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Mc Kees Rocks, PA Flute Lessons

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Popular Flute Teachers near Mc Kees Rocks, PA

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About Hallie C.

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Tampa, FL

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Nothing else tingles the spine like a beautifully executed masterwork performed by an excellent flutist. I have been lucky enough to have been trained by some of the world's most renowned flute performers and teachers, and love to pass on their and my own knowledge to new generations of flute players. I will help bring out the best in every flutist, from a raw beginner, to the most advanced music major student seeking to improve their skills.

Things you can expect to learn in Flute lessons are:

Posture
Breathing Techniques
Phrasing and Musicality
Ear Training
Audition Preparation
Stage Presence and Performance
Music Theory
Music History

Ages 4 and up.
20 minute lessons are for children aged 5 and younger only, please.

About Hallie
Hello there! Do you or your loved ones have an interest in music? So do I! That is why I am here to teach and share my own passion for music. I love working with children and have two boys of my own. I love teaching music and instil passion for learning into every one of my students.

Having grown up in a musical family with my mother a professional violinist, I have been exposed to the joys of music since childhood. I learned how to play Suzuki piano at the age of three, and later percussion and string instruments from when I was six years old. In high school I joined the band playing flute. I loved playing flute and piccolo so much that I decided to take this as my career and went to Interlochen Arts Academy where I excelled in my performance. I later went to Prague Conservatory and Czech Budweiss Conservatory and played with the
Prague Film Orchestra. Even more recently I have been a teacher for the Flutes and Strings classes at Unison World School in Dehradun, India.

I have enjoyed having a very successful studio here in Tampa, and hope to enrich your life with music soon!

*** Lesson Details ***
My approach to teaching varies with the age level of each student. With younger students, imitation is often one of the best methods of learning and I prefer the Suzuki method for students up to age 8, especially with strings. For older children and adults, learning music notation and basic music theory for a full understanding of musical language are more important to get them to the level where they can learn any music that they want to play for fun. For students who wish to excel in their school band, a more practical approach with technique specific warm-ups and exercises seems to be the best in general.

*** Studio Equipment ***
The In-Studio lessons are taught in the living room which includes music stands, sheet music, whiteboard, video recording equipment and microphone, and seating for parents/students. No pets. Parking in driveway. Siblings are welcome.

*** Travel Equipment ***
I will provide metronome, and tools for minor instrument repair. Students should provide their own music stands and sheet music.

*** Specialties ***
Suzuki method, Hrimaly, Taffanel et Gaubert, Patricia George
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Reviews
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Oleg May 26, 2017
· Violin · In studio
My son has been taking violin lessons with Hallie for almost one year. He started just after he turned 4. My concern when he started was that he was too young but Hallie has obviously taught kids his age before and knows what she is doing. She is creative in order to keep a four year old interested and engaged. She is also warm and positive. Most importantly, he's really learning how to play and about music in general - it is a wonderful feeling when he makes strides and does something that seemed so out-of-reach before.
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S. D. May 21, 2017
· Violin · In studio
Hallie is an extremely good teacher and is very, very kind. Although she misses nothing in terms of mistakes and weak areas, she always focuses on the positive and uses positive reinforcement to get the most out of the student. She makes very efficient use of lesson time and knows how to isolate any issues that come up. My child is a teenager and she connects very well with him. He has some ongoing issues with his form and she is so good about gently reminding him in such a way that he wants to improve and doesn't feel criticized. I'd highly recommend her. She's a very nice person and great teacher. So glad I found her.
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Wesley March 9, 2017
· Cello · Online
This was our first lesson with Hallie. But she was very engaging, encouraging and asked all the questions that I could possibly hope a teacher/tutor would ask to get an idea of where the student is to make an action plan.
My Son has much more confidence that he can achieve his goals with her help! ~Thank you!
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Hallie C.

Hallie C.

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(27)
starting at
$20 / 20-min

About Kelly M.

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Acworth, GA

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I teach flutists of every age and level. In the beginning I like to ask each student what their goal is so that we can work towards that, whether it is to become first chair in band, make All-State or youth orchestra, play for Solo & Ensemble, perform with their church, or to just have fun and learn a new skill. In my lessons, I use positive reinforcement and encourage regular practice.

