Lexington Park Music Lessons

. I can help you understand what is going on behind the music and hopefully see what the composer was hoping to convey, if that is something you want to know. When I was a student I always wanted to know "why?". As a teacher, you will know why if I do.

*** Lesson Details ***
I try to keep my lesson area as stress free as possible. It's OK to make mistakes in my studio. I would like you to bring a notebook to lessons as well as your music and instrument. I write as much as I can down because if you were like I was during lessons, I would forget everything I was supposed to be watching for after 3 days. Like I said above, we move at your pace. The more you practice, the faster we move. Questions are a good thing. It shows interest. But sometimes you just have to stop asking questions and just take the leap of faith.
We start with note reading as well as proper form and the parts of the instrument. We also deal with general care. I will tune your instrument every time you come in for lessons until you learn how to tune it yourself. We will review the day before, I will check on what work you've done and then move onto the next song/ technique etc. After we learn how to pluck the first 8 notes, we start with scales and bowing.

After that we move through the "usual" routine. Scale, etude, song(s) or school test songs, audition requirements etc.

I try to keep the same routine because for some students it's easier for them to focus if they know the lesson is going to move in a familiar way. It's reassuring. After we become proficient in the basics, we move into whatever genre you would like to play, within reason. If you are in the school orchestra we will work towards you getting an A.

I would say I'm more laid back when you are not preparing for an audition. Auditions require a lot of work and I want you to do as close to perfect as possible. I become fairly demanding during that time.

In about 6 months, you can play almost any tune you can hear on the radio. Explaining where you could be gets fairly technical and I might as well be talking like Charlie Brown's teacher.

*** Studio Equipment ***
at the B studio: music, music stand, stool, piano, laptop, tuner, metronome.

at home: music, music stands, chairs, computer, laptop, keyboard, microphone, tuner, metronome.

at the A studio: music stand, chairs, laptop, tuner, metronome.

pictures of the B studio are posted it's in Charles County of MD.

The A studio is located in St. Mary's County of MD.

The home studio is located in Charles County, MD.

*** Specialties ***
I am familiar with Paul Rolland's work, Valerie Bobbett Gardner's Violin Virtuosity, as well as Guillespie's. I was brought up Suzuki but haven't been trained in Suzuki. I have taken classes on how to teach to a variety of students so I could hold a teaching license in the state. I do participate with (Canadian) The Royal Conservatory of Music Music Development. This is active in the US also.

Special note: If you are allergic to cats, you will want to take lessons at my other studio location, not at the home.

IF you are contacting me with questions, please include either take lessons or lessons in the subject area so I can find you faster. I get a lot of junk mail and it is easy for me to miss a note from you.

ity to sing in Little Shop of Horrors and to sing with a women's choir. While studying at the University of Colorado Boulder I began to come into my own and started to let my large sound free. (Which for me was a process. Getting your voice where you want it and to where it is capable is work. But, it is fun work and you're always happy when you have these great moments where you get to where you were hoping you could and that your teacher said you would go at some point.) It was there, at CU Boulder that I got the opportunity to start singing in operas. While in Boulder I sang in The Magic Flute, Sarah McKinnon and as a soloist or recitalist.

Also, while there I worked as an actress in a theater company called the Interactive Theater Project for three years. I thought that by getting involved in that that I would be able to act more effectively while singing. It was fun just doing something where you're just working with the spoken word. I had a wonderful time with them and learned a lot about character work and what it takes to connect to the words in an effective way.

In the past few years, I have been a soloist and recitalist in the Washington, DC area and have sung opera in Pennsylvania with Center Stage Opera. Last year, I sang with Center Stage Opera in the role of Bertha. I had the opportunity to sing and to act at the Kennedy Center a few years ago. Also during that time, I
sang in Aleko, the Die Zauberflöte as the Queen of the Night, Serena in Porgy and Bess, and
sang in Ragtime and sang the role of the Wardrobe in Beauty and the Beast.

I am currently working as a soloist, a children's choir director, a chorus member, the director of a recital series, a cantor, and I'm writing monologues and small plays to be performed. I was working as a co-executive producer/casting director for a show that is on Amazon Prime as well. I look forward to what the rest of the year will bring.

*** Lesson Details ***
If you're a beginner, I will help you to understand what you need to get through the vocal line with breath and intonation. We will begin by doing vocal exercises and learn a lot about breathing for singing. I want to help you to make more beautiful tones. I will also slowly begin teaching you how to read sheet music and to help you be a more effective listener when it comes to music. I can also help you to become a better communicator as a singer.

For acting, I will help you to learn how to develop characters and bring the writer's words to life. We will begin by seeing what sort of subjects or genres interest you and what you are doing with those words now, and how you can delve deeper into making the world of the characters something more flushed out.

For beginning piano: I will teach you to learn how the piano is set up, teaching you to read sheet music, beginning theory and to play songs. Something beyond nursery rhymes.

*** Studio Equipment ***
Inside my home studio, I have music, a music stand, chairs, WiFi, a computer, a laptop, a keyboard, a microphone, a metronome, a microphone, an amp/large speaker, and a sofa.

