Still River Music Lessons

essary to function within your favorite genre of music. At the same time, I may introduce you to some forms of music less familiar to you. You can then use that experience to bring a fresh approach to your chosen style.

The name of the game is time-keeping and time feel. You will be expected to practice with a metronome, but also with recorded tracks. We will record your playing and listen back. This is one of the best ways to improve your playing.

Double bass and/or double pedal also taught as well as left foot clave, Latin percussion, piano, and music theory.

*** Studio Equipment ***
Two drum sets, full PA, fender rhodes piano, congas, timbales and hand percussion, frame drums, bongos, DVD player, audio recording capabilities. Parents can sit in on lesson.

*** Travel Equipment ***
I can bring a practice pad set to the student's home. Metronome, ipod, some lesson handouts, and occasionally DVD's will also be brought.

*** Specialties ***
All styles and levels: rock, jazz, Latin, percussion as applied to drumset. Reading, time feel, counting and singing

possesses both beautiful vocal abilities and perfect pitch , although she has never had a chance to develop her natural gifts any further. But I have heard my mother singing, and these moments remain one of the most touching and impressive musical experiences, that I have ever received, and remember to this very day.
Only after a considerable life experiences, abound of trials and mistakes, at the age of twenty five, I have come to a clear realization, that music remains my greatest passion, and that I would have to become a professional musician. With help and support of friends and colleagues, I have entered Community College in Soroki city, Moldova Republic, where I have studied Choral Conducting for Amateurs. I have graduated from school in May of 1988, having written a few instrumental and vocal compositions of my own, and, quite unexpectedly for myself, was invited, that summer, to visit Moldova State Conservatory, with the prospect of audition for the Composition Major. After the meeting with the Chair of the Department, I was offered an opportunity to be accepted to the Master Degree Program in Composition, provided I will have completed two years of preliminary studies of Music Theory, Music Harmony/Voice Leading, and many other related disciplines.
Why do I bring all of these facts to this Essay? I know for the fact now, that I was not ready for what was awaiting ahead of me, back then. There was no way, that I could cope with the demands of Composition Program curriculum. But I have had love for music, that my parents have implemented in me throughout my childhood; I have had natural abilities, that Heavens supplied me with: and I have had a chance to make my dream a reality, providing I do everything that I will have to, during the following years of struggles and study.
The decision was made, and my studies have begun. I have come through every mistake, defeat, and mind-barriers imaginable, and if it would not be a continuous stream of professional help and support, that I have received from my numerous teachers, mentors, and professors, along the years of study, my goals could never be attained to any modest, but real degree.
Whenever I have a chance to teach, tutor, or assist other musicians with their study, my past experience always reminds me, that any person may experience some difficulties of various nature with the learning material, from time to time, and that those difficulties should be addressed by student's teacher with the highly individual approach, however time-and effort-consuming it may be. Patience and respect, in regard to the students, have become as important aspects of teaching to me, as those of discipline and professionalism.
My studies have come to an end; I see now, that the world of music is an endless entity, for it has no boundaries, and we all have to maintain our further progress, in order to move to our chosen destinations, and to help others with their own advancements.

Sincerely
Vasiliy M.

*** Lesson Details ***
I would be more than willing to assist my prospective students with their various musical endeavors, and people's willingness to either play music instruments,take voice lessons, or to study Music Theory/ Musicianship disciplines will serve us as a starting point for our work. Through the diligent preliminary talk we will discuss various aspects of interest that my students have developed in relation to music, so we could plan and design our future lessons according to an initial discussion. My job and responsibility will be to make an intelligent assessment of my students' natural abilities for the given subject of study, to create vigorous learning atmosphere during our meetings, and to give my students professional instructions to the best of my humble abilities, for the benefits of their musical , aesthetic, and personal development. I will encourage my students to learn as much as they can, at the given moment, but I will not ever attempt to exceed people's natural capabilities. Participation in Music with love and fun should be as rewarding and valuable to the music amateur, as professional performing career ( with its highly demanding standards) stands for classically trained musicians. During our study sessions, we will work upon the goals and tasks that we have discussed at the beginning of our meetings. My ultimate goal as a teacher was and will always be to help my students discover and bring forward their best creative potentials through the intensive musical studies and practice, and, at the same time, to favor heir initial interest's transformation into a deep, serious passion.

*** Studio Equipment ***
Living Room, Italian keyboard Real Piano PRO 2

*** Travel Equipment ***
Honda Insight 2011

*** Specialties ***
As a Bass - player, I have been performing in Big-Band Orchestras, Jazz Sextets, Quartets, Trios, Duos.
I was also a Progressive-Rock Band Bass-Player.
John Pretlor Band, (R&B style, Soft Jazz) hired me, as a Bass Player, before I went to Mannes College, to study Composition.

Music Theory - wise, I have taught Fundamentals of Music, Elementary Music, Music Theory I, II, Keyboard Harmony, Music Analysis, Post-Tonal Theory.

, Turkey, Canada, and the Czech Republic. He has a firm knowledge of German, Italian, and French vocal repertory, diction, and languages while specialising in English diction for the non-native speaker and/or singer.