For beginners, I usually recommend doing a 30 minute lesson once per week and then increasing the lesson time and/or frequency as they become a stronger player. I use the Rubank Method for Flute as well as Pares Scales for beginning students. Once they have become more advanced I assign more challenging etude and scale books. When the student has a grasp of the instrument, I present solo repertoire and orchestral excerpts tailored for each level. I try to keep each student's goals, ability, age, and interests in mind when choosing music to keep the lessons engaging and fun!

About Kelly
Introduction

My name is Kelly Meholic and I am a private flute lesson instructor. I have about 20 years playing experience and 12 years of experience teaching private flute lessons. In 2009 I graduated from the Conservatorio della Svizzera Italiana with my Master's in Flute Performance. Prior to that I attended Florida State University and earned my Bachelor of Music in Flute Performance.

I am very lucky to be able to share my passion for playing the flute with others for a living! It is so awesome to hear how students grow with each lesson and to see them reach their goals whether it is gaining confidence in their playing, making All-State, or winning an audition or competition. One thing that I try to do in lessons is to send a recording after we have finished working on a piece. It is always fun to listen back down the ro
ad and hear the progress you or your child has made! I am a very patient person and in my teaching I try to keep the atmosphere positive and encouraging. I have taught in person and online all across the country including Hawaii and even as far away as Italy to all ages and levels, beginning to advanced. You never know what talent is hidden inside that could be brought out with proper instruction. After I had graduated college with my music degrees, I remember my first flute teacher finally sharing with me that I was the only student she ever had that could not make a sound in their first lesson! So you truly never know until you try!

*** Check out my Facebook page here ***
https://www.facebook.com/NorthAtlantaFluteLessons/

Lesson Length Recommendations:
Beginner - 30 minute lesson
Intermediate - 45 minute lesson
Advanced - 60 minute lesson

Biography

I was born and raised in Sarasota, Florida and began studying the flute at the age of 12. My interest in music was sparked after weeks of gazing longingly through the window as my twin sister crossed the street to her French horn lessons. I was determined to play an instrument too, so I asked my mom if I could take music lessons. It turned out that there was a fantastic flute teacher who happened to live down the street, so I began walking to my flute lessons. That flute teacher was Betsy Hudson-Traba, principal flutist of what is now the Sarasota Orchestra. Meeting her and starting flute lessons set my life down an incredible journey through music that would eventually take me halfway across the world.

With Betsy's instruction and encouragement, I had much success as a young musician. Throughout high school I played principal flute in Sarasota’s youth orchestra program and was a winner of the Young Artist Competition. I attended Interlochen Arts Camp where I was exposed to many wonderful artists and teachers. With a lot of hard work, I was able to win first chair flute in the FMEA All-State multiple times and also participated every year in the Solo & Ensemble Festival. I loved playing classical music, but fell in love with marching band too and became drum major which ignited my passion for teaching.

Wanting to pursue music as a career, I went on to study with Eva Amsler at Florida State University where I earned my Bachelor of Music in flute performance. Her teaching gave me a greater understanding of tone development, movement, and body awareness. I had a lot of wonderful playing opportunities here and as an undergraduate was playing in the top orchestra. During my time at FSU I was a proud member of the “world renown” Marching CHIEFS, where I served as section leader to 50+ flutes! It was truly incredible having a weekly audience of 80,000 football fans cheering us on. One of my favorite and more unique ensembles I participated in at FSU was the Andean ensemble, Aconcagua. I played the zampona (panpipes) and the quena (Andean flute). I loved it because it gave me the chance to play flutes still, but in a different capacity that was much more free than the classical music setting I was accustomed to.

After undergrad, I decided to go abroad for graduate school earning my Master’s at a small conservatory in beautiful Lugano, Switzerland called the Conservatorio della Svizzera Italiana. I studied under Italian flutists, Mario Ancillotti, Stefano Parrino, and Giovanni Crola. Through their help I was able to refine and demonstrate greater musicality in my playing. Performance was emphasized greatly in lessons and in our school curriculum. I also had many opportunities to pursue my love of travelling and work on my foreign language skills!

