Benedict Music Lessons

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Popular Music Teachers near Benedict

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About Nicole C.

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Waldorf, MD

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About Nicole
As a voice teacher and voice coach, I strive to help the student get to where they want to be vocally. For me, singing is something that brings me joy and I hope to be able to share that with you.

It took me a while to realize how much music and singing means to me. While studying something entirely different at the University of Maryland, I began studying voice and realized that it was something that I had a gift for. I fell in love with singing art songs, jazz, and opera arias. And while studying at the University of Maryland, I had the opportunity to work as a voice teacher/ section leader with the women's section of a choir, numerous opportunities to work as a soloist and in a few jazz clubs. I was also involved in dance performances and acted as a dance tutor.

Later, when I was invited to sing in Denver I had the opportun
ity to sing in Little Shop of Horrors and to sing with a women's choir. While studying at the University of Colorado Boulder I began to come into my own and started to let my large sound free. (Which for me was a process. Getting your voice where you want it and to where it is capable is work. But, it is fun work and you're always happy when you have these great moments where you get to where you were hoping you could and that your teacher said you would go at some point.) It was there, at CU Boulder that I got the opportunity to start singing in operas. While in Boulder I sang in The Magic Flute, Sarah McKinnon and as a soloist or recitalist.

Also, while there I worked as an actress in a theater company called the Interactive Theater Project for three years. I thought that by getting involved in that that I would be able to act more effectively while singing. It was fun just doing something where you're just working with the spoken word. I had a wonderful time with them and learned a lot about character work and what it takes to connect to the words in an effective way.

In the past few years, I have been a soloist and recitalist in the Washington, DC area and have sung opera in Pennsylvania with Center Stage Opera. Last year, I sang with Center Stage Opera in the role of Bertha. I had the opportunity to sing and to act at the Kennedy Center a few years ago. Also during that time, I
sang in Aleko, the Die Zauberflöte as the Queen of the Night, Serena in Porgy and Bess, and
sang in Ragtime and sang the role of the Wardrobe in Beauty and the Beast.

I am currently working as a soloist, a children's choir director, a chorus member, the director of a recital series, a cantor, and I'm writing monologues and small plays to be performed. I was working as a co-executive producer/casting director for a show that is on Amazon Prime as well. I look forward to what the rest of the year will bring.

*** Lesson Details ***
If you're a beginner, I will help you to understand what you need to get through the vocal line with breath and intonation. We will begin by doing vocal exercises and learn a lot about breathing for singing. I want to help you to make more beautiful tones. I will also slowly begin teaching you how to read sheet music and to help you be a more effective listener when it comes to music. I can also help you to become a better communicator as a singer.

For acting, I will help you to learn how to develop characters and bring the writer's words to life. We will begin by seeing what sort of subjects or genres interest you and what you are doing with those words now, and how you can delve deeper into making the world of the characters something more flushed out.

For beginning piano: I will teach you to learn how the piano is set up, teaching you to read sheet music, beginning theory and to play songs. Something beyond nursery rhymes.

*** Studio Equipment ***
Inside my home studio, I have music, a music stand, chairs, WiFi, a computer, a laptop, a keyboard, a microphone, a metronome, a microphone, an amp/large speaker, and a sofa.

*** Specialties ***
For voice, I would say that my focus is on classical voice. I also sing jazz, gospel and musical theater. For acting, I have done both improvisational and regular scripted plays.

I have taught students with special needs, and as someone with a twin sister with special needs, I am open to teaching students with special needs.
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Reviews
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Bruce N. December 4, 2018
· Acting · In home
Extremely personable, calm and right intended. She listened closely and provided useful instructive feedback for improvement and introduced new areas to explore. Eagerly looking forward to my next class.
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Denia Massetti October 4, 2018
· Acting · In studio
I only took 2 days class. For that reason i give a 3 star. She is a great teacher.
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Jullian K. September 19, 2018
· Piano · In studio
Ms. Nicole is extremely knowledgeable and a pleasure to work with. We're enjoying the lessons and my grandson is catching on quickly. Excellent Experience! 😊
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Nicole C.

Nicole C.

Waldorf, MD 20603
(22)
starting at
$30 / 30-min

About John B.

