Fort Myer Music Lessons

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Popular Music Teachers near Fort Myer

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About Chris H.

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Waldorf, MD

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About Chris
I have been teaching private violin for over 20 years, and private viola/cello for about 10. I have taught in Charles and St. Mary's County Public schools. I am a member of American Strings Teacher's Association, National Association for Music Educators (Maryland Music Educators Association), and the Music Teachers National Association (Music Teachers Association of Charles County). As a teacher, I'm very student oriented. We move at your pace. The more you practice, the faster we move. I do encourage learning to read music, but I use multiple ways of teaching to reach my students. Everyone learns in a different way. My primary job is to see you achieve your goals in relation to your instrument. I also encourage that you take every opportunity to perform. There are many groups in the area that allow for different ages and styles of music
. I can help you understand what is going on behind the music and hopefully see what the composer was hoping to convey, if that is something you want to know. When I was a student I always wanted to know "why?". As a teacher, you will know why if I do.

*** Lesson Details ***
I try to keep my lesson area as stress free as possible. It's OK to make mistakes in my studio. I would like you to bring a notebook to lessons as well as your music and instrument. I write as much as I can down because if you were like I was during lessons, I would forget everything I was supposed to be watching for after 3 days. Like I said above, we move at your pace. The more you practice, the faster we move. Questions are a good thing. It shows interest. But sometimes you just have to stop asking questions and just take the leap of faith.
We start with note reading as well as proper form and the parts of the instrument. We also deal with general care. I will tune your instrument every time you come in for lessons until you learn how to tune it yourself. We will review the day before, I will check on what work you've done and then move onto the next song/ technique etc. After we learn how to pluck the first 8 notes, we start with scales and bowing.

After that we move through the "usual" routine. Scale, etude, song(s) or school test songs, audition requirements etc.

I try to keep the same routine because for some students it's easier for them to focus if they know the lesson is going to move in a familiar way. It's reassuring. After we become proficient in the basics, we move into whatever genre you would like to play, within reason. If you are in the school orchestra we will work towards you getting an A.

I would say I'm more laid back when you are not preparing for an audition. Auditions require a lot of work and I want you to do as close to perfect as possible. I become fairly demanding during that time.

In about 6 months, you can play almost any tune you can hear on the radio. Explaining where you could be gets fairly technical and I might as well be talking like Charlie Brown's teacher.

*** Studio Equipment ***
at the away studio: music, music stand, stool, piano, laptop, tuner, metronome.

at home: music, music stands, chairs, computer, laptop, keyboard, microphone, tuner, metronome.

pictures of the away studio are posted.

*** Specialties ***
I am familiar with Paul Rolland's work, Valerie Bobbett Gardner's Violin Virtuosity, as well as Guillespie's. I was brought up Suzuki but haven't been trained in Suzuki. I have taken classes on how to teach to a variety of students so I could hold a teaching license in the state. I do participate with (Canadian) The Royal Conservatory of Music Music Development. This is active in the US also.

Special note: If you are allergic to cats, you will want to take lessons at my other studio location, not at the home.

IF you are contacting me with questions, please include either take lessons or lessons in the subject area so I can find you faster. I get a lot of junk mail and it is easy for me to miss a note from you.
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Reviews
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Leslie March 27, 2018
· Viola · In studio
If you’re looking for a dedicated, knowledgeable and patient strings teacher, you will love Mrs. Heins. Both of my sons have been taking lessons from Mrs. Heins for several years (one for viola and one for cello). They have learned so much under her instruction, such as earning All-County and All-State honors. They also practice their live performance skills twice a year during informal musical concerts. Mrs. Heins also offers participation in the Royal Conservatory Music Development program, which can earn your child credit for college. She is a gem and should you choose her, you won’t be disappointed.
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Deborah H. March 25, 2018
· Violin · In home
Had a wonderful time with my teacher she restrung my violin and I got a trade in for an adult si and adult size because I had purchased one for ciao but I got it at music store where she works and they gave me another one with the trade-in and I only had to pay $50 I had a nice time with Miss Hines I even was so excited to go into my lessons I get it two hours earlier and she excepted me so that was good she had time to string the restring the Valium and not show me a lot of things that I needed to do and I’ve also purchased the first book so I’m I’m really excited
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Brenda March 9, 2017
· Violin · In studio
She's very knowledgeable and patient even with an older learner.
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Chris H.

Chris H.

Waldorf, MD 20603
(11)
starting at
$39 / 30-min

About Jason F.

