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Lizton, IN Singing Lessons

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About Janet B.

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Indianapolis, IN
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I've been teaching both piano and voice for almost 40 years. I taught elementary vocal/general/choral music in our local public school system for 32 years. I added teaching privately about 10 years later. I work with students ages 3 and up for piano, and ages 8 and up for voice. I welcome students of all levels of experience from the earliest beginner to the most advanced. The lessons are largely focused on technique, theory, and developing skills, and can be adapted to incorporate each students goals. I encourage my students to perform in various talent shows, and other avenues as they become available. We have a Recital every May, and all students are guided through the development of their selected music to take it from the beginning stages to having it ready to perform.

About Janet
Hi! My name is Janet, and I would like to be your new music lessons teacher! As a quick biography, I have 20+ years of experience teaching both piano and voice lessons. I have taught piano students from as young as 5 years old up to a wonderful lady who was a grandmother many times over, and voice students from 10 years old up to adults. I have taught students of all ability levels, from the most basic beginner to very advanced performers. I welcome you to come to my home studio. I have both a Bachelor of Science degree and a Master of Arts degree in Music from the University of Indianapolis. I retired in 2009 from teaching in the Indianapolis area public schools after 32 years of teaching elementary vocal/general/choral music. During the last 17 years of that time I was also teaching privately during the evenings and on Saturday.

As a student taking lessons with me, I will always put your desires as a musician first, and consider them to be the most important factor in guiding the progress of your lessons. While I will make basic assignments for you to practice for your next lesson, I am always open to including music that you would like to learn. If there is a particular style of music that you would like to study, or even a particular piece of music that you want to learn, please feel free to mention that to me, and I will do my best to find that music to add to your lessons. If at any time you have questions, requests, or comments, please either mention them to me at the lessons, or contact me by phone, text, or email.
I look forward to meeting you, talking with you about your desires and aspirations as a musician, and to guiding you and helping you to reach your goals.

*** Lesson Details ***
I will work with you to find the most convenient time for your lessons. Lessons are given in my home studio. While there will be basic material you will need to learn proficiently, you will be free to select the style of music you wish to study. I always tailor the lessons to suit the student's desires and aspirations as a musician.

*** Studio Equipment ***
office/studio space for lessons; spinet piano; electronic equipment available to play cassettes, CDs, videos, and DVDs either from my own library or yours to assist and/or augment the lessons

*** Travel Equipment ***
My piano students are expected to own either a 3-4 octave keyboard, or an acoustic piano. I can give you guidance regarding specific details you need to look for when you purchase an acoustic piano or a keyboard. I do not recommend specific manufacturer names. You will also be required to purchase any necessary materials (books, flashcards, etc.). I provide supplemental materials (teaching games, etc.).

*** Specialties ***
I use a variety of methods, mostly based on the goals of the students. For piano students, I prefer the Bastien Piano Basics method books. For voice student, I use a combination of methods developed by several different voice instructors.
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Reviews
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Briana January 30, 2018
· Singing · In home
I have ony had a couple of lessons so far but, Janet is very welcoming and is patient with my stage fright. She is helping me work through it to achieve my goals as a singer.
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Jordan J. December 12, 2017
· Piano · In home
Very thorough and professional
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Carolyn S. September 3, 2017
· Singing · In studio
She's a great teacher I'm learning so much ❤️
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Janet B.

Janet B.

Indianapolis, IN 46268
(18)
starting at
$21.50 / 30-min

About Todd L.

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Cicero, IN
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Singing lessons are unique to each individual. Care will be taken to teach the basics of good singing using the artists that students like. (ie: Carrie Underwood, Taylor Swift, Sting, etc.)

About Todd
Music is my life, and is something that I want to share with others! Because of that, I try my best to give positive experiences to all of my students. I have a byline that says "Music is Much More than Just Learning Notes." I believe that! Anyone can learn notes, fingerings, etc. What I try to do is add that "soul" element that each person has and cultivate that into meaningful music!

So, with all that said, here's what I try to instill:

A lesson is a place to share! I listen to students as well as teach. We all have something we can learn from each other!

