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Houston, PA Music Performance Lessons

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Popular Music Performance Teachers near Houston, PA

Check out some of our most popular teachers near Houston, PA including Pittsburgh, Murrysville, Wexford, Bethel Park and Sewickley.

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About Desiree S.

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Pittsburgh, PA

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Vocal technique
Vocal performance
Diction
Acting through singing

About Desiree
I'm excited to be a TakeLessons instructor and to be able to share my experience and knowledge with you. I have been a singer and performer for over 20 years and have taught voice and beginning piano for over 12 years.

I received a Master of Music in Vocal Performance from the University of Cincinnati College-Conservatory of Music and a Bachelor of Arts in Music from Rhodes College in Memphis, TN. I continued my studies in New York City in voice, acting and diction.

I continue to be an active performer specializing in musical theater, opera and concert. I began my professional career as an apprentice with the Portland Opera in Oregon. My love for music has taken me across the U.S. and around the world. I come to Pittsburgh via Memphis, Cincinnati, St. Louis, Portland, New York City, ports around the globe through Cunard Cruise L
ines, San José, and Chattanooga.

Currently, I can be seen performing the first Tuesday of each month with Aria412 at Wallace's at Hotel Indigo. I especially enjoy new music and have premiered new works with Pittsburgh Festival Opera, Alia Musica and the New Dischord Festival. The most exciting premiere was the title role in Eve Apart by composer Tim Hinck and my husband, which was produced both in Chattanooga and Pittsburgh. My favorite operatic role is Queen of the Night in The Magic Flute and I have had the pleasure of singing it with Undercroft Opera, Opera San Jose, West Bay Opera, Stockton Opera, Pocket Opera and as a Resident Artist at Portland Opera.

I premiered the role of Flora Dart in A New Kind of Fallout by composer Gilda Lyons and playwright Tammy Ryan with the Pittsburgh Festival Opera. That same season I portrayed Joe Boyd in PFO's gender bending Damn Yankees. Other theatrical performances include Roselinda in Die Fledermaus with Undercroft Opera, Despina in Cosi fan tutte with Mission City Opera, Blonde in Abduction from the Seraglio with Pocket Opera, Cunegonde in Candide with Arena Stage in Washington, D.C., and Rosa Bud in The Mystery of Edwin Drood with Chattanooga Theater Center. I have appeared as Abigail in The Crucible, Mabel in The Pirates of Penzance, Zerlina in Don Giovanni, Lucy in Threepenny Opera and Celeste #1 in Sunday in the Park with George.

As a soloist with Pittsburgh's new music ensemble Alia Musica, I premiered Kierkegaard's Pantoum by composer David Lidov, was soprano soloist in Shadow in the Hot Sun by Paris-based composer Nissim Schaul and Al Vacio by composer Federico Garcia, a work she premiered at the inaugural New Dischord Festival in Chattanooga. I created the role of Pamela in the premier of TOOWHOPERA by composer Sorrel Hays in Rome, GA.

I was named a world finalist in the Luciano Pavarotti International Voice Competition, a regional finalist in the Metropolitan Opera National Council Auditions, a semi-finalist in the Jenny Lind Competition and a regional winner in the MacAllister Competition.

*** Lesson Details ***

Whether it is preparing for a competition, an audition or a role for the school play, I enjoy helping students of all ages reach their goals. I structure the curriculum to the individual needs of my students, focusing on healthy vocal technique, musicianship, stage presence, and joy in music.

During your first lesson, you will sing various vocalises to determine how you negotiate the changes in registration, what your vocal range is, and what you have to work on to improve your vocal quality, stamina, and flexibility.

If you do not see an available time, please call Takelessons. I sometimes have availability that is not visible on my calendar.

*** Studio Equipment ***

Living Room: baby grand, couch, chair, bench, small table, adjoining dining room where parents can wait.
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Reviews
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Isabella K. October 16, 2018
· Vocal Training · In studio
Desiree is an excellent voice teacher
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Tallulah March 29, 2018
· Singing · In studio
Desiree is fantastic and my 9 year old daughter really looks forward to her lesson each week.
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Cristal F. October 17, 2017
· Singing · In studio
Great job
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Desiree S.

Desiree S.

Pittsburgh, PA 15232
(28)
starting at
$30 / 30-min

About Cyndi E.

