Mountlake Terrace Music Lessons

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About Teri H.

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Renton, WA

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About Teri
I'm a professional composer, teacher, and pianist - and I like to keep active doing all three throughout my community. On July 31, 2013 TakeLessons featured me on Seattle King 5's morning TV news program - I taught a miniature lesson and discussed the impact of piano lessons on the brain. My piano and composition lessons are very in-depth, but also very flexible. Because of my thorough knowledge and experience with music, I can teach all ages, skill levels, and an array of important subjects - including piano, ear-training, music theory, improvisation, composition, creativity, music history, ethnomusicology, and percussion. I cater to each student's interests as well as incorporate many of these subjects into my piano lessons so that every student gains a thorough understanding of music and becomes a well-rounded musician.

I started ta
king Suzuki piano lessons when I was 5 and quickly fell in love with the piano. Since the Suzuki method incorporates such thorough ear-training and the ability to play without sheet music, I quickly began to explore my creative side and was improvising on the piano by age 7. Naturally, this led to composition! Music was flowing through me, and I was able to both improvise and compose my inspirations on the piano. I entered and placed in the Reflections state composition contest each year. Throughout my youth, I was also very involved with the band (played trumpet), dance, drama and attended many symphonies, ballets, plays and operas - giving me a well-rounded artistic upbringing.

I pursued my passion and earned a Bachelor's degree in music composition from Mills College, followed by a Master's degree in music composition from the renowned California Institute of the Arts. My thorough education has taught me to compose for any instrument or ensemble as well as compose for film, dance, and theater. It has also taught me to understand the piano in-depth, along with theory and ear-training. Since graduating in 2006, I have scored several films, received commissions to compose for ensembles and musicians, and taught both composition and piano lessons. I also created an ensemble named SIRËoNa that I composed for, managed, and performed piano, percussion, and indigenous flutes in, and I was interviewed and featured on NPR along with local radio stations and newspapers. I have produced two CD's. Most recently, I composed a score for a silent film, premiering live with the Seattle Jazz Ensemble as part of the moisture festival in Seattle.

Do you want to learn to sit at any piano and simply play what you feel? Or turn that tune running through your head into a song that you or others can perform? Or to master every detail of a piece of music so that you can express it exactly as the composer intended? I can teach you! I encourage all ages and backgrounds to explore their creative musical passions and discover the endless possibilities of piano performance and music composition!

*** Lesson Details ***
When teaching piano, I take a similar approach to the Suzuki method. But instead of teaching from the Suzuki books, I teach my own composed exercises and pieces that I believe are more fun and accessible to today's student of any age! I create MP3 recordings of each exercise and have students listen to and memorize the exercises in their own time.This is a very important aspect of my lessons that thoroughly develops the ear - giving the student the ability to play the exercise from memory and to deeply understand the connection between their actions and the resulting sound.

I develop my exercises to progress each student through an increasing degree of technique difficulty and musical parameters - such as rhythm, melody, chords, harmony, key and range. Beginning exercises will isolate a specific musical parameter to bring thorough understanding of its possibilities, while advanced exercises and pieces will work on coordinating multiple parameters and techniques at the same time. Within 6 months, a beginner piano student will have tackled and perfected simple yet fun exercises that incorporate each major musical parameter, as well as develop correct posture and finger technique, and have developed some ear training and basic music theory skills. I also have my students do creative exercises, which develop more thorough ear training and the ability to eventually improvise and compose on the piano. More advanced piano students will perfect their ability to interpret and express each piece of music that they play and will receive thorough ear training, music theory lessons, and develop their creative abilities through piano improvisation and composition. Once they have tackled the fundamentals, intermediate and advanced piano students will learn the classics as well.

Along with piano lessons, I'm also highly qualified to teach music composition - including beginning to advanced composition, music theory, composing for any instrument or ensemble, Sibelius computer notation program, film scoring, and orchestration.