After heading home to the States I began my freelance career substituting in various orchestras in Florida including the Sarasota Orchestra, Sarasota Ballet Orchestra, and the Southwest Florida Symphony Orchestra. I now live in Acworth, Georgia where I teach private flute lessons and play in the Alpharetta Symphony Orchestra as well as serve on the orchestra board as the Personnel Manager. In addition to music, I love spending time with my family, friends, my husband, Vance, and our adorable kitties (Ron & Harry) and sweet dog (Leia). I also enjoy volunteering at church where I work with the elementary age kids, reading, hiking, trying to bake, organizing, and cleaning!

*** Specialties ***
I specialize in flute and piccolo solo, orchestral, band, and chamber ensemble playing and also audition prep.
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Reviews
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Edward September 12, 2017
· Flute · Online
Good first lesson! Kelly is insightful and supportive. Looking forward to implementing what she taught and the next lesson!
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Lily July 19, 2017
· Flute · Online
Kelly was knowledgable and worked great with my 11 year old who is a beginner. She is excited for her next lesson!
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Jessica L. April 28, 2017
· Flute · Online
Thank you Mrs. Kelly for being a great teacher. You are patient, kind, and funny. You make me feel confident playing flute and help me to get better so I can get ,ore opportunities for solo performances. Thank you so much! -Clarisse Lin, Student ☺🎼🎶🎵👍
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Kelly M.

Kelly M.

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$22 / 30-min

About Amanda S.

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Irwin, PA

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The private lesson experience is unique in that it allows for more “customized” instruction that group lessons or rehearsals alone are not able to give. The instructor and student work one on one as a “team” toward the ultimate goal: a better understanding of their instrument, and a higher level of musical development.

In every lesson, we will work to improve technique, tone production, and listening/music reading skills, among other things. I will assign exercises and/or pieces each week that are meant to challenge, not overwhelm! Sometimes I will assign an exercise that is expressly meant for a particular area in which the student may not be the strongest, in an effort to develop that area. Learning an instrument is a skill that takes time to develop, and it is within the journey where most valuable learning takes place!

About Amanda
Amanda is a professional Pittsburgh-area flutist and private teacher. She has served as principal flutist with the Pittsburgh Philharmonic as well as second flute/piccolo with the Undercroft Opera. She has also served as a substitute flutist for the Edgewood, Westmoreland and Johnstown Symphonies. Amanda also performs with the Dolce Appassionato Trio, a chamber ensemble comprised of flute, cello, and piano. She is active as a soloist, performing in a variety of venues throughout the Pittsburgh region.

An ardent advocate of early music and historical performance, Amanda also plays the baroque flute. She has performed in masterclasses for internationally known baroque flutists Kim Pineda, Janet See, and Barthold Kuijken.

Amanda received a Bachelor of Music degree in music education from Seton Hill University, and a Master of Music de
gree in flute performance from Duquesne University, where she studied under Damian Bursill-Hall of the Pittsburgh Symphony Orchestra.
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Danielle W. August 12, 2014
· Flute · In studio
Amanda is a perfect instructor for my child. Friendly, knowledgeable and positive, Amanda has made my daughter's flute lessons and ongoing learning, a pleasant experience.
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Amanda S.

Amanda S.

Pittsburgh, PA 15241
(1)
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$20 / 30-min

About Jesica S.

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Pittsburgh, PA
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Classically trained teacher available for beginning through intermediate students of all ages. I want to ensure that we focus on what you want to learn, that you are happy with your progress, master proper technique, and have fun!

About Jesica
I grew up in the San Francisco Bay Area, where I started playing flute when I was 8 and bass when I was 13. In 2002, I moved to New York City to attend The Juilliard School, where I earned a Bachelor of Music degree in Double Bass performance. I came to Pittsburgh to attend Carnegie Mellon University, where I got a Master of Music degree and a post-graduate Performance Residency Certificate. Since finishing at Carnegie Mellon in 2011, I have been freelancing in Western PA, Ohio, and West Virginia.

*** Lesson Details ***
I want to provide a fun, relaxed environment in which you feel appropriately challenged and comfortable to make mistakes. I don't have a pre-set course of music and exercises that I give to every student. Rather, I prefer to have a variety of music and exercises at hand so that we can find material that addresses the s
tudent's learning needs and is enjoyable for that student. I love teaching to all ages and levels, and I understand that each student's learning style and goals are different - the needs of a small child are very different than the needs of a student looking to get into a college music program. I want to ensure that you are happy with your progress, that you learn proper technique, and that you have fun!