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221857_399266_1336419006
Arlington, VA

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About John
I have been playing for about 35 years and teaching music and guitar for 25 years. I have a Bachelor of Music in Jazz and Classical guitar. I've taught at the University level and currently maintain a professional studio in Arlington, Virginia. I am very well versed in many different styles of music including, Rock, Blues, Jazz, Classical and Suzuki guitar. Students who decide to sign up with me, will have a lesson plan, a strategy for meeting their musical goals and will enjoy themselves in the process.

*** Lesson Details ***
Lessons are custom designed to meet the needs of every student, whether it is someone just starting out with the basics or for that seasoned player that wants to hone their professional skills. As a teacher, I consider myself easy going and laid back, with an emphasis on encouraging each student to do their very
best.

*** Studio Equipment ***
Guitar, instruments, keyboards recording equipment, waiting room, seating for parents

*** Travel Equipment ***
Music stand, foot stool, cables.- Teacher
Own instrument, amplifier if needed, notebook.-Student

*** Specialties ***
I have been teaching for about 25 years and am well versed in Jazz, Classical, Rock, Blues and Country genres. I focus on anything from note reading, theory, improvisation and composing.
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Reviews
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Ross November 29, 2018
· Guitar · In studio
John is super patient and incredibly helpful, especially for a hard-headed adult like me. I've been playing guitar for about 15 years and have made very slow progress on my own. John is helping me unlock the missing pieces. Thank you, sir!
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Steve October 4, 2018
· Ukulele · In studio
Very patient.
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Daniel C. September 6, 2018
· Bass Guitar · In studio
John is very patient and knowledgeable
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John B.

John B.

Arlington, VA 22202
(71)
starting at
$35 / 30-min

About Rachel P.

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Washington, DC

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About Rachel
A graduate of Duke Ellington School for the Arts and the prestigious Berklee College of Music, Rachel Panay is a 6 time Billboard Club charting singer/songwriter in the Dance music genre. She recently returned to her musical theatre roots appearing as Rose in Theatre Lab's production of The Secret Garden. Rachel is also a Wolftrap resident teaching artist in DC schools and has been commissioned by Wolftrap to create and perform her original children's performance piece, Jazz Cat/Blues Kitty.

As teacher, Rachel is warm, friendly & energetic. Her passion for every facet of music is expressed in her desire to impart that same appreciation to her students. She tailors lessons according to the individual student's goals and interests.

With younger students, Rachel communicates regularly with parents so they can work together to
get the most out of lessons!
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Reviews
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Rose November 2, 2018
· Singing · In studio
Fun, knowledgeable, well-versed!
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Anthony October 24, 2018
· Singing · In home
Excellent start and a hugely enjoyable experience. Really gave me confidence to keep going and get back into singing!
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Emma P. August 29, 2018
· Piano · In home
Very friendly and patient! Emma said she really enjoyed the lesson and is excited to show me what she learned!
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Rachel P.

Rachel P.

Washington, DC 20009
(33)
starting at
$35 / 30-min

About Christine P.

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Alexandria, VA
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About Christine
The Exquisite Voice, Inc.

Christine is a professional vocal coach with an exceptional reputation. She is the owner of The Exquisite Voice, Inc. and resides in The Historic Parkfairfax community of Alexandria.

As a D.C. native, Christine has taught in the DMV area for over eight years. In that time she has taught hundreds of students and given thousands of lessons (including the full spectrum of learning needs).

She is considered an expert in her field for achieving high quality vocal technique that can be implemented in all legitimate singing styles in addition she maintains a very active studio.

Christine's unique and highly effective approach to voice has allowed her to continue to help beginning to professional level students advance their technique with incredible results.

Christine is a master of vocal technique. She co
ncisely and properly diagnoses vocal issues from the very start.

She has a phenomenal ear, extensive experience in many styles and performance practices as well as a full working understanding of the mechanics of the voice.

She is not confused by the wide range and variety of various voice types, including highly unique instruments, or use of various technical approaches, style and artistic taste that can be misleading to many coaches. She can navigate easily and successfully through any of these challenges.

This type of insight is extremely valuable. Extracting and verifying what the voice is precisely doing allows for a real opportunity to work towards finding a more authentic and thus higher quality of singing that is based exclusively on the individual as a vocalist.

Therefore it is best to work with a professional who understands these fine differences.

Learning how one’s voice works optimally and fully allows for even greater flexibility in all singing ventures.