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Las Vegas, NV

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You will learn stage presence along with proper vocal techniques!

About Cyndi
Cyndi has been very successful as a singer/songwriter, artist developer, producer and teacher. Originally hailing from Dayton, Ohio, she has resided in Los Angeles for many years. She is currently living in Las Vegas, Nevada. She has performed all over the United States and the world as an artist singing on cruise lines such as The Royal Carribean, Carnival, NCL etc., and has shared the stage with The Jackson's, Barbara Striesand, Stevie Wonder, CeCe Winans and many others.

As a teacher, Cyndi has taught "Vocal Technique" to students of all ages ranging from 5-70 for the past 25 years. She was Youth and Young Adult Music Director for Crenshaw Christian Center, one of the largest mega churches in America, as well as A&R for their record label. As a songwriter/producer/artist developer on staff for 12 years, she produced numerous CD
projects. Her song, "The Power of Faith," that she wrote for the Ever Increasing Faith broadcast can be heard all over the world daily on both television and radio. Because of her meticulous instruction, many of her students have gone on to obtain professional careers in the entertainment and music industry. Keisha Renee is currently a The Voice 2017 Team Blake competitor and has been back up singer and opener for the amazing R & B singer, JoJo. Keisha has also sang backups on the P Diddy 2016 Bad Boy reunion tour, she's also a member of Team Minaj as Nicki Minaj's main back up singer as well as numberous others. Julia Michaels, is currently one of America's leading songwriter/vocalist having sold 50 million copies of her songs worldwide and her newest single "Issues" has topped the Billboard chart. Julia was also the first American to ever sing for the closing ceremonies of the 2016 Olympics. Amber Riley, another of her students, was a main cast member playing "Mercedes" on the 10 year Award winning TV show, "Glee" and is currently playing the lead role of "Effie" on the Broadway musical, "Dream Girls".

As a teacher, I get immense satisfaction from seeing my students excel and fly using the techniques and tools that I have taught them," Cyndi says beaming with pride. "My students have done tremendous things in the industry and it is my pleasure to continue to pass down the nuggets of wisdom and skill that I've obtained from over 30 years in the entertainment business."

Cyndi's training began at age 8 where she studied classical piano for 6 years. By age 15, she and her brother released their first independent single which did reasonably well locally. By age 19, while studying music at Ohio University, she along with her brother won "Right On" magazine's nationwide talent search and were offered two major recording contracts. She decided to sign with Philadelphia International Records under the auspices of Grammy Award winning producer, Thom Bell (who was recently inducted into the Rock and Roll Hall of Fame). She studied under Thom Bell and it was there that she learned the art of record production. She also studied vocal production under legendary Grammy Award winning producer, Hal Davis (Jackson five fame). Cyndi was taught proper vocal technique by vocal trainer to the stars, Seth Riggs and continued her private studies learning the vocal techniques of the great Alan Linquist. Her teaching style has subsequently morphed into a combination of all these great inspirational instructors.

As a teacher, Cyndi is kind, patient and extremely enthusiastic when it comes to instructing her students. Her students always see her as their friend and one who they know will bring out the best in them and desires that they grow to their fullest potential.

*** Lesson Details ***
When you come to Cyndi for voice lessons, you can rest assured that your vocals will never be the same. She is as comfortable teaching the beginner as she is instructing the seasoned professional who wants to hone their skills even further. She can always bring something out of you that you didn't know was there. Maybe it's the confidence that she exudes when she instructs, maybe it's her innate ability to know what's needed at any given time to make the student better. But whatever it is, you can rest assured that your lesson will be fun, thorough, and the lesson plan that she devises will cause you to arrive at the musical goals that you've set for yourself. She can help you or your child prepare for upcoming auditions, as well as any other scheduled performance. Cyndi will create a lesson plan that will certainly be tailor-made for your style and needs.

*** Studio Equipment ***
Piano

*** Travel Equipment ***
I can bring my Cd player to play tracks etc....the student should have a recording device to record the lesson, whatever performance tracks we'd be working from, and a keyboard would be helpful but not necessary.