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Baltimore, MD

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About Jason
Hi, I'm Jason. I've been teaching and performing as a full time career for 23 years. During that time, I've developed a diverse, flexible approach to teaching that is customized to the needs and interests of each of my students. I'll help you set up musical goals, and then use your preferred learning style to help you achieve them.

*** Lesson Details ***
My goal is to help you unlock your full musical potential by tailoring your lesson experience to your unique interests and goals. Your lessons will be a balance of technique and creativity. My studio is equipped with pro sound gear and software so we can incorporate drum sounds, keyboards, bass, and guitar into your lessons.
I encourage all of my students to read standard notation, but it isn't necessary if you would prefer to learn by ear.

*** Specialties ***

-I'm
comfortable teaching most styles, including R&B, Jazz, Blues, Gospel, Funk, Rock and Metal. I try to encourage all students to learn the basics of music theory, so you can understand the music you learn.

-I use a wide range of method books. I also use books that I have authored, which have been used in music programs in Baltimore area private schools and charter schools.
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Reviews
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Brenden June 11, 2018
· Acoustic Guitar · In studio
I've been going to Jason for a few months now and I have significantly improved my playing ability and increased my music knowledge. Lessons are tailored to what I want to learn and there has been noticeable improvement even over a short period of time.
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Tanna June 8, 2018
· Guitar · Online
He is really patient and kind, and he got playing songs in days.
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Leslie March 19, 2018
· Guitar · In home
Jason tailors the course to a student's individual learning pace and needs. There is also a good combination between theory and learning cords to play a song. Technique is emphasized to build good habits and a foundation for future growth.
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Jason F.

Jason F.

Pasadena, MD 21122
(24)
starting at
$30 / 30-min

About Raymund De La P.

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Sterling, VA
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About Raymund
Raymund de la Pena has been playing music professionally for the past 30 years and was introduced to music at an early age. He started playing the piano at age 8 and shifted to the guitar a year later when he heard "yesterday"by the Beatles, the reason for the move to a different instrument was inevitable as he states "I heard some nuances and sonic ideas that the instrument wasn't giving to me and pretty much i heard that on the guitar from the get go". And so,with his fascination for music he went to get his college degree in music performance.After graduation he played gigs all over the world( jazz bars, hotel gigs,session work etc...). In 2001 ,he was given the oportunity to be the musical director of the broadway musical "RENT" in Singapore where it got rave reviews.In 2003 he went to perform on a cruise ship in europe that traveled
to 20 countries as a musical director for the showband.

In 2011 he released his debut record "The Long Road Taken" independently with his group(composed of session musicians)the "RDP Project" wherein it featured all of his original compositions, describing it as :"The Long Road Taken is an amalgamation of the different facets of jazz,particularly in a quartet setting".

He has performed with Victor Jones( renown drummer) at the Zinc bar in New York and at Skippers in Newark,New Jersey.He has also performed with other Jazz artists such as Eliane Amherd ,Elin Kathleen Melgarejo,Doug Little,Mel Davis and have attended master classes by the great trumpet player Eddie Henderson,jazz great Charlie Byrd,jazz legends Ray Brown and Herb Ellis just to name a few.
Ray's playing and improvisational style is described as modern -which blends the relaxed and ductile articulation which is akin to horn players,but yet deeply grounded in the jazz tradition of swing, melody and the blues.

Degrees/training: Bachelor of Music (Major in Classical Guitar) University of the Philippines.

*** Travel Equipment ***
guitar or guitar and amplifier

*** Specialties ***
jazz and classical
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Reviews
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Murat April 24, 2018
· Guitar · In home
Raymund was very knowledgeable in music theory and guitar. Looking forward to continuing with my lessons.
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Toni D. May 28, 2016
· Guitar · In home
Great lesson and personality!
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Zahra S. April 14, 2016
· Guitar · In home
We had a great start and instructor is very knowledgeable and helpful.
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Raymund De La P.

Raymund De La P.

Sterling, VA 20165
(5)
starting at
$30 / 30-min

About Anna K.

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Sterling, VA
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About Haewon
*** Specialties ***
When I teach piano, I use the Alfred piano method books.
When I teach ensemble, I use the Carl Orff method.
When I teach Vibes and marimba, I use my own methods.
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Anna K.

Anna K.

Sterling, VA 20165
starting at
$45 / 30-min

About Marcus J.

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Washington, DC
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About Marcus
Marcus has been teaching private lessons since 2004 and is currently available to teach lessons at home, and online. Marcus has helped students in music theory, composition, piano, and voice.
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Marcus J.