While I want lessons to be fun and informative, I strive for complete understanding, which means any student will gain the needed mechanics with complete knowledge of why things happen and what they do to and for music. From there, I attempt to teach the "soul" of mu
sic and how emotion and spirit play a huge part in memorable music.

I don't believe in brow-beating, but I also don't want to pass over things. I don't believe practice makes perfect, but I do believe practice increases awareness!

I really try hard to help students move beyond the notes on the page. We may listen to music and describe how it makes us feel, or paint pictures both physical and mental of what the music is showing us. That is where I see the soul stepping in.

My Education

As stated before, I started on a little Magnus Organ. My grandmother told me years later that I would listen to television jingles and then try to play them on the organ!

Once we settled in our permanent home, my parents brought home a piano and I began working first with Robert Warnick, a local music teacher in the schools. He taught scales and chords. Then, Midge Bishop took me through John Thompson Grade 3, but then had to move away. Finally, I studied under Victoria Hope, lasting 13 years until I went on to college. She taught me the fine art of piano by continually challenging me to approach each piece as an artwork. She had me use the music to paint the picture. Naturally, the element of the soul came through as I put color to music.

My Experience

Throughout my elementary through high school days, I immersed myself in band, choir and drama. I played piano at church starting very young. I then began trombone in the band during 4th grade. Upon entering high school, I joined choir and participated in marching band, concert band, pep band and jazz band. During those years, I picked up the rest of the brass instruments as needed by my band director. In choir, I excelled both in voice and on piano through accompaniment. Later in high school, I joined up with the drama department where we ultimately had the opportunity to write our own musical. By the time I entered college, I had mastered all the brass instruments, piano and snare drum.

During college, I participated in the marching band, wind ensemble, jazz band, pep band, trombone choir, several pit orchestras, and the symphony orchestra. I also participated in the choir.

Since that time, I have mastered the woodwinds, organ, drum set guitar and bass guitar and a little violin. I have over 25 years experience teaching lessons. They occurred off and on throughout my younger days.

Subjects Taught

Private lessons on all instruments and voices, Music Theory, Music History, Art History, Architectural History, Acting, set building, lighting and sound.

Specialties

Piano, Trumpet, Trombone, French Horn, Baritone, Tuba, Voice, alto and tenor saxophone, percussion

Formal Education

1984-89 Bachelor of Science in K-12 Music Education
(Choral, Instrumental and General)
Ball State University, Muncie, Indiana

1991-95 Master of Divinity in Theology and Ministry
Christian Theological Seminary, Indianapolis, Indiana

Ages Taught

5 through 114 (I haven't seen anyone older, have you?) I believe it is a good idea that a child can read the written word. Reading music occurs in similar ways.

*** Lesson Details ***
I ask lots of questions so I can get to know you better. This is also an opportunity for you ask questions of me. At the beginning, I encourage parents to attend so they can see what these lessons entail. I give you assignments to work with and then you play them for me to receive praise and constructive suggestions. I also try to challenge my students to move beyond the normal curriculum to play other things that interest them.

Depending on the instrument and the experience you have helps me determine what curriculum I want to use. Again, I cater my lessons to the needs you have and by how you like to learn!

After 3 to 6 mos, I hope you have a good working knowledge of how music works and are now moving into intermediate level work. However, each student is different and work a different speeds. My main goal is for you to feel successful whenever you leave my studio!

*** Studio Equipment ***
Baby Grand Piano, electronic Keyboard, Drum Set, Snare Drum
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Reviews
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RON September 1, 2016
· Singing · In studio
Most excellent !
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Aaron C. December 15, 2015
· Tuba · In studio
great teacher! Easy to work with!
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Pat October 26, 2015
· Piano · In home
Knowledgeable, easy to work with fun!
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Todd L.

Todd L.

Cicero, IN 46034
(9)
starting at
$20 / 30-min

About Gabriel W.

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Westwood, NJ

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My approach is best defined with one word: natural. Everything about you is unique, including your voice. Imitating denies this simple fact. So I'm all about stripping away all imitation, getting you in touch with your voice and then making that signature voice of yours strong and flexible. Your voice should be as unique as you are. I work with all levels and if you don't like my lessons - I will give you your money back.