*** Studio Equipment ***
Music stands, an electronic keyboard, mirrors so that students can see and make corrections to their form, a music library, and seating for parents. There's easily available parking on my street.

*** Travel Equipment ***
I bring my own instrument to demonstrate on. I have an electronic keyboard that I can bring if a music theory student does not have their own piano or keyboard. Students are responsible for purchasing all books and materials.

*** Specialties ***
I specialize in classical music of all eras, from baroque through 21st century compositions.
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Reviews
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Matthew T. November 19, 2016
· Upright Bass · In studio
Jesica takes the time to prepare my instument with tape makings and handwrites lessons for me to take home. Plus im playing 5 different scales after only two sessions with her. She also is starting to teach me the basics on how to read music. I couldnt ask for a better teacher to start me on the fundamentals of the upright bass. Very pleased so far and look foward to every lesson.
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Percy S. January 27, 2016
· Upright Bass · In studio
Knows her stuff.
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Justine C. November 11, 2015
· Flute · In studio
I was satisfied with the lesson. I wasn't noticing that Jessica had 2 E-Mails 'till the next day when I checked my PC. She said that she could be at at the bus stop when I got off the bus yesterday. That was alright anyway; I was a little bit early But she said that it was alright. Buses ether are early or late. (some times they don't show-up at all; I call the bus company several years ago & why it happened that way. They told me that they don't have time to look for another person to drive the bus & the guy calls up & he just wouldn't be there that day. Any was I liked the lesson & Jessica lives close to the 71C were I live. It was a short ride from my place were I live. It as a good lesson.
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Jesica S.

Jesica S.

Pittsburgh, PA 15208
(4)
starting at
$24 / 30-min

About Thomas K.

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Glendale, CA

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Strong instrumental playing begins with a solid understanding of the fundamentals of music and the simple act of making a sound from the instrument. Students learn to play music by ear first, and are later introduced to music notation. More advanced lessons emphasize sight-reading, expression, and improvisation.

A woodwind player since age 10, Thomas has experience as a performer and teacher. His previous education has included methodology classes on teaching specific instruments, and he is available to teach beginning flute lessons.

About Thomas
No one ever regrets learning an instrument… yet many grow old wishing they had taken music lessons! A talent they’ll be able to develop their entire life, your children will thank you for giving them the chance to learn music. And bonus points for you: after just a couple years, you’ll have free entertainment every Christmas!

Or maybe YOU’RE the one that wishes to learn! It is never too late to begin learning an instrument. Yes, I'm trying to get you to sign up for lessons, and yes I sincerely mean that. Everybody has the ability, and if you’re determined and interested, there’s nothing stopping us from achieving this very special goal. (Interested in learning to compose? Scroll to the bottom to learn more.)

Everybody learns differently, and everybody likes different things. Whether it’s improvising or singing alongside a song you
love or reading through a classical concerto, I’ll help prepare you or your child to tackle a wide variety of styles, without missing out on any of the basics that turn good players into phenomenal musicians. We all know it’s not about being the best. It’s about having fun, and playing music well is definitely fun.

Practice makes perfect! Learning an instrument helps build self-confidence and discipline. If your child’s bored, distracted, or just needs a constructive hobby, music is a great place to get them interested in something that will help them feel better about themselves, and the effects will be felt across everything else they do, through better studying habits to a more patient, diligent work ethic.

It’s also relaxing! Stressed about work? Need an escape? Maybe you want to sound like [insert piano player here]. Everybody has the power to learn an instrument. Seriously, there’s no such thing as “talent.” Just start lessons and get practicing! It really is that simple, and I’ll guide you through every step of the way.

I have a diverse background teaching students of all ages, from 3-year-olds to retirees alike, customizing what we learn to the individual student. We’ll learn how to read music just as easily as you read words; improvise and compose music of our own; and feel good playing any style: classical, jazz, rock, and all. My experience as a working musician in films, musical theater, and pop music, as well as classical concert music, allows me to appreciate and teach styles that many other instructors overlook, and I know full well that learning an instrument is not about becoming a professional; it’s about being able to connect to others or oneself through music… and also to just have fun! There’s no need to learn music we don’t like! It’s not about stuffing Beethoven into your kids’ ears… we just want to make music, be that Beethoven or Billy Joel.