*** Specialties ***
My style of vocal training concentrates on singing in the 'Ng" position and using cuperto as the primary way to produce more tone with less effort. I also train my students to breath properly utilizing the lower lumbar area along with breathing from their diaphragm. I generally train vocal students in all genres of music and I stress stage presence in conjunction with proper vocal technique.
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Reviews
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Melissa December 7, 2018
· Singing · Online
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Caroline B. December 4, 2018
· Singing · Online
Ms. Cyndi is a great teacher! Just from the first lesson I have already learned so much.
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Princess M. October 18, 2018
· Singing · Online
I wouldn't want anyone else she is amazing. :)
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Cyndi E.

Cyndi E.

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starting at
$35 / 30-min

About Jamila S.

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Boca Raton, FL
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Development of performance techniques
How to develop confidence in performing
Proven techniques for solid memorable performances

About Jamila
Masters Degree in Piano Performance
Bachelors of Fine Arts in Jazz Piano Performance
Golden Key International Honor Society
Member MTNA

*** Lesson Details ***
My philosophy is to push you to exceed your expectations and reach your goals while still having fun. I will push you, but gently and show you a lot of effective ways of practicing so that you achieve more in less time. I am big on technique and really believe in the importance of developing a solid technique, which I will help you to acquire.
A strong technique will give you the tools you need to play whatever you want skillfully. With a commanding technique you will be able to focus on making beautiful music.
Are you a singer? Develop your piano/keyboard skills and you can learn to accompany yourself.
I generally divide the lesson into three sections:

Tech
nique
Repertoire
Music Theory

I feel it is important to bring all of these elements into all areas of music education, particularly performance.

What is most important is that you are enjoying your music educational experience. Looking forward to your lessons, enjoying your practice time and having a sense of accomplishment. I will push you to exceed your own expectations but you will set the pace as well as determine what music you desire to play.

*** Studio Equipment ***
Baldwin Piano

*** Travel Equipment ***
Ipad
Music Scores
Music Books
Music Theory Books
Music Theory Worksheets
Music Theory Assignment Sheets
Practice Assignment Sheets

*** Specialties ***
I specialize in developing a strong technique at the piano to help the student facilitate dexterity and independant finger strength. With these skills I find you will be able to execute any style of performance with a great deal of ease.
Are you a singer? Learn to accompany yourself.
Vocal Coaching Provided
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Reviews
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Eric August 18, 2015
· Piano · In home
Jamila has been giving our 7-year-old twin boys piano lessons for six months, and my wife and I are blown away by what an incredible teacher Jamila is. Our boys began never having played a note in their life, and in just six months they play at a level we didn't think they would reach for at least a year and a half or more. Family and friends who hear the boys play are amazed because their own kids took lessons for years and didn't achieve the same level of skill and knowledge of musical theory so early on--and it is 100% thanks to Jamila! She doesn't underestimate kids or teach down to them. She teaches proper technique and theory in a positive, encouraging, yet rigorous way that I imagine most kids will respond very well to. We feel blessed to have found her.
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Rebekah L. May 16, 2015
· Piano · In home
One word..... AMAZING!!!

Before Ms. Jamila was my piano teacher, I had little interest in the piano. My other teacher gave me boring, easy songs, which didn't help. After that, I despised the piano, and thought I never would play it. Then, Ms. Jamila came along. Unlike my other teacher, she asked my interests and what song I really liked. Now, I don't know how I ever hated it. I believe I will go far with her as my teacher. She posts articles on her blog and her website which deepens my understanding of music. I would reccomend her to anyone, because on a scale of 1 to 10, she's infinity!
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Danny R. May 15, 2015
· Piano · In studio
Jamila is great!

She is patient and extremely knowledgeable about music.
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Jamila S.

Jamila S.

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starting at
$40 / 30-min

About Scott S.

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Brooklyn, NY

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I have a 100% rate of getting my students into their school of choice as of yet. Although I don't guarantee it, I will work relentlessly to make sure you are well prepared though. I will also lend you PDFs of books to help you save a buck.

About Scott
*Brief Update: Both of my 8th grade students were accepted to LaGuardia High School and my 5th grade student was accepted into Mark Twain Middle School for the Gifted & Talented. He also passed his audition for Borough Wide Band. Next up is getting my Junior in high school into All State Orchestra!*

*Update again. My student made all state!