*** Studio Equipment ***
Private room, desk, professional digital piano - 88 keys fully weighted, piano bench. 2 professional cameras and iMac computer for online lessons. Percussion instruments for young students. Sibelius for composition students... Parents can sit in.

*** Travel Equipment ***
I expect students to have their own piano or keyboard when having a lesson in their home.

*** Specialties ***
Piano, Composition, Suzuki method, Classical, Contemporary, Ear Training, Memory Training, Piano Improvisation, Music Theory, Piano Ergonomics, In-depth Holistic Approach, Music History, Rhythm and Percussion. Success in teaching ages 3 and up, all backgrounds and ages.
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Reviews
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yigong L. April 29, 2017
· Classical Piano · In studio
Terri is very nice with my boys, especially patient with my younger son Jon who has just learnt Piano for about half-one year. Terri taught the intro music theory, how to train ears and finger skills, which Jon really enjoys. And Terri kindly email us music sheet and practice recordings after every lession, which are very helpful for kids to practice. Although we have to change schedule, we miss her!
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Megan W. March 23, 2017
· Piano · In studio
My daughter had her first session yeaterday with Teri and came home very impressed and wanted to practice right away.
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Tam Pham January 7, 2016
· Piano · In studio
She is agreat teacher. I learnt a lot within one day. Her teaching way is easy to remember and learn.
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Teri H.

Teri H.

Renton, WA 98059
(8)
starting at
$35 / 30-min

About Ben G.

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Kenmore, WA

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About Ben
I have been teaching French Horn, piano and composition privately for about nine years, mainly in Snohomish and King counties. I have also coached horn players in local school bands during this time, as well as helping students with learning disabilities. There are many difficulties that students encounter when studying music, and I want to help you turn weaknesses into strengths, and help you find out where your greatest strengths (and interests) lie in music. I'll work with you to help you understand your own musical desires and goals, so that you can get the most out of your lessons. I am committed to understanding each of my students, and to sharing my love of music with each one of them. I teach French Horn, piano, music theory and composition as well as songwriting. Currently, I teach in the South Snohomish County and North Ki
ng County areas.

I was eight years old when I started taking piano lessons in Tacoma, WA. When I was 12, I discovered that I had perfect pitch while playing church hymns with my dad. This ability has served me well on a number of occasions. I discontinued formal piano lessons when I started college, but I continued to play piano on a nearly daily basis from that point on, keeping my technical skills at a very advanced level. I played trumpet in school bands starting in the 5th grade, and switched to French Horn in the 8th grade. The appeal of the horn may have had something to do with its rich, warm sound, its intricacy and complexity, and the demands that it placed on me to play with a high degree of pitch accuracy. I loved the challenge of playing accurately on the horn then, and I still do. As a horn student, I have studied with Jacqueline Shannon, Kathy Farner, Kathy Colton, Lawrence Lowe, Elizabeth Ward, Jeff Snedeker, Rodger Burnett and Stacie Eliason. As a horn performer, I have played with community and regional professional orchestras in the Seattle area, Central Washington, Olympia, in the Tacoma Youth Symphony, and in numerous ensembles in college.

I have studied music at Tacoma Community College, Brigham Young University and Central Washington University. I received Bachelor of Arts in Music at Central Washington University. I plan on attending graduate school in the future, focusing on music composition and film composition, as well as French Horn and piano performance.

As a music composer, I have written works for many different ensembles, choral works, solo piano pieces, and works for solo instruments. I am drawn to rich harmonies and beautiful melodies, as well as interesting timbres and musical variety, in my own music and that of the music I listen to. I am easily able to visualize music in color, and I have a thorough understanding of how the elements of music combine together to affect emotions in listeners. This is one of the reasons that I am currently pursuing film and media composition.

