Manchester Music Lessons
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Popular Music Lessons in Manchester, WA
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Music Lesson Reviews from Students
Students are raving about their Music instructors on TakeLessons. Check out some of these recent reviews.
Review by Diane
"I’ve played clarinet for over 30 years, and was a clarinet major in college. I started studying with Mr. Rappaport after I was out of college for several
years and had moved to Atlanta, where Mr. Rappaport was playing in the Atlanta Symphony. I found him to be the best teacher I had ever studied with. His ability to help me understand the musical phrase, no matter what style of music I was working on, was amazing. I studied standard clarinet etudes, orchestral literature, and clarinet solo repertoire with Mr. Rappaport. He had the same mild, yet persistent approach with me on everything we worked on – always working to get me to play it to the best of my ability.
One thing I had always feared having to play some day was the opening solo to Gershwin’s Rhapsody in Blue. A former teacher had been unable to help me with it. So, when a band I was playing with scheduled the piece and told me to get ready to play the solo, I was traumatized and contacted Mr. Rappaport for help. He worked with me and not only got me playing the opening glissando, but helped me to have a better understanding of the other jazzy spots in the piece. So now I can say I’ve performed that piece about 20 times, and the fear is gone! Thanks, Mr. Rappaport!
Regardless of your level of playing, I think you will find Mr. Rappaport to be an outstanding teacher!"
One thing I had always feared having to play some day was the opening solo to Gershwin’s Rhapsody in Blue. A former teacher had been unable to help me with it. So, when a band I was playing with scheduled the piece and told me to get ready to play the solo, I was traumatized and contacted Mr. Rappaport for help. He worked with me and not only got me playing the opening glissando, but helped me to have a better understanding of the other jazzy spots in the piece. So now I can say I’ve performed that piece about 20 times, and the fear is gone! Thanks, Mr. Rappaport!
Regardless of your level of playing, I think you will find Mr. Rappaport to be an outstanding teacher!"
...
Bremerton, WA teacher:
William R.
Review by Fred
"I studied clarinet with William Rappaport when I was a graduate
student in music education at Georgia State University. He may be the
most deeply musica
student in music education at Georgia State University. He may be the
most deeply musica
l person I have ever known. My sense was that,
though he was a performer of the absolute highest caliber, he was
equally passionate about teaching.
When I initially contacted Bill to schedule lessons, I explained that
I was visually impaired. I wanted to share this information with him
upfront in the event that he had questions or concerns about teaching
me. I remember him saying clearly, “I am aware of the possibilities.”
That was all I needed to hear to feel comfortable entering his studio.
Bill encouraged me to take on any challenge in the clarinet
literature that interested me. He used every possible metaphor he
could think of to communicate ideas that were more easily accessed if
you could simply look at the printed page. He was always warm and
friendly, but focused, never wasting one second of our time together.
Following my work with Bill, I attended The University of Michigan
where, though I was a music education doctoral student, I was
instantly welcomed into one of the clarinet studios. Bill’s creative
work with me played an enormous role in making that happen. Now, I am
a community college professor, teaching a variety of classes including
a studio class for instrumental music students. I often find myself
using the same examples Bill employed with me to help my current
students. I am profoundly grateful for his unyielding commitment to my
growth when I was a student of his."
though he was a performer of the absolute highest caliber, he was
equally passionate about teaching.
When I initially contacted Bill to schedule lessons, I explained that
I was visually impaired. I wanted to share this information with him
upfront in the event that he had questions or concerns about teaching
me. I remember him saying clearly, “I am aware of the possibilities.”
That was all I needed to hear to feel comfortable entering his studio.
Bill encouraged me to take on any challenge in the clarinet
literature that interested me. He used every possible metaphor he
could think of to communicate ideas that were more easily accessed if
you could simply look at the printed page. He was always warm and
friendly, but focused, never wasting one second of our time together.
Following my work with Bill, I attended The University of Michigan
where, though I was a music education doctoral student, I was
instantly welcomed into one of the clarinet studios. Bill’s creative
work with me played an enormous role in making that happen. Now, I am
a community college professor, teaching a variety of classes including
a studio class for instrumental music students. I often find myself
using the same examples Bill employed with me to help my current
students. I am profoundly grateful for his unyielding commitment to my
growth when I was a student of his."
...
Bremerton, WA teacher:
William R.
