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Force, PA Singing Lessons

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About Farobag C.

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Orland Park, IL

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A greater emphasis placed on breath control, diction, and vocal production on all aspects of vocal performance.

About Farobag
Music Director of the Chicago Philharmonia Orchestra since 1985, Farobag has also served as Managing Director of the University of Chicago Performing Artists Series from 1989 through 2002 and principal conductor of its resident professional ensembles. A skilled interpreter of Baroque literature as well, Farobag continues in his capacity as Artistic Advisor to the Baroque Masterplayers, a virtuoso ensemble that concatenates period performance techniques with modern instruments thus creating a unique voice within the realm of 17th and 18th- century repertoire.

A double graduate of the Eastman School of Music and the University of Rochester, Farobag studied under Anastasia Jempelis, a pioneer of Suzuki violin pedagogy in the United States. In addition to the Suzuki curriculum, he is also associated with the Royal Conservatory Music Devel
opment Program that sets a national standard of musical achievement in various fields.

Befitting his penchant for encouraging artistic interest amongst younger members of his community, Farobag is also the principal conductor of the Zoroastrian Symphony Orchestra that offers a unique mixture of young and seasoned professionals sitting side-by-side in a strictly professional setting. Since the year 2000, the ZSO has staged highly successful performances at various venues in Houston, Chicago, and Toronto. A New Year's eve performance in Los Angeles is scheduled for 2014.

Having also taken graduate-level coursework in educational psychology, mathematics, and philosophy at the University of Chicago, Farobag offers tutelage in various areas of elementary and secondary education as well as in SAT, ACT and GRE test preparation.

Additionally, as a certified Reiki Master, therapeutic and/or educational sessions are also extended to those who may be inclined to alternative healing techniques.

*** Lesson Details ***
Sheer technique is necessary but insufficient to play an instrument well. Aural skills, that include the study of functional tonality and voice-leading are important factors that impart musicality. This is of great import if the prospective musician wants the audience to truly enjoy his or her performance !

Whether it be the 3 Rs or preparation in the performing arts, a remarkable instructor must go well beyond the subject matter at hand and help imbue the student with a spirit of wonder that, in due time, will foster enthusiasm necessary for excellence.

A child emulates and learns to communicate in his or her mother-tongue through a supporting and nurturing environment. Likewise, a student needs to be sufficiently motivated to embrace learning in a familiar supportive manner.

*** Studio Equipment ***
The In-Studio lesson take place in the living room. Driveway parking. No pets.

*** Travel Equipment ***
None; I do expect a reasonably good piano / keyboard at a student's home.

*** Specialties ***
Traditional and Suzuki-based education. Performance and musicality training is open to all instrumentalists.

*** CD's***
Classical Energy, Triton Sound, TS 8501
Salut D'Amour, Triton Sound, TS 9014
Epiphanies1, The Halford Company
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Reviews
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Ryan September 29, 2017
· Violin · In studio
I've been playing a few instruments for 23 years, and finally decided to get into violin. Farobag made me realize that I know next to nothing about the violin, and there is so much to learn. I played only a few notes in my first lesson, but his instruction was worth every penny. I am very excited for the next lesson and look forward to learning everything I can from Farobag. Highly recommended.
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Ganesh V. September 17, 2017
· Classical Piano · In studio
Mr. Cooper is an experienced teacher. He teaches piano, violin & vocal from basic to advance level. My son has been taking piano classes from him for the past 3+ years. He loves to go to Mr. Cooper's classes. The foremost quality in Mr. Cooper is that he seeks perfection and tries to imbibe the same in his students. He encourages all his students to perform their best and is extremely patient in dealing with his students. Mr. Cooper lets me sit in my son's lessons and I got my 101 on classical music with these sessons. I can appreciate what my son plays and also now able to appreciate classical music in general.
Mr. Cooper encourages all his students to participate in IMA annual contests and puts a lot of effort in preparing his students for the same.
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Lulu Y. August 26, 2017
· Pre Algebra · Online
Mr. Copper is one of the best teachers that I know. I am a slow learner and he would teach me things over and over again until I understand. Overall, he is a great teacher and I would recommend him if you need help on math.
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Farobag C.