Music lasts a lifetime. I know that’s a terrible cliché, but it’s true, and few other skills can claim that. I don’t want to sugarcoat it: it takes time to learn an instrument. It takes practice, and sometimes it’s frustrating. But the results are well worth it, and like a snowball rolling down a hill, the longer you do it, the faster you get… or something like that. There’s a legitimate analogy in there somewhere.

Now get out there and make some music! But start by signing up for lessons. I can’t wait to get started!

---

“What’s that chord?” “Why does all my music sound the same?” “How do I fix this voicing?” “I just can’t get it out of my head!” …sound familiar? You’ve probably hit a rut. Or maybe you’re just starting out. Either way, you want your music to sound new, exciting, and to come out exactly how you hear it in your head. Yes… you CAN learn to compose music, you CAN learn to be more creative, and you CAN learn to share your sound with the world.

Film music, classical, jazz… whatever your interest, all music comes from the same place, and by learning a handful of basic concepts, you can apply these to whatever style you’re trying to write. Learning to emulate another musician involves knowing what they’re doing. Learning to create a groundbreaking sound requires that you know what’s already been done, and how to achieve it. Step by step, we’ll work our way there.

We’ll learn how to write cool, interesting chord progressions, how to write beautiful melodies, and how to voice chords. We’ll learn how to control the mood of our music, from making it sound relaxed to adding tension wherever we want. Maybe you’re trying to write for an orchestra, or just a small band. By learning the basics, you can then easily break away from what’s been done and come up with something truly new… the goal of any aspiring composer!
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Pinching M. May 24, 2017
· Flute · In home
Try to understand the student needs. Very good teach skill!
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TJ April 4, 2017
· Saxophone · Online
Extremely comfortable to knowledgeable to work with
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Tanya January 13, 2017
· Piano · In home
While it was only our first lesson, my son and I are looking forward to learning with Thomas. He had great patience and seemed to look for our areas to work on as well as our interests in music.
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Thomas K.

Thomas K.

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$27.78 / 30-min
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About William P.

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Waterbury, CT

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Learn to play one of the most recognizable instruments in the orchestra. The flute plays beautiful melodies and embellishments to add to the mood of many pieces. I can teach you how to have a good tone, how to keep your embuchure strong, and how to keep your hands from cramping up. I will use scales, breathing drills, and support training to allow you to reach your goals. I can take you as far as playing in a mid grade orchestra, and intermediate solo pieces.

About William
Hello everyone. I have a bachelor's degree in Vocal Performance from Valley Forge Christian College and I have been performing since I was three years old. I play several instruments and have learned the key skills needed to be a successful musician in any genre. With five years teaching experience and a willingness to learn, I have discovered new ways to help my students become better musicians. I can show you the ways to hone your skills through different drills and practice strategies. Also, I can teach you ways to keep your instrument working at top shape by keeping your physical health in good condition. I want to teach you what you want to know with a little push to expand your abilities. I can also give you great tips ln running, and help you with your biblical studies. I hope to hear from you soon.
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Rhian September 6, 2017
· Singing · In home
I’ve been working with Will for around two years. In this time Will has pushed me to be the best I can be. Not only is Will a great teacher but he is also a great person. Thanks to Will I have reached new heights in my singing. I couldn’t have done it without him. I would 100% recomend Will to anyone who is looking for an amazing voice teacher.
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Maura September 2, 2017
· Singing · Online
My daughter loved the lesson. I am sure it will jump to 5 stars as we go along.
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Shirley August 17, 2017
· Piano · In home
William is very patient and very knowledgeable. He not only answers your questions but explins why it is. Bravo!
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William P.

William P.

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(15)
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$25 / 30-min

About Eva S.

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Mason, OH
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I teach lessons with healthy quantities of ear training, theory, fundamentals, and repertoire to create a well-rounded student. My goal is to encourage a life-long love of the flute as well as develop each student to their full potential.

About Eva
Eva is a Cincinnati College-Conservatory educated flutist who teaches in Mason (45040) and surrounding areas.

Learn more at evaskanseflute.com
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Eva S.

