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Veronica C.

Philadelphia, PA

About Veronica

With a voice that has been described as €œexquisite, sublime, and pure beauty, soprano Veronica has performed with opera companies and orchestras across the country while keeping firm roots in her hometown of Philadelphia. She has performed with small choruses and full orchestras, in intimate outdoor venues and major opera houses. She is an Artist in Residence at Temple University and has sung as a core member of many local choral ensembles, but frequently travels outside of the area to perform.

Recently returned from Shenandoah Bach Festival€™s Mozart C minor mass, and her first Countess w
ith the Shenandoah Bach Festival€™s concert version Le nozze di Figaro. 2010-2011 season also took Veronica on tour for the Northeast Louisiana / Union Parish Arts Councilâ™s Amazing Grace (featuring music of various religions, time periods and styles).

In 2008-2009 Veronica sang the role of the High Priestess for Opera Birmingham’s Aida, and added several new roles to her repertoire, including Liu (Turandot) with Opera Birmingham, the title role in Lakme with Concert OPERA of Philadelphia and Nedda (I Pagliacci) with Sycamore Opera and The Cousin (Madama Butterfly) with the Opera Company of Philadelphia. Of her finessed and dramatic portrayal of Liu, the press remarked that (she) sang passionately in the tear-jerking Act 1 aria, "Signore, ascolta," her final high pianissimo notes suspended in pure beauty. In Act 3, she provided one of the opera's most startling and poignant moments when she stabbed herself at the end of "Tu che di gel." She also performed a recital of opera and Broadway favorites to open Opera Birmingham€™s performance season and traveled to Louisiana to celebrate the holidays as a soloist for the Northern Louisiana / Union Parish Arts Council€™s I™ll Be Home for Christmas concerts.

Veronica performed two roles in Porgy and Bess in 2008, singing Clara with Opera Birmingham and Lilly with Lyric Opera of Chicago. She also appeared with Opera Delaware as Gianetta in The Gondoliers and won fifth place and audience favorite in the Opera Birmingham Vocal Competition.

2007 was a year of rave reviews for Veronica on both the opera and the concert stage. Of Opera Birmingham€™s production of Cenerentola, Michael Huebner of The Birmingham News remarked "The role of Clorinda was engagingly sung, Veronica milked the sister's arrogance and ineptitude for all their worth. This was a five star production!€ Her recital performance with famed mezzo Marietta Simpson and bass Kevin Maynor was praised by the Birmingham Times, €œVeronica'€™s agility and confidence in the upper register created some of the concert's most sublime passages. Her embellishments in 'Ride On King Jesus' were exquisite." Additional concert performances took her Muskegon, MI for performances with the West Shore Symphony, to Tennessee for the Memphis Symphony€™s televised Home for The Holidays€ concert and to Spoleto, Italy for the invitational Festival di Due Monde.

During 2006 Veronica performed Sandrina in La Finta Giardiniera with Elysium Concert Opera of Philadelphia and Fiordiligi (Cosi fan Tutte) with Delaware Valley Opera Company, and the title character in Little Red Riding Hood with Opera Birmingham. Michael Caruso of the Chestnut Hill Local called her a romantic and pearl voiced Fiordiligi. She also performed several musical theater selections with Bristol Riverside Theater for their Summer Musicale and then their holiday-themed Winter Musicale. Anita Donovan of The Trenton Times remarked, œVeronica'™s €powerful version of Summertime€™, €˜I Loves You Porgy€™, My Man€™s Gone Now€™, and (the duet) €˜Bess You Is My Woman Now€™ makes one long or a full-scale revival.€

2005 Veronica performed Edith in Pirates of Penzance with Gulf Atlantic Symphony of Florida, Violetta (student matinee performance) and Aninna (main stage production) for Center City Opera Theater€™s La Traviata. That summer she returned to Ash Lawn Opera Festival and appeared as Dolly Tate in Annie Get Your Gun. She was also chosen to be Gretel in Opera Birmingham’s educational tour of Hansel and Gretel. After leaving Birmingham she sang Donna Elvira with New York Opera Project, in which Debra Banerjee of the Scarsdale Inquire called her performance €œvery emotional€¦ very dramatic presence.€