Farobag C.

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About Azuri M.

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Los Angeles, CA
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Students will be introduced to a variety of vocal warm up and strengthening techniques designed to develop the voice. We will also be studying songs and lyric reading.

About Azuri
Learning is one of my main pursuits. My name is Azuri and I have studied music for over a decade and have my degree in guitar performance from musicians institute. I've had the gift of studying many artistic crafts and spend my time today trying to further my own study, while sharing what I've learned with my students.

Art is one of the most important tools we have as a culture and contains in it a shared history, tradition and the keys to future ones. Whether it be through the primal qualities of music or the impulses of dance, the records of drawing or descriptions of writing, these are the tools for our expression. I have had the great fortune to study, in many different settings, a small piece of these traditions and sharing them is paramount in respect to receiving them. I love sharing knowledge and I hope to elevate yours as a st
udent.

Teaching Philosophy -

My teaching philosophy is built on well rounded communication, explanation and examples. So, that a student can truly understand and learn a topic, surrounded in a very humorous, light and supportive environment.
Along with being provided good information, a student learns better and feels more motivated to learn when there is a balance of positive support and confidence building accompanied by constructive criticism and examples/information that can help a student assess what ever walls they may be meeting in their musical growth.

I understand that all students/artists have different goals they wish to achieve. So it is very important to me to accommodate each individuals needs and wants to help them grow in the fields they wish too; However, In that I have played music for a long time, I understand there are certain things that a student may not have been exposed to yet; It is important that while focusing on a students artistic goals they respect and are open to the suggestion and guidance of their teacher.

I truly believe music has an amazing influence on the world and has the ability to change peoples way of thinking. Therefore, I try and keep an open awareness to all music, so that I can understand all different musical languages utilized to communicate to people, and I don't believe I will ever know them all. I hold it to attention to influence my students somewhat similarly so that they can shape the landscape of how we communicate musically in the future.

I also try and be very patient with my students. Knowing that when I feel rushed, it makes information more difficult to comprehend, remember and allocate. I love watching the gears run in my students head, so I try and provide information that pushes a student but is within their abilities.

HUMOR is very important. I like to break people out of their shell by telling a joke and hopefully getting one back, so they feel more comfortable and free. One of a Artists worst enemies are nerves. Keeping things light-hearted and maybe even a little small talk can be very helpful to a students development and growth on a topic. After all, Art is meant to be fun and we should enjoy every moment of it, in fact we should enjoy every moment in life period.

I understand music requires focus and discipline and I have certain expectation of a student to understand that and practice. You can't buy chops, you can't buy music theory etc. you can get help but eventually your the one who must understand it and play it.

I am here to help you. Based on what I know and what I have extensively studied, I will do all that I can to help you achieve your musical goals. I am here to answer your questions and help you grow. I love teaching because I love sharing knowledge; As long as your seek it, it is here for you. Otherwise, I'd still love to hear some jokes.

Education -

MUSIC
_Bachelors in Music - 2016 - Guitar Performance (Musicians Institute, CA)
_Associates in Music - 2011 - Guitar Performance (Musicians Institute, CA)
_Major in Music - (Academy for Visual and Performing Arts) - 2008
_Garden of Angels - 2003 - Performance Academy

DANCE
_Krump, Pop-n-Lock - 2012 - (Xtreme)
_Break Dancing - 2011 - (Fun.Krew)
_Traditional Brazilian Dance & Samba - 2014

MARTIAL ARTS
_Capoeira - Current - (Capoeira Batuque with Mestre Amen)
_Wing Tsun - 2013 - (Johnny from the Emin Boztepe School)

ART
_Graffiti - 2011 - (Fun.Krew)
_General Art - 2008 - (AVPA)
_Painting - 2003 - (Garden of Angels)

Much Love,
Azuri Zen M.