About Gabriel
Gabriel W. ("Musiciano") is a fiery and passionate vocal instructor proficient in the fields of acting, singing and vocal development. A professional singer, actor and teacher with a BFA in Theater Arts.

Gabriel doesn't just possess a formal college education, but more importantly an "informal" education based on his experiences on the stage and in the studio in the real world. Gabriel's approach is direct, simple and to the core, getting straight to the heart of the matter: developing the voice from the inside out by breaking things down to the essentials.

An expert at creating vocal warm-ups, vocal exercises, and vocal cool-downs and deeply passionate about psychology, this is your guy for learning to keep your voice in shape and having access to helpful insights and advice. Learn to cultivate a healthy attitude and how to create
and survive a career in the world of performing arts.

With a kind and compassionate, yet stern and strong tone, Gabriel will work with you to develop the focus and dedication necessary to get your voice beyond what you even knew was possible.

*** Lesson Details ***
Regardless of the genre you sing, developing your voice with Gabriel's help will improve your tone, range, power and overall ability. You can expect to become a much better singer without losing any of your personal and unique traits.

His approach isn't a technical or mysterious one. It's all about re-learning the facts about how the voice functions best.

You can expect to clear away a lot of confusions regarding how the voice works and to take away the guesswork from the vocal development process.

If you want to improve your voice quickly, being guided by someone who understands how it all works and by someone who was where you are today and is now closer to where you want to be in the future is the best way to go. And Gabriel is that guy!

Gabriel's approach is quite simple, yet very effective at developing the entire voice.

"There are two basic levels that every singer must address. The first one is addressing the condition of the body and voice and the second one is addressing the functioning of the voice and body."

I - Silent Foundation

The silent foundation refers to the condition of your instrument as it is silent. If we are looking at the body as an instrument that sings, we first have to make sure that our instrument is in good condition. How healthy is your instrument? Is it well rested, well hydrated and loose? Or is it tired, dehydrated and tense? As you could guess, the condition of your instrument will have a significant impact on the quality of the sounds you make. So the first thing to be addressed is how your instrument is before it starts making sound.

II - Conditioning of Singing Behaviors

This is when we get busy. Once we have a well rested, healthy, hydrated and relaxed instrument we can start working it out. The goal is to condition our singing behaviors to be reflexive, reliable and strong. The way to do this is through a series of vocal exercises that will condition your voice to respond to the desires of your heart. Whatever it is that you want to express will be possible once your instrument is conditioned to the point where there is no gap between what you want to express and your ability to do so. Learning to sing is all about learning how to express yourself without barriers. You should be able to develop enough range, power, control and skill so that you can express your heart without feeling like you'™re incapable of achieving what you pursue. To achieve these abilities training is often necessary.

*** Specialties ***
ALL CONTEMPORARY GENRES!
Confidence Building, Warming-Up, Releasing Tension and Strain, Eliminating Stage Fright, Expanding Range, Improving Tone, Developing Vocal Power and Presence, Eliminating Doubt, Simplifying Singing, Strengthening The Voice, Improving Pitch, Building Stamina, Increasing Creativity, Performance Tips, Artist Development, Acting and Songwriting.

Once we have a good foundation any contemporary genre or style can be improved.
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Reviews
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Dawa February 10, 2018
· Vocal Training · In home
Excellent trainer with patience
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Philip U. September 23, 2017
· Singing · In studio
First lesson went great! My son really enjoyed the experience and is looking forward to more instruction.
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David E. June 15, 2017
· Broadway Singing · Online
Very patient and easy to work with. Only one lesson so far but a very enjoyable experience!!
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Gabriel W.

Gabriel W.

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(38)
starting at
$45 / 30-min

About Josh L.

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Indianapolis, IN

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I have my bachelors degree in Voice. I teach singers of all genres (country, classical, pop, bluegrass, rock…) to sing with confidence and freedom!

I teach an open throat technique (appoggio) that allows the singer to sing with freedom, and access their entire range evenly. I also work with students to develop style, interpretation, languages, and acting ability.

About Josh
I am a professional singer, pianist, songwriter, and recording artist. I graduated from Indiana Wesleyan University with a Bachelors of Music, specifically voice.