Review by Kim
"Mr. Rappaport was my clarinet professor and mentor in college and has continued to be an inspiration to me both as a teacher and as one of the finest clar
inetist I know, both in the classical realm and in the jazz and swing styles.
Anyone who has ever heard me play has always complimented me on my clarinet tone. I can honestly say that my clarinet tone is the direct result of Mr. Rappaport's methods and his gentle but very stringent guidelines. If you are looking for someone to take you or your child to the highest standard of musicianship, look no further. I highly recommend lessons with Mr. Rappaport. Kim C."
Anyone who has ever heard me play has always complimented me on my clarinet tone. I can honestly say that my clarinet tone is the direct result of Mr. Rappaport's methods and his gentle but very stringent guidelines. If you are looking for someone to take you or your child to the highest standard of musicianship, look no further. I highly recommend lessons with Mr. Rappaport. Kim C."
...
Bremerton, WA teacher:
William R.
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Popular Music Teachers near Manchester
Check out some of our most popular teachers near Manchester including Seattle, Bellevue, Tacoma, Snohomish and Bothell.
Showing 10
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About Ben G.
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About Ben
I have been teaching French Horn, piano and composition privately for about nine years, mainly in Snohomish and King counties. I have also coached horn players in local school bands during this time, as well as helping students with learning disabilities. There are many difficulties that students encounter when studying music, and I want to help you turn weaknesses into strengths, and help you find out where your greatest strengths (and interests) lie in music. I'll work with you to help you understand your own musical desires and goals, so that you can get the most out of your lessons. I am committed to understanding each of my students, and to sharing my love of music with each one of them. I teach French Horn, piano, music theory and composition as well as songwriting. Currently, I teach in the South Snohomish County and North Ki
ng County areas.
I was eight years old when I started taking piano lessons in Tacoma, WA. When I was 12, I discovered that I had perfect pitch while playing church hymns with my dad. This ability has served me well on a number of occasions. I discontinued formal piano lessons when I started college, but I continued to play piano on a nearly daily basis from that point on, keeping my technical skills at a very advanced level. I played trumpet in school bands starting in the 5th grade, and switched to French Horn in the 8th grade. The appeal of the horn may have had something to do with its rich, warm sound, its intricacy and complexity, and the demands that it placed on me to play with a high degree of pitch accuracy. I loved the challenge of playing accurately on the horn then, and I still do. As a horn student, I have studied with Jacqueline Shannon, Kathy Farner, Kathy Colton, Lawrence Lowe, Elizabeth Ward, Jeff Snedeker, Rodger Burnett and Stacie Eliason. As a horn performer, I have played with community and regional professional orchestras in the Seattle area, Central Washington, Olympia, in the Tacoma Youth Symphony, and in numerous ensembles in college.
I have studied music at Tacoma Community College, Brigham Young University and Central Washington University. I received Bachelor of Arts in Music at Central Washington University. I plan on attending graduate school in the future, focusing on music composition and film composition, as well as French Horn and piano performance.
As a music composer, I have written works for many different ensembles, choral works, solo piano pieces, and works for solo instruments. I am drawn to rich harmonies and beautiful melodies, as well as interesting timbres and musical variety, in my own music and that of the music I listen to. I am easily able to visualize music in color, and I have a thorough understanding of how the elements of music combine together to affect emotions in listeners. This is one of the reasons that I am currently pursuing film and media composition.
As a student, teacher, performer and music composer, I know that there are countless musical topics that students are curious about. I feel that students should feel free to ask any question in the field of music, even if it may seem like a "dumb" question. I value the sincerity and passion for good music that so many students have. I will help you acquire the knowledge and skills that you need, so that you can see more clearly your own musical goals. Previous and current students I have, each have made improvements in their own playing and knowledge of music, some of whom have made vast improvements in their playing and knowledge of music.
As I have taught music privately for a little while now, and can reasonably compare how I teach with other instructors that I know well, I can say with certainty that there are at least a few areas of my teaching that are somewhat unique and highly beneficial for certain students, if not most students. I value ear training and using flashcards with beginner students quite a bit, and am fond of teaching not only the "nuts and bolts" of music, but also, how music "works", such that a student of mine can write their own music if they have the desire to do so. I also try to assign a wide variety of music for each student (which differs according to each student's musical interests, abilities, and areas of their playing that need to be improved), especially as they improve and approach the intermediate levels of playing. There are many reasons I do this, but for the student, it is very important that they do not feel particularly "bored" with the music they are playing. I also have found that students who have a more sensitive nature tend to be more comfortable with the way I teach, as I reserve higher, stricter expectations for more advanced, older students. I also try to always be as patient, kind, and considerate with every student as I can be. Lastly, I highly encourage questions and feedback at any time during a lesson, and I try to create an atmosphere where the student feels comfortable to do so.