*** Lesson Details ***
I'm very disciplined but am also very light hearted. It's important for me to assess things seriously, so that one can understand a topic or piece of information.

I generate my lessons based on the individuals needs and therefore draw from various curriculums, sources and examples, such as : MI curriculum for ear training, Theory, Single string Technique, Reading, Rhythm guitar, Ted Greenes Chord Chemistry, Berklee Guitar Method, as well as The Real Book, other artist books(Eric Clapton, etc.) The Guitar Players Hand Book, Bach pieces and self developed curriculums, relative to the topic at hand and students personal goals, amongst many others.

-Beginning students within three months of consistent lessons should have the ability to solo and playing chords to songs that they are interested in and songs provided in the lesson along with a basic understanding of the major scale and its relationship to all of the diatonic music.

-intermediate students should have an elevated understanding of scale and chord patters along with the theory that explains modal relationships and use of these concepts.

-Advanced students should learn all of diatonic scale shapes and modes assuming they don't already know them in which case their specifically situation will be assessed

-Professional students I expect to have specific questions therefore where they grow should be largely subjective.

Overall, in a short amount of time on a scale of 1 - 10 I expect to in three months at-least elevate a students musical abilities one full point if not more.

*** Studio Equipment ***
Studio in home in private room with guitars, amps, piano, and seating.
Em's studio is family owned cafe with studio in finished basement with an office, recording equipment, and teaching space for acting and guitar.

*** Specialties ***
As a Musician I try and play as many styles and be proficient in as many as possible and therefore can play most. However, in the fields of blues, jazz, funk, flamenco and Latin I excel.
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Reviews
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Dylan September 19, 2017
· Graffiti · Online
Very patient and gave a nice introduction to the basics for my 9 year old.
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Juan G. April 4, 2016
· Singing · In home
Azuri is great, l recommend it to anybody. THANK YOU!!!
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Juan G. April 4, 2016
· Singing · In home
You not will be disappointment. He is very professional. My first lesson and l like the way he teach.thank you azuri.
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Azuri M.

Azuri M.

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About Liz T.