During his time in Orange County, CA, he held his own music studio. While there he taught over thirty students (Ages 5-45+) voice and piano privately. Additionally, he taught as a TA for UC Irvine int he subjects of Music Theory, Voice Performance, and an introductory music course for non-majors.

ely,
Phil S.

Some press:

Phil's compositions showcase a variety of ideas and are quite effective at setting up the soloists to explore the various permutations suggested by his tunes. His compositional originality is matched by his incisive playing which ranges from "inside" lyricism to hard edged, riff based, screaming rock and satisfying surreal textures aided by his intelligent use of electronics."
- David Kane, Cadence Music

"With demonstrative technique, Phil is cognizant of the tradition but thinks outside of the box."
-Mark F. Turner, All About Jazz

ills that can be beneficial in every aspect of our daily lives. Whether you are new to the cello, picking it back up after some time off, or at a more advanced level, I hope to hear from you! If you have any questions at all, please send me an email. I look forward to hearing from you!

BIO:
Born in Minneapolis, MN, Victor Mooney began playing cello at the age of 7. While in Minneapolis he studied with Tom Austin, former member of the Minnesota Opera. Victor completed a Bachelor of Music Performance degree from Iowa State University, where he studied with George Work. Upon graduation he was awarded the Outstanding Senior in Music award, the highest honor the Music Department at Iowa State gives. While in undergrad he also received a scholarship for excellence in performance. In the fall of 2015, Victor pursued a Master's of Music degree in Cello Performance at The Boston Conservatory, where he studied with Andrew Mark. He has participated in master classes with Anthony Ross, Tanya Remenikova, Narek Hakhnazaryan, Hong Wang, Bruce Uchimura, Wes Baldwin, Theodore Buckholz, and Joshua Koestenbaum. From 2013 to 2015 he played regularly with the Des Moines Symphony Orchestra. While at Iowa State University he had the opportunity to sit Principle Cello in both the Iowa State University Symphony Orchestra and the Iowa State University Chamber Orchestra. Along with teaching privately in his Boston Studio, Victor also teaches for the Brookline Adult and Community Education Center. Outside of music, Victor enjoys reading, cooking, watching hockey and soccer, and visiting with family and friends in Minnesota.

tly working in different projects (jazz, pop, classical rock), and is the leader of 2BIRDS BAND, a funk/rock string based band. This band had tours, and gave various shows and clinics in France, Canada and the American East Coast (Boston, NY).
My goal is to get the best from my students, with patience, care and humour, so that they become the best they can be as musicians and human beings! I'm a pretty eclectic artist and love to discover things with my student, regardless their age, level and background! All musics are sisters and it's always a pleasure to teach on one hand classical music and on the other hand, jazz harmony and improvisation as well as rock, pop, hip hop tunes!

contemporary music as well. I have studied and collaborated with many great musicians, and have tried to absorb every drop of depth and insight from them as possible. I believe that the most fundamental aspect of all musical learning is the development of an inner ear, and will work with all students on learning how to imagine sound so that they can then play with beauty, creativity, and quality.

rnational Competition in Greece, Third prize in Nodar Gabunia International Competition in Tbilisi, Semi-Finalist in Gina Bachauer International Competition in Salt Lake City, and Semi-Finalist in Astana Piano Passion festival organized by well-known Russian pianist Denis Matsuev. I have also taken many master-classes from notable musicians from all over the world, among them are Boris Berman (Dean of piano department at Yale University), Robert Benz (the chair of the jury at Ettlingen International Competition), Aleksander Korsantia (professor at New England Conservatory), Fabio Bidini (professor at Colburn Music School), Jura Margulis (professor at University of Arkansas), Ian Fountain (professor at Royal Academy of Music in London) etc. I achieved musical mastery under the mentorship of well-known pianist and pedagogue Armen Babakhanyan in Yerevan State Conservatory (2010-2013).

mporary music and a specialization in Jazz, Brazilian music, and improvisation (scat) as a vocalist, he also starts his studies in Violin, Viola, and orchestra. This institution has given the opportunity to continue his studies at Berklee College of Music, Boston United States where he got his Degree in Performance and Professional Music in the year 2017.

Gerson E. has performed in several countries like Ecuador, Colombia, Mexico, United States, Greece, Germany and France, many concerts as a singer, violist and violinist with several of the most recognized figures in the art world and in major venues in Ecuador and the United States, this experience has generated in him a very important background about different musical styles such as the Latin American music, Indian, Arabic, jazz, Brazilian, Classic, and world music in general.

At the young age of 17 he starts teaching music lessons at the “Franz List Conservatory” and “Fretless Music Academy” where he creates the educational program for kids called “Pintando con la música” (Painting with music) Program that tries to involve kids into the music world through art, developing physical and creative skills and passion for the music studies.

Now located in Boston since August 2014, has participated in several concerts with world-class personalities such as Susana Baca, Bill Whelan, A. R. Rahman, Joyce Moreno, Jacob Collier, Milton Nascimento, Patrick Doyle, Beyoncé’s First Band, Tigran Hamasyan, Toninho Horta Oscar Stagnaro, Pablo Ziegler, Peter Eldridge, Kenny Werner Maysaa Karaa, Bill Mobley, just to name few of them.