Veronica spent most of 2004 away from her Philadelphia home performing with Opera Colorado as Gretel in Hansel and Gretel (outreach ensemble) and Berta (student matinee performance) in Il barbiere di Siviglia. She also performed the roles of Susanna (one performance) and Barbarina in Le nozze di Figaro with Opera Theater of The Rockies in Colorado Springs, and performed with the Colorado Symphony in their €œOpera on The Rocks€ concert at Red Rocks. That summer she was chosen as an apprentice at the Ash Lawn Opera Festival singing the Boylen Sister in Annie and Berta (cover) in The Barber of Seville.

In 2003 Veronica made her professional debut performing the title role in the Savoy Company€™s production of Princess Ida, and appeared with the Young Artist Program at Natchez Opera Festival performing the role of the Princess in Fair Means of Foul. That same year she also performed at Shaker Mountain Opera as Gianetta in L'€™elisir d'€™amore and Barbarina in Le nozze di Figaro.

She has also been a soprano soloist for the Charlotte Symphony, Choral Arts Society of Philadelphia, Mendelsshon Club of Philadelphia, Ursinus College, In Clara Voce, and Orquestra Sinfonica Municipal de Caracas to name a few. She is known for her very versatile vocal abilities. Some demonstrations of her flexibility include her appearance with the Mendelssohn Club of Philadelphia as the voice of Joan of Arc (a part that previously was only sung by members of the well-known group Anonymous 4) in Richards Einhorn'€™s Voices of Light and her appearance as soloist in the Monteverdi Vespers 1610 with Choral Arts Society of Philadelphia.

Veronica’s upcoming engagements include First Lady in Opera Delaware's production of The Magic Flute, covering Pamina in the same production, and Soprano One in the solo quartet of Opera Company of Philadelphia's production of Manon Lescaut.

*** Lesson Details ***
I have been teaching piano/music reading and voice lessons of all ages since 2003. I really enjoy exploring the journey of learning about music with my students.

With voice lessons we learn the fundamentals of singer (breath, "placement", pitch accuracy, rhythm accuracy, and diction) Most students see a marked improvement in their singing ability in about 3-6 months. Singing is not always easy, but in a nurturing, safe environment I allow my students to realize their true potential.

In piano/music reading lessons I teach beginners. At these lessons you will learn basics of music reading music, rhythm exercises, and the basics of music theory. My attitude about playing piano is the same as singing, it may not be easy all the time but the time invested in learning will be worth the reward of being able to play an instrument!

*** Studio Equipment ***
Front living room, full electric piano, two chairs and a sofa, room for parents to sit in on lesson
...

Reviews

Silhouette-80
Mary Ann T. September 15, 2016
Singing · In studio
Verified Student
Provides encouraging feedback and helpful, detailed suggestions to improve the quality of your voice.
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Marcus March 7, 2016
Singing · In studio
Verified Student
Great , To the point, and very helpful. Seen improvement in vocal ability on day one. I would definitely refer Veronica to the help and adjustment you need.
Silhouette-80
Alicia S. August 12, 2015
Singing · In studio
Verified Student
Nice, open, great
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Veronica C.

Veronica C.

Philadelphia, PA 19147
(14)
starting at
$30 / 30-min
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Michael C.

Philadelphia, PA

About Michael

Michael C. was eleven years old when he began to play the electric bass guitar. He decided to get an electric bass because it was the one instrument needed to start a band among his friends. In addition to playing the electric bass, Michael enjoyed time practicing on the guitar and piano in high school. Transferring the knowledge and finger technique to the guitar came easy because of the similarities between guitar and the bass. And growing up with an upright piano in the house always lead to tinkering and eventually became a proficiency after college. In 1996 Michael enrolled at the the Phil
adelphia University of the Arts. He was awarded a presidential merit scholarship and a university grant based on his entrance audition. During his studies Michael was recruited for a student ensemble also know as Metagroove. During this time Michael had shared stages with guitarist John Scofield, Singer Ike Willis (Frank Zappa Band), Medeski Martin and Wood and The Disco Biscuits among countless others.