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Brooklyn, NY

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Beginning to Advanced

About Liz
Liz T is an accomplished Performer, Writer and Educator who has captivated audiences and students across the globe. Having achieved a M.M in Contemporary Performance & Production (Vocal Performance) from the Berklee College of Music's campus in Valencia, Spain and has also obtained a B.M from the Berklee College of Music in Boston, MA (Vocal Performance).
Trained in Classical, Jazz and Musical Theatre her warm voice, playful attitude, and vibrant inner beauty come alive on the stage and in the classroom. With International and Cabaret influences, she performs and writes deeply from the heart, and is never afraid to pour out heart felt emotions on stage.
She has additionally studied Arts Administration at NYU and has also worked behind the scenes at the professional level in Arts Administration at Berklee College
of Music, Radio Disney AM 1260, and the New Victory Theater (Off-Broadway).
World class venues include: Carnegie Hall, The Vatican, Notre Dame Cathedral, Palau de les artes de Regina Sofia, and Symphony Space. Liz has also performed with the Amore Opera, NY Lyric Opera and Regina Opera companies of New York City.
Favorite Theatrical Credits include: The International Tour of Disney Live! (Feld Entertainment), Nickelodeon at Sea (Norwegian Cruise lines), Macy's Thanksgiving Day Parade (NBC), RWS and Associates, Carnival Cruise lines and legendary summer stock theaters including Ogunquit Playhouse, ME and the Granbury Opera house, TX .
Past NYC Music Venues include (Select): The Metropolitan Room, The Cutting Room, Ashford & Simpson's Sugar Bar, Toshi's Living Room, The Shrine, Silvana, The Bitter End, The Path Cafe.
Past TV/Film Selections Include: Orange is the New Black, Elementary, Law and Order SVU, Mozart in the Jungle, Grown ups 2, Labor Day, The Makeover, Nurse Jackie, The Knick, Blue Bloods, The Following, The Woody Allen Summer Project, Madame Secretary, Mysteries of Laura, Royal Pains, Teenage Mutant Ninja Turtles 2, The Heat, The Carrie Diaries, Vinyl, Public Morals,The Tap, The Only Boy in New York, Irreplaceable you,The Leftovers, Marvelous Mrs. Maisel and Bull.
She has a passion for singing jingles, and recording voice overs all around the world for clients in India, New Zealand, France, Israel, Philippines, and Russia to name a few, be on the lookout as you never know where you may hear her Voice!
Her writing has been published by the Vail Jazz Festival, Lessonface, Takelessons, NewMusicalTheatre, Onstageblog, New Victory Theater Blog and with Dance, Laugh, Learn LLC.
She has had the pleasure of Musical Directing with various inner city schools with young, at risk students including Inside Broadway, Brooklyn Arts Council, Mainstages, The Queens Theater, Long Lake Camp for the Arts, Berklee City Music Program, Boston Bridge Charter School, and St. Joseph's Regional Catholic School. Past shows she has musical directed have included Annie, Legally Blonde, The Wizard of Oz, Seussical, Oliver, Shrek, and Chicago. Liz also serves on the Berklee Alumni Audition Committee, and was recently named Berklee Alumni Ambassador of the Year. (2017)
Currently she is working on her original musical Ciao Bambino, which debuted it's first staged reading at the Midtown International Theater Festival in the Fall of 2016! At MITF Ciao Bambino was recognized with an award for Best Staged Reading. "Give me the stage" an original song from the musical also won first place in competitions at the Bunol Symphony Orchestra in Spain and Hampton Beach talent show in New Hampshire. Check out Ciao Bambino the musical to follow the development of this exciting new musical, as it's head Off-Off Broadway in 2018!
Miss. Turner is a member of the following professional organizations: SAG-AFTRA, The Dramatists Guild, BMI, Society of Composers and Lyricists, The Drama League, The Manhattan Association of Cabaret Performers, AFM Local 802, Actor's Equity Membership Candidate, Theater Resources Unlimited, The Off-Broadway Alliance, Women in Music, National Italian American Foundation, National Organization of Italian American Women, International Women's Jazz Association and The League of Independent Theatre.

*** Lesson Details ***
I like to work with students at all levels, whether you sing for your own enjoyment or are serious about pursuing a career in performing, I want to help you be the best performer! Please send me a message before you sign up for lessons so we can coordinate time difference/scheduling, Thank you!

*** Specialties ***
Voice, Piano, Clarinet, Music Theory, Songwriting, College Audition Prep.
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Reviews
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Kyla October 16, 2017
· Choir · Online
Were u on
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Ciara September 19, 2016
· Vocal Training · Online
your the best. I'm 10 and must sing in 3 days in a talent show and sure found your help useful.

ty
Ciara parsons
Bishop, ca.
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carol April 1, 2016
· Italian · Online
Liz could not be nicer and helping me learn my "R"
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Liz T.

Liz T.

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About Albino M.

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Cambridge, MA
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Solid knowledge from 18 years of playing guitar and singing, I Graduated From Berklee College Of music as one of the first African Scholars.

About Albino
Albino was born in Maputo, the capital of Mozambique, a country in southern Africa known for its rich musical and cultural heritage. Fueled by the resourcefulness and determination that have always characterized Mozambicans, he built his first guitar at 16 from a 5-liter can of oil, scrap wood, and strings made out of electrical cords.

Drawn to the sounds of neighborhood street musicians in Maputo, Albino began to play in a number of local bands. As with his home-made guitar, Albino wanted to combine styles and incorporate diverse elements in his music. For his talents to grow, he knew he needed experience new places, cultures, and sounds.

While studying music education and Performance at Universidade Eduardo Mondlane in Mozambique, he heard about the Berklee School of Music in Boston, USA, where he could expand his musical horizons
. Soon after, he was one of the first students to receive a full scholarship to Berklee through the African Scholars program. In 2009, he settled in Boston, Massachusetts.