Marcus J.

Washington, DC 20020
starting at
$20 / 30-min
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About Semyon R.

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Silver Spring, MD

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About Semyon
Holds annual recitals for his students and his students distinguish themselves in national competitions.
Able to identify a student's strengths and weaknesses and develop lesson plans to suite the need of each individual, at every age and ability level.
Classically trained in piano and holds the title of Master of Music from the prestigious and highly accredited Belorussian Academy of Music.

*** Studio Equipment ***
Separate room and waiting room and bathroom, computer

*** Specialties ***
Any style. Any level. Any age
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Reviews
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Patricia January 27, 2018
· Piano · In studio
As a retiree who has recently returned to piano after a decades-long hiatus, I knew I’d need a teacher with experience teaching adults. Semyon is proving to be excellent. He is a skilled musician and teacher whose approach combines enjoyable piano pieces, exercises for agility and the fundamentals of scales and theory. He is patient and responsive to what I want to accomplish. I have learned in each lesson, seen improvement each week, and enjoy the diversity of assignments. In short, i’m having a grand time and highly recommend him.
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Alex A. April 8, 2017
· Piano · In home
Very patient and seems to enjoy teaching
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Keith January 24, 2017
· Piano · In home
Great first session! I'm looking forward to the rest.
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Semyon R.

Semyon R.

Silver Spring, MD 20901
(4)
starting at
$40 / 30-min

About Christine P.

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Alexandria, VA
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About Christine
The Exquisite Voice, Inc.

Christine is a professional vocal coach and piano instructor with an exceptional reputation. She is the owner of The Exquisite Voice, Inc. and resides in The Historic Parkfairfax community of Alexandria.

She has over eight years of teaching experience and has taught hundreds of students and given thousands of lessons, (including the full spectrum of learning needs) during this time (both vocal and piano throughout the DMV area). She is considered an expert in her field for vocal technique and maintains a very active studio.

Christine's unique and highly effective approach to voice has allowed her to continue to help beginning to professional level students advance their technique with incredible results.

Christine is a master of vocal technique and focuses on properly diagnosing and addressing vocal
issues as well as integrating the body to fully support the voice.

She addresses vocal issues in a very practical and logical order by first identifying the primary source of the vocal issues and starting to work from there.

This is a simple, but crucial difference that is apparent in her approach. The very nature of secondary issues are that they are simply the extensions of the primary issues and therefore primary issues should really become the focus and starting point of the technical work.

It is from Christine’s experience and observation that she has concluded that secondary issues will always be dysfunctional (regardless of time and effort put into correcting them) as long as the primary issues have not been resolved. Oftentimes secondary issues will significantly self-correct on their own or can be approached reasonably once the primary source has been corrected.

This can only happen if the teacher knows this and is aware on how to approach the correct order in which to work and to address issues.

Making sense of primary versus secondary issues is absolutely fundamental to legitimately correcting problems successfully. Unfortunately it is often that the student is ultimately left to the enormous task of discovering this on their own, if ever and if they are lucky after years of study because the teacher is often focused on surface level issues, which are always easy to hear.

This is because most professionals are not versed in hearing such nuanced differences, nor capable to offer to work in such a refined manner.

The voice requires an execution of many things that must function together properly in order for it to work. Considering this makes it is easy to understand why the voice is viewed as the most complicated instrument to diagnose and teach. Therefore, it is absolutely important to invest in teachers who greatly have a handle on the voice and how to go about making sense of it.

She also specializes in teaching students process and development through highly mindful practices. She believes that in order for the voice to function optimally, the body, mind and emotional state of the singer must all be receptive and responsive in a positive way. This is because they are all inherently interconnected.

Christine teaches in a mindful manner to help students become more observant and aware of their own approach. By doing so we can realistically create the opportunity to arrive to better choices.

Christine’s extensive experience and knowledge in various styles and specialties in vocal intonation, along with her continuous education (over twenty years) and dedication to the authentic Italian traditions of bel canto and verismo opera has allowed for her to develop an approach that can extended into all legitimate styles of singing. Her personal approach to the voice is beyond comparison, nor can it be matched.

She has a phenomenal ear and can make rapid and highly accurate assessments of technical issues in a very brief sitting. Christine is exceptional at explaining vocal pedagogy and directing students on how to make corrections for themselves.

Christine is a dramatic soprano and is very confident and experienced with large instruments (that are more difficult to train for various reasons and require more specialized training). Having an extremely rare and large voice herself has given her invaluable insight toward fully understanding all other voice types and the discipline necessary to achieve efficient technique.