She has connected what are the absolute fundamentals to all types of singing and is not distracted by any and all variables that are expected to arise. This gives clarification to what exactly makes a voice authentic or not.

Therefore she works immediately to address the core of vocal issues by adding what is necessary for the technique and what needs to be removed.

This can be challenging work, that requires working honestly, but it brings extremely rewarding and higher quality results.

Personal note to all students:

I hope that you are feeling more inspired and inclined to work together after reading briefly a few of the things I can offer as a coach.

With that said, please consider that regardless of how great a coach is, it is important for the student to acknowledge that they must take command, initiative and responsibility for their instrument, including committing to the process and guidance given fully and to the best of their abilities.

You are absolutely in control and must not wait or avoid to be self-directed and take ownership of your voice in this discipline. It is important that you feel empowered to make your own decisions as a student.

***Advice that should be heeded before considering lessons with me or any serious professional who values their work***

It is important that I address attitude, emotion and state of mind:

Please know that I am extremely generous and kind. I assure you that I am highly confident in my abilities and work. Integrity and value are a part of who I am as an artist, coach and person and you will come to find this. If I don’t know something, I say it.

I offer all my insight and expertise to my students. That is why I think it is important to understand and possibly workout and finally accept what I am asking to build a successful working relationship.

I absolutely understand and appreciate that we are all coming from somewhere and with that said please keep in mind:

Learn to not judge yourself while you are sorting out your technique. Be completely open to reworking every aspect if necessary without feeling defeated. Reserve judgment and do not assume something is not for you regarding technique if you have not fully mastered it yet in application and comprehension.

That type of opinion is reserved for professionals who have both mastered and understand the technique only. Until then it is important to accept that you need to keep working and stay humble and positive.

***Your emotional state of mind and attitude absolutely matters. Do not underestimate the influence of your mind on your body. We are not aiming for perfectionism, we are aiming for personal excellence!***
Part of that is being willing to try the way I am asking because and trusting it is only for your benefit. You don’t have to come here perfect by any means, please don’t think this. You just have to be in reasonable enough shape to work productively.

Perfectionism leads to disappointment and limited thinking that undermines progress. You must be open, resourceful, adventurous and experimental in your singing. Perfectionism will fail you in this regard. I am a recovering perfectionist so I know:)

You cannot offer your most excellent work if you are resistant, fearful or emotionally (exhausted) nor prepared for working honestly due to past discouragement or carrying unrealistic expectations that typically stem from not being willing to invest the time, effort, or financial means in yourself. No one can help you if these factors are put between us and things always surface if they haven’t yet. Be prepared. Know that we are all facing the same issues more or less in this journey.

That is why I suggest making amends with any and all of these factors before working with me because they will influence the outcome of our work.

Some I am sure will immediately disagree with what I am say and decide that this is not what they need or in actuality really want to give (themselves truly), and find another coach who agrees with what they are willing to do, even if that severely limits their growth.

This is absolutely my professional opinion and I believe it is true for everyone. I know what I am saying can sound overwhelming, but it is not. Remove the ego from the equation. It is actually realistic and practical. I am telling you that you are absolutely in control of your outcome.

My hope is that students will come to terms with the reality of what is necessary to finding success in their singing first and worry about whatever is next last and not attempt to displace their end of the deal.

Start with very small, manageable steps and say yes to what you are saying no to or battling in your mind. That is actually more exhausting than the work itself and needs to be left at the door when we work.

Other professionals might agree with you or say differently about what I have expressed to save your business. Finding others who agree doesn’t make it true. Confronting things honestly is a choice that the teacher must make as well as the student.

I say this because it is the truth and it is a disservice to you as a singer and the necessary foundation to the relationship to go into it any other way.
It is already difficult enough to find direction when we are being lead without honesty and it must begin with us.

This is exactly what every student needs to realize because this is a tremendous part of what is holding them back. If you have understood what I am saying, it is actually a very empowering message.

It might even be all that you needed to hear to find a real path to success. :)

If you acknowledge what I stated above and are willing to commit to the work, I can assure you that I promise to do my part and help you move toward success in your lessons.

If you fully follow my guidance in your mind and heart, you will eventually find your way. I am open to what a student says they initially need, but that said I tend to show my students the light eventually on whether something is truly helping or hurting. I have good instincts on exactly what a person is ready to take on, but it’s typically a bit more than what they might want to do. That is because the mind is often behind the body. I have to be several steps ahead to keep the work progressive.