I accept students from five years old on up, but I prefer horn students to be at least ten years old before starting lessons, unless they have noticeably greater abilities to focus for a certain period of time than other children their age.
Employment and Musical Experience:
Transcription Work for David Templeton, Composer, 2010
Private Composition Instructor, January 2009-Present
Private Horn Instructor, January 2009-Present
Private Piano Instructor, Fall 2006-Spring 2007, January 2009-Present
Summer Camp Counselor: Lutheran Summer Music, Summer 2006
Principal Horn: Ensign Symphony Orchestra, December 2014
Fourth Horn: Olympia Symphony, September 2012
Third Horn: Mid-Columbia Symphony, February-May 2007
Second Horn: Washington East Opera, Barber of Seville, January 2006
Substitute Third Horn: Yakima Symphony, Winter 2006
Third/Fourth Horn: Wenatchee Symphony, Fall 2005
Substitute Horn: Leavenworth Summer Music Theater: Summer 2005
1st Horn: Shoreline Community Church, Christmas 2004
Principal Horn: Central Washington University Symphony, Chamber Orchestras
Principal Horn: Central Washington University Wind Ensemble
Finalist, Northwest Horn Workshop Mock Auditions, March 2005
Education:
Graduate, Pacific Northwest Film Scoring Program
Post-Baccalaureate Music Education Courses: Central Washington University, 2006-2007
Bachelor of Arts in Music: Central Washington University, Summer 2006
Associate of Arts and Sciences: Tacoma Community College, Fall 2002
Other:
Eagle Scout
Served 2 Year Mission for The Church of Jesus Christ of Latter-Day Saints
Music Composer/Arranger
*** Lesson Details ***
I have always wanted people I interact with to be, as a general rule, comfortable and relaxed in any setting. This certainly applies to the students I teach. However, students can expect that musical improvement will only occur through daily practice and constant effort. That being said, I am more interested in helping students overcome any difficulties in this area through reviewing their own practice habits and motivations, rather than using harsh discipline. It is crucial that students see the connection between their own practicing and musical improvement. Once this occurs, they can take more responsibility for their own progress with that added awareness.
The material chosen for each student will vary considerably, depending on their current knowledge, experience and ability level, innate abilities, musical tastes and priorities. The progress that is made will, to a large extent, be determined by the student's practice habits and natural ability. However, over the course of a few months or so, students should see noticeable improvement in their own musical abilities, if they practice and pay attention during lessons.
*** Studio Equipment ***
Piano, music stand, computer/printer, metronome
*** Travel Equipment ***
-French Horn: pencil, mute, tuner/metronome, maintenance/cleaning supplies, some books depending on if it is a first lesson, etc. I bring my own horn, and expect the student to have their horn. I also expect them to have a music journal to use as a reference for practicing and keeping track of their progress. Occasionally, I will employ a recording device for the purpose of assessing personal teaching effectiveness, or for the student to evaluate their progress/record their practicing.
-Piano: Metronome, pencil, some books if it is a first lesson, music journal, possibly a recording device from time to time.
-Music Theory/Composition: Music paper, pencil, music journal.
*** Specialties ***
Regarding method of instruction/teaching style, I am student oriented, and tend to adapt to each student's personality and learning style. I tend to teach more in the classical genres, with some pop/film music thrown in for variety (from time to time). I prefer using the Bastian, Alfred, and/or John Thompson piano methods, and Pottag-Hovey, Maxime-Alphonse books, etc. for French Horn.