*** Specialties ***
For voice, I would say that my focus is on classical voice. I also sing jazz, gospel and musical theater. For acting, I have done both improvisational and regular scripted plays.

I have taught students with special needs, and as someone with a twin sister with special needs, I am open to teaching students with special needs.

Town, Alan Jackson, Carrie Underwood, Jason Aldean, Kacey Musgraves, Kelly Clarkson, James Blake, Adele, Katy Perry, Justin Bieber, Miley Cyrus, Maroon 5, Miranda Lambert, Jason Derulo, Lady Gaga, Drake, Tim McGraw, … All levels taught (including beginners)!

50 years’ experience in today's music industry. Veteran and 24x Platinum awarded voice coach w/ Grammy winning clientele. A onetime student, associate teacher, and partner of the famous vocal coach, Seth Riggs; Brad puts the individual’s needs above everything else. ”I will make sure that every technique you learn, works the best for you.”

*** Lesson Details ***
1) Freeing up and developing the voice to give you power, tone, range, and dynamic control. The louder and higher the note is, the more you feel intensity; the lower and softer the note, the more intimate it feels.
2) Brad provides coaching and feedback of the performance, ensuring that the singer’s audience will love you.

*** Bio ***
“Feedback from my clientele, tells me that a lot of my success over the years is due to my background as a rock, R&B, concert, club singer; and my drive to accomplish the needs of today’s recording artists,” says Brad…who has worked with Anita Baker, The Bangles, Quincy Jones, Kevin Cronin (REO Speedwagon), Expose', Marq Torien of the Bullet Boys, … “I was a 60s rock singer and guitarist; and I have been singing on mics, sound reinforcement equipment, and recording equipment since I was 14 (50 years).”
In 1987, not long after he launched his own studio after years as a partner of Seth Riggs, Music Connection Magazine ran an article about his unique approach to microphones and electronic elements. He explained his desire to make sure that students learn to sing well with mics, so they didn't over-sing and that their emotional nuances would shine through. Brad teaches all genres that use mics for amplification.

*** Studio Equipment ***
Keyboard, microphones, recording studio, guitar, and seating for parents

*** Specialties ***
All styles that use microphones, recording studios, live performances with PA systems, and voice monitoring

lege years and beyond I served as a percussion instructor and assistant band director at Morgan State University. As part of the Morgan State University Magnificent Marching Machine I served as a instructional leader in music and performance mentor for the team. I taught part time as a percussion instructor at Milford Mill High School giving individual lessons for over 10 years.

Musical inspiration is an important element to the refinement of my craft. A few personal musical influences are Buddy Rich, Max Roach, Neil Peart (Rush), Dennis Chambers, (Santana), George Gray (Roberta Flack), Ricky Wellman (Miles Davis), Quinton Mack-Davis (Rare Essence) and Michael Bland (Prince).

*** Lesson Details ***
Within the first three months of lessons student will gain a strong foundation of sight reading and basic drum techniques in both rudiment studies and playing the drum set. My style of teaching music consist of breaking each skill down into chunks and allowing students to learn using their individual learning styles. I utilize rewards for perfect practice and each lesson contains a safe, fun learning atmosphere with students exhibiting in their best behavior.

*** Studio Equipment ***
Lessons in store front studio, drum kit provided

*** Travel Equipment ***
I will bring a practice pad. Students should have a drum set.

*** Specialties ***
Jazz, Funk, pop, and classical.

rmance from Northwestern University where she taught the non-major flute students and is currently pursuing a Performer's Certificate at Lynn Conservatory in Boca Raton, FL. Leanna is excited to meet new students and help them create a plan for their success!

ame competition's preliminary rounds in both Musical Theatre and Classical. During the summer of 2018, he will be featured as a Apprentice Artist at Des Moines Metro Opera.

Craig is also active in the concert singing world. As a Choral Scholar at Marsh Chapel, he has performed in various Bach cantatas, as well as Handel's Judas Maccabaeus (Messenger) and Bach's St. John Passion (Pilatus). In the spring of 2018, he made his debut with the Handel & Haydn Society and Boston Baroque, performing in Bach's B Minor Mass & Beethoven’s Fidelio.

Craig received his Master’s of Music in Vocal Pedagogy at The Boston Conservatory at Berklee in 2018, where he is the assistant to the program's director. He has a professional affliation with the National Association of Teachers of Singing (NATS) and College Music Board. In 2016, he received his BM from Capital University in Vocal Performance, focusing on Opera and Musical Theatre.

a graduate of the Acting Intensive Program at the Regional Tony Award winning South Coast Repertory.

I look forward to meeting you, and am excited to work together!

several classical teachers over the years. I found, although helpful, they did not have a great understanding of the voice, how to truly control sound, and the specifics of contemporary singing (my style). That changed when I found and studied with John Henny from Los Angeles (John Henny Music Academy). John is teacher to the stars and for many years worked for Seth Riggs who taught Michael Jackson and other celebrities. John took his method to the next level which is the basis of what I teach. I also have a Voice Pedagogy Certificate from Boston Conservatory.