Eva S.

Online
starting at
$25 / 30-min

About Michel D.

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Evanston, IL
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I've worked with students ranging in ages from 3-24 so I have a vast range of experience. It's my desire to help you develop an understanding and appreciation for music. I will motivate and encourage you through positive reinforcement techniques. I will create a comfortable learning environment to maximize your learning capability and most importantly we're gonna have so much fun together. Music is love and isn't love the most important thing we can teach one another? I can't wait!

About Michel
Michel Dew is the definition of an entrepreneurial artist. Honing her craft as a freelance flautist, she performs professionally in the greater Boston area. Michel is an active chamber musician performing in various ensembles. Her woodwind quintet won the Boston Conservatory Chamber Honors Competition twice once in 2010 and again in 2011. Michel was a founding member of the Kelkarna Tro, an innovative Saxophone, Flute, and Piano ensemble. Most notably, she was selected as a finalist of the James Pappoutsakis Memorial Flute Competition. She shares her vitality, knowledge, and passion for music with her students and held a private studio in Brookline, MA. A native of Ann Arbor Michigan, Michel matriculated to the Boston Conservatory where she graduated Cum Laude receiving a bachelors of music in flute performance. Michel Dew has studied w
ith renown pedagogues, Geralyn Coticone, Jeff Zook,Rhonda Larson, Kazuo Tokito, and Ervin Monroe.
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Steph September 12, 2016
· Flute · In studio
Michel Dew is an absolutely wonderful teacher. I asked her to teach me as an adult student and I have to say with Michel’s guidance “Old Dogs” really can learn new tricks. She was able to get me to produce a tone that I never dreamed could come from me. Not only is she great with her adult and young adult students, but she also has an incredible way with young children. I’ve had many first hand experiences observing her with kids and she is incredibly caring, nurturing, experienced, and fun. Her passion and knowledge of music shines through in her teaching. I am lucky to have her as a teacher.
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Michel D.

Michel D.

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(1)
starting at
$35 / 30-min

About Natalie T.

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Urbana, IL
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I am a passionate musician and educator. I have worked for many years as a private flute instructor on both the modern and baroque flute, gaining experience teaching many age and skill levels. Lessons are tailored to the individual needs and goals of the student, with an emphasis on developing tone, technique, and breathing skills. Students will also be encouraged to think about the music that they play. As a musician, I developed an interest in the field of Historical Performance over the course of my undergraduate degree. In this field, one not only studies the music of past periods, but studies its relevance to the social, political, and cultural circumstances of its time. I believe this puts me in a unique position as a music educator, as I understand the importance of teaching students to connect musical works to their historical contexts. This is a skill that will provide them with a richer understanding of all types of music, including both classical and popular, and give them ...

About Natalie
I am a flutist and music teacher new to the state of Illinois. I received a Bachelor of Music in Flute Performance and Music Education at the University of Massachusetts Amherst in 2012 and a Master of Music in Flute Performance in 2015. I have experience performing in orchestras, wind ensembles, wind quintets, as well as solo music. I have appeared as a concerto soloist with the Oberlin Baroque Orchestra and the Five College Early Music Program’s Euridice Baroque Orchestra, and I have attended the Baroque Performance Institute at Oberlin College. My numerous years of experience as a performer and education background inform my philosophy as a music teacher.

I recently finished a second Master’s Degree in Historical Performance as a recipient of the Conservatory Dean Scholarship from Oberlin College in Oberlin, Ohio. There I learned t
o play many types of flutes, including the Renaissance flute, Baroque flute, Classical flute, and recorder. I am interested in the history of the flute, and learning to play new instruments is always an exciting challenge. I encourage my students to develop their physical skills as musicians, and also explore their own passions. Though my recent area of study has been historical music, I also have significant experience in more recent music as well.

I look forward to becoming your teacher!
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Natalie T.

Natalie T.

Online
starting at
$40 / 60-min

About Cole B.

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Brooklyn, NY

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Students will learn the fundamentals of being a great musician on the clarinet:
-Tone: Air Support, Embouchure, tongue position
-Technique: Scales, Arpeggios, Etudes, and more
-Articulation: Speed, Style, Variety, Control
-The fundamentals will be applied to orchestral excerpts and repertoire.
-Lessons will also be supplemented with music theory and listening.