I was eight years old when I started taking piano lessons in Tacoma, WA. When I was 12, I discovered that I had perfect pitch while playing church hymns with my dad. This ability has served me well on a number of occasions. I discontinued formal piano lessons when I started college, but I continued to play piano on a nearly daily basis from that point on, keeping my technical skills at a very advanced level. I played trumpet in school bands starting in the 5th grade, and switched to French Horn in the 8th grade. The appeal of the horn may have had something to do with its rich, warm sound, its intricacy and complexity, and the demands that it placed on me to play with a high degree of pitch accuracy. I loved the challenge of playing accurately on the horn then, and I still do. As a horn student, I have studied with Jacqueline Shannon, Kathy Farner, Kathy Colton, Lawrence Lowe, Elizabeth Ward, Jeff Snedeker, Rodger Burnett and Stacie Eliason. As a horn performer, I have played with community and regional professional orchestras in the Seattle area, Central Washington, Olympia, in the Tacoma Youth Symphony, and in numerous ensembles in college.
I have studied music at Tacoma Community College, Brigham Young University and Central Washington University. I received Bachelor of Arts in Music at Central Washington University. I plan on attending graduate school in the future, focusing on music composition and film composition, as well as French Horn and piano performance.
As a music composer, I have written works for many different ensembles, choral works, solo piano pieces, and works for solo instruments. I am drawn to rich harmonies and beautiful melodies, as well as interesting timbres and musical variety, in my own music and that of the music I listen to. I am easily able to visualize music in color, and I have a thorough understanding of how the elements of music combine together to affect emotions in listeners. This is one of the reasons that I am currently pursuing film and media composition.
As a student, teacher, performer and music composer, I know that there are countless musical topics that students are curious about. I feel that students should feel free to ask any question in the field of music, even if it may seem like a "dumb" question. I value the sincerity and passion for good music that so many students have. I will help you acquire the knowledge and skills that you need, so that you can see more clearly your own musical goals. Previous and current students I have, each have made improvements in their own playing and knowledge of music, some of whom have made vast improvements in their playing and knowledge of music.
As I have taught music privately for a little while now, and can reasonably compare how I teach with other instructors that I know well, I can say with certainty that there are at least a few areas of my teaching that are somewhat unique and highly beneficial for certain students, if not most students. I value ear training and using flashcards with beginner students quite a bit, and am fond of teaching not only the "nuts and bolts" of music, but also, how music "works", such that a student of mine can write their own music if they have the desire to do so. I also try to assign a wide variety of music for each student (which differs according to each student's musical interests, abilities, and areas of their playing that need to be improved), especially as they improve and approach the intermediate levels of playing. There are many reasons I do this, but for the student, it is very important that they do not feel particularly "bored" with the music they are playing. I also have found that students who have a more sensitive nature tend to be more comfortable with the way I teach, as I reserve higher, stricter expectations for more advanced, older students. I also try to always be as patient, kind, and considerate with every student as I can be. Lastly, I highly encourage questions and feedback at any time during a lesson, and I try to create an atmosphere where the student feels comfortable to do so.
I accept students from five years old on up, but I prefer horn students to be at least ten years old before starting lessons, unless they have noticeably greater abilities to focus for a certain period of time than other children their age.
Employment and Musical Experience:
Transcription Work for David Templeton, Composer, 2010
Private Composition Instructor, January 2009-Present
Private Horn Instructor, January 2009-Present
Private Piano Instructor, Fall 2006-Spring 2007, January 2009-Present
Summer Camp Counselor: Lutheran Summer Music, Summer 2006
Principal Horn: Ensign Symphony Orchestra, December 2014
Fourth Horn: Olympia Symphony, September 2012
Third Horn: Mid-Columbia Symphony, February-May 2007
Second Horn: Washington East Opera, Barber of Seville, January 2006
Substitute Third Horn: Yakima Symphony, Winter 2006
Third/Fourth Horn: Wenatchee Symphony, Fall 2005
Substitute Horn: Leavenworth Summer Music Theater: Summer 2005
1st Horn: Shoreline Community Church, Christmas 2004
Principal Horn: Central Washington University Symphony, Chamber Orchestras
Principal Horn: Central Washington University Wind Ensemble
Finalist, Northwest Horn Workshop Mock Auditions, March 2005
Education:
Graduate, Pacific Northwest Film Scoring Program
Post-Baccalaureate Music Education Courses: Central Washington University, 2006-2007
Bachelor of Arts in Music: Central Washington University, Summer 2006
Associate of Arts and Sciences: Tacoma Community College, Fall 2002
Other:
Eagle Scout
Served 2 Year Mission for The Church of Jesus Christ of Latter-Day Saints
Music Composer/Arranger
*** Lesson Details ***
I have always wanted people I interact with to be, as a general rule, comfortable and relaxed in any setting. This certainly applies to the students I teach. However, students can expect that musical improvement will only occur through daily practice and constant effort. That being said, I am more interested in helping students overcome any difficulties in this area through reviewing their own practice habits and motivations, rather than using harsh discipline. It is crucial that students see the connection between their own practicing and musical improvement. Once this occurs, they can take more responsibility for their own progress with that added awareness.
