Mcbh Kaneohe Bay Music Lessons

ver/acting narration, commercial, and character development

veled to China as the concertmaster of KSU Symphony Orchestra for a three-concert tour that included a performance at the Central Conservatory in Beijing. In 2012 I moved to Chicago to pursue my Graduate Degree in Violin Performance at DePaul University School of Music. I served as the concertmaster of DePaul University Symphony Orchestra and was very lucky to learn from some great world-class musicians and professors. I never stopped teaching, even while being in school I had 20+ students I was teaching full time. I love to teach because it gives me great joy to share my passion with other people.

After my husband got a job with the Navy Fleet Band, we moved to Hawaii. If you are looking for experienced, patient teacher for your child or for yourself, I am a perfect match. Please read the reviews my former students/parents were kind to leave on my profile.

*** Lesson Details ***
I conduct my lessons in a friendly and non-stressful way. I am a very patient and enthusiastic person. If the student has a willingness to learn, I make sure that I do everything to capitalize on that and help them to reach their highest potential.
I structure my lessons to be very organized so we do not lose any time. I always give 100% of my energy in every lesson. I try to make the lesson interesting so it never gets boring for the student by teaching technical aspects and fundamentals as well as exploring a wide variety of styles and genres of music.
I require all of my students to practice at home. Practice is essential in making music. If the student does not practice he or she is not going to learn as fast and it will take a while to improve in their playing.
I do not teach all of my students the same way. I try to find different approaches for every student in order to accommodate their level of playing and their needs. I believe that there is no one perfect method to teach a student. I usually combine traditional and Suzuki methods. I construct the lesson based on what student needs to work on to improve as well as what student wants to learn. I always talk to the student to make sure that we have set the same goals, because I believe that it is important to be on the same page with the student.
I also do not have any age limits for my students. I believe that children of a very young age are very observant and open minded. I can start teaching a child as early as 4 years old. I also believe that it is never too late to start learning to play an instrument.

***Cancellation policy***
I understand that emergencies happen. Please be kind enough to contact me as soon as you know that you won't be able to make it to the lesson so we can reschedule or cancel without you being charged for it.
If you cancel your lesson less than an hour before its scheduled time, the lesson will be counted as attended. If the lesson is canceled at least an hour before its scheduled time, it will be rescheduled or cancelled without it being counted as attended.

*** Studio Equipment ***
living room studio set up, chair/couch for seating, driveway parking.

*** Travel Equipment ***
I expect students to have an instrument, a music stand and a willingness to learn. I provide some teaching materials, but it might be necessary for you to purchase one or two music books.

*** Specialties ***
Traditional and Suzuki methods.

gh school Cameron began playing more jazz music as he attended Bellevue College studying theory and composition with Dr. Brian Cobb and guitar performance with Mark Hillard Wilson. After this he soon met renowned Jazz Guitarist Chris Spencer, with whom he studied with for years to follow.
Cameron eventually found himself at Cornish College of the Arts where he received a Bachelors degree in Music Composition. While at Cornish he had the opportunity to play guitar and compose for Jazz Orchestras, Latin Jazz ensembles, and Modern Jazz groups while playing under the direction of internationally know musicians such as Wayne Horvitz, Tom Varner, Jovino Santos Neto and Chuck Deardorf.
In the realm of composition Cameron studied privately with composers Jarrad Powell and Tom Baker, with a deep focus in contemporary classical music. He is now the composer for the quickly rising interdisciplinary arts group the Pendleton House.
Currently Cameron spends his time working as a guitar player in Seattle while also writing chamber music for various ensembles and art groups. He performs on a regular basis with a variety of groups in the Seattle area including the Seattle based jazz trio Honeysuckle Rye, folk and bluegrass group Modern Bygones, as well as the orchestral pop band Sebastian and the Deep Blue.

*** Lesson Details ***
In the world of music education it is important to recognize that everyone learns differently and there is no universally prescribed teaching method that works for all students. Everyone must find how he or she learns best. As a teacher I acknowledge this and incorporate it into my method of instruction. Anyone can find success as a proficient instrumentalist if they are able to learn on there own terms and find what they are doing enjoyable.
Lessons will start with an assessment of what the student wants to learn and what their goals are. From there, we will determine the proper approach to meet those goals while keeping things fun and interesting. Once a particular skill level and interest are established I will develop an individualized lesson plan for the student to fit their wants and needs. The goal with beginning students is to get them up and running right away with chords and melodies, learning the fundamentals while being able to play their favorite songs. For all students I like to extensively focus on knowledge of the fret board and the many possible approaches to mastering it, as well as looking at creative practice methods and daily routines. A musician’s method of practicing can greatly determine their rate of improvement. For more intermediate and advanced students the general focus will shift to topics such as ear training, rhythm, music theory and music notation (if desired) and, their application to the guitar.
For students interested in composition, we will focus more on analysis and the application of theory. We will look at songs or pieces that are of interest to the student and take them apart to figure out what makes them great. We will also look at many different kinds of music and their construction. A large part of music composition in the 21st century is the integration of electronic and computer music. For students looking for an introduction into pre-recorded and live electronic music with or without the use of guitar or other instruments, this is strength of mine that I love to teach.
Whether you are a serious musician or just looking for a fun hobby, I can get you where you want to be in your musical life. I’m fun, friendly and music is my passion and profession and I love to share it.