Voice students can expect to improve week to week in their vocal technique. Every voice has a unique timbre; I teach students to release built up tension and apply foundational techniques in order to unlock their own individual sound. I can help any student to sing with freedom, confidence, and expression.

I teach piano students of all different ages and experience levels. I studied classical piano for 16 years, and contemporary keyboard for 7 of those. I can teach students to read music and pursue classical excellence, to learn how to play contemporary music using chord sheets, or both depending on the goals and preference of the student.

As a professional recording a
rtist I frequently take trips to Nashville for co-writing, recording, and meeting with record labels. I have written with well-known writers like Mia Fieldes from Hillsong, Tony Wood from Provident Label Group, Stu G from Delirious?, and Jon Steingard from Hawk Nelson. I love to mentor students who want to become effective, dynamic songwriters.

My personal passion is contemporary music but I firmly believe that great technique is essential to any and every style. I look forward to meeting you and helping you to become a better musician!
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Reviews
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Benjamin January 31, 2018
· Piano · In studio
Josh is awesome. Great guy and amazing teacher!
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Hadley S. October 25, 2017
· Singing · In home
Josh was amazing! My daughter was nervous and he found a way to connect with her and help her feel comfortable using her voice
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Karla August 15, 2017
· Singing · In studio
Awesome!
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Josh L.

Josh L.

Indianapolis, IN 46250
(36)
starting at
$40 / 30-min

About Darrell V.

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Austin, TX

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Rock, Classical, Jazz, Blues, Gospel, March, Country, Folk, Bluegrass, Swing, Big Band, Theater, Symphonic, Pop, Metal, Punk, Americana, Avant-garde...

About Darrell
Why these lessons are different:
- Formally trained conductor/composer/producer
- Individual or group session options including full band production
- A long roster of satisfied clients
- Broad base of musical styles (rock, classical, jazz, blues, metal, bluegrass, folk, theater, big band, symphonic, pop, punk, country, march, gospel, avant-garde...)
- Over 20 yrs teaching experience and work with recognized professionals including work in some of the top-rated private schools in the United States
- Over 30 years performing experience

Instrument-specific instruction:
- Voice
- Guitar [Spanish, acoustic, electric]
- Electric Bass
- Piano/Keyboard
- Woodwinds [specializing in saxophones]
- Percussion
- Brass & Bowed Strings [performance preparation only]

My process is based on (but does not adhere strictly to
) the Classical approach to Western tonal harmony and asks that the students develop certain fundamentals of technique and theory. In my experience, this structure creates the strongest foundation for pupils to build the rest of their musical lives on, whether professionally or solely for personal enjoyment. All of my students are on the fast track to studying music theory. Whatever level they are at when I start with them, I guide their efforts into bringing the students up to a certain level of comprehension regarding the mathematical aspects of music and how it relates to their instruments. This understanding of theoretical principles of sound allows the students to play any style of music they wish, no matter how their tastes may change throughout their lives.

Curriculum Gradation:
Elements of rhythm
Elements of pitch
Elements of dynamics
Elements of articulation
Reading/Writing notation
Tone development
Finding/Expanding your range
Dexterity, speed, and accuracy
How to project
How to advance to the next level
Music theory
Playing by ear
Improvisational techniques
Finding your signature style
Expression/Lyricism
Composition/Arrangement
Project Management
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Reviews
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Dulcie C. December 27, 2017
· Singing · In home
My 16 year old son loves his lessons with Darrell and looks forward to them every week. He'd been taking guitar lessons elsewhere that were okay-ish, but this is so much more. Darrell is great, not only does he get along with and make my son want to learn, but at the same time they are working on voice, he is also teaching keyboard and working on the guitar! We really couldn't have asked for a better instructor.
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Clark W. October 2, 2017
· Piano · In home
First lesson. So far, so good!
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Kamili O. September 12, 2017
· Piano · In home
Good first lesson! Enthusiastic....
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Darrell V.

Darrell V.

Online
(19)
starting at
$50 / 30-min
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About Candice S.

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New York, NY

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I am a professional singer with ten years of private teaching experience. I have taught students interested in all types of genres. My background is in classical/operatic singing, but I also have extensive experience in choirs, gospel, musical theatre and jazz. I have a solid understanding of the vocal mechanism. We will work with the voice holistically, focusing on the body-mind-spirit connection.