About Cole
Dr. Cole D. Belt's passion for collaborative art has resulted in the participation and/or formation of several distinguished chamber ensembles throughout his career including the Aeolus Saxophone Quartet, Duo Velocipede, Mana Quartet, Impression Saxophone Ensemble, and Singularity. Through his involvement with these groups Cole has been heard in concert halls across the U.S. and Europe in masterclass settings, competitions, music festival residencies, chamber series, and guest artist recitals. Regarding his recent Carnegie Hall debut Cole has been described as "a splendid performer who brings wonderful spirit and life to my music" by Pulitzer Prize winning composer Charles Wuorinen and by Curtis Institute composer David Ludwig as "at once sensitive, nuanced, brash, and daring: all depending on the demands of the music." 

As an undergra
duate, Cole traveled with the Aeolus Saxophone Quartet to perform world premieres of Jens Marggraf's Three Dances in Germany and Poland as guest artists. He then returned to Poland, during his Masters degree at Florida State University, for five more concerts with the Impression Saxophone Ensemble at international chamber music festivals.

Praised by composer Neil Anderson-Himmelspach for their "precision of rhythms, intonation, clarity of articulation, and sensitivity to radical shifts of mood..." Duo Velocipede is a salient combination of flute and saxophone. They had their inaugural performance at the Biennial Festival of New Music in early 2013. Since then, they have continued to perform around Florida, Georgia, and recently performed a guest artist recital at Harford College in Aberdeen, Maryland.  Anderson-Himmelspach in currently writing a concerto for the Duo.

Singularity performed first for the International Ligeti Festival and Symposium in 2013 where they collaborated with Lukas Ligeti on his quartet Frozen State of Song. Since then they have performed for Michael Maccaferri, clarinetist for the three time Grammy winning sextet eighth blackbird, who praised them for their "...unfaltering rhythmic precision and razor sharp ensemble playing with a sensitive and thoughtful interpretation of the score..." in regard  to their championing of Pulitzer Prize winning composer Charles Wuorinen's Quartet. Singularity made their Carnegie Hall debut in May of 2015.

Cole is a D'Addario Performing Artist and uses Reserve Classic Reeds, exclusively.
...
Reviews
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Brandon August 3, 2017
· Saxophone · In studio
Lessons with Cole helped me grow not only as a saxophonist, but as a musician and person as well. He was my lessons TA for a year at Florida State University. Very patient and willing to work with his students, yet he knows when you are putting in an honest effort and when you are not. In our time together at FSU he demonstrated a wide array of knowledge and ability on the saxophone and music, including many discussions about music history, different musical styles, and transfers we can make from other instruments. If you work hard, and are honest with both Cole and yourself, you will find yourself learning a great deal and making a great friend along the way. I would recommend lessons from him to anyone.
Silhouette-80
Alex July 26, 2017
· Saxophone · In studio
I took lessons from Cole during my siohmore year in college. Within just a few months he had identified and corrected 3 major problems in my playing that no other teacher had noticed. Many of my friends have taken lessons with Cole as well and no one has had a bad experience.
As a teacher Cole was never late and always made me comfortable asking questions. Cole can also explain abstract, difficult to grasp concepts like no other teacher I've had before.
Thumb_5977c246051a2_review_mia
Mia July 25, 2017
· Saxophone · In studio
Cole Belt was my saxophone teacher during my first year at the Florida State University, and he had a huge impact on my approach to musicianship, both as a musician and as a human being. He helped me to realize my long and short term goals as a musician and guided me to achieving my utmost potential during my time as his student. His meditative and methodical approach to teaching and instrumental music-making is comprehensive and simplistic in nature, and he was always able to provide critical advice and various perspectives when I learning to establish my own musical concepts of phrasing, etc. I experienced growth during every lesson due to his preparation and knowledge of the instrument. But, most importantly, he was clear in his direction, and patiently provided multiple approaches to the same concept when I was having trouble understanding. He challenged me to expect more out of myself, and I am very thankful for the incredible foundation he helped me to establish during my first year as a undergraduate music student. I have seen him lead masterclasses with musicians of all ages, and he would be a lovely teacher to any woodwind student, at any level of development.
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Cole B.

Cole B.

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