I always tell my students that I will only teach you what you need, not what you want, expect to learn or already know. You should be interested in this too. Please allow me to do this. I focus on fixing the weakness that we prefer to avoid and incorporating our strengths.

I understand that what I am saying is challenging for most students because it is so often the glaringly obvious aspects of our technique that we have been avoiding and battling before we walked through the door.

Know that I have faith in you and I want you to find faith in yourself because that is more empowering and valuable than millions of people believing in you. You don’t need that, you need belief in self only.

Believing in yourself with the mindset as worthy to go forward is what will help you get through the difficulties and challenges with confidence and assurance. Problems that will arise and cannot be avoided.

You will see that you will start to be led in a much different direction just by changing your thinking.

If anything I said makes you feel nervous, overwhelmed or uncomfortable because it does not align with what you were expecting, regardless of being a beginner or a professional then I say just confront it, own it for what it is and accept it because you are now ready to work at an elevated capacity.

I placed this deliberately in between my profile to make sure people will read it.

Continuation of Christine’s profile:

Christine’s extensive experience and knowledge as a professional adult contemporary vocal artist includes a highly in-depth working understanding of a range of various styles and specialties in vocal intonation that is truly hard to match by other professionals in the field.

This along with her continuous education (over twenty years) and dedication to the authentic Italian traditions of bel canto has allowed for her to develop an approach that can extended into all legitimate styles of singing. Her personal approach to the voice is beyond comparison, and can only be described as world class.

She has a phenomenal ear and can make rapid and highly accurate assessments of technical issues in a very brief sitting. Christine is exceptional at explaining vocal pedagogy and directing students on how to make corrections for themselves.

Christine is a dramatic coloratura soprano and is very confident and experienced with large instruments (that are more difficult to train for various reasons and require more specialized training). Having an extremely rare and large voice herself has given her invaluable insight toward fully understanding all other voice types and the discipline necessary to achieve efficient technique.

Many teachers can be limited in their view and teach "their technique" as opposed to helping the student develop their own technique and what works best for them. Christine has a great talent for figuring out what a students needs to do in their approach in order to achieve the results and keep the lessons progressive.

Developing proficient technique in a complete and effective way leads toward discovering the full capacity and beauty of our instrument without compromise. We need to find our voice to find ourselves as artist.

Her methods in vocal intonation translate directly and indirectly into all styles of legitimate singing, which she coaches many varying styles and will direct student toward appropriate repertoire. Students will learn the full potential of their instrument under her guidance. It is her belief that technique should always lead toward one sounding natural, no matter the style and that one fully learns their instrument’s capability to access endless artistic choices as a performer.

Christine offers very traditional based vocal lessons with a focus on improving technique through practical exercises and song repertoire designed for each student's unique vocal needs. She will offer necessary guidance and adjustments to ensure the student's continuous development.

Her goal is for her vocal students to discover their authentic voice and to find freedom in their technique and most importantly their expression as artists.

What you can expect to learn:

Vocal pedagogy and how the voice functions properly; how to effectively think about your voice to get the body to cooperate (aurally, physically, mentally, emotionally, etc.);

Integrating the body to fully support the voice Rebounding the body to continue to move the air efficiently. These are the basics of support, but often times very apparently neglected because most trained singers/teachers from even the highest institutions do not understand how it works or do it effectively themselves. It is sadly becoming a lost art. This is the most advanced concept of singing and yet is absolutely necessary to master in order to access genuine support. Christine clearly demonstrates and explains how this concept functions and her refinement of it is by far not common knowledge.

Other concepts include sustaining an open throat, creating a natural lifted and open internal space for better mix using the head voice and easier support, legitimate dynamics directed from the body and compressed air, anchoring the body to maintain the larynx low;

Various placement techniques, air that can rebound using breath direction and not from using the larynx inappropriately, centering the voice/cut internally by aligning the horizontal (mask) and vertical planes (chest, back of head, top of head and spine) support and placement that function together, developing a mixed middle sound that passes easily into low and high registers and broadens range; articulation free from the jaw and using tongue and other articulators as well as using breath direction to assist, posture that is conducive for support and keeps the body open and functional;

Various artistic and performance techniques, musical interpretation appropriate to context, time period and style, aligning the voice and body/acting to come across accurately in our portrayals and the process behind this, memorization techniques, execution of timing for expressive reasons and ways to think about timing that doesn’t conflict with the natural structure of a song, but allows for flexibility in phrasing, phrasal development and song development.