The material chosen for each student will vary considerably, depending on their current knowledge, experience and ability level, innate abilities, musical tastes and priorities. The progress that is made will, to a large extent, be determined by the student's practice habits and natural ability. However, over the course of a few months or so, students should see noticeable improvement in their own musical abilities, if they practice and pay attention during lessons.
*** Studio Equipment ***
Piano, music stand, computer/printer, metronome
*** Travel Equipment ***
-French Horn: pencil, mute, tuner/metronome, maintenance/cleaning supplies, some books depending on if it is a first lesson, etc. I bring my own horn, and expect the student to have their horn. I also expect them to have a music journal to use as a reference for practicing and keeping track of their progress. Occasionally, I will employ a recording device for the purpose of assessing personal teaching effectiveness, or for the student to evaluate their progress/record their practicing.
-Piano: Metronome, pencil, some books if it is a first lesson, music journal, possibly a recording device from time to time.
-Music Theory/Composition: Music paper, pencil, music journal.
*** Specialties ***
Regarding method of instruction/teaching style, I am student oriented, and tend to adapt to each student's personality and learning style. I tend to teach more in the classical genres, with some pop/film music thrown in for variety (from time to time). I prefer using the Bastian, Alfred, and/or John Thompson piano methods, and Pottag-Hovey, Maxime-Alphonse books, etc. for French Horn.
...
Reviews
· Piano · In home
· Piano · In home
· Piano · In home
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Ben G.
Kenmore, WA 98028
starting at
$35
/ 30-min
About Kareem K.
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About Kareem
A native of the Pacific Northwest, saxophonist Kareem K is a performer, composer, and educator, who is in high demand for his talents both on and off the stage.
Growing up in the northwest with its vibrant music scene allowed Kareem the opportunity to study with, listen to and perform with world class jazz artists residing in the area. Artists such as Tracy Knoop, Jay Thomas, Don Lanphere, Bill Ramsay, Hadley Caliman, Julian Priester and many others had a large impact on Kareem early in his musical education. This direction and guidance continues to inspire and lead Kareem as he continues his lifelong passion undertaking a career as a professional musician.
Today, as a performing artist he spends most of his time leading his group for which he composes and arranges most of the music. The band is constantly on the move as a sought af
Growing up in the northwest with its vibrant music scene allowed Kareem the opportunity to study with, listen to and perform with world class jazz artists residing in the area. Artists such as Tracy Knoop, Jay Thomas, Don Lanphere, Bill Ramsay, Hadley Caliman, Julian Priester and many others had a large impact on Kareem early in his musical education. This direction and guidance continues to inspire and lead Kareem as he continues his lifelong passion undertaking a career as a professional musician.
Today, as a performing artist he spends most of his time leading his group for which he composes and arranges most of the music. The band is constantly on the move as a sought af
ter performing group and spends most of its time performing in and around the Pacific Northwest. When not leading his own group Kareem can be seen and heard performing as a sideman with many other top notch musical acts and projects, most notably The Paperboys from Vancouver BC.
As an educator Kareem divides his time teaching jazz improvisation as an artist in residence at The Tacoma School of the Arts, directing the award winning student jazz ensemble at Pierce College, conducting masterclasses and workshops at schools around the Puget Sound area, and maintaining a full load of private students. Along with his teaching duties Kareem is the director or The Tacoma Jazz Association, serves on the Tacoma Arts Commission, and is a D'Addario Woodwinds performing artist.
Kareem holds a Bachelors Degree of Music from Cornish College of the Arts in Seattle Washington which he attended after receiving a full scholarship.
Throughout his years of teaching Kareem has worked with students of all ages and abilities, from beginners just getting started, to advanced players who simply want new ideas and direction.
*** Lesson Details ***
Lessons are relaxed and are focused on what you would like to learn.
I usually begin with assessing where students are in their abilities and then come up with a lesson plan based on what they already know and what they would like to accomplish.