Many teachers can be limited in their view and teach "their technique" as opposed to helping the student develop their own technique and what works best for them. Christine has a great talent for figuring out what a students needs to do in their approach in order to achieve the results and keep the lessons progressive.

Developing proficient technique in a complete and effective way leads toward discovering the full capacity and beauty of our instrument without compromise. We need to find our voice to find ourselves as artist.

Her methods in vocal intonation translate directly and indirectly into all styles of legitimate singing, which she coaches many varying styles and will direct student toward appropriate repertoire. Students will learn the full potential of their instrument under her guidance. It is her belief that technique should always lead toward one sounding natural, no matter the style and that one fully learns their instrument’s capability to access endless artistic choices as a performer.

Christine offers very traditional based vocal lessons with a focus on improving technique through practical exercises and song repertoire designed for each student's unique vocal needs. She will offer necessary guidance and adjustments to ensure the student's continuous development.

Her goal is for her vocal students to discover their authentic voice and to find freedom in their technique and most importantly their expression as artists.

What you can expect to learn:

Vocal pedagogy and how the voice functions properly; how to effectively think about your voice to get the body to cooperate (aurally, physically, mentally, emotionally, etc.);

Integrating the body to fully support the voice Rebounding the body, which is at the core of support, but often times very apparently neglected because most trained singers/teachers from even the highest institutions do not understand how it works or do it effectively themselves. It is sadly becoming a lost art. This is the most advanced concept of singing and yet is absolutely necessary to master in order to access genuine support. Christine clearly demonstrates and explains how this concept functions and her refinement of it is by far not common knowledge.

Other concepts include sustaining an open throat, internal space for optimal resonances, legitimate dynamics directed from the body and compressed air, anchoring the body to maintain the larynx low;

Various placement techniques, air that can rebound using breath direction, centering the voice/cut internally by aligning the horizontal (mask) and vertical planes (chest, back of head, top of head and spine) support and placement that function together, developing a mixed middle sound that passes easily into low and high registers and broadens range; articulation that is aligned with vertical planes and naturally hooks up chest and top of head (releases in head) without forcing or placing, tongue, jaw and neck release, body posture that is conducive for support and keeps the body open and functional;

Various artistic and performance techniques, musical interpretation appropriate to context, time period and style, aligning the voice and body/acting to come across accurately in our portrayals and the process behind this, memorization techniques, execution of timing for expressive reasons and ways to think about timing that doesn’t conflict with the natural structure of a song, but allows for flexibility in phrasing, phrasal development and song development.

Piano:
Christine is also a highly sought out piano instructor for her ability to establish an exceptional foundation in beginning piano students and those who wish to continue their studies and build upon the fundamentals. She specializes in reading skills and excellent technique.

It is her belief that having a solid foundation sets the tone for determining if a student will continue with their studies and therefore this is the most vital part of a student's development and future progress.

She teaches Russian technique, which allows for flexibility, strength and tonal beauty of musical lines. This technique can be applied to all styles of playing piano such as pop, jazz and is not limited to just the classical repertoire.

Her goal is for all of her music students to become increasingly independent as musicians to where they feel confident to teach themselves and others and to ultimately find enjoyment in the process of learning music.

Her approach helps students advance their technique, reading proficiency, including music theory and expand their artistic capabilities.

Education and continuation of voice:

She received her music education in classical vocal performance from George Mason University and has vigiourously continued her studies in opera with Mrs. Fabiana Bravo, who studied with Luciano Pavarotti and Renata Scotto and has had a fabulous career singing at the Met. Christine specializes in Italian for classical rep.

General styles I coach:
Opera (bel canto and verismo) classical, sacred, hymnal, traditional, jazz, r&b, folk, and other variations of these popular styles.

Christine also has an international recording career as an adult contemporary artist.

Voice lessons begin at age 14-55 and piano at age 6-any age. Please no inquires about exceptions on age or travel, I will not respond. I teach from my home only, regardless of distance. I am worth waiting for and traveling to:)

What do I expect from students who are applying:

Those who are very hard working, motivated, passionate, dedicated, responsible, considerate, humble and serious about lessons and greatly improving as musicians should apply only regardless of aspirations as a hobby or professionally.

I strongly believe that music is a discipline and this is how it will be approached during lessons. This is a teacher-student effort. Taking responsibility for your part is a must. That means trying to the best of your abilities to put my advice and guidance into practice away from lessons is necessary to your improvement.