Piano that is geared exclusively toward vocalists and adult students only:

Teaching piano to vocalist is something I hold dear to my heart because I understand the difficulties and disadvantage as a vocal student to not be able to play and learn your rep on your own. I did not learn how to read music until I was in music school as a young adult. I believe reading music properly is just as important as learning Latin based foreign languages for success in opera. It has been my professional experience that it is often grossly overlooked.

I also offer working with adults students who are only interested in piano starting at age 20.

Christine is also a highly sought out piano instructor for her ability to establish an exceptional foundation in beginning piano students and those who wish to continue their studies and build upon the fundamentals. She specializes in reading skills and excellent technique.

She teaches Russian technique, which allows for flexibility, strength and tonal beauty of musical lines. This technique can be applied to all styles of playing piano such as pop, jazz and is not limited to just the classical repertoire.

Her goal is for all of her music students to become increasingly independent as musicians to where they feel confident to teach themselves and others and to ultimately find enjoyment in the process of learning music.

Her approach helps students advance their technique, reading proficiency, including music theory and expand their artistic capabilities.

Education and continuation of voice:

She received her music education in classical vocal performance from George Mason University and has vigiourously continued her studies in opera with Mrs. Fabiana Bravo, who studied with Luciano Pavarotti and Renata Scotto and has had a fabulous career singing at the Met. She has learned the Italian bel canto traditions as well as the Russian approach to the style. Christine specializes in Italian for classical rep.

General styles I coach:
Opera (bel canto and verismo) classical, sacred, hymnal, traditional, jazz, r&b, folk, and other variations of these popular styles.

Christine also has an international recording career as an adult contemporary artist.

Voice lessons begin at age 14-55 and piano at age 14 for vocalist interested in piano and 20 plus for adults interested in piano only.

Please no inquires about exceptions on age or travel, I will not respond. I teach from my home only, regardless of distance. I am worth waiting for and traveling to:)

What do I expect from students who are seriously applying:

Those who are very hard working and prepared to work on what they NEED, not what they want. Those that are motivated, passionate, dedicated, responsible, considerate, humble and serious about lessons and greatly improving as musicians should apply only regardless of aspirations as a hobby or professionally.

The most important thing necessary to finding real progress I have found is if a student is fully prepared to work HONESTLY. We must always strive to work honestly with our technique. Issues cannot be corrected when we chose to continue to avoid them.

I strongly believe that music is a discipline and this is the manner in which it will be approached during lessons. This is a teacher-STUDENT effort. Taking responsibility for your part is a must. This includes trying to the best of your abilities to put my advice and guidance into practice away from lessons is necessary to your improvement.

I am looking for potential long-term students who are willing and ready to work hard in a practical and realistic manner, regardless of experience, learning needs or proficiency. It will not work long term if a student is not making the time or effort commitment to apply the work from our lessons at home.

Singing is a long-term sustained process to develop that can absolutely not be rushed and I want students who understand this. I have very limited availability and I am only seeking serious students who have a positive, professional attitude and will value me as a teacher. You need not know anything about voice, just have a good work ethic and attitude :)

Thank you and looking forward to working together!

Warmly,
Christine Padua
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Reviews
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Lauren July 11, 2018
· Singing · In studio
Christine was very thorough and patient! She gave me great direction and reassurance!
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Brittany March 12, 2018
· Classical Voice · In studio
I have some musical experience as a hobby (piano, violin, choral arts), so I can be somewhat critical when I meet musicians. I have to say, though, that Christine is an extremely talented vocalist and instructor - I daresay a vocal genius :) The way she describes and encourages understanding of abstract concepts about air direction and body support is very unique. While it remains technical, it also makes you think differently about your body in terms of physical and emotional space. If, like me, you're a technical-minded person in the more general sense, this kind of approach is helpful because you have to engage both sides of your brain. I'm always challenged at Christine's lessons, and there has been great improvement in my voice from 7 months of lessons with her. I'm also having fun in this process, which is why I continue to come back!

I highly recommend Christine. Give it a shot; you won't regret it.
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Thomas M. February 16, 2018
· Singing · In home
She is incredibly talented. And truly understands how sound is created through voice. I highly recommend her to anyone. I am a beginner, by the way, with zero vocal experience. I'm looking forward to my next lesson!
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Christine P.

Christine P.

Alexandria, VA 22302
(16)
starting at
$55 / 45-min

About Sarah S.

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Alexandria, VA

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About Sarah
Flutist Sarah Shin is a vibrant performer, educator, and collaborator. She has performed in Symphony Hall in Boston, Carnegie Hall and Alice Tully Hall in New York City, John F. Kennedy Center in Washington D.C., Gewandhaus Theatre in Leipzig Germany, and in concert venues throughout Seoul, South Korea. She is currently finishing her Doctorate of Musical Arts at Rutgers University Mason Gross School of the Arts under the tutelage of Bart Feller.

Sarah has performed in festivals in France, Brazil, Mexico, and nation-wide within the United States. She has participated music festivals such as Round Top Festival Institute (TX), Brevard Music Center (NC), Colorado College Music Festival (CO), and Opera in the Ozarks (AR) as principal flute.

As an educator, Sarah gives private flute lessons and masterclasses to students of all levels cu
rrently residing in the Greater New York City Area. She has taught masterclasses and workshops in Washington, California, Pennsylvania, Virginia, Iowa, Utah, and New Jersey. She is currently on faculty at the Rutgers Mason Gross School of the Arts Extension Division as flute instructor and chamber music coach. During the 2016-2017 school year, she was on the Flute Faculty at the Center for Musical Excellence in New Vernon, NJ. She also served as the Director of Admissions.

Along with a substantial teaching and performing schedule, Sarah is an active chamber musician. She is a founding member of the Emissary Quartet, founded in 2009. In November 2016, the Emissary Quartet premiered a work by Annika Socolofsky, which was made possible by a grant from the Fromm Music Foundation. Emissary Quartet was quarterfinalists in the 2016 Fischoff Chamber Music Competition, and was the only flute quartet to have competed within the last seven years. They also performed at the National Flute Association's 44th Convention in San Diego, California. The Emissary Quartet won multiple grants from the Friends of Flutes Foundation, Inc. and from NewMusic USA.

Sarah received her Bachelor of Fine Arts in Flute Performance from Carnegie Mellon University School of Music, and her Masters in Flute Performance from Indiana University Jacobs School of Music, as a Barbara and David Jacobs Scholar. Her primary instructors include Jeanne Baxtresser, Bart Feller, Thomas Robertello, and Judy Grant.
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Reviews
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Felicia D. April 4, 2016
· Flute · In studio
I highly recommend Sarah. She has excellent skills for any teacher - she's encouraging, knowledgeable and patient. I'm an adult who played piano years ago and always wanted to play the flute but I was frustrated, squeaky, out of breath, and out of tune. With a few weeks of lessons I'm further along than I was trying to teach myself over years.
I had years of serious music study with critical music teachers who made me embarrassed about mistakes and dread my lessons. With Sarah, the learning is fun and I now look forward to every lesson.
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Felicia D. April 4, 2016
· Flute · In studio
I highly recommend Sarah. She has excellent skills for any teacher - she's encouraging, knowledgeable and patient. I'm an adult who played piano years ago and always wanted to play the flute but was frustrated, squeaky, out of breath, and out of tune. With a few weeks of lessons I'm further along than I was trying to teach myself over years.
I had years of serious music study with critical music teachers who made me embarrassed about mistakes and dread my lessons. With Sarah, the learning is fun and I now look forward to every lesson.
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Sarah S.

Sarah S.

Alexandria, VA 22314
(2)
starting at
$30 / 30-min
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About Brian G.

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Annandale, VA
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About Brian
As a performing musician and guitar teacher since 1993, I have taught thousands of students. I teach most styles of music but blues is my specialty. Most importantly, I believe that learning how to play guitar should be fun!

I believe in encouraging my students through exhibiting patience and an understanding of their individualized needs. I use my unique and effective teaching methods while teaching fundamental skills and techniques to meet diverse learning styles. I will have you playing your favorite songs in no time!