At Berklee, he was exposed to a variety of influences, but wanted to go deeper into the roots of jazz and expand his knowledge of music. He auditioned and was selected to participate in the Berklee Global Jazz Institute, which is directed by Danilo Perez and the residency teachers, including Joe Lovano John Patitucci, and Terri Lyne Carrington. The Institute emphasizes an artist's original vision in jazz, and has helped Albino find his own unique voice in the art form.

Albino still felt the absence of his own Mozambican traditions in his music. With the help of his mentors, Richard Bona and Lionel Loueke, two of the most prominent African musicians in the United States of America today, he began to bridge that gap.

Today, Albino's music succeeds in combining many disparate parts into an organic whole. It incorporates his musical experiences from Mozambique, the U.S., and many other places around the world, combining rhythmic patterns and musical concepts to create a unique Moz-Jazz sound. He will always continue to combine and capture the energies of different musical traditions to create a unified and original musical style.

Albino's original composition “Mozambique Dance” was recorded by Jazz Revelation Records, a student-run record label at the Berklee College of Music, for the 8th annual album released in 2011. He also recorded “Awusiwana,” his own composition, for the Berklee 2012 summer album. His debut album, also called Mozambique Dance, is to be released in Spring 2013.

Albino is an active musician, and has performed in several countries including Mozambique, Zimbabwe, South Africa, Italy, the U.S., and Mexico. He has also produced and recorded various projects in Mozambique and in the United States. In 2012, he will graduate from Berklee College with a degree in Music Production & Engineering and Performance, and a minor in Acoustics and Electronics.

*** Lesson Details ***
My teaching method dependent on the type of student. All my students will be treated with care and commitment to help them archive the their goals in the lessons.
We will be using book method as a way to follow a clear direction.
Learn songs, chords, scales, phrase, theory and more material that is needed for better musical foundation.

I am open to what the student wants to achieve over short and long terms.

*** Studio Equipment ***
Desk top and Laptop Mac Computers
Protools, Logic Pro, reason
Focusrite 56 Liquide, Focusrite Dual Mono Mic pre
BBe Maximizer
Bricasti, M7, sterreo reverb

*** Travel Equipment ***
Guitar
Guitar Amp
Mic
Laptop
Mbox

*** Specialties ***
Guitar
Bass Guitar
Voice
Ukelele
Song writing
Production
Audio Recording
Mixing
Mastering
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Reviews
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Gina September 7, 2017
· Singing · In studio
Albino is a supportive instructor. He definitely wants to help mold his students into the best performers they can be. Very excited to continue working with him!
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Michael M. August 30, 2017
· Guitar · In home
Very patient and knowledgeable. Great mix of feedback and praise
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Caleb July 10, 2017
· Singing · Online
canceled on the day of my first lesson... didn't reply to emails.
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Albino M.

Albino M.

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About Edna B.

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Rockton, PA

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Would you like to be able to sing what you see on a page of printed music? Do you wish you could learn your harmony part without needing someone to plunk it out on the keyboard first? As a school music teacher I have helped many students learn to sing from notation. In the process I can also help you improve your basic vocal technique.

About Edna
Welcome to my Music Studio where you can begin a life long musical journey. I look forward to guiding you or your child wherever you may be on the path to making and loving music.
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Lourdes BD November 22, 2017
· Piano · Online
GREAT LESSON AS ALWAYS....HAPPY THANKSGIVING!!!!
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Joanne C. November 2, 2017
· Viola · Online
I am enjoying my lessons with Edna! She tailors the lesson to what I'm trying to achieve. Thank you, Edna.
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Amanda B. October 11, 2017
· Violin · Online
I enjoyed my lesson with Edna. She was kind and made me feel comfortable about learning. I'm excited to continue.
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Edna B.

Edna B.

Du Bois, PA 15801
(15)
starting at
$20 / 30-min
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About Howard R.