Students must be at least 13 years old to begin vocal study.

About Candice
Hello! My name is Candice and I am a vocalist and teacher living in New York, NY. I have extensive teaching and performing experience. My goal is to create holistic, independent musicians.

My experience includes:

* 10 years of private lesson teaching experience

* 4 years of school teaching experience

* Vocal director for multiple musicals

* 8 years of church music experience

* 1 year of continuing-education college teaching experience

* 7 years of choral directing experience

My goal is to make you the best musician you want to be. I'm excited to meet you and help you on your journey to becoming a musician!
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Reviews
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Richelle July 20, 2017
· Classical Voice · In studio
Candice was an awesome voice instructor! She helped me understand the craft better and was great at helping me choose songs for recitals, too. She challenged me but also knew what I could and could not handle. She also listened well and followed the style I liked. I definitely became a better singer because of her, and still use of some of her warm ups today when I get opportunities to sing. I miss having her around in Pittsburgh!
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Candice S.

Candice S.

Online
(1)
starting at
$50 / 30-min

About Victoria T.

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Casselberry, FL

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1. Victoria guarantees progress in these 5 concepts of singing:

-Range (how high and low a vocalist can sing)

-Power (how impactful a vocalist can sound while maintaining healthy and sustainable technique)

-Stamina (how long a vocalist can sing without tiring or fatiguing AND how long a vocalist can hold an individual note/phrase without taking a breath)

-Freedom (removing detrimental tension and strain from the voice and body)

-Artistry (a vocalist's ability to effectively and authentically sing in any genre)

2. Victoria uses a professional recording studio to enhance/monitor student progress and gives students fully mastered/mixed recordings of the songs they work on in lessons.

"I believe anyone can sing; they just need to be given the tools to succeed."

About Victoria
Victoria is a recent graduate of Belmont University's School of Music in Nashville, TN. Fresh out of Music City, USA, she has a passion for music and sharing it with others. She has recently relocated to Winter Springs, FL, where her husband also teaches voice lessons. Over the course of her formal musical training, Victoria has gained extensive experience with vocal technique, vocal health, and vocal performance. Her credits include over 12 years of vocal study, both classical and commercial (i.e. jazz, country, pop, rock, CCM, etc.), over 17 years of classical and commercial piano study, and over 8 years experience playing saxophone in band and jazz ensembles. She also has 7 years' experience playing basic acoustic guitar and she enrolled in 2 years' worth of both guitar and songwriting lessons during her time at Belmont. Victoria has d
eveloped an advanced knowledge of music theory and ear training skills. She is also experienced in arranging, writing charts, and transcribing. She is skilled with technology such as Finale, GarageBand, Melodyne, and general recording equipment. As a teacher, she brings unique perspective and experience from her training in both classical and popular music. She brings a wide variety of skill sets and experiences to the table, from her positions as a worship leader, to years of classical piano lessons, to recording in both professional and home studios. Victoria strives to motivate her students and kindle their musical passions by using both classical and commercial curricula. She is excited to use the knowledge and skills she has gained to spark a passion for music in others. Note: Availability subject to change according to my work schedule, which is different every week. I find out my schedule usually a week or so in advance, so we will know ahead of time if it affects any lesson times.
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Victoria T.

Victoria T.

Online
starting at
$30 / 30-min

About Stephanie N.

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Brooklyn, NY

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Students will learn how to sing or develop existing talent and skill such as : breath control, proper vocalization, proper placement, performance training, audition technique and music theory.

As your teacher, I will encourage you to hone your talent and instill confidence in your singing.

About Stephanie
Stephanie, a native of Miami, Florida began her musical studies at New World School of the Arts in South Florida, earned her Bachelor of Music degree from University of Florida, and obtained her Master of Music in Vocal Performance from the University of Miami.

As teacher, Stephanie has taught all ages in music. She was a music teacher at a private elementary school in Miami and a professor at Barry University in Miami Shores. Stephanie also specializes in helping in competition training, helping many students place in the top music schools.