I studied music at the University of Maryland where I received my bachelors degree.
and with several renowned recording artists
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Reviews
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Samee June 23, 2018
· Acoustic Guitar · In studio
Great instructor who works with your schedule and your technique, excellent lesson plans!
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Val October 16, 2017
· Guitar · In studio
Brian was very professional, and the pace was friendly for beginners.
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Erick June 15, 2017
· Bass Guitar · In studio
Brian immediately knew how to adapt to my profile.... not too young, not too talented, not too available, and without any ambition about playing on stage or in a group. I've been learning bass guitar for one month and a half with him, starting at a beginner's level. Last week-end I was able to play a few songs more or less correctly with some friends at a party. Brian has the talent to keep the fun while teaching, and bringing appreciable progress in a very pleasant path.
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Brian G.

Brian G.

Annandale, VA 22003
(8)
starting at
$50 / 45-min

About Josh M.

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Falls Church, VA

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About Josh
My name is Josh and I love to play the guitar! I also enjoy teaching others and helping people find their passion through playing music I've been playing for 14 years, acoustic, electric, bass...you name it. I've been in a few bands (90s covers!) but find solo work to be my favorite setting. I have experience with teaching students of all ages (7 - 40). I tailor our lessons to my students specific goals and ability level. I have a unique approach by making music fun and ensuring my students are learning at their own pace. I offer instruction in how to play the guitar as well as reading and writing music and general music theory. Whatever your desire is just let me know and we will work together on acheiving your musical goals!

I am willing to travel to your location, meet at a park on a nice day, or book studio time (if requested) at a
local studio. I also will invite you into my home to practice, whatever works for you!

I'm looking forward to working with you!

Josh
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Josh M.

Josh M.

Falls Church, VA 22042
starting at
$50 / 30-min

About Sammie V.

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Alexandria, VA
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About Sammie
I graduated with a music degree in May of 2017 with a concentration in Piano Performance along with a teaching certificate. My lessons emphasize a well-rounded approach of including music theory, rhythmic development, repertoire building, sight-reading, performance opportunities, and ensemble preparation. Whether you want to play Elton John at your favorite Friday night bar or Chopin at your friend's wedding, my quality lessons will take you there.
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Sammie V.

Sammie V.

Alexandria, VA 22311
starting at
$34 / 30-min

About Bishoy M B.

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Washington, DC
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About Bishoy M
Music can change life
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Bishoy M B.

Bishoy M B.

Washington, DC 20002
starting at
$57 / 30-min

About Lauren A.

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Washington, DC

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About Lauren
I would love you be your voice teacher! Here's a little bit about me...

EDUCATION
Lauren received a Bachelor's of Music from the University of Wisconsin- Eau Claire where she studied with Dr. Mark Mowry. Lauren is a graduate of Peabody Conservatory. There, she studied with world-renowned mezzo-soprano Denyce Graves.

PERFORMANCE AND TEACHING EXPERIENCE
In April, Lauren was also a featured singer in Sonic Blossom by Lee Mingwei at the National Portrait Gallery in DC. The piece has been previously performed all over the world. Sonic Blossom is a powerful piece of performance artwork that utilizes the art songs of Franz Schubert to connect and perform to museum-goes on a one to one level.

This past season, Lauren was heard in the Quartet of Mark Adamo's Little Women with Annapolis Opera. In the 2016-2017 Season, Lauren performed selections
of The Red Queen from Jason Mulligan's Opera Through the Looking Glass at a New American Voices Concert hosted at Sam Houston State in Texas. In June, she planned and performed A Homecoming Recital with collaborative artist Rhonda Kwiecien in Waukesha, WI. She was seen in the chorus of South Pacific and Madame Butterfly with Annapolis Opera

In the 2014-2015 Season Lauren was seen as Dorothèe in Cendrillon, Julia Bertram(cover) in the U.S. Premiere of Mansfield Park, and Idamante in Peabody Opera Scenes. She was also seen Jennie in Street Scene and Dido in Opera Scenes. Lauren also represented Peabody for the Conservatory Project Concert at the Kennedy Center. There, she performed selections from Jake Heggie's Camille Claudel: Into the Fire with string quartet. This past summer she made her debut with Young Victorian Theatre Company as Leila in Gilbert and Sullivan's Iolanthe.

Lauren has been Teaching Voice and Piano lessons for 5 years.

TEACHING PHILOSOPHY AND APPROACH
"I love teaching all ages of singers 13 and older. I focus on developing a strong foundation of technique that can be applied to all genres of music. I also help students prepare for performances helping them to communicate their creativity and musicality."
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Lauren A.

Lauren A.

Washington, DC 20003
starting at
$67 / 30-min

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