They can be geared towards a 5 year old with no musical training whatsoever, or to an advanced musician who wants to further develop their skills.
Topics that I cover in lessons throughout a typical day of teaching include: Instrument technique, sight reading skills ( note and rhythm recognition ), memorization skills, music theory, ear training, improvising, and composing.
After 3 to 6 months of lessons and regular practice a beginning student should have a good command of their instrument and a strong foundation of sight reading. At this point we normally will also have started some music theory as well. For students wanting to focus on jazz we will have already begun improvising as well.
*** Studio Equipment ***
5x10 room w/ piano and seating for parents
*** Specialties ***
I focus on the basics of learning to read music and basic technique on the instruments that I teach. From there I proceed with theory, ear training, improvising, composition etc. It all depends on what the students want to learn. I am comfortable teaching classical music as well as jazz, rock, composition, and improvisation.
As an educator Kareem divides his time teaching jazz improvisation as an artist in residence at The Tacoma School of the Arts, directing the award winning student jazz ensemble at Pierce College, conducting masterclasses and workshops at schools around the Puget Sound area, and maintaining a full load of private students. Along with his teaching duties Kareem is the director or The Tacoma Jazz Association, serves on the Tacoma Arts Commission, and is a D'Addario Woodwinds performing artist.
Kareem holds a Bachelors Degree of Music from Cornish College of the Arts in Seattle Washington which he attended after receiving a full scholarship.
Throughout his years of teaching Kareem has worked with students of all ages and abilities, from beginners just getting started, to advanced players who simply want new ideas and direction.
*** Lesson Details ***
Lessons are relaxed and are focused on what you would like to learn.
I usually begin with assessing where students are in their abilities and then come up with a lesson plan based on what they already know and what they would like to accomplish.
They can be geared towards a 5 year old with no musical training whatsoever, or to an advanced musician who wants to further develop their skills.
Topics that I cover in lessons throughout a typical day of teaching include: Instrument technique, sight reading skills ( note and rhythm recognition ), memorization skills, music theory, ear training, improvising, and composing.
After 3 to 6 months of lessons and regular practice a beginning student should have a good command of their instrument and a strong foundation of sight reading. At this point we normally will also have started some music theory as well. For students wanting to focus on jazz we will have already begun improvising as well.
*** Studio Equipment ***
5x10 room w/ piano and seating for parents
*** Specialties ***
I focus on the basics of learning to read music and basic technique on the instruments that I teach. From there I proceed with theory, ear training, improvising, composition etc. It all depends on what the students want to learn. I am comfortable teaching classical music as well as jazz, rock, composition, and improvisation.
...
Reviews
· Piano · In home
· Piano ·
· Saxophone ·
-Adam Allegro
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Kareem K.
Tacoma, WA 98409
starting at
$35
/ 30-min
About Abby M.
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About Abby
My name is Abby, and I've been playing guitar for about 15 years now. I graduated from Musician's Institute in 2007, and since then, I have had a great deal of experience teaching guitar to kids and adults, both individually and in groups.
I've spent three summers in a row teaching at Camp Jam and Day Jams, and I had the pleasure of being the Camp Jam kids director of the Orange County location in 2008. They were both great experiences . I have spent he last couple summers teaching School of Rock summer camps which was also a really fun time.
I love helping students find their passion for music and the creative process. I have been teaching at my current music school for about three and a half years, and privately for about 6 years.
I have studied and taught many different styles of guitar, as well as note reading and theor
I've spent three summers in a row teaching at Camp Jam and Day Jams, and I had the pleasure of being the Camp Jam kids director of the Orange County location in 2008. They were both great experiences . I have spent he last couple summers teaching School of Rock summer camps which was also a really fun time.
I love helping students find their passion for music and the creative process. I have been teaching at my current music school for about three and a half years, and privately for about 6 years.
I have studied and taught many different styles of guitar, as well as note reading and theor
y. You could say I'm a rock player at heart, but I love all styles.
I am currently not traveling to homes for lessons, but I am still taking students who are able and willing to come to my location.
I am currently not traveling to homes for lessons, but I am still taking students who are able and willing to come to my location.
...
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Abby M.
Seattle, WA 98119
starting at
$40
/ 45-min
About Ghazal M.
Close
About Ghazal
Music is a tool for spiritual progress of every human being.