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West Hills, CA
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Specializing in MUSICAL and TECHNICAL aspects of singing only. I DO NOT TEACH VOCAL PRODUCTION OR NORMAL SINGING but a lot of singing teachers send me their students for help with pitch control, if they sing flat and also how to sing harmony and self-accompanying techniques, sight singing and performance anxiety.

About Howard
I enjoy working with complete beginners as well as seasoned professionals. I teach classical and popular styles. I specialize in teaching learning how to learn, sight-reading, technique, improvisation, chord-reading, songwriting. One of my specialties is to help you break through your most stubborn blocks. These might be the strangest things that you think no one would ever understand -- fear of playing in public, feeling like your left hand is uncoordinated, practice procrastination, pain when playing, pain when reading notation, memory issues, musical dyslexia... ANYTHING. I can help you and I will never make you feel embarrassed.

*** All Levels, All Styles ***
-Classical
-Pop
-Country
-Gospel
-Blues
-R&B
-Rock
-Reggae
-Hip Hop
-Worship
-Church
-Hymns
-Techno
-50s
-Jazz
-New Age
-Folk
-Broadway
-Pop Ballad
-etc.

*** In Studio or Online ***
Of course it is more enjoyable if you can have lessons in person. But with modern technology, live online lessons come in a close second. I've been teaching for 40 years and I've been doing online lessons for about 7 years. I'm located in West Hills, which is a suburb of Los Angeles. If you are not local, using skype with a webcam works out surprisingly well. I have students in Sydney, London, Hong Kong and many cities throughout the US.

*** Use a Piano or a Keyboard for Practicing ***
I am not fussy if you use a keyboard but it needs to be a "weighted action" keyboard, so that it feels similar to a real piano. Ideally, you should also have a pedal and a stand if you are using an electronic keyboard.

*** Unconventional Approach ***
Each student is taught with a customized approach. You get to tell me what areas you want to focus on. Sometimes there may be a block or something that is a weakness that you need to bolster. Sometimes it is a narrow niche within music that you want to give your attention to. One way that I'm unconventional is that I actually have found that it is NOT better if you practice every day. I recommend that you build in about three days of rest per week. Just like people who work out at the gym learn that the off days are when the muscles regenerate, the same is true for your brain. This allows your subconscious mind to do its job and your progress will actually be faster, not slower. Another example of my unique approach is how I treat beginners. Even though you may not yet read music very well or at all, it doesn't mean that you can't start working concurrently on a more advanced piece. This is because READING notation is a comparatively slow process, but why should we restrict your ability to play something that you love to your rate of reading music? Usually, our FINGER TECHNIQUE develops much faster than our READING so I'm happy to guide you on one or two more difficult pieces and help spoon-feed it to you, bit by bit, "by rote."

*** Areas of Focus ***
-Finger Technique. How to play fast with ultimate control.
-Sight-Reading How to Read Music at Sight
-Rhythm Training
-Music Theory
-Interpretation
-Injury-Retraining
-Relaxation, Removing Unnecessary Tension
-Pain-Reduction
-Practice-Optimization - How to learn more in less time. -How to memorize music.
-Biomechanical Efficiency - Maximum power with minimum effort.
-Time-Management
-Improvisation and creativity development techniques
-Composition & Songwriting.
-How to create melodies for your poems and lyrics.
-How to put chords on your melodies.
-How to create “song sheets,” lead sheets and how to write music down on paper.
-How to notate your song so others can play it, without knowing how to read music!
-Chord-Reading and How to Play Lead Sheets & Fake Book
-Musical Styles and Piano Arrangements (Pop, Country, Gospel, Blues, R&B, Rock, Reggae, Hip Hop, Worship, Church, Hymns, Techno, 50s, Jazz, New Age, Folk, Broadway, Pop Ballade, etc.)
-Ear-Training (How to Play by Ear, Playing by Ear)
-Singers’ Tools
-Pitch Control Training
-Self-Accompanying
-How to Sing Harmony
-Sight-Singing (How to Hear the Notes in Your Mind)
-Self-Accompanying techniques in every style - Learn how to accompany yourself or learn how to accompany singers. (see “Musical Styles” above.)
-Audition Preparation - I will record the melody of the song for you so you can learn it.
-How to put melody to lyrics
-College Preparation
-Performance Anxiety, Stage Fright, Fear
-Releasing Emotional Obstacles to Playing Emotional Blocks, Healing Piano Trauma and Previous Performance Disasters, Piano Therapy
-Learning Disabilities including ADD, ADHD, Dyslexia, Dysgraphia, Dyscalculia, Dyscalculea, Sensory Integration Disorder
-Motiviation Issues - Solving your procrastination and avoidance of your musical growth issues.
-How to Look Like You’ve Played Piano for Years (for Actors, Singers and Celebrities Who Have A Role Deadline and Need a Crash Course.)