I have been playing drums and percussion since the ripe old age of 9, in 4th grade. Originally wanting to play the clarinet, my music teacher thought my sense of rhythm was too good to waste and placed me in the drum section. I was the only kid who didn't want to play drums. Twenty years later here I am, a professional freelancing percussionist and teacher. The journey to where I am was a long and winding one but I can't imagine it any other way. After learning basic drumming in elementary sch
ool, I continued through middle school. There I was placed on drum kit and thought I was the coolest. I didn't take it too seriously but serious enough to keep playing drum kit. When choosing high schools I wasn't interested in keeping with drums. I only took marching band because it meant no gym. After my first year I was placed in every band the next three years, having to learn timpani and marimba for concert band. I was also recommended to join a city wide concert band, InterSchool orchestras of New York, and haven't left since. I still coach the band and help tons of high school and middle school students hone their craft. Also that year, through ISO, I was given a chance to attend French woods performing arts camp on scholarship where I began my love of playing in musical pit orchestras. Through this time I studied with a couple of teachers and had plenty of coachings with professional percussionists. Upon graduating I have played well over 100 different musicals, played with over 25 different orchestras, and have taught over 100 students both privately and in coachings. I currently run a Drumline out of a private school, coach ISO band, freelance and have a studio of 8 students. That is a short sample of my journey and I hope it inspires you to study with me.

If you choose me as a teacher, I will shape you as an overall musician, not just a "Drummer". What this means is that you won't just learn beats from me, you will learn all the fundamentals of basic to intermediate music theory, from note reading and rhythm to chord changes and ..... You will start on a practice pad and quickly go to a drum kit. Lessons will be half and half, but more 75/25 drumkit, because everything you learn on a pad can translate to the kit! I would also teach you timpani and xylophone if you like so you can broaden your horizons and even get into the middle/high school or college you want. I have most of my books of pdf that I can give you to print or you can purchase your own copies. You would also need to purchase a practice pad and eventually a drum kit. If you don't want to purchase a drum kit then there is almost no reason to study it since you won't be able to practice between lessons. Practicing, let's talk about that. It is expected that you practice the material we learn in the lesson throughout the week. Now I know everyone is busy, but if you can put aside 25 minutes (a sitcom without commercials!!) a day then you will have a better understanding and better retention of the material. Doing this will let us just review the material a little bit and go on to learn new and exciting things.

The bottom line in choosing me? I am a professional musician in the trenches of the nyc music scene and know what it takes to make it.
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Anthony G. July 7, 2017
· Djembe · In home
Had my first lesson with Scott today. I was very happy with the way it went . I'm 50 years old with no experience at all - so I can honestly say the lesson was enjoyable without any pressure.
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Jack F. February 8, 2017
· Drum · In home
Scott is amazing with our 7 year son beginner. He has him so engaged and excited to learn & play. He's a one-of-a-kind teacher.
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Dakota January 6, 2017
· Drum · In home
Scott is inspiring, motivating, caring, attentive, personal and professional. In only a few weeks my daughter is developing a solid foundation in technique, rhythmic notation and musicianship. I would strongly reccommend him.
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Scott S.

Scott S.

Online
(4)
starting at
$30 / 30-min

About Amanda S.

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Irwin, PA
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The private lesson experience is unique in that it allows for more “customized” instruction that group lessons or rehearsals alone are not able to give. The instructor and student work one on one as a “team” toward the ultimate goal: a better understanding of their instrument, and a higher level of musical development.

In every lesson, we will work to improve technique, tone production, and listening/music reading skills, among other things. I will assign exercises and/or pieces each week that are meant to challenge, not overwhelm! Sometimes I will assign an exercise that is expressly meant for a particular area in which the student may not be the strongest, in an effort to develop that area. Learning an instrument is a skill that takes time to develop, and it is within the journey where most valuable learning takes place!

About Amanda
Amanda is a professional Pittsburgh-area flutist and private teacher. She has served as principal flutist with the Pittsburgh Philharmonic as well as second flute/piccolo with the Undercroft Opera. She has also served as a substitute flutist for the Edgewood, Westmoreland and Johnstown Symphonies. Amanda also performs with the Dolce Appassionato Trio, a chamber ensemble comprised of flute, cello, and piano. She is active as a soloist, performing in a variety of venues throughout the Pittsburgh region.

An ardent advocate of early music and historical performance, Amanda also plays the baroque flute. She has performed in masterclasses for internationally known baroque flutists Kim Pineda, Janet See, and Barthold Kuijken.