As a student, teacher, performer and music composer, I know that there are countless musical topics that students are curious about. I feel that students should feel free to ask any question in the field of music, even if it may seem like a "dumb" question. I value the sincerity and passion for good music that so many students have. I will help you acquire the knowledge and skills that you need, so that you can see more clearly your own musical goals. Previous and current students I have, each have made improvements in their own playing and knowledge of music, some of whom have made vast improvements in their playing and knowledge of music.

As I have taught music privately for a little while now, and can reasonably compare how I teach with other instructors that I know well, I can say with certainty that there are at least a few areas of my teaching that are somewhat unique and highly beneficial for certain students, if not most students. I value ear training and using flashcards with beginner students quite a bit, and am fond of teaching not only the "nuts and bolts" of music, but also, how music "works", such that a student of mine can write their own music if they have the desire to do so. I also try to assign a wide variety of music for each student (which differs according to each student's musical interests, abilities, and areas of their playing that need to be improved), especially as they improve and approach the intermediate levels of playing. There are many reasons I do this, but for the student, it is very important that they do not feel particularly "bored" with the music they are playing. I also have found that students who have a more sensitive nature tend to be more comfortable with the way I teach, as I reserve higher, stricter expectations for more advanced, older students. I also try to always be as patient, kind, and considerate with every student as I can be. Lastly, I highly encourage questions and feedback at any time during a lesson, and I try to create an atmosphere where the student feels comfortable to do so.

I accept students from five years old on up, but I prefer horn students to be at least ten years old before starting lessons, unless they have noticeably greater abilities to focus for a certain period of time than other children their age.

Employment and Musical Experience:

Transcription Work for David Templeton, Composer, 2010

Private Composition Instructor, January 2009-Present

Private Horn Instructor, January 2009-Present

Private Piano Instructor, Fall 2006-Spring 2007, January 2009-Present

Summer Camp Counselor: Lutheran Summer Music, Summer 2006

Principal Horn: Ensign Symphony Orchestra, December 2014

Fourth Horn: Olympia Symphony, September 2012

Third Horn: Mid-Columbia Symphony, February-May 2007

Second Horn: Washington East Opera, Barber of Seville, January 2006

Substitute Third Horn: Yakima Symphony, Winter 2006

Third/Fourth Horn: Wenatchee Symphony, Fall 2005

Substitute Horn: Leavenworth Summer Music Theater: Summer 2005

1st Horn: Shoreline Community Church, Christmas 2004

Principal Horn: Central Washington University Symphony, Chamber Orchestras

Principal Horn: Central Washington University Wind Ensemble

Finalist, Northwest Horn Workshop Mock Auditions, March 2005

Education:

Graduate, Pacific Northwest Film Scoring Program

Post-Baccalaureate Music Education Courses: Central Washington University, 2006-2007

Bachelor of Arts in Music: Central Washington University, Summer 2006

Associate of Arts and Sciences: Tacoma Community College, Fall 2002

Other:

Eagle Scout

Served 2 Year Mission for The Church of Jesus Christ of Latter-Day Saints

Music Composer/Arranger

*** Lesson Details ***
I have always wanted people I interact with to be, as a general rule, comfortable and relaxed in any setting. This certainly applies to the students I teach. However, students can expect that musical improvement will only occur through daily practice and constant effort. That being said, I am more interested in helping students overcome any difficulties in this area through reviewing their own practice habits and motivations, rather than using harsh discipline. It is crucial that students see the connection between their own practicing and musical improvement. Once this occurs, they can take more responsibility for their own progress with that added awareness.

The material chosen for each student will vary considerably, depending on their current knowledge, experience and ability level, innate abilities, musical tastes and priorities. The progress that is made will, to a large extent, be determined by the student's practice habits and natural ability. However, over the course of a few months or so, students should see noticeable improvement in their own musical abilities, if they practice and pay attention during lessons.

*** Studio Equipment ***
Piano, music stand, computer/printer, metronome

*** Travel Equipment ***
-French Horn: pencil, mute, tuner/metronome, maintenance/cleaning supplies, some books depending on if it is a first lesson, etc. I bring my own horn, and expect the student to have their horn. I also expect them to have a music journal to use as a reference for practicing and keeping track of their progress. Occasionally, I will employ a recording device for the purpose of assessing personal teaching effectiveness, or for the student to evaluate their progress/record their practicing.
-Piano: Metronome, pencil, some books if it is a first lesson, music journal, possibly a recording device from time to time.
-Music Theory/Composition: Music paper, pencil, music journal.

*** Specialties ***
Regarding method of instruction/teaching style, I am student oriented, and tend to adapt to each student's personality and learning style. I tend to teach more in the classical genres, with some pop/film music thrown in for variety (from time to time). I prefer using the Bastian, Alfred, and/or John Thompson piano methods, and Pottag-Hovey, Maxime-Alphonse books, etc. for French Horn.
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Reviews
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Tam October 10, 2017
· Piano · In home
Ben is a wonderful teacher! He is very dedicated and patient. My kids play piano greatly improved since they started with Ben.
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Lynn September 14, 2017
· Piano · In home
Ben is great if you want your child to love piano. He is a fun teacher and was very patient with my son, who was a bit turned off from music due to prior experiences. He actually wrote songs for my son to play since he needed more time at the beginner level. He was great when my son was nervous at recitals and festivals and had strategies to help him deal with nerves.
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Ryan /. September 14, 2017
· Piano · In home
Not good for beginners. Ben is knowledgeable, however.
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Ben G.

Ben G.

Kenmore, WA 98028
(15)
starting at
$35 / 30-min

About Evan W.

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Seattle, WA
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About Evan
I love playing drums, and I love teaching others how to play drums. As a recent graduate from the University of Washington's acclaimed jazz program as well as an alumnus of the prestigious Roosevelt High School Jazz Band, I am a professional drummer and teacher with an extensive and unique set of experiences. Since middle school, I have been lucky enough to perform and tour all over the US and Europe, playing everything from house shows to esteemed competitions and festivals. In addition to being a member of several active local projects, I have performed with the Seattle Symphony; UW faculty members Bill Frisell, Cuong Vu, Luke Bergman, Ted Poor, and Marc Seales; several Cornish faculty members including Jim Knapp, Jovino Santos Neto, and Wayne Horvitz; and celebrated NYC-based players Wynton Marsalis, Tim Berne, Ralph Alessi, and Andrew
D'Angelo. Aside from that, I am a co-founder of Table & Chairs, a new Seattle-based record label, as well as a co-founder of the Racer Sessions, a weekly forum and performance outlet for new and improvised music.

I began teaching in 2008, shortly after beginning my studies at the University of Washington. My private students have ranged from total beginners to advanced, each one presenting a unique set of interests and abilities to work with. In addition to teaching my own students, I have much experience as a substitute percussion teacher at Northshore Junior High School (Kingsgate, WA) and Spotlight Studios (Woodinville, WA). I have also presented many clinics and workshops at local schools including Garfield High School, Edmonds-Woodway High School, Ballard High School, Eckstein Middle School, and Holy Names Academy, as well as for Seattle JazzED. For these, the topics covered have ranged from free improvisation to straight-ahead and big band jazz.

*** Lesson Details ***
For beginning players, I like to start with the books "A Fresh Approach to the Snare Drum" and "A Fresh Approach to the Drum Set," both by Mark Wessels. These books do a great job of laying down the fundamentals that all drummers should learn at the outset of their education. Beyond that, what I teach depends largely on any specific path(s) the student may wish to pursue, though of course it is totally fine if the student doesn't immediately know what they would like to study beyond the basics. In that case, I would do my best to construct a rough curriculum that I think would work well for the student. The following books are all ones I have worked with and have found to be excellent at improving unique things: "Syncopation" (Ted Reed), "Stick Control" (G.L. Stone), "The Drummer's Complete Vocabulary As Taught By Alan Dawson" (John Ramsay), "Patterns" (Gary Chaffee), and "Portraits in Rhythm" (Anthony Cirone).

I prefer lessons to be focused on a curriculum, however customized it may be, as I have found that approach to be the most efficient, especially with younger players. While I believe that it is very important to learn the fundamentals of drumming, I also believe that some of the most rewarding experiences a student can have may be achieved through realizing their own unique creative potential. Thus, I find it great to set the curriculum aside for part of the lesson, either to allow the student some time to show me what else they've been working on, listening to, watching, thinking about, or perhaps to just jam and have fun. I also expect students to make progress on their own between lessons, though I understand fully from my teaching experience that the amount of progress I can expect is different for each student.

*** Studio Equipment ***
Two full drum kits

*** Travel Equipment ***
Sticks, practice pad, books

*** Specialties ***
Jazz, rock, pop, many Latin and African styles, free improvisation
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Reviews
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Phoenix M. February 1, 2016
· Drum · In home
Evan has knowledge, is friendly and my son has been enjoying his lessons.
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Tino H. January 24, 2016
· Drum · In studio
I gave these lessons to my husband as a gift and he really enjoyed meeting Evan and is looking forward to learning more from him.
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Hunter A. January 20, 2016
· Drum · In studio
Hunter loves his teacher, we are very happy with him. He is good at teaching the fundamentals of music theory, like notation and scales but also keeps it relevant and fun. He asks Hunter what type of music he's into so that it isn't a chore to practice- it is pretty cool that a 10 year old is playing The White Stripes!
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Evan W.

Evan W.

Seattle, WA 98125
(9)
starting at
$30 / 30-min

About Jonathan G.

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Seattle, WA
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About Jonathan
I have nearly thirty years of experience working with students of all ages, both in private and group settings. I have also taught in Latin America - in Spanish.
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Jordan July 14, 2017
· Violin · In home
Jordan really enjoyed his first lesson. Jonathan validated for him that the daily work he is putting in is helpful and gave him small steps to go forward with.
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Catalina March 4, 2017
· Violin · In home
Great first lesson! Friendly, and very easy to follow. Looking forward to our next lesson.
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Chad T. January 20, 2016
· Violin · In studio
Jonathan has a demonstrable amount of knowledge about the violin including different playing styles, music theory, and its practical application. His approach is incremental and measured that adapts to my specific strengths and weaknesses intermixed with an appropriate amount of patience. He is also very personable. I always look forward to our lessons together.
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Jonathan G.

Jonathan G.

Seattle, WA 98105
(4)
starting at
$40 / 30-min

About Linnea W.

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Everett, WA

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About Linnea
I am a free-lance oboist, reed-maker, and music teacher in the Seattle area. My teaching studio is currently based in Everett. I have eight years of teaching experience and love working with students of all ages. My primary instrument is oboe, but I also have a passion for teaching beginning violin (the instrument which I started on). I have a Master of Music Performance degree from Arizona State University in oboe performance and a Bachelor’s degree in Music Performance from Whitworth University in both oboe and violin.
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kaylee H. May 11, 2016
· Violin · In home
It's was was great, my daughter love it, keep it up ... 👌 ... !
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Linnea W.

Linnea W.

Everett, WA 98204
(1)
starting at
$25 / 30-min
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About Luke H.

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Seattle, WA
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About Luke
Luke Hagerman is a bassist, composer and educator hailing from Northeast Ohio who now resides in Seattle, Washington. Luke's musical identity is deeply rooted in jazz tradition as well pop, funk, rock, Latin, world, and R&B. As a student of music, Luke has developed a highly accessible and thorough method of teaching that ensures success in each student. Great attention is paid to each student's individual abilities and interests, nurturing the specifics while also equipping students with skills applicable to all musical situations.
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Reviews
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Mitch October 31, 2016
· Music Performance · In studio
Luke knows what's up man. Super smart and makes learning jazz easy peasy.
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James October 31, 2016
· Music Theory · In home
Thanks for the lessons, Luke!
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Eric September 30, 2016
· Upright Bass · Online
Luke is very cool and knows a lot about jazz. I used to only play in orchestra but now I play in jazz ensemble too and if there's a bass solo I don't get as nervous.
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Luke H.

Luke H.

Seattle, WA 98122
(8)
starting at
$35 / 30-min

About Michael A.

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Seattle, WA
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About Michael
I earned a BFA in Musical Theater and a minor in Music, as well as a post-baccalaureate certificate in Speech & Hearing Sciences, where I studied vocal physiology and function. I have been coaching my peers since 2011 and began working with private students shortly after.

I use vocal techniques and didactic methods that are based in science and the innate physiology of the voice. I believe this form of "evidence based practice" frees the natural voice and makes you sound like you! I believe classical technique is the foundation for all healthy singing, but I am well versed in the stylistic and technical demands of many different genres and I have expertise in making those adjustments in my own performance.

Thank you for visiting my profile and I look forward to working with you!
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Reviews
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Ben Fox March 18, 2017
· Singing ·
I had around two months of lessons with Michael before I left the Seattle area. They were great! I'd been singing along with my own guitar playing for year, but had no formal voice training. Michael met me where I was at vocally, and introduced exercises for building good habits and a greater awareness of how my voice works and what I can do with it. He also had suggestions for songs that were in the style I enjoy and would challenge my abilities, then helped break down and work through the vocals. I think as an adult (I'm 32) it can be intimidating to dive in to learning something completely new but I had an enjoyable, stress free, successful experience with Michael.
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Gary Thorstensen November 28, 2016
· Vocal Training ·
recommended, Michael pays close attention to your individual specifics plus provides a thorough grounding in classical voice training.
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Jennifer Hotes November 14, 2016
· Vocal Training ·
I have so much fun with Michael. As he once told me, he takes his work seriously, but doesn't take himself too seriously. This leads to a very relaxed and personable, yet professional lesson tailored to what you're trying to accomplish. His scientific background on the physiology of the voice was particularly helpful to me, as he could explain with biology what is happening when you sing properly. The best part is how much we laugh and joke around while we work through the more difficult parts of a song. I always look forward to our lessons and he is a pleasure to learn from!
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Michael A.

Michael A.

Seattle, WA 98115
(9)
starting at
$60 / 60-min

About Christie R.

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Seattle, WA

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About Christie
Find Balance, Maintain a Healthy Instrument, and Experience Freedom to Live Truthfully in the Moment!
We sing because we have something to say; whether a professional singing on Broadway, an amateur singing in the church choir, or a hobbyist singing karaoke. I know first hand the struggle it can be to say what you need to say when your instrument (your voice) seems to be working against you. For this reason, I have made it my mission to learn everything I can about how the voice works, scientifically, in order to understand and then share with my students how we can work WITH our instruments and not against them.
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Sarah June 11, 2017
· Vocal Training · In studio
Christie is an amazing voice teacher who focused on what my voice needed each lesson. She is incredibly kind, flexible, and talented and has helped me with not only the vocal quality but the overall performance of every piece I worked on. I cannot say enough on how much I would recommend her.
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Alicia June 8, 2017
· Vocal Training · In studio
Christie has been a literal godsend. I am a trained opera singer but have been struggling with nodules and edema of the vocal chords related to a thyroid condition and acid reflux and I feel like I can finally sing again. Her instruction has given me real methods for working around these issues and healing my voice. It has improved my speaking voice as well. The voice is a sensitive instrument and in the wrong hands, you can develop damaging habits. Christie is a teacher you can trust!
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Christie R.

Christie R.

Seattle, WA 98115
(2)
starting at
$45 / 30-min

About Alina T.

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Seattle, WA

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About Alina
Hi there,
I am a vocalist, pianist, composer, and arranger.
I offer voice and piano lessons to all ages and levels.
I've been involved in music, dance, and theater most of my life, and I love passing on the knowledge of music to other people. I believe that anyone can learn music regardless of age, and I enjoy connecting with others through music, and empowering people by helping achieve their goals.
A perfect balance between fun and learning is what I strive for during our sessions.

Taking lessons with me will boost your confidence, reduce stress level, all while challenging you to be your best self.

Making music is known to transform lives, so come transform yours!
...
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Ido August 23, 2017
· Piano · In studio
Alina is a very detailed and very patient teacher.
She is making sure that my kids are having the right material to take home, and to practice. She is very kind and easy to work with.
I would recommend Alina to any parent that is looking for Piano lessons for their kids or themselves.
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Brittani August 23, 2017
· Piano · In studio
Alina is an amazing teacher for my 9 and 7 year old, she is very patient caring, and constructive.
I recommend any parent to have their kids taught by Alina.
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Va August 21, 2017
· Vocal Training · In studio
Alina is attentive and patient. She seems knowledgeable and makes sure the concepts get across in various ways.
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Alina T.

Alina T.

Seattle, WA 98116
(3)
starting at
$40 / 30-min

About Sofia P.

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About Sofia
Music has so much power, so much impact and so much emotion inside of it. My goal is to get you to a place where you are confident, precise and strategic in your vocal delivery. I want to get you to a place where people not only hear your voice but feel the emotion or message in a song. I am an expert in delivery, you can have a beautiful voice, but if there is no vocal dynamics, your song can become mediocre. Let's have fun and explore the potential of your voice.
...
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Sofia P.

Sofia P.

Kent, WA 98030
starting at
$42 / 30-min

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Explore the exciting world of education through gamification. See how and why it works on kids and adults for improved retention, knowledge, and more in this guest post from our friends at JoyTunes... How many students have been scolded by parents to put their video game away and get their homework done? It’s been a common household quarrel for decades, but kids across the globe are finally celebrating the new data that supports gamification as a means of advanced education and learning.
5 Fun Summer Jobs for Pianists
If you’re looking to earn extra money over the summer, it may be time to consider putting your skills as a pianist to good use. With a little imagination and the right network, you can find several piano jobs that will give you a taste of what it's like to earn a living as a musician. Teaching Private Lessons Are you an intermediate- to advanced-level pianist? Do you like showing friends and family how to play songs or piano exercises? The summer is the perfect time to try your hand at tea
10 Piano Recital Songs for Beginners
Are you looking for the perfect piano recital song to show off your hard-earned skills? Below, piano teacher Liz T. shares 10 great piano recital songs for beginners... Preparing for your very first piano recital is exciting. Although it’s fun to show off what you’ve been working on during piano practice, piano recitals require lots of preparation. When choosing the type of piano style you'll be performing, it's important that you pick a song that will best showcase your skills. After
Video: What's it Like to Take an Online Singing Class?
Is it possible to learn to sing online? With TakeLessons Live, you can attend online group classes to improve your skills, improve your confidence, and get a taste of working with a private voice teacher! But we get it: the idea can be pretty daunting if you're a total beginner. What's it like to take an online singing class, anyway? How should you prepare? We know you might have questions, so we asked singing teacher Reina M. to address some of the most common questions and concerns. Watch t
Should I Take Voice Lessons in My Home or at a Studio?
Ready to learn to sing with a professional teacher at your side? Many teachers offer in-home lessons as an option, so you may need to decide between that or going to their studio. Read on as Hayward, CA teacher Molly R. offers her advice for making your choice...   So you want to learn to sing! You’re searching through TakeLessons to find the perfect voice teacher for you, and see that a few teachers offer the option of lessons in their studio, or lessons in your home. Which option wi

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