I started Piano when I was 8 years old. My siblings were taking lessons at that time and hearing them play it made me fall in love with Piano, therefore, my parents had me get started in taking lessons as well. I have been playing Piano for about 15 years now and it started to become part of my everyday life. I have had four different teachers for piano and they were all amazing teachers. One of my private piano teachers was a student of Iran’s most popular pianist and composer, Emanuel Malek Aslanian. I also had an amazing Piano instructor back in Iran who made me become an expert in techniques as well as enjoying the melodies. I mainly play and teach Classical music. Beethoven and Mozart are my favorite composers and I enjoy playing their pieces very much.
I have been te
I started Piano when I was 8 years old. My siblings were taking lessons at that time and hearing them play it made me fall in love with Piano, therefore, my parents had me get started in taking lessons as well. I have been playing Piano for about 15 years now and it started to become part of my everyday life. I have had four different teachers for piano and they were all amazing teachers. One of my private piano teachers was a student of Iran’s most popular pianist and composer, Emanuel Malek Aslanian. I also had an amazing Piano instructor back in Iran who made me become an expert in techniques as well as enjoying the melodies. I mainly play and teach Classical music. Beethoven and Mozart are my favorite composers and I enjoy playing their pieces very much.
I have been te
aching piano for about 4 years now and it is very joyful. I love communicating with my students and do my best to help them discover their talents and interest. I want the students to enjoy what they learn and play.
I also have a BS in Biological Sciences from University of California, Irvine. Biology also taught me how Music has such great influences on human body and soul. It relaxes people and help them get through difficulties. Being a Bio students and teaching Piano at the same time was the best thing that ever happened to me, that's why I really want everyone to experience music in their lives and get touched by it.
I also speak Two languages; English and Farsi. I am Persian and was born and raised in Iran. I moved to the USA when I was 15 years old.
I cannot wait to start working with you and teach you to my best ability what you desire to learn.
*** Lesson Details ***
One of the most important tools in my teaching is to get to know my students well. I try to maintain a really close friendship with my students. I want to know what type of music/style my students are interested in and make sure I bring out their talents and teach them the necessary techniques as well. Students need to enjoy what they play and I make sure that they do. I also talk to my students about their goals and what they want to achieve by learning Piano and motivate them to go for what they want to learn.
Piano should be joyful and exciting. I hope that my students learn the techniques as well as their style of music after being with me for a while and I do my best to discover that in them.
*** Studio Equipment ***
I have a Piano at home.
*** Travel Equipment ***
students should have a piano/keyboard available at their homes. They should be able to buy their own books as well once I choose a book based on their abilities for them.
*** Specialties ***
classical music
I also have a BS in Biological Sciences from University of California, Irvine. Biology also taught me how Music has such great influences on human body and soul. It relaxes people and help them get through difficulties. Being a Bio students and teaching Piano at the same time was the best thing that ever happened to me, that's why I really want everyone to experience music in their lives and get touched by it.
I also speak Two languages; English and Farsi. I am Persian and was born and raised in Iran. I moved to the USA when I was 15 years old.
I cannot wait to start working with you and teach you to my best ability what you desire to learn.
*** Lesson Details ***
One of the most important tools in my teaching is to get to know my students well. I try to maintain a really close friendship with my students. I want to know what type of music/style my students are interested in and make sure I bring out their talents and teach them the necessary techniques as well. Students need to enjoy what they play and I make sure that they do. I also talk to my students about their goals and what they want to achieve by learning Piano and motivate them to go for what they want to learn.
Piano should be joyful and exciting. I hope that my students learn the techniques as well as their style of music after being with me for a while and I do my best to discover that in them.
*** Studio Equipment ***
I have a Piano at home.
*** Travel Equipment ***
students should have a piano/keyboard available at their homes. They should be able to buy their own books as well once I choose a book based on their abilities for them.
*** Specialties ***
classical music
...
Reviews
· Piano · In home
· Piano · In home
· Piano · In home
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Ghazal M.
Woodinville, WA 98077
starting at
$35
/ 30-min
About Andrew B.