Amanda received a Bachelor of Music degree in music education from Seton Hill University, and a Master of Music de
gree in flute performance from Duquesne University, where she studied under Damian Bursill-Hall of the Pittsburgh Symphony Orchestra.
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Danielle W. August 12, 2014
· Flute · In studio
Amanda is a perfect instructor for my child. Friendly, knowledgeable and positive, Amanda has made my daughter's flute lessons and ongoing learning, a pleasant experience.
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Amanda S.

Amanda S.

Pittsburgh, PA 15241
(1)
starting at
$20 / 30-min
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About Thomas F.

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Torrington, CT

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I can teach all levels and many styles. I make it easy for you to learn at your own pace so you can achieve your goals and have fun playing music.

About Thomas
Tom has a music degree focused in guitar performance and a combined professional teaching and performance career that spans over twenty years.

Tom began teaching in 1994 and still practices today instructing students of all ages on guitar and bass techniques, as well as music theory.

Tom is very laid back and embraces working at the pace that each of his students feels most comfortable. Lessons are about the student’s ambitions. If it is learning their favorite songs or a deep dive into music theory, jazz improvisation or songwriting it can be covered in strides that seem fit to the student. Books can be used for guidance and a custom lesson plan created that will fit specific criteria desired to be achieved by the student. Remember, practice makes perfect. The more you put in, the more you will get out of it!!
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Amy P. October 29, 2018
· Ukulele · Online
My son has enjoyed his lessons with Thomas. Looking forward to eventually moving onto the guitar.
Definitely recommend!
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Amy P. July 20, 2018
· Ukulele · Online
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Mark June 8, 2018
· Guitar · Online
Tommy is an excellent Guitar teacher...very knowledgeable!
I am a beginner and Tommy was very patient, positive and encouraging
Highly recommend!
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Thomas F.

Thomas F.

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starting at
$25 / 30-min

About Brian C.

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Portland, ME
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We'll cover how to prepare for a performance, including practice tips and creating a set list.

About Brian
I have been playing guitar for 30 years. I am a state certified K-12 music teacher with over 7 years experience teaching guitar privately and in the classroom. I teach not only children but also adults of any level - beginner, intermediate, or advanced. Students can learn acoustic or electric guitar, and fingerstyle or pick playing. Styles taught include classical, rock and pop, blues, jazz, folk and country. Sight-reading, music theory, and learning by ear are skills all students will develop.

"I like Mr. C. because he always cheers me up if I do something wrong on guitar. He helps you through step by step." -- Aaron, age 9

"I would emphasize your patience with me and your ability to simplify coursework." -- Fedja, age 37

"Excellent teacher with lots of patience. Kick-started me into the musical world and inspired me to learn gu
itar and start singing." -- Angelina, age 16

*** Lesson Details ***
Each lesson will begin with tuning the guitar and warm-ups. Then we'll move on to either our practice books or a song or piece you have chosen to learn and study not found in the books.

If you are beginner, we'll start with how you handle the guitar and any technique issues. Then we'll work on note and chord recognition, the ability to sight-read and play from memory.

*** Studio Equipment ***
2011 Apple iMac;
MXL 910 microphone;
Yamaha Nylon-String Electric-Acoustic Guitar;
Yamaha Steel String Guitar;
Gibson Les Paul Special Electric Guitar;
Esteve Spanish Classical Guitar;
Roland Cube 80 electric guitar amplifier;
Ibanez T80 acoustic guitar amplifier

*** Travel Equipment ***
Music Stands;
Foot Rests

*** Specialties ***
Song Transcriptions - Use your ear to learn and notate song melodies and the guitar parts
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Jo July 20, 2018
· Acoustic Guitar · In studio
Very good first lesson.
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Brian C.

Brian C.

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$40 / 30-min

About Billy N.

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Brooklyn, NY
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I can prepare the student to perform a concert or do a show. We can record and listen back. Go over many practice techniques that will result in greatly improved performance

About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

Billy N.

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$65 / 45-min

About Jamie B.

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Tuscaloosa, AL
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I am an active performer and have been teaching voice for 7 years. I tailor each lesson to the student's needs and create a supportive and nurturing environment, which gives the student the opportunity to try new things out and take risks. For Music Performance, I will help the student learn how to take work accomplished in the studio to the stage.

About Jamie
Soprano Jamie Balter most recently received recