San Quentin Music Lessons

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About Alexandra P.

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San Mateo, CA

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About Alexandra
Alexandra has been teaching harp and piano around the country for eighteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her students have also appeared on National television as well as playing for the Grammy Awards.

A strong supporter of the American Harp Society, she is Vice President of the American Harp Society Foundation. Alexandra is also co-chairman of
the distinguished Anne Adams Awards Harp Competition where she has been a main Director for fifteen years. She has served as the President of the Orange County Harp Society Chapter as well as a board member of the Bay Area Harp Society Chapter.

Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.

Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.

Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
 
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).

In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.

Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.

*** Lesson Details ***

As a HARP teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire: fun, orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before. 

I require all students make
at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don’t worry about
your pace. In the end, lessons are about you personally and not someone else.

As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.

*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources. 

*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.

PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
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Reviews
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George M. February 21, 2018
· Piano · In home
Alexandra has met all my expectations. She is very patient. I feel like we are moving along at a good pace. I had zero musical experience and after only 3 lessons can read basic sheet music and actually have music come out of the piano!! I am enjoying the whole process.
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Patricia F. January 23, 2018
· Piano · In studio
Great first lesson! Looking forward to next week.
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christina March 9, 2016
· Harp · Online
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
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Alexandra P.

Alexandra P.

San Mateo, CA 94404
(14)
starting at
$60 / 30-min

About Danielle L.

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Oakland, CA

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About Danielle
Hello Students / Parents!

I specialize in providing a fun, inspiring and safe space for each student to reach their goals - whether that be for the novice singer whose been wrongfully told they shouldn't sing, the more experienced singer looking to do more with their music, or the budding songwriter, actor or speaker looking to develop the talent and drive they feel within them.

I always remember the inspiration and patience I received from my best teachers, so I strive to provide exactly that to my own students. I sing and teach most vocal styles, with the exception of opera and screamo, and utilize my studio to create a supportive, empowering experience singing, speaking, writing and recording. I absolutely love teaching both children and adults and look forward to learning how to best support each one of my students in their indi
vidual path toward realizing their potential.

Here's a bit about my background and musical experience:

Bachelors of Fine Arts degree (Theatre/Voice) from United States International University Graduated Valedictorian
Chula Vista School of Creative and Performing Arts Graduated Valedictorian
Workshops and studying with Bill Doyle, Roy Mote, Andrew Barnicle, Jack Tygett, Leanne Summers, among others.

"After seeing Danielle, I was impressed with her intensity as a performer. Her ability to get behind a lyric was stunning, she lives every line. As an artistic performer, I've yet to see better."
-Tony Ferguson / Interscope Records: No Doubt, Bush, Fisher

My original band, Danielle and The Masses, has been recording and performing live since 2001. We are endorsed by Ani Difranco, The Black Eyed Peas, The Bruce Hornsby Band, and have shared the stage with artists as Jamie Foxx, CAKE, Metric, En Vogue, David Byrne, Berlin, Margaret Cho, Cyndi Lauper, Jonatha Brooke, Beth Hart, Semi Precious Weapons and more.

I have written and performed music and voice over for Ace Ventura, Nutty Professor, VH1, various TV shows and independent documentaries, Eveoke Dance Theatre, among others, as well as having recorded eight professional CDs of various styles on various record labels.

For over ten years, my record / production company, Say It Records has been producing socially conscious music events throughout San Diego and Southern California that promote independent music, film, art, community and human rights. I also co-own Durga Sound, a teaching and production studio, with producer Alicia Champion, as well as San Diego IndieFest, a powerful community event which promotes and supports music, film, art and civic engagement.

I have a great time utilizing my contacts in the industry to help my students get work/ press / entrance into the schools of their choice, etc. For example, I'm happy to report that just last year we were able to book eight musicians on GLEE, as well as lots more in other capacities including using their music in commercials and film and helping them get cast in local theatre and accepted into arts-centered schools.

*** Lesson Details ***
I start on the first lesson by becoming clear about what the new student's goals and desires are from there, we start developing technique to achieve those goals along with having fun right away doing what they came for - singing, writing, voice over, acting or using a combination of these things be it for professional purposes or personal fulfillment. Every lesson is personally customized to meet the specific goals of each student. As a teacher, I'm encouraging and fun, passionate and positive. While I'm definitely not "strict", I do appreciate focus and drive. However, I often work with people who have special needs and are working on developing those very things. I'm especially good at helping people through progress plateaus, roadblocks, stage fright, loss/ stress. Using music as a means of release and healing - for both kids and adults - is something I do a lot of and am very comfortable with.

As far as technique is concerned, I focus on utilizing posture, correct breathing and developing relaxed, strong support, so that the muscles are developed properly. We want the voice to develop without stress, enabling the student to constantly grow while steering clear of any injury that can happen as a result of straining, not to mention other habits that manifest when we sing without proper technique.

I strongly encourage students to record their lessons on a mobile device so they can practice easily on their own, and so they eventually have a record of how far they've grown.
We mostly use tracks to develop repertoire, prepare for auditioning and performances, and to have fun singing the music that excites each student the most.

*** Studio Equipment ***
Apple Mac Pro Quad Core running OS 10.8.3
Avid Pro Tools 10 HDX
Propellor Reason 4.0
UA 2-610 Microphone Pre-amp
UA LA-610 Microphone Pre-amp and Compressor
UA Teletronix LA2A Compressor/ Limiter
Behringer ADA 8000
more...

*** Specialties ***
Using music, writing and voice as a means of expressing yourself, growing as a performance artist, coping in challenging times, as well as a means of going professional and earning income are all areas I specialize in. Utilizing proper technique and learning how to sing / speak safely is also an area I focus on a great deal.

Learning precisely what each student wants is the key factor in my decision on how to achieve their goals. For example, using Speech Level Singing is definitely entrenched in my teaching, but I may not highlight it as much for those who want a more classical sound.

I excel with the following: first timers, very young kids, students working through stage fright, artists looking to develop their own original project, those seeking growth in their process of writing / recording / performing, those who are interested in using music and / or writing as therapy as well as with amateurs who've always wanted to do something musical but who think they are "too old" or too "untalented/short/tall/ fill in the blank" to try. I believe we all have something to say with our lives - finding the voice within you can be an incredibly powerful and transformative experience!
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Reviews
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Liam July 1, 2018
· Voice Acting · In studio
Danielle is such a versatile teacher that I almost feel like I have to write two glowing reviews about her. I began by taking singing lessons with her, but after a while I decided to try acting as well. This review might be slightly longer than the others, so the synopsis is: if you've ever wanted to do any singing, acting, voice acting, or any kind of performance really, talk to Danielle. You'll be glad you did.

I first met Danielle when I finally decided to try singing lessons to see what it was like. I'm so glad that Danielle is the teacher I decided to go with, she's an incredible voice coach and person. The improvements I made in such a short time with her and that I could see every lesson were so much more than I ever expected, and she's so supportive that I've ended up getting totally outside of my comfort zone without even realizing it.

Now for the second part: I decided I wanted to try acting, and since this is also something Danielle excels at doing and teaching in addition to singing, doing acting lessons with her was a no-brainer. Knowing me and my strengths, she suggested we start by trying out voice acting. I am in no way exaggerating when I say that I did one voice acting lesson with Danielle and was so encouraged by her, that I went out and got a paying job as a voice actor that same week. And Danielle helped me through every step of the process, and might have been the only person more excited about my success than I was!

Meeting Danielle and taking lessons with her has changed the entire career path I want to follow in ways I never imagined. I cannot recommend her enough! Even if you're just looking for some great singing lessons on the weekends and not a new life trajectory, you'll be glad you met Danielle :).
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Russell H. April 26, 2018
· Singing · In studio
She is efficient, precise, and fun! Learning a ton!
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Aidan A. January 8, 2018
· Acting · In home
Danielle is very knowledgeable and my kids enjoyed their sessions with her.
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Danielle L.

Danielle L.

Oakland, CA 94611
(36)
starting at
$55 / 30-min

About Joseph C.

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San Francisco, CA

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About Joseph
I am a graduate of the University of Miami Studio Music & Jazz school with over 20 years of professional experience. I have toured internationally and have played in many diverse musical arenas. The past 16 years of my music career have been spent in the Bay area playing professionally and teaching privately.

My specialties are in jazz improvisation and music theory. My students range in age from 4 to 60, most being between the ages of 9 and 16. Many of my students attend the Urban School and School of the Arts here in San Francisco. Most of my students are at the top of their class in band and music theory studies and have made the San Francisco All-City Orchestra.

Specific credentials and references are available upon request. All levels welcome, serious students only.
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Vincent March 6, 2018
· Saxophone · In home
My son got his first saxophone lessons and loved it. He is very excited to learn with Joseph!
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Eric December 20, 2017
· Saxophone · In studio
10/10
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Robert G. July 6, 2017
· Saxophone · In studio
Very friendly, pragmatic, and musical. Accurately assesses where I am and teaches accordingly.
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Joseph C.

Joseph C.

San Francisco, CA 94121
(15)
starting at
$25 / 30-min

About John F.

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San Francisco, CA
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About John
I play a wide variety of musical styles on drums and percussion and have a long history of performance art in live bands, theater and orchestra. I teach drum set, symphonic and marching percussion, electronics in drumming (sampling, loops, midi etc), and general rhythm lessons for beginners. I also enjoy helping students prepare for auditions, studio recording sessions, and live performance opportunities. There's alot to know about what to do and what not to do in these situations, especially if you want to look like a pro and have a positive experience.

I studied percussion performance at Washington State University while developing my set playing and enjoying my employment with the Washington Idaho Symphony as a classical percussionist. I play in rock, funk, pop, metal, EDM, hip-hop, industrial, honky-tonk, and jazz outfits with mult
iple appearances at SXSW, Sundance Film Festival, TieCon, and various festivals throughout the US.
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Reviews
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Max G. December 4, 2017
· Drum · In home
Lucky to have him teaching my 9 year old.
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Anna November 16, 2016
· Drum · In studio
John is a fantastic teacher! I started with no experience at all and now after my fourth lesson I already feel comfortable with my grip, a metronome, sheet music, single stroke rolls, double stroke rolls, and several rock beats. Currently, I’m learning sixteenth note drum fills. He is patient, enthusiastic, fun, and extremely talented. I highly recommend him as a drum teacher (beginner or experienced). You will not regret it!
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John F.

John F.

San Francisco, CA 94102
(2)
starting at
$35 / 30-min

About Olga C.

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San Mateo, CA

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About Olga
Latest news:
You can see me performing with Opera San Jose in Classical Series in the Park in Redwood City on July 22/2018

Three of my students passed Certificate of Merit with honors this spring , one of them was chosen to sing at convention in LA this Summer.

*****
Described by critics as "flawless in her singing" (Cultural World Bilingual ), "natural singer with beautiful colors...sings wonderfully, communicating the excesses of passion and emotion, the quick contrasts of mood , with grace and conviction" (San Jose Mercury News); possessing “a pure, strong soprano with phrasing of sumptuous elegance” (San Francisco Chronicle), " dazzling high notes are piercing without being ugly" (San Francisco Classical Voice), "beauty of her voice is outstanding...it has power to set the theater ringing, but it also has a wealth of color...
Her stage presence...is magnetic" (Peninsula Reviews), "Her mezzo tones...evoked memories of Maria Callas' spell-binding rendition" (San Jose Mercury News),
Olga was announced the Best Leading Female Singer in North East in season 2006-2007 by Opera Online.
A native of Russia, she appeared on the stages of the Bolshoi Opera (Maria in Mazeppa, Prilepa in Pique Dame, Brigitta in Iolanta, Anne Trulove in The Rake’s Progress, Musetta in La Boheme, to name a few), Kazan Opera Theater (Mimi in La Boheme), Stanislavsky Opera Theater (Micaela in Carmen), and Malmo Opera Theater in Sweden (Musetta) before emigrating to the U.S.A., where she appeared with Hawaii Opera Teater as Mimi in La Boheme, San Francisco Lyric Opera in title role of Aida, West Bay Opera and DiCapo Opera in New York in the title role of Manon Lescaut, Opera San Jose and Illinois Opera Theater as Tosca, and with Cedar Rapids Opera, Gold Coast Opera,Golden Gate Opera and Opera North as Cio-Cio-San in Madama Butterfly, with San Francisco Opera Merola Program and Tampa Opera as Musetta in La Boheme. In autumn of 2009 she appeared in Cairo as Tosca and, in spring of 2010 debuted it Italy at the Teatro Massimo in Palermo as Carlotta in Schreker’s Die Gezeichneten, where she returned following summer in the title role of Aida. From 2006 till 2010 Olga performed with touring company Teatro Lirico d’Europa all over United States in multiple performances of Madama Butterfly, Tosca, Aida, Carmen,La Boheme, Turandot, Le Nozze di Figaro, I Pagliacci, Cavalleria Rusticana. Olga appeared in title roles with local opera companies like Opera San Jose (Tosca),;; West Bay Opera (Manon Lescaut, La Forza del Destino), Livermore Opera (I Pagliacci), Martinez Opera (Madama Butterfly), Golden Gate Opera (Madama Butterfly, Suor Angelica, I Pagliacci, Cavalleria Rusticana), San Francisco Opera Company (Aida)
Olga appeared with Orchestra Sinfonica Romana at the concert stage of Santa Cecilia in Rome and Washington Center for the Performing Arts in Verdi Requiem, Quatar with Gala concerts, Opera Santa Barbara in an evening of music by Giocomo Puccini, DiCapo Opera (Rachmaninoff’s Francesca da Rimini), in Russia at the Nizhny Novgorod Concert Hall for Bach’s Mass in B-minor, at the Grand Hall of the Moscow State Conservatory for Mahler’s Sympony No. 4 and for Orff’s Carmina Burana, Moscow’s Cathedral Catholic Church for Bach’s Easter Oratorio, as a featured soloist for both the Notti Musicali Modenesi Festival and Costa Rica’s XIII Festival de Musica Credomatic; and as a featured soloist for the political-cultural event entitled “Days of Russian Culture in Bulgaria, jointly sponsored by the Russian and Bulgarian Ministries of Culture and attended by the presidents of both countries.
In 2002 Olga participated in San Francisco Opera Center Merola Opera Program for young singers and sang Musetta with Western Opera on tour.

Currently Olga devotes herself to voice teaching and performs locally."
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Reviews
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Tejashree June 6, 2018
· Classical Voice · In home
Olga is very passionate, patient and persistent voice teacher who strives to bring the best in her students. My daughters 10 and 12 started taking lessons with Olga an year ago. We saw phenomenal difference in both of their singing abilities in just few classes. Moreover my 10 year old daughter passed with flying colors ‘The certificate of merit -level 3’ exam and got selected to sing at the MTAC convention. Thank you Olga for your persistence and hats off to your patience. If there is tiny bit of constructive feedback it would be to seek help on organization skills, but being a mom myself I totally can discount that for your caliber of music.
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Yachen August 29, 2017
· Singing · In home
The lesson was very helpful! I look forward to more!
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Jim F. May 27, 2017
· Singing · In studio
Too early to tell how it will go.
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Olga C.

Olga C.

San Mateo, CA 94401
(17)
starting at
$40 / 30-min
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About Jorge M.

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San Francisco, CA

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About Jorge
Hi there! I'm Jorge Maresch, a bay area freelance cellist and music coach. My specialty is in chamber music; an intimate setting of musicians. I earned my BM and MM from the San Francisco Conservatory of Music, have been teaching the art of cello for people from all walks of life for over 10 years.
I can't wait to teach you the wonders of learning and playing music. My teaching methods are always modified for the individual's body, and I encourage self exploration of the body and mind to achieve musical goals. Through self love of the body, we find and acknowledge the limits, and then find ways to overcome technique. Learning music has a different meaning for everyone, and I aspire to guide you in your journey. For the younger students, my fundamental purposes are to guide them on 'how to learn, by observing the present' and guide them w
ith their reasoning process for better practice (not only applied to cello).

I currently have both in-home lessons (+ a travel fee) and studio openings at the Syntonique Studios in SOMA. I offer 45 and 60 minute lessons to students of all ages. I offer scholarships for exceptional students and those that are in need as well.

Before lessons begin, a short interview process is required to take note of the student's musical background and goals / as well as the parents' needs. Please do not hesitate to reach out for any questions! Thank you, I cannot wait to work with you!
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Jorge M.

Jorge M.

San Francisco, CA 94103
starting at
$60 / 45-min

About Brian A.

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San Mateo, CA
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About Brian
I've been performing and teaching professionally since 1990. I teach private lessons, after-school programs, clinics and lectures. I am a contributing writer to DRUM! Magazine with my Afro-Caribbean Practice Pad articles and create corresponding videos for their on-line presence. I have also contributed a Master Class article for Downbeat Magazine. I'm currently an endorser for the Bosphorus Cymbal Company and a Regional Artist Endorser for the Sakae Drum Company.
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Brian A.

Brian A.

San Mateo, CA 94402
starting at
$59 / 30-min

About Michael W.

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Emeryville, CA

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About Michael
I am a professional guitarist and music educator located in the bay area. I have studied music at the college level both classical guitar during undergrad. and jazz studies as a graduate student at Northern Illinois University. I enjoy my connection to the educational side of music as well as the performance side. As a performer I have played many of the historic venues the bay area has to offer such as, The Great American Music Hall, Fox theater, The Independent, The New Parish, The Chapel, Elbo Room, Slim's Boom Boom Room, Fillmore Jazz festival, The UC Theatre, Sweetwater Music Hall, Ashkenaz and the Rickshaw Stop.
I have had the pleasure of opening for such legends as George Clinton, Bernie Worrell and Leo Nocentelli. Last summer I performed and toured with grammy winning artist Jody Watley. In addition to musical freelan
cing I am a member of 12 piece Oakland based band Strike Iron which features high-energy grooves, hypnotic percussion, and heavy horns wrapped into socially charged dance music. You can also catch me playing with bay area funk powerhouse Kuckaw!. My commitment to musical versatility has allowed for diverse musical opportunities in a variety of styles from gospel music in churches, to funk & jazz at local clubs, summer festivals throughout California, and corporate/wedding gigs throughout the greater bay area.
It has been my privilege to teach guitar over the last twenty years to students of all ages in multiple cities. I take great care in getting to know each student's motivations and goals and then together we set sail for the musical journey. I thoroughly enjoy students that are open to the learning process and that are excited and curious about understanding the mysteries of music. I always aim to create an environment that supports both discipline and fun. Some of the topics to be expected in lessons with me are the following:
Chord knowledge, learning songs, music theory, chord/scale theory, improvisation, composition, note reading/sight reading studies and fun!
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Michael W.

Michael W.

Emeryville, CA 94608
starting at
$109 / 45-min

About Sin-Tung C.

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San Francisco, CA
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About Sin-Tung
SIN-TUNG CHIU

Sin-Tung Chiu won prizes in violin and chamber music in Hong Kong at the age of 12 as a student of Chung-On Chan. He later studied with Denes Zsigmondy and Anneliese Nissen in Ammerland, Germany. Sin-Tung Chiu is an alumnus of Dartmouth College, The Juilliard School, Teachers College of Columbia University, Meadowmount Summer School of Music and the Aspen Music Festival. At The Juilliard School, he studied violin with Dorothy DeLay and privately with Ivan Galamian, as well as chamber music with Felix Galimir and members of the Juilliard String Quartet (Robert Mann and Claus Adam). Subsequently, he performed in master classes under the tutelage of Nathan Milstein at The Juilliard School and Ruggiero Ricci in Victoria, Canada.

As a Founding violinist of the Orpheus Chamber Orchestra in New York City, Sin-Tung Chiu performed
in its concerts at Carnegie Hall and Lincoln Center, and participated in its tours to Europe, India, Israel, North and South America, and Puerto Rico, which included two U.S. State Department sponsorships.

He was Artist-in-Residence at Bay View Summer Conservatory and Music Festival (Michigan); Assistant Professor of Violin at the University of Tennessee at Chattanooga; Visiting Associate Professor of Violin at Texas Christian University in Fort Worth, Co-Concertmaster of the Fort Worth Symphony Orchestra and Concertmaster of its Chamber Orchestra, Music Consultant of the documentary film of the 1977 Van Cliburn Quadrennial International Piano Competition; and Associate Concertmaster of the Round Top Festival Orchestra (Texas). At that time, Sin-Tung Chiu frequently appeared in sonata recitals and faculty chamber music concerts, in addition to live broadcasts on regional public radio and television.

Sin-Tung Chiu became an American citizen in New York in 1984 and established his home in San Francisco in 1988.

In San Francisco, Sin-Tung Chiu teaches privately and is on the violin faculty of Community Music Center (CMC) since 1988, serving on the CMC Faculty Council (2007 to 2010) and (2012-2015); Chinese American International School (1997-2015); Music City Academy (2008-2017); in Hillsborough, California, on the violin faculty of The Nueva School as a Menuhin violin instructor since 1991, serving also as Director of the Nueva String Ensemble since 2005.

From 2005 to 2008, Sin-Tung Chiu was a member of the Board of Directors of the Del Sol Performing Arts Organization that oversees the career of the San-Francisco-based
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Sin-Tung C.

Sin-Tung C.

San Francisco, CA 94132
starting at
$84 / 30-min

About Brent E.

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San Francisco, CA
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About Brent
I'm a professional pianist and drummer based in the bay area. As a teacher, I have experience working with people as young as 4 and as old as 70. I have been teaching for over a decade, and I find great joy in helping students progress and develop a love for music. As a performer, I am active in 4 bands and enjoy playing a variety of musical styles.

My musical mission is to teach others to become the musician they were born to be. When you study with me, you will make progress very quickly.
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Reviews
Silhouette-80
Maggie July 12, 2018
· Piano · In home
Your child will love Brent. His enthusiasm in music will truly be a great influence. Exciting lesson, pick and motivate your child's interested and they don't get bored. Highly recommend.
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Brent E.

Brent E.

San Francisco, CA 94130
(1)
starting at
$50 / 30-min

Recent Music Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music articles on our blog.

Guitar Basics: Why is Technique Important?

Guitar Basics: Why is Technique Important?

New to the guitar? Getting the basics down - including proper positioning and guitar technique - is important from the very start. Here, Lowell, IN teacher Blake C. explains...    Over the years, many experienced guitarists have arrived at my studio doorstep asking for help to improve their playing. These guitarists didn’t understand why they were struggling, and merely thought they were stuck in some sort of a slump. However, the slump that these guitarists suffered was not cause … Read More

Guitar Basics: Why is Technique Important?
New to the guitar? Getting the basics down - including proper positioning and guitar technique - is important from the very start. Here, Lowell, IN teacher Blake C. explains...    Over the years, many experienced guitarists have arrived at my studio doorstep asking for help to improve their playing. These guitarists didn’t understand why they were struggling, and merely thought they were stuck in some sort of a slump. However, the slump that these guitarists suffered was not cause
13 Easy Violin Duets Featuring Various Instruments
One of the best things about playing an instrument is getting to play with other musicians. Below, violin teacher Naomi Cherie S. shares some fun and easy violin duets you can play with your musical friends... Looking for some fun violin duets to perform with your fellow musicians? Below are some violin duets for various levels, instrument pairings, and tastes. Before you get started, let's go over some important tips for playing violin duets. Important Tips for Playing Violin Duets Whe
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How to Play Ukulele: 5 Easy Ukulele Songs
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How Much Do You Know About How Your Voice Works?
Here on the TakeLessons Blog, we talk a lot about singing tips and tricks for making your voice shine. And as you're learning how to sing -- especially if you're working with a voice teacher -- you've probably already learned how things like posture and breathing can affect your voice. But how much do you actually know about how your instrument works? Understanding how your voice works is a big key to singing well, yet many vocalists never take the time to study it. We recently connect

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