I am looking for potential long-term students who are willing and ready to work hard in a practical and realistic manner, regardless of age, learning needs or proficiency.

Singing is a long-term sustained process to develop that can absolutely not be rushed and I want students who understand this. I have very limited availability and I am only seeking serious students who have a positive, professional attitude and will value me as a teacher. You need not know anything about voice, just have a good work ethic and attitude :)

Thank you and looking forward to working together!

Warmly,
Christine Padua
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Reviews
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Lauren July 11, 2018
· Singing · In studio
Christine was very thorough and patient! She gave me great direction and reassurance!
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Brittany March 12, 2018
· Classical Voice · In studio
I have some musical experience as a hobby (piano, violin, choral arts), so I can be somewhat critical when I meet musicians. I have to say, though, that Christine is an extremely talented vocalist and instructor - I daresay a vocal genius :) The way she describes and encourages understanding of abstract concepts about air direction and body support is very unique. While it remains technical, it also makes you think differently about your body in terms of physical and emotional space. If, like me, you're a technical-minded person in the more general sense, this kind of approach is helpful because you have to engage both sides of your brain. I'm always challenged at Christine's lessons, and there has been great improvement in my voice from 7 months of lessons with her. I'm also having fun in this process, which is why I continue to come back!

I highly recommend Christine. Give it a shot; you won't regret it.
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Thomas M. February 16, 2018
· Singing · In home
She is incredibly talented. And truly understands how sound is created through voice. I highly recommend her to anyone. I am a beginner, by the way, with zero vocal experience. I'm looking forward to my next lesson!
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Christine P.

Christine P.

Alexandria, VA 22302
(16)
starting at
$42 / 30-min

About Nicholas R.

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Gambrills, MD

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About Nicholas
I understand that learning something new can be very daunting. I know that in particular, because I am still new to teaching! We can both learn together. I want to make it my goal, to help you be a better musician, performer, and most obviously: a better drummer. I care deeply about making sure my students understand what I'm teaching them, and patience is the key to that.
I have self taught myself to play drums for 15 years, and have been performing for 10 years. Please ask me any questions, I'm an open book.
I also attended Sheffield Institute for the Recording Arts and am a certified audio engineer.
My ultimate goal, is to help you reach yours!
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Isaac G. August 31, 2017
· Drum · In studio
So far he had a lot of patience with my son. It was great to see my son actually learning the drums. He was really excited about the lessons! He can't wait to practice and go back next week.
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Raven August 2, 2017
· Drum · In studio
Awesome! Very communicative and friendly guy.
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Nicholas R.

Nicholas R.

Gambrills, MD 21054
(2)
starting at
$25 / 30-min

About Dylan G.

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Waldorf, MD
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About Dylan
Music has been my life for as long as I can remember! I played saxophone all through school, participating in Solo & Ensemble, as well as All-County and All-State symphonic bands. As a student at CSM, I enjoy being a part of their Jazz Ensemble "Solid Brass", as well as their Latin Jazz group, "Ritmo Cache." I gig with a jazz combo and I also play bass in a rock band called "With Lying Eyes", playing frequent cover shows on the weekends and sometimes opening for national rock bands in the DMV area. I study saxophone under Randy Runyon at the college, in addition to taking music theory and ear training classes. I'm an experienced player and absolutely love sharing my passion for music with others. I work with people of all ages and help them unlock their potential to creatively express themselves through one of the most fun forms of art!
...
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Dylan G.

Dylan G.

Waldorf, MD 20602
starting at
$35 / 30-min

About Eric Z.

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Potomac, MD
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About Eric
Hey! My name is Eric, I am a drummer, guitarist, bassist, and songwriter based in the DC area. I currently play guitar in one touring alternative/punk rock band, bass in an indie-pop band, and drums in a punk/metal band.

I graduated from Syracuse University in 2017 with a Bachelors in Music and Entertainment Industries. Growing up my dad gave drum lessons out of our basement which is where I first learned. When I'm not playing gigs I work at a popular music venue in DC as a production manager. I specialize in drumming, guitar, and songwriting. I have experience teaching kids and adults, and I have a home studio with lots of instruments and multiple drum sets to mess around with. I have recorded multiple albums for friends and myself at my home, and can teach about that too if students are interested.

My teaching style is laid back but
productive. I am patient with students and able to communicate in a way that someone of any level can understand and relate with.
...
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Eric Z.

Eric Z.

Potomac, MD 20854
starting at
$34 / 30-min

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