2010 with Dr Quist.
"Star Wars in Concert" October 2009 (Sacramento and San Jose)
"€œAndrea Bocelli in Concert"€ November 2012 (San Jose)
"The Rolling Stones 50 and Counting Tour" May 2013 (Oakland and San Jose)

Other Productions:
Eric Whitacre€™s "Virtual Choir"€ (Beta, 1, 2, 3)

*** Lesson Details ***
Voice and Piano Lessons

+ Vocal and/or piano warm-up exercises
+ Technique and style development
+ Selected songs to practice
+ A recorded copy of the lesson to review and practice with.

As a private instructor, Nicholas seeks to develop students of his own to build excellent technique that they may become confident and comfortable singers and pianists in any style they desire.

*** Studio Equipment ***
Piano Keyboard with Music Stand.
Piano and Vocal Song Books
Lesson Recording Device

*** Travel Equipment ***
I provide a selection of music books to read from, a piano keyboard if the student does not have one, and a lesson recording device. Students may provide any music they wish to work on.

*** Specialties ***
I specialize in singing and teaching Art Song and Opera/Concert Arias.
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Reviews
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Kris May 27, 2017
· Singing · In studio
Patient !
Skillful !
Great !
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Kris May 27, 2017
· Singing · In studio
Patient!
Skillful!
Awesome!
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Jeanne H. March 22, 2017
· Ballroom Dance · In studio
Very patient very kind
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Nicholas M.

Nicholas M.

San Jose, CA 95126
(10)
starting at
$40 / 30-min

About Matthew F.

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San Jose, CA
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About Matthew
I recently completed my Master of Arts in Jazz Studies from San Jose State with an emphasis in drum set performance and jazz composition. I also completed my Bachelor of Music in Music Education from San Jose State where I mainly studied snare drum, timpani, and mallet percussion, but also studied the fundamentals in brass, woodwinds, strings, and voice. Additionally, I took private jazz drum set lessons to focus on becoming a versatile musician and teacher.

As an undergraduate student I had the opportunity to teach percussion courses at a music camp to students between the ages of 6 and 17 that had no prior music experience. I developed daily music lessons to help all the students understand musical concepts and performance techniques. This opportunity helped me understand the importance of teaching music to children and how every
student has a different way of learning. I always strive to shape my teaching style to my students needs.

As a drummer, I love to perform many different styles such as Rock, Jazz, Latin, R&B, Funk, Blues, and Pop. I had the opportunity to play in the following ensembles while attending San Jose State University: Afro-Latin Jazz Ensemble, directed by Three-time Grammy Nominee Wayne Wallace; Symphonic Band; Marching Band; Jazz Combos; and Percussion Ensemble. I have also played in various musicals throughout the Central Valley and Bay Area. Playing in all of these different ensembles has not only exposed me to variety of musical styles but also made me as comfortable playing in a group setting as in a solo context.

*** Lesson Details ***
In my lessons I like to help students achieve their musical goals and also make it fun. Lessons will be tailored to the needs and interests of each individual student. I will teach students proper technique and warm-up exercises that will provide them the skills required for the instrument. We will also work on various musical exercises to help strengthen the student's music vocabulary. Students will learn drum grooves from different musical styles such as Rock, Funk, Blues, R&B, Latin, and Jazz according to their area of interest. I also like to have students play along with musical recordings to have them actively listening and exposed to different kinds of music. My goal is ensure that students enjoy every lesson but also that they take away a better understanding of playing the instrument and have fun.

*** Studio Equipment ***
practice rooms w/ piano, drum set room, seating for parents. Parents are always welcome to sit in on the lessons.

*** Travel Equipment ***
Drum students should have drum sticks, drum pad, and a binder to hold all music that is given during a lesson.

*** Specialties ***
I specialize in drum set and orchestral percussion. Styles include: Rock, Jazz, Latin, R&B, Funk, Blues, and Pop.

I had the opportunity to play in the following ensembles while attending San Jose State University: Afro-Latin Jazz Ensemble, directed by Three-time Grammy Nominee, Wayne Wallace, Symphonic Band, Marching Band, Jazz Combos, and Percussion Ensemble. I have also played in various musicals.
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Reviews
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Mark D. February 25, 2013
· Drum ·
Best instructor I could have ever hoped for!

Matt is professional and courteous, friendly and patient.
He will tailor his instruction to your needs and level. He is not just an instructor to me anymore; he is now also a friend!
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Tera N. November 27, 2012
· ·
Great teacher!

Matt is very pacient with my son, and he has learned a lot in only 3 lessons. Having the lessons at SJSU has also got him talking about college. My son is loving learning from Matt.
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Matthew F.

Matthew F.

San Jose, CA 95112
(2)
starting at
$55 / 30-min

About Cristopher H.

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Redwood City, CA

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About Cristopher
As a musician that has played for about a decade, I have studied and worked to become a teacher. I've played in numerous bands, have worked in studios, and have been teaching for about four years now and am always finding new ways to understand and help accomplish my students' goals. I've studied music theory and composition from Mike Keller (Letters From the fire) and David Meckler (Canada College music department). I'm currently working on an independent album that has begun recording.

*** Lesson Details ***
I find it's easiest to asses the level at which a student is at and work from there, moving towards the goal set by the student using music the student already enjoys, not kiddy books with songs they'll never actually play. My styles focus on technique and work back to theory. I play anything and everything from country to Santa
na, to Metallica, and to everything in between. I teach from covers to original works.

*** Studio Equipment ***
The equipment I have for the studio are a couple of my electric guitars: Midnight Blue Schecter Omen 6, Ibanez S470DXQM, KSE ASG, Ibanez F0509338, Fender Stratocaster. My BOSS ME-33 special effects pedal, my Raven RG20 amplifier, and my Fender Frontman 15G amplifier. I also have multiple iMacs for Garageband and a recording studio. (services of which cost additional value for use)

*** Travel Equipment ***
The equipment I have for travel are a couple of my electric guitars: KSE ASG, Ibanez F05, and a Fender Stratocaster. My BOSS ME-33 special effects pedal, my Raven RG20 amplifier, and my Fender Frontman 15G amplifier.

*** Specialties ***
I specialize in technique so I can help even the newest of players find their style and learn how to work on memorizing the fretboard without even having to look at it or your finger placement. I can also help more advanced players smooth out their way of playing.
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Reviews
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Emma March 25, 2016
· Guitar · In home
My 7 year old daughter loved it, she can't wait to keep learning. He is very patient and knows how to make it easy for her to understand.
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Rocky P. September 22, 2015
· Guitar · In home
Chris is a pleasure to have as a guitar teacher. He is polite and respectful to our family and has inspired my son to become a better guitar player. Thank you Chris
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Rocky P. September 22, 2015
· Guitar · In home
Chris is a great guitar instructor! He has been encouraging and helped my son become a confident on the guitar! Thank you Chris you are awesome
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Cristopher H.

Cristopher H.

Redwood City, CA 94061
(7)
starting at
$42 / 45-min
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About Katherine S.

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San Jose, CA

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About Katherine
Kat S., Soprano, has her Bachelor's of Music in Classical Voice, as well as teaching singing lessons in San Jose and Sacramento, CA. A member of the National Association of Teachers of Singing, she strives to support her students in finding their voice, no matter what level they are at. A proponent of being able to use your voice healthily for all singing styles, she is versed in classical, jazz, musical theater, and pop styles. She also has experience teaching beginning theory.

Now a teacher for elementary school music in San Jose, CA, she is also a professional singer for Holy Family Church. Previous jobs she's had are section leader for St. Mark's Methodist Church, professional singer for Fremont Presbyterian in Sacramento, and director for music for young adult Masses at the Sacramento Newman Catholic Community. Her own private tea
cher is the renowned Dr. Robin Fisher, Soprano. Dr. Fisher is one of two classical voice instructors at CSU Sacramento, and has performed in both the United States and Europe.

Lesson Details:
I teach from a comprehensive approach, taking into account mind and body: the science of voice as well as the art.

Studio Equipment:
- Piano
- Multiple books of music for: classical or opera voice, jazz voice, musical theater, children's music

Travel Equipment:
- Multiple books of music for: classical or opera voice, jazz voice, musical theater, children's music

Specialties:
Opera - Jazz Voice - Pop - Folk - Classical
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Reviews
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Mustafa July 17, 2017
· Singing · In home
She was great, made me feel comfortable at home, easy to get along with, and helps to sculpt to music you like.
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Marjorie October 10, 2016
· Broadway Singing · In studio
She is very good at telling me what is expected for each lesson and long term
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Roxanna B. July 25, 2016
· Singing · In studio
Very informative, detailed, and helpful! Gives a lot of instruction in varying methods to better teach you.
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Katherine S.

Katherine S.

San Jose, CA 95124
(18)
starting at
$30 / 30-min

About Stephen E.

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Palo Alto, CA
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About Stephen
I have taught music (K-8) in a private school in Palo Alto for 13 years and have created a very successful program. I conduct 5 bands, an orchestra and a beginner string ensemble. I have started hundreds of children on instruments and have taught dozens of children privately with great results. I have a BA degree from Luther College and did post-graduate work in music at the University of Iowa.
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Reviews
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Pieter September 23, 2016
· Trombone · In home
Stephen is very professional, and seems to be a great fit for my son. Highly recommended.
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Mimi August 17, 2016
· Trumpet · In home
Stephen is the perfect teacher for my 14 year old son who is a beginner on trumpet. My son enjoys trumpet as a hobby, and plays in his school band. Stephen's lessons are fun and low pressure. He is remarkably calm and professional, and he doesn't waste any lesson time. My son looks forward to his lessons with Stephen.
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Stephen E.

Stephen E.

Palo Alto, CA 94306
(2)
starting at
$35 / 30-min

About Todd S.

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Campbell, CA
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About Todd
I have been playing and studying music for 30 years and performing for 20 years. I teach a variety of styles including rock/pop, jazz, country, and classical, as well as how to compose and improvise in a variety of settings. I can show you the in's and out's of the equipment used with electric guitars including amplifiers and effects, as well as teaching instrument maintenance and modifications. My teaching approach revolves around getting new students to make music as soon as possible, even with the most basic skills, to build confidence and ensure a continued interest in learning. I emphasize the internalization of the physical aspects of playing through repetition and progressive exercises customized to the individual.

Practicing very slowly, learning to use a metronome, shorter but more frequent practice sessions, and plenty time f
or free play, are some of the concepts at the core of my teaching style. My strong communication skills are used to dispel any mystery in the instrument, how it works, and making music with it. No matter the skill level of the student, there is always something new to learn or a new way to approach the instrument. I have extensive experience with music production technology including equipment, DAW software, and recording techniques, incorporating these into your lessons if you're interested. I am also versed in synthesizers and sound design.

My lessons are always customized towards the individual, but stress the ability to make music even with very little technique. Building on simple riffs, easy chord changes, and practicing slowly to instill confidence and keep students interested. I often incorporate popular Beatles or Taylor Swift songs to teach chord changes and song form. Working on reading music for piano students and tablature for guitar as well as lead sheets for both. I can also show you how to interpret "cheat sheets," those lyrics with the chords above them that you get from the internet, that are always a little bit wrong.

Having finally reached a place where technique is no longer a hurdle to making music is a reward equal to the amount of time and effort that was required to reach this level of proficiency. I find great joy in showing people of all ages that music can be life-enriching, expanding one’s appreciation of the arts, providing opportunities for new friendships, and creating a sense of accomplishment with every new song learned or skill acquired on a musical instrument.
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Todd S.

Todd S.

Campbell, CA 95008
starting at
$50 / 30-min

About Ahmad M.

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San Jose, CA
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About Ahmad
In 2012 he ranked #1 in the Slash Guitar Center competition. In 2013 he was in the "list of top 5 guitar players ever" according to The Examiner, also picked as one of the best guitarists of 2013 in the Rockwell UnScene Magazine, and ranked 3rd in the Steve Vai Best in Shred competition. In 2014 he was picked as one of the best guitarists second year in a row according to Rockwell UnScene Magazine.
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Ahmad M.

Ahmad M.

San Jose, CA 95116
starting at
$34 / 30-min

About Franklin D.

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Belmont, CA

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About Franklin
I was born and raised in San Francisco, and graduated from Lowell High School. I have a degree in music education and performance from San Francisco State University, and have taught on the faculties of Skyline College, San Francisco Community Music Center and Walnut Creek Civic Arts.

As Trumpeter, Arranger & Bandleader, I lead three of the Bay Area's finest musical groups: The Brassworks, Gabriel's Trumpets, and The Memorial Brass. (BrassworksMusic.us) I perform with Symphony Parnassus, Golden Gate Park Band, The E-Ticket Band, Silicon Gulch Jazz Band and the Kally Price Blues Band. I am also Jazz Cornetist and Cabaret Band arranger at The Speakeasy. (TheSpeakeasySF.com)

With over 30 years playing and teaching the brass instruments, I know how to make our lessons educational, productive and fun. In our lessons, I cover all the basics
of playing: breathing, technique, rhythm, style, improvisation, etc. You’ll learn the language of music, some music history and theory, and we’ll play duets.

As you apply yourself to our musical studies, you will experience improvement and be able to attain your musical goals.
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Franklin D.

Franklin D.

Belmont, CA 94002
starting at
$84 / 30-min

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