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About Andrew
My name is Andrew. I am a private guitar teacher in the Puyallup,WA area. I have been teaching professionally in the area for the past 6 years, and have been playing and studying the guitar since I was 11 years old. Music is my life, and teaching people to play this music on guitar is my passion. My focus is on the individual student, not on just one uniform curriculum. I teach each student at his/her own pace and in their musical interests, focusing on style, technique, and music theory. I have had many successful students over the years and have shown them that playing guitar is fulfilling, educational, and most of all fun. It is rewarding for both my students and myself to further this musical experience.
...
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· Acoustic Guitar ·
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Andrew B.
Puyallup, WA 98374
starting at
$25
/ 30-min
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About David L.
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About David
Many years of drum instruction with students who have learned best with alternative learner-centered approaches including: extreme patience, slow to fast repetition of patterns and exercises, focused breathing, as well as sight-reading, rhythm and ear training. Students with: Asperger's, Autism, Dyslexia and related states have benefited greatly.
...
Reviews
· Drum · In home
· Drum · In home
· Drum · In home
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David L.
Seattle, WA 98103
starting at
$42.50
/ 30-min
About Will V.
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About Will
I am a patient, professional teacher with over 20 years of experience working with students of all ages, from beginner to advanced. If you are a beginner, I will get you off to a great start and you be surprised at how much you wil be able to play after only one lesson. If you've already been playing for a while, I can make suggestions that will immediately improve your playing. I customize your lessons to match your learning style, so you can learn faster. The lessons are enjoyable and challenging enough to edge you to the next level of your playing.
...
Reviews
· Guitar · In home
· Guitar · In studio
· Guitar · In studio
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Will V.
Seattle, WA 98177
starting at
$30
/ 30-min
About Marissa M.
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About Marissa
Hello! My name is Marissa and I am a current Senior Vocal Performance and Anthropology Double Major at Pacific Lutheran University. I love music, and love teaching it to others even more! I have a vast resume of choral music, opera, and early music. I look forward to hearing from you!
If you would like a copy of my resume (either choral, early music, or opera), please let me know! I also have a wide range of knowledge of All-State Choirs and Solo/Ensemble competitions, after my experiences in middle/high school.
If you would like a copy of my resume (either choral, early music, or opera), please let me know! I also have a wide range of knowledge of All-State Choirs and Solo/Ensemble competitions, after my experiences in middle/high school.
...
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Marissa M.
Tacoma, WA 98422
starting at
$25
/ 30-min
About Cassie L.
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About Cassie
I am an active teacher and performer newly returned to the Seattle area after a decade away. I have a BM from the University of Oregon and an MM from the University of North Texas, both concentrated in flute performance.
I recently spent three years in Texas and had a studio of 35 middle and high school flutists who under my tutelage improved their skills, gained new appreciation for music, won local competitions (one received a brand new professional flute for her award!) and one received an offer to attend UNT to study music for their undergraduate degree.
I also pursue an active playing career, but I am especially focused on teaching.
Please message me before purchasing lessons! I sometimes travel to student's homes, but not often and I cannot guarantee being able to travel to your address on the day that you would like and
I recently spent three years in Texas and had a studio of 35 middle and high school flutists who under my tutelage improved their skills, gained new appreciation for music, won local competitions (one received a brand new professional flute for her award!) and one received an offer to attend UNT to study music for their undergraduate degree.
I also pursue an active playing career, but I am especially focused on teaching.
Please message me before purchasing lessons! I sometimes travel to student's homes, but not often and I cannot guarantee being able to travel to your address on the day that you would like and
TakeLessons does not encourage messages between you purchasing and me accepting the new lessons. I am looking forward to meeting you and helping you/your child meet their flute goals!
...
Reviews
· Flute · In home
· Flute · In home
· Flute · In studio
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Cassie L.
Seattle, WA 98199
starting at
$45
/ 30-min
About Trevor S.
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About Trevor
My name is Trevor Sellman and I’m excited to help you learn to play drums and percussion. I have over 12+ years of experience playing and 5 years teaching. I hold a Bachelors in Music Business with a focus on percussion and drum set. I’ve taught students from ages 4 to 50 and I enjoy giving every person the opportunity to pick up some sticks and learn. I’ve played styles from jazz to heavy rock, orchestral to country and everything in between, there’s no style that I’m uncomfortable teaching. I look forward to meeting you and having fun while learning the fundamentals of rhythm, drums, and percussion.
...
Reviews
· Drum · In studio
· Drum · In studio
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Trevor S.
Tacoma, WA 98405
starting at
$30
/ 30-min
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