*** Travel Equipment ***
I can bring extra guitars if needed, acoustic or electric.

*** Specialties ***
I specialize in getting beginners up and running right away while helping each guitarist to find there own voice and have fun at the same time! When playing non-original music I specialize in blues, jazz and popular music.

Website:

http://www.cameronarmstrongmusic.com/

Music Links:

JAZZ TRIO: HONEYSUCKLE RYE:

https://soundcloud.com/honeysucklerye

ACOUSTIC FOLK DUO VIDEOS: MODERN BYGONES

https://vimeo.com/187979926

https://www.facebook.com/elbrindiscocktails/videos/1046510482133705/
https://modernbygones.bandcamp.com/releases

VIDEO'S OF ACOUSTIC BLUES AND FOLK PERFORMANCES:

Summertime Acoustic
https://vimeo.com/130905051

In the Pines
https://vimeo.com/130905033

ion and programming.

As a composer, she studied with Robert Frank, Mark Dal Porto and attended masterclasses with Donald Erb, Wynton Marsalis and Samuel Adler to name a few. Her compositions have been performed in Texas, Pennsylvania, and Florida. A commissioned composer, her Dualities for Clarinet, Brass Ensemble, Electronics and Percussion; Fantasia pour Cor; Feline Romp for solo clarinet; works performed in the classical idiom.Plains of Lhasa and Tearing were composed in the electro-acoustic medium. She is a member of ASCAP, TMEA, TODA, ASTA, and self publishes. She has performed internationally and in addition to her professional schedule, taught music technology related courses and music theory as an adjunct professor at Collin College, Spring Creek Campus and maintains an active private teaching studio in Honolulu along with her duties as a faculty member in the music department at Brazosport College and retired Head Director of the orchestra program at Brazosport High School and its feeder school system.

cting: All levels

WHERE DO I TEACH?
*Piano: Mililani Homes, St Peter’s Episcopal & Online
*Organ: St. Peter’s Episcopal & Online
*Voice: St. Peter’s Episcopal (In person lessons only)
*Conducting: St. Peter's Episcopal (In person lessons only)

NOTE: Parents are welcomed to attend the lessons!
In fact, I encourage that!!

WHAT IS MY STYLE OF TEACHING?
Every student is different and what works for one may not work for another. It's important for me to know my students so I can better shape the lesson. I love questions, reflection, and humor. I'm very patient and understanding. We are all incredibly busy and accept that students may have weeks they are not able to practice a huge amount of time.

WHAT DO I DO IN ADDITION TO GIVING LESSONS?
I am the Coordinator for Therapeutic Music & Volunteer Coordinator at Hospice Hawaii and the Director of Music at St. Peter’s Episcopal Church in Honolulu.

rough your studies. You will have weekly goals, you will be given regular performance opportunities, you will be trained in music theory, and you will learn pedagogical techniques. I like to teach every student foundational techniques, then build upon their musical interpretation skills, and, for more advanced students, I teach music theory.
I pride myself in giving my students 110%, and I value giving my students a highly personalized private lesson experience. I hope that this philosophy resonates with you as you search for a music mentor, and I encourage you to reach out if you are interested in having private lessons tailored specifically for you.

My experience:
I started playing the flute when I was in fourth grade. My elementary school offered weekly flute classes, then in fifth grade we had weekly orchestra classes. But I loved the flute so much I wanted more. I began private lessons at 10 years old, and I have never looked back. From there, I went on to play in my high school's marching band, concert band, pit orchestra, and symphony orchestra; I played in three different flute choirs and my local youth orchestra outside of school; I earned two performance degrees from the University of North Texas (Bachelor of Music) and Stony Brook University (Master of Music); I have performed with orchestras in the United States, Canada, and Europe; I have played in pit orchestras for musicals and operas; I have competed in solo competitions, I have auditioned for professional orchestras; and I have taught dozens of students of all ages across the country.
I remain eternally grateful to all my generous mentors who have inspired me throughout my career. My mentors include notable flutists Dr. Mary Karen Clardy, Dr. Elizabeth McNutt, Francine Ross Pancost, Dr. James Scott, Terri Sundberg, Jim Walker, and Carol Wincenc.

entiated Learning teaching techniques.

My experience as an intercultural and international musician, and as a teacher enables me to collaborate with people from varying backgrounds.

I strive to tailor each student's experience. Facilitating progression and learning at the individual level.

Throughout my teaching career, my focus has been centered around cultivating the students’ interest by awakening a sense of music appreciation while teaching them the technical skills of playing an instrument.

Apart from teaching, I have been a performer for 12 years with various orchestras. And now you can see me play with the Hawaii Symphony Orchestra in Oahu, where I live and teach.

I am looking forward to bringing the joy of music into your life!