Dayton Music Lessons

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Popular Music Teachers near Dayton

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About Nikita B.

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Owings Mills, MD

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About Nikita
Hello everyone!
Music is my passion and I love to teach and play violin. I've been teaching violin for 10 years as well as playing concerts around the world including Germany, Spain, Austria, Czech Republic, Russia, Lithuania and throughout USA as a soloist and chamber musician.
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Reviews
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Julie December 30, 2018
· Violin · Online
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Christian December 7, 2018
· Violin · Online
Great teacher!!! Really knows how to explain everything to my son in a way where he quickly understands.
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Chris November 9, 2018
· Violin · Online
Christian loved it. He said he got really good tips that helped with the problems he has been having.
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Nikita B.

Nikita B.

Owings Mills, MD 21117
(9)
starting at
$35 / 30-min

About Jonathan G.

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215857_302043_1312922580
Baltimore, MD

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About Jonathan
I have studied with Wanchi Huang at James Madison University for six years. At JMU, I earned a Bachelor of Music and a Master of Music, both in violin performance. I received my D.M.A. at Catholic University of America, studying with Jody Gatwood. When I was a student at JMU, I taught several students privately. The students ranged from retirees to JMU faculty and students to adolescents. I am now teaching at Baltimore Talent Education Center, where I teach violin in small groups and individual lessons. The students at BTEC range from pre- kindergarden through high school. I also have festival experience. I have been a student at Brevard Music Center, Heifetz International Music Institute, BayView Music Festival, and I was a Teaching Fellow at Interlochen Arts Camp. Through my experiences both as a student and as a teacher, I un
derstand that every student is a little bit different. Every student has different strengths and weaknesses. Every student has a different learning style. Every student has a different way of understanding things, a different way of processing information, and a different personality all together. It will be my job as a teacher to get to know each student individually and use my teaching methods to teach the student how to play the violin and help him or her to reach his or her goals.

*** Lesson Details ***
I am a laid-back person. I am easy-going, enthusiastic about violin playing and about teaching and learning music, and I am very patient with my students as well. However, I am also very demanding. I explain and demonstrate objectives in a very precise way, and I demand a lot of detailed work from my students, inside and outside the lesson. I explain specifically what I want the student to do. By the end of every lesson, the student will have specific things to work on for next time. I expect each student to make practicing a habit, and practice regularly what has been discussed in the lesson. I try to make the lessons as pleasant and as laid-back as possible. But I become more firm, serious, and strict when a student either is not making an effort or does not practice enough outside the lesson.
I start students off with the Suzuki method. We work on techniques to hold the violin properly, hold the bow properly, and get a decent sound out of the violin, without too much physical tension. A student begins by learning to play by ear. After he or she is comfortable playing by ear, we associate the notes that the student hears and plays on the violin with written notes on a page.
We also work with the Paul Roland methods so that the student can learn the violin in a basic, rudimentary way. It involves a lot of repetitive patterns, back and forth motions that are slow and round, and avoiding excessive tension. This will give the student the tools that he or she needs to learn how to play the violin in a short period of time.
In three to six months, a student who is a beginner will be able to hold the violin and bow comfortably, create a decent sound on the violin, and play the Twinkle Variations, and maybe a few other songs.
If the student has played violin before, then in three to six months, he or she will have had some rehabilitation to get rid of tension and force, overcome some bad habits he or she may have developed, and review the fundamentals of violin playing. I will improve the student's approach to the violin, and by the end of the three to six months, he or she will have a better idea on how to practice and play the violin.

*** Studio Equipment ***
Piano, seating for parents in the living room,

*** Travel Equipment ***
I will provide a stand.
I will expect the student to have a violin, rosin, and a pencil.

*** Specialties ***
Suzuki Method- a starting point, particularly for kids, but for people of all ages. It is a good way to begin learning the violin by playing by ear, developing a strong, clear tone, and bringing out one's individuality through his/her musical development and his/her ability to be expressive.

In a matter of time, I want the student to get used to reading music, in addition to playing by ear. This can be done through the pieces in the Suzuki method or through other music.

Eventually, I take the student off of the Suzuki method and work with him or her on classical repertoire.
...
Reviews
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Mingfei C. January 14, 2019
· Violin · In studio
My son has been learning violin lessons from Jonathan since the summer of 2014 when he was 10. We are so fortunate to find Jonathan at takelessons.com and very happy and grateful to have him as a private tutor throughout the years. Jonathan is a brilliant musician and passionate violinist, very professional. He is really good at teaching, very patient and detailed. Whenever my son made a mistake, he would immediately point it out and show him the right way to do it and have him practice time and time again until he got it right. He would also write notes on my son’s music sheet to remind him things he needs to pay attention to during his practice at home. Jonathan also organizes recitals regularly for all his students to gather together and play in a concert like atmosphere and interact and learn from each other, which is really a wonderful experience. Jonathan can be reached easily by text message, email or phone and we have never run into any problem rescheduling a lesson or anything else. I highly recommend Jonathan for anyone who wants to learn violin or music in general.
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July January 13, 2019
· Violin · In studio
He going to be angry when you make a mistake and he is not patience. I don’t recommend him for beginners students or even advanced students. Even the price is kind of cheap but it wasn’t worth it.
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Meredith F. November 13, 2018
· Violin · In studio
I’ve been learning a lot!
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Jonathan G.

Jonathan G.

Baltimore, MD 21209
(26)
starting at
$15 / 30-min

About Elena S.

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Potomac, MD
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About Elena
Hi there! My name is Elena Svetalkina-S. I am a concert pianist and senior instructor (Assistant Professor) at Sobinov Conservatory in Russia. I received the Artist Diploma from the Sobinov State Conservatory in Saratov (Russia) under the tutelage of Professor Albert Tarakanoff and Professor Maria Christiansen, from which I graduated with distinction in 2002. I have won numerous awards in Russia and Europe and received a grant to teach piano in Hong Kong.
Place and date of birth: Penza (Russia) – 16 March 1979
1985-1993 Music School of Penza
1994-1998 Gradated from Penza College of Music with B.A.
My professional debut was at the age of seventeen with the Penza Philharmonic Orchestra (Russia), playing the Mozart Piano Concerto in A-major.
1997 First Prize in All-Russia Youth piano competition in Astrahan.
1997 Grant from Minister
of Culture (Russia)
1998 Government grant for talented young musicians.
1998-2003 Sobinov Saratov Conservatory (under the tutelage of Professor Albert Tarakanov) with Masters Degree
2003 -2005 Post-graduate student Artist Diploma in Music Performance
Master classes with:
Professors Yuri Slesarev, Nikolai Petroff, Ludmila Roshchina, Michel D’Alberto, Manfred Vagner-Artz
2003-2005 – piano instructor - Sobinov State Conservatory
2005-2010 – senior instructor (assistant professor) at Piano department of Sobinov State Conservatory, Senior Lecturer for the course of Method of Piano teaching
2008-2009 – piano instructor at the Music Center in Hong-Kong (by invitation of the Piano Association of Hong-Kong)
Awards:
2005 Second prize “Delphian games in Arts”
2006 Diploma International Piano Competition “Hopes, Talents, Masters” Bulgaria
2007 Second Prize in Piano Duet Shubert International Competition, Ruse Bulgaria
Performances:
I play with Nadezda Tokareva (violin), Associate Professor of Moscow Tchaikovsky Conservatory and Tatiana Nechaeva Associate Professor of Sobinov Saratov Conservatory.
Concert tours in Russia (Rachmaninoff’s Hall in Moscow, Saint Petersburg, Samara, Astrakhan and elsewhere), China, Bulgaria
Repertoire:
Bach (All Toccatas, WTK, Goldberg Variations,)
Brahms (Variation and Fugue on a theme by Handel)
Beethoven (Sonatas, including N 28,30,31)
Mozart (Sonatas, Concertos)
Schumann (Symphonic etudes, Piano Concerto, Fantasia, etc.)
Chopin (24 Etudes, 4 Ballades, Scherzos, 24 Preludes)
Debussy 12 Preludes (First Volume)
Rachmaninoff (etudes-tableaux, Variation on a theme by Korelly, Preludes)

I have been teaching music professionals, adults, and children for 14 years. Many of them have won awards at international piano competitions and festivals.

In 2010 I moved to US and I played numerous recitals in Maryland, MA, Virginia, New York.

*** Lesson Details ***
I am classically trained teacher and i think that classical music is the basement for any kind of music. I also would like to teach you some jazz or to play your favorite songs as you wish.
I adjust to my students' needs and goals. Every student is unique and so my point is to teach anyone in according to one's ability. I assess my student's ability during the first lesson and spend time discussing what the goals shall be for the next 5 lessons. Then I pick exercises and music pieces, and design a practice plan for my student that will help him or her reach their goals.

*** Studio Equipment ***
I have "Stainway & Sons" piano and "Yamaha" digital piano as well.

*** Specialties ***
I have a comprehensive knowledge and expertise in piano literature, baroque, classical, romantic, impressionist and contemporary.
I help my students to distinguish different style of different epoch.
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Reviews
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Nicholas G. January 28, 2014
· Piano ·
Patient and passionate

My 7-year-old daughter has been taking weekly lessons with Elena for a few months. It's her/our first piano teacher, so I don't have much basis for comparison, but we, and our daughter are very happy. Elena has a patient, gentle and genuine manner. She is very focused and attentive in her attention to the student, and my daughter seems to be learning quickly and looks forward to class. We're glad we found her.
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Elena S.

Elena S.

Potomac, MD 20854
(1)
starting at
$40 / 30-min

About Kristin W.

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Reston, VA

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About Kristin
I began playing at 4 years old. I loved classical music and taught myself by listening till I was 6 and started formal lessons. I continued lessons throughout high school with a Julliard graduate. During my senior year of high school, I had the amazing experience of playing in Weill Hall, located in the famous Carnege Hall, as part of the young artist showcase.
While attending Vassar College, I continued to take private lessons with another Julliard graduate, as well as taking classes in theory.
I also just finished my second B.A in music from George Mason.

*** Lesson Details ***
I have beginner to advanced piano books in both performance, lessons, and theory.

*** Studio Equipment ***
Yamaha upright piano

*** Specialties ***
Classical Music
...
Reviews
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Vincent C. December 13, 2018
· Piano · In studio
Kristin teaches at a perfect pace. I learned so much in the first session. I can't wait for the next one.
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Nicole C. November 14, 2018
· Piano · In studio
I really enjoyed my first lesson with Kristin and look forward to continuing. She made me -an adult learning beginning piano- very comfortable and moved at a good pace. She has a wonderful style of teaching.
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Sawyer S. September 9, 2018
· Piano · In studio
My son adores Kristen - they get along great! She is a fantastic instructor and also makes the lessons enjoyable.
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Kristin W.

Kristin W.

Reston, VA 20191
(19)
starting at
$35 / 30-min

About Travis P.

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Kensington, MD

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About Travis
Hi,

My name is Travis, and I have been playing trumpet for 17 years. I have been teaching for 8. I love working with new students, and became more focused on private lessons during my Sophomore year in college. Speaking of which, I earned a Bachelors of Music in Trumpet Performance from the University of Maryland College Park.

While there, I played with the Wind Orchestra, Symphonic Orchestra and Jazz Band. I am also a regular performer with the Prince Georges Philharmonic.

As each student is different, so is my technique and teaching method. Generally, I have students work through the fundamentals of the instrument including fingerings, embouchure, breathing and scales. Once mastered, the more difficult obstacles such as range, dexterity, repertoire and endurance are approached. I do not work with a set schedule for s
tudents, and tailor the lesson plan for the student's growth and practice.
...
Reviews
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Julian July 31, 2018
· Trumpet · In studio
Travis does a great job! I noticed an improvement after the first lesson my son had with him.
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Levi November 30, 2017
· Trumpet · In home
Travis is a wonderful, encouraging & enthusiastic teacher. My son (10) loves going there. He learns a lot and progresses quite quickly - and at the same time it’s always fun.
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Hannah B. August 17, 2017
· Trumpet · In home
Travis was great. He paced the lesson right for my daughter and started instilling some fundamentals that she was missing. He is kind and friendly. And a great musician!
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Travis P.

Travis P.

Kensington, MD 20895
(9)
starting at
$30 / 30-min
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About Orla C.

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Vienna, VA

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About Orla
Hi there! My name is Orla Conway and I can’t wait to sing with you!!
-The biggest difference between my teaching style and any other local voice coach is: my Relaxation First method.
This wholistic, centering, and therapeutic technique uses guided relaxation to insure that students not only learn about proper vocal technique, but actually master it in a way that is natural to their own voice and learning style.
I am dedicated to nurturing the differences in each students voice, and through this customized approach my students learn to understand their bodies and gain total control over their intonation, resonance, and vibrance.
This simply means that the student will be able to sing any style of music they want!
My Relaxtion First methodology is often viewed by my students as deeply therapeutic as I lead them through exerci
ses which steady the breath, relax the muscles, and center the body. We approach singing as a natural form of therapy that helps the singer understand their body fully, and express themselves effortlessly.
Together we will eliminate tension, strain and pain from the singing experience. We will gain comfort, ease and will highlight the beauty in your unique sound (as opposed to attempting to make your voice conform to someone else's style).
I am here to make you sound like the most authentic version of yourself, and to find the deep joy and expression that comes from letting your voice be heard!

-The most important thing to me when working with singers of any age or ability is:
Helping them learn the correct techniques to keep their voices safe and healthy while singing. A Beginner Lesson Plan begins by covering the three main foundations of healthy happy singing:
1.Posture
2.Breathing
3.Placement (head voice, mask voice, chest voice)
After covering these techniques, my students will be able to achieve almost any style and level of singing they desire. It is totally possible to stretch your vocal range, learn a new style, or incorporate movement into your songs if you follow this method!
I also make sure to focus a lot on confidence and stage presence throughout all of our lessons to help students prepare for upcoming auditions, showcases, concerts, and talent shows.

Applying my Relaxation First methodology to these industry secret foundations of strong vocal technique make it easy and natural for you to find your voice and transition out of your stage fright so that you can own that stage like you were born to be there, because you were!!
These are not only vocal coaching sessions, but complete performance-ready-workshops.
I am here to make all your singing and vocal performance dreams come true!

-I began my vocal training:
at the age of 12 learning how to sing classical and musical theater music. I eventually went on to learn jazz and rock vocal techniques before going to Berklee College of Music in Boston where I learned how to sing celtic music and alternative contemporary styles. I have my own band which I write all the music for, and we have performed all around Boston and in New York City.
My students have achieved admission into Berklee College of Music in Boston, lead roles in their school plays such as Peter Pan, Into the Woods, and Julius Caesar. They have achieved new levels of confidence and power that have made them the stars of their local open mics, talent shows, and recitals!

Please feel free to message me with any questions.
It’s my job to make this process as seamless and comfortable for you as possible :)
Let’s get singing!
...
Reviews
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Nicole C. November 5, 2018
· Singing · In studio
My 12 year old daughter took multiple lessons from Orla and she was fantastic! Orla taught in a way my daughter easily understood and could relate to- making the learning fun and progress at a fast pace. Orla is an amazing vocalist herself- professional and a wonderful teaching style.
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Kazumi October 17, 2018
· Meditation · Online
Awesome first class. Felt more comfortable with meditation :)
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Kerr & Sophia E. October 10, 2018
· Singing · In home
Great novice singer first lesson. Orla has energy and enthusiam that inspires you to learn.
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Orla C.

Orla C.

Vienna, VA 22180
(19)
starting at
$55 / 45-min

About Amanda D.

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Baltimore, MD
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About Amanda
New York-born Flutist Amanda is a versatile performer active as a soloist, orchestral and chamber musician. Amanda was most recently named the first place winner of the National Society of Arts and Letters Woodwind Competition in Washington, DC. She has also received first place awards in the Best Mozart Performance category of the global Great Composer Competition Series, the 2014 Central Ohio Flute Association Young Artist Competition, the 2013 Rochester Flute Association Emerging Artist Competition, the 2012 Donald E. Webster Scholarship Competition, and the 2012 Stefan Scholarship Competition. In 2015, she was invited to participate in the Third International Maxence Larrieu Flute Competition, taking place in Nice, France, and was one of only three flutists invited from the United States.
Amanda is currently a substitute flutist wit
h the Canton and Firelands Symphonies, and appeared as a guest principal with the Canton Symphony for their March 2018 Masterworks Concert. During her studies at the Oberlin Conservatory of Music, she was principal of the Oberlin Orchestra, and performed in the orchestra at Chicago Symphony Center as a part of their 150th-Anniversary tour. At Oberlin, Amanda appeared frequently as an ensemble-member for faculty concerto recordings. She has appeared in the Schikele Bassoon Concerto and the Augusta Reed Thomas Bassoon Concerto released on the Oberlin and Naxos labels on the album Full Moon in the City. She has also appeared in recordings of the Carter Flute Concerto and the Trigos Guitar Concerto No. 1 (forthcoming releases). In addition to her orchestral opportunities at Oberlin, Amanda has attended the Pierre Monteux School and Festival, the Miami Summer Music Festival, and the Bach Institute at Emmanuel Music.
To supplement her love for performing, Amanda has also been active in the field of Arts Administration. Co-founder of the Oberlin Flute Association, Amanda spent two years bringing prominent flute artists to Oberlin. This included advertising in the Cleveland area, managing a strict budget, and organizing all details of the artists’ visits. She also worked at the Oberlin Concert Productions office as assistant director and program editor, and was administrative assistant with Oberlin Conservatory Summer Programs. She is currently a staff member in the Peabody Career Services office, providing professional development support for students at Peabody.
She has recently graduated from Oberlin College and Conservatory, where she received a Bachelor of Music in flute performance and a Bachelor of Arts in biology as a part of the college’s double-degree program. She is currently pursuing a Master of Music at the Peabody Conservatory, under the guidance of Marina Piccinini.
...
Reviews
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Ozge Y. February 10, 2018
· Flute · In studio
She encourages, she finds analogies to explain, she is more patient with me then I am with myself. She also explains the terms, gives tips on how to read the notes. She is able to identify the mistakes and give the right advice on how to improve. Her advice on how to practice made all the difference for me. I started with a giant cookie bite sized embouchure and within a few lessons I have managed to make it smaller thanks to her instructions. There is hope for me afterall.
Looking forward to playing a duet with her without me making a mess. Thank you Amanda!
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Mike August 28, 2017
· Flute · Online
Amanda is an outstanding teacher. She inspires and challenges me to play pieces I did not think I could play. She is able to take difficult passages and break them down step my step so I can learn how to play them properly. I am sure I would not be playing as I am now, if it weren’t for Amanda’s skilled teaching. She is also friendly, makes the lessons interesting and fun and is very professional. I have taken lessons both in person and on Skype and she excels in both modes.
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Amanda D.

Amanda D.

Baltimore, MD 21201
(2)
starting at
$34 / 30-min

About Michael B.

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Baltimore, MD

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About Michael
I have been performing professionally for ten years, and am working towards completing my undergraduate degree in cello performance from the University of Maryland Baltimore County. My teaching philosophy centers around a strong technical foundation, as well as ear training and theory. In addition, I believe in the importance of a creative learning environment that is tailored to accommodate the needs of each student, and inspires a love for the cello.
...
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Parissa F. September 5, 2018
· Cello · In home
Excellent teacher; very patient and thorough. Friendly and able to explain everything very well. Highly recommend!
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Michael B.

Michael B.

Baltimore, MD 21250
(1)
starting at
$45 / 30-min

About Allison K.

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Washington, DC
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About Allison
Thanks for stopping by! My name is Allison, and I'm a student with a passion for music!

I am a classically trained vocalist, pianist, and composer who has been studying music for 16 years. My abilities in ear-training and sight-reading have given me the perfect springboard to experiment with different musical techniques, and I have spent my time as a music student developing my own jack-of-all-trades style.

Piano students can expect to learn beginner tools such as basic sight-reading techniques and proper finger coordination to finding exciting ways to "fake" your way through a piece. I aim to give students an adaptable tool box that allows them to feel confident in multiple facets of piano-playing.

Vocal students can expect to approach their singing with a musician's ear, and gain the confidence to nail their next big audition
or voice recital. I aim to provide a leg up in sight-reading and ear training to give the student an advantage over their peers.
...
Reviews
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Lindsay Rinaldi, Executive Director of The Nashua Community Music School August 23, 2018
· Vocal Training ·
Allison is an enormously talented and multi-faceted musician who demonstrates a unique understanding of voice, piano, and overall musicianship. Allison is perfect for singers looking for a compassionate vocal coach that will improve style, grace, and musical and dramatic interpretation. With perfect pitch in her toolbelt, Allison is an excellent choice for anyone looking to practice singing with live piano accompaniment while receiving top quality musical feedback.
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Allison K.

Allison K.

Washington, DC 20016
(1)
starting at
$30 / 30-min

About Ryan P.

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Potomac, MD

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About Ryan
I have been playing guitar and bass for over ten years and have played between 3 bands over the past 6 years. We have played in many venues up and down the east coast, most notably The 9:30 Club and The Black Cat.

I have had a few private students over the past two years and have really enjoyed watching the excitement on their faces every time they discover something new or overcome a new obstacle.

Music has always been my biggest passion, so you know I will be approaching every lesson with excitement and enthusiasm, and I hope that those feelings will be instilled in each of my students throughout the course of our lessons.
...
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Ryan P.

Ryan P.

Potomac, MD 20854
starting at
$30 / 30-min

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