*** Celebrity Piano Teacher ***
Over the years, I've taught many pro musicians and celebrities. These include: Vonda Shepard, David E. Kelley, Dick Gautier, Michelle Pfeiffer, Pray Harper, Peter Horton, Michael Goodrich, Brianna Haynes, Starr Parodi, Briana Evigan, Stuart Ross, Roger Burnley, Chris Hardin, Stu Simone and Ben Bram.

*** Howard's Teachers Go Back To Beethoven ***
I feel grateful that my own training included top teachers of both the “German School” and “Russian School” of piano technique. Generally, the German School teaches how to play with close-to-the-key hand placement preparation and fingering efficiency, and is known for great speed and accuracy. The Russian School teaches how to play with gravity and relaxation and is known for beautiful tone production. Each approach has its strengths and weaknesses. In my own playing and teaching, I have incorporated the good aspects of each and have discarded the bad. The result is a blueprint for biomechanical efficiency and beautiful sound, making it the best of both worlds. Please see the photo of the "piano lineage chart."
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Reviews
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Oz B. May 16, 2016
· Piano · In home
Howard is very caring and detailed oriented. He really knows how to inspire and encourage children to learn piano. He makes it challenging and fun!
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Edward April 12, 2016
· Piano · Online
Howard's approach is patient while at the same time he actually leads my son forward - not just listening to what he practiced that week. Howard does not make the weekly lesson a "test" but rather a session to work together and my son enjoys the lessons instead of worrying if he prepared enough.

We moved from Los Angeles so we chose to transition from lessons in Howard's house to weekly lessons online - it continues to work beautifully.

Howard can accommodate any style of student - I know because I took lessons from Howard myself until my work built up too much to continue.

I recommend Howard without any reservation.
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Rusty Tinder October 12, 2015
· Piano · In studio
Folks, I'm excited to write this review for a true master in piano pedagogy and so many other skills! Howard is worthy of the title! In all my years that I have taken lessons from teacher at universities and privately, I've never come across someone with the genius and in-depth philosophy that Howard has. You may think this may be some fluff to help a guy out but my words will still not be enough to quantify the abilities of this man! I went from having severe arthritis in my wrists from playing with terrible technique to never having problems again and experiencing a huge leap in my playing abilities!

If you want to experience a paradigm shift in your playing, get ready to open yourself to a new way of thinking and playing that will lift you up! If your attitude to learn matches Howard's abilities to teach you will not believe the progress you will make. Its true what they say, when you are ready the master will come! I hope you are ready because Howard is the real deal!!!

Enjoy your paradigm shift!!!
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Howard R.

Howard R.

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(42)
starting at
$45 / 30-min

About Natalie D.

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Brooklyn, NY
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Each lesson includes studies of fundamental technique, ear training and repertoire development in order to facilitate the development of a whole musician.

About Natalie
Hello, and thank you for your interest!

My name is Natalie, I am a teaching-artist originally from Sydney, Australia. I currently reside, perform and teach in the New York and greater New York area.

I am an award-winning singer, songwriter, multi-instrumentalist and composer who has toured internationally and an experienced educator. In 2016 I graduated from The New England Conservatory of Music with a Masters in Jazz Voice Performance. I received my Bachelor of Music from Sydney Conservatorium of Music, Australia.

“A teaching artist, by definition, is a two-career professional: a working artist and a working educator. As a working artist is they are involved in an ongoing process of discovery, problem solving, discipline and refinement of skills in their discipline. As a working educator, it is essential that the artist is al
so developing a knowledge base and skills to be an effective partner in education. Achieving a meaningful balance between these two professions, whereby one feeds the other, is an ongoing process that requires a deepening awareness for the teaching artist of what their teaching brings to their art and what their art teaches them about learning.”

I pride myself in creating a fun and safe learning environment in which I establish a firm musical foundation for my students. Lessons include: vocal scales and etudes, lyric interpretation, stagecraft skills, repertoire development and a foundation of the technical elements of the voice or instrument, and exploration and development of timbre, genres and music history. I teach a large variety of musical genres including jazz, pop, rock, rn'b, theater, reggae and classical music.

Simultaneously, my students cultivate many other skills while learning voice. Students enhance their understanding of music genres, their overall self-confidence and become self-sufficient and creative problem solvers. I am passionate about educating and empowering my students and I enjoy connecting with a wide array of musicians of all ages, playing levels and backgrounds.

Feel free to contact me to inquire about lessons, I hope to hear from you soon!

Natalie
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Reviews
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Steph September 10, 2017
· Singing · In home
Natalie has a great demeanor and is lots of fun. She's a great teacher and really helped me with sight reading and breathing.
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Natalie D.

Natalie D.

Online
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starting at
$40 / 30-min

About Kellon H.

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East Orange, NJ
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I have done all types of singing from classical to jazz to madrigals. My speciality is gospel, as I am a worship leader at 2 churches and lead 4 choirs. I can help you get that power to connect with and lead out any audience.

About Kellon
I am a gospel pianist, organist, and vocalist. I have over 20 years of experience in performing and teaching. I have a bachelor in music, concentration in theory and cooositiin from Montclair State University. Music is my passion and I want to share that spoon with others. I believe there is a song in all of us, I want to help you so that the world can hear yours.
...
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Kellon H.

Kellon H.

Online
starting at
$50 / 30-min

About Leota T.

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North Hollywood, CA
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Let's get you prepped for that audition or ready to kill it at karaoke next weekend! I have been singing, acting, and playing music (violin, viola) for over 18 years. My teaching technique focuses on musicality with an emphasis on healthy and safe vocal training. I have a degree in Theatre, so students have the option of working on character and acting moments with me. I'm able to teach music notation and additional music theory for those who want it, and I provide a safe space for both beginning and intermediate students who want to further themselves and take their voices higher!

About Leota
I'm a working actor, singer, and teacher in Los Angeles. I have a bachelor's degree in Theater from The University of California, Irvine, with an emphasis in Musical Theater.

While film is the focus in the city of angels, my passion for musical theater is still alive! I've performed in theater and musical theater shows across the globe, including Los Angeles, New York, San Francisco, and the Edinburgh Fringe Festival in Scotland. I have also trained in music improv at UCB in Los Angeles.

No matter the level, I can teach any student to be more expressive and comfortable with their voice. Each week we will work on techniques to improve voice placement, as well as proper breathing so you don't hurt your voice even when you're sick! Whether you want to improve your high range into the classical soprano or coloratura or find
your big belt, I will get you there in a healthy and safe way! (Don't worry Gentlemen, I can get you to sing high too!).

I work with students of all ages, backgrounds and levels. Many of my students are actors with no vocal background, and some of my students are classical or operatic singers who want to work on acting and expressing themselves musically for a better overall performance. Whatever your goals are, we will accomplish them!
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Reviews
Silhouette-80
Molly November 2, 2017
· Singing · In studio
Very knowledgable about music and lots of fun!
Silhouette-80
Amanda October 29, 2017
· Broadway Singing · In studio
Leota is a fun and sassy lady with some serious technical knowledge! Would recommend
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Leota T.

Leota T.

Online
(2)
starting at
$34 / 30-min

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