As a performer, Stephanie Newman performs in opera and concert performances across the United States. This season, Stephanie debuted with the Klezmer Orchestra singing Hodel in their production of Fiddler on the Roof, was a soloist at Barry University in Rossini’s Stabat Mater, and will be perfor
ming the title role of Hansel in Hansel and Gretel at Quisisana on Lake Kezar in Maine all summer.
Featured roles in past seasons have included the Miami Summer Music festival, where she participated in the Wagner Institute concert, and as Elizabeth Proctor in the new opera production of The Crucible. The Palm Beach Arts Paper noted that she “sang impressively, handling the music with confidence and flair.” She also sang the title role in Pinocchio at Cedar Rapids Opera, as well as Flora in La Traviata, Carmen in Carmen, Giulietta in Les contes d’Hoffmann, Meg in Mark Adamo’s Little Women, Mrs. Herring in Benjamin Britten’s Albert Herring and the Nurse in Michael Torke’s Strawberry Fields.

Stephanie placed 3rd nationally in the New York Lyric Opera Competition, where she made her Carnegie Hall debut. She was the winner of the Miami-Dade artist access grant award, and the Concerto Competition at New World School of the Arts. Stephanie has also placed in the semi-finals of the Florida Grand Opera/Young Patroness of the Arts competition, and the Palm Beach Opera Competition. She has participated in distinguished opera programs such as the Miami Music Festival, International Vocal Arts Institute, Opera Academy of California, and the Manhattan School of Music Summer Festival.
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Reviews
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Juan January 11, 2018
· Classical Voice · Online
I've taken many lessons with Stephanie over the past 2 years, most of which via FaceTime or Skype which has always been successful, and convenient that neither of us has to travel.

Stephanie is patient beyond belief, but also incredibly driven and focused in her teaching technique. My range has expanded, my tone has become warmer, and I'm an all around better musician with her as my teacher. The way she approaches the voice is both confident and very professional, and I would happily recommend anybody to study with her; beginning, intermediate, or advanced. She is a gem!
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Stephanie N.

Stephanie N.

Online
(1)
starting at
$50 / 30-min

About Holly H.

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Indianapolis, IN
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I have been singing classical music since I was 11 years old. My major was a bachelors in music from Saint Mary's College with a focus in voice. I have student taught all ages from 7 up to 16 for a year in a half in a classroom setting. This will be my first year teaching private lessons. I specialize in beginner voice.

I will also be able to teach beginning theory and singing techniques.

About Holly
I received my Bachelors in Music from Saint Mary's College Notre Dame in 2016. My main focus was classical voice and opera. I have been singing opera since I 11 years old. I started piano lessons at 5 but stopped to sing. In college I started piano lesson again. I have taken all four years of theory and vocal techniques.

I feel most comfortable teaching beginners and if I feel like your student is too advance for what I can teach I will let you know so I do not hold them back.
...
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Holly H.

Holly H.

Indianapolis, IN 46222
starting at
$30 / 30-min

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Are you a singer looking to improve your music reading skills? You're in luck! In this article, voice teacher Elaina R. shares everything you need to know about sight singing exercises and tips..   One of the most impressive feats for a singer is the ability to pick up a piece of music and read it. How can you get to that point? With patience, dedication, and lots of practice, you can master the art of sight singing! What Is Sight Singing? Sight singing is sight reading for singers.
4 Must-Read Summer Stock Theatre Audition Tips for Singers
Thinking of auditioning for summer stock theatre in your area? Here, voice and acting teacher Liz T. shares her tips for audition success...   Summer stock theatre is a tradition that started in the 1920s, in which talented actors, singers, and dancers from the big city would perform and work on their craft for an entire summer at a local theater, very common in New England and the Midwest. Today, summer stock is still alive and thriving, and is one of the most rewarding experiences a
15 Unique Struggles All Triple Threats Can Relate To
Do you consider yourself a "triple threat"? If so, you'll find these 15 struggles -- rounded up by Fayetteville, GA voice teacher Alexandra R. -- all too familiar...    The stars have aligned and that dream to be on Broadway, to be a superstar, to be unstoppable is just at your fingertips. The auditions and opportunities of a lifetime are waiting for you on the horizon. You walk through the door of that audition room and you know you’re the one they’ve been looking for... but we all h

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