C. has completed a Master of Arts in music education as well as Bachelor of Music in bass performance. Michael is qualified to teach on bass, upright bass, guitar, drums, piano, voice and a rare instrument called steel pan (steel drum) among others. Michael performs as a freelance musician. He can be found performing regularly at private parties and events around the greater Philadelphia area. He has performed playing most styles and genres of music. Among these styles are Pop, R & B, Blues, Hip Hop, Jazz, Calypso, Flamenco, Latin, Pop, Musical Theater and Rock & Roll.

C. is a trained professional and prefers to cater his lessons to the individual need of each student. He believes that each student is unique and will encounter challenges in their own manner. Michael likes to supplement his lessons using musical interests of the student. C. has been known to arrange popular pieces for recital performances for his students. Some of the pieces he has arranged for his students include Something in the Way She Moves (Beetles), Long distance Run Around (The Who), Iron Man (Black Sabbath), That' €™s What Makes You Beautiful (One Direction), Hall of Fame (The Script) among many more. Michael encourages his students to use the music they love to challenge their ability and cognitive processes. Michael has the experience and training required to inspire and motivate you to become successful not only in music but in your daily endeavors.

*** Lesson Details ***
Michael has over twelve years experience teaching music and chooses to cater his lessons to the goals of his clients. He does not follow a set curriculum because different students tend to have different goals and expectations.

*** Studio Equipment ***
Logic Pro X, Reason, Fast Track pro audio, Double Bass, Piano, Rhodes Electric Piano, Acoustic guitar, Electric Guitar, Flute, Sax, Clarinet, trumpet, Electric basses, Steel Pans (drums), etc.

Audio recordings of each lesson are free of charge and available upon request. C. is capable of creating demos and audio recordings as well as audio production of original material.

*** Travel Equipment ***
Laptop, Guitars, PA system, Basses, Metronome, Method Books, etc.

*** Specialties ***
Steel Pan lessons are available. Access to a steel pan(drum) is a requirement for this specialty.
...

Reviews

Silhouette-80
Whitney October 17, 2016
Piano · In home
Verified Student
Great first lesson. Prompt engaging professional and patient
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Peter G. October 7, 2016
Guitar · In studio
Verified Student
Felt comfortable wth Mike. Easy going right now. He sent me 6 exercises.
Silhouette-80
Anne September 12, 2016
Guitar · In home
Verified Student
Very patient!
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Michael C.

Michael C.

Philadelphia, PA 19136
(17)
starting at
$20 / 30-min
Profile_78961_pi__DSC3254

Erik F.

Philadelphia, PA

About Erik

Pianist, music director, and vocal coach, Erik was born and raised in Eastern Washington state. He has been heard all across the northwest and beyond, in cities including Seattle, Portland, Tacoma, NYC, Los Angeles, San Francisco, and Houston, and internationally in Prague and Salzburg. Erik has been a guest artist at Whitman College, Portland State University, The Kairos Chamber Music Lyceum, California State University Summer Arts, the West Seattle Symphony, and the Gig-Harbor Peninsula Symphony Orchestra. In addition to performing, Erik’s passion for teaching has led him to be an adjudicat
or for various festivals including the Washington Sonata-Sonatina Festival and the Washington Regional Solo and Ensemble Festival.

Newly relocating to the East Coast, Erik is highly sought after for his collaborative work with both instrumentalists and vocalists. He is comfortable in all musical styles and genres, and has an extensive knowledge of music history and theory. Erik is currently on staff at New York University.

Students of Erik Flaten have the opportunities to perform in studio recitals and workshops. More information about Erik's background and upcoming performances can be found at erikflaten.com.
...

Reviews

Silhouette-80
Keith November 2, 2016
Piano · In home
Verified Student
Erik is able to explain in a way that easily understood.
Silhouette-80
Sam E. June 5, 2016
Piano · In home
Verified Student
I don't normally write reviews, but felt compelled to after taking piano lessons with Eric for a few months. I'm an adult-learner, and was previously considering giving up piano due to a lack of progress. Eric's focused teaching style and enthusiasm for the instrument has re-ignited my interest in piano, while I can see (hear) tangible improvement in my playing with each lesson.

I'd have no hesitation whatsoever in recommending Eric to students of all levels.
Silhouette-80
Kelly Brancaccio February 29, 2016
Piano · In home
Verified Student
I have written a review before but now after many months, feel compelled to write again. Erik is wonderful. He is so patient, talented, and dependable. My son who was not overly eager to continue piano looks forward to his lessons with Erik and has improved a lot. Recommend without any hesitation at all.
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Erik F.

Erik F.

Philadelphia, PA 19103
(4)
starting at
$30 / 30-min
Profile_89901_pi_IMG_20151110_141623

Tanesha M.

Philadelphia, PA

About Tanesha

Hello Everyone!

My First Lesson is free

If you are under the age of 18, please have a parent or guardian book the lessons for you.

Hello, My name is Tanesha Moore. I have been playing guitar for a little over 7 years now. I am a self taught guitarist. Guitars have always been a passion of mine, ever since I could remember. I was always drawn to learn more on guitars and one day decided to teach myself. I wanted to teach myself to play so that I can develop my own teaching style, as well as my own methods of teaching. When you are an absolute beginner and you look to learn f
rom other people, their way of teaching can be a little challenging. But with my teaching style it is more broken down. I understand the struggles and difficulties that comes with learning guitar, that's; why I am here to break it down and teach as clearly as possible. I am a very caring person, I love to help others and love to see them improve daily. My main goal is for all of my students to learn and benefit from my teaching. I love when students are excited and eager to learn more. Putting effort is very important in order to succeed. if you don't put effort, it will not work.
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Reviews

Silhouette-80
Cordell G. October 7, 2016
Acoustic Guitar · Online
Verified Student
Was awesome first lesson I can't wait for the next one .
Silhouette-80
Parker September 21, 2016
Acoustic Guitar · Online
Verified Student
So far so good 🙂 We are happy campers
Silhouette-80
Nikki August 5, 2016
Acoustic Guitar · Online
Verified Student
Tanesha's lessons are always a pleasure. She really knows how to go over the basics and help you thoroughly understand guitar while also making time for things you want to learn
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Tanesha M.

Tanesha M.

Philadelphia, PA 19139
(10)
starting at
$15 / 30-min
Profile_85529_pi_emma_02%20%28640x427%29

Emma H.

Philadelphia, PA

About Emma

I am a violist passionate about music education, currently teaching in Philadelphia. I taught group viola lessons at the Moorhead Summer Orchestra Camp in Minnesota (2014 and 2015) and I have taught private viola and violin lessons over the years to a variety of ages. I love to encourage the individuality that each player brings to their instrument at every level of ability. I tailor each lesson to the skills and goals of the individual, and I'm always open to ideas and styles the student wants to pursue. The greatest joy of teaching to me is seeing how each student responds to different ideas
. I enjoy finding new ways to communicate clearly and directly to help my students improve quickly and express themselves effectively.

Violin and viola beginners can expect to learn a solid foundation of basic skills, including posture and music reading. In addition to traditional learning methods such as the Suzuki system, I encourage beginners to improvise to become better acquainted with the sounds of a new instrument and the feel of creating music. This allows us to build good basic technique and musical style with a sense of exploration and fun. l would love to hear from you if you have any comments or questions about what you might learn taking lessons with me!

I look forward to helping you to achieve your musical goals!
...

Reviews

Silhouette-80
Elyse OGrady September 25, 2016
Violin · In home
Verified Student
Emma is a wonderful and encouraging instructor! My daughter enjoys the lesson and learns a lot. Emma is great a explaining techniques and tips.
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Emma H.

Emma H.

Philadelphia, PA 19103
(1)
starting at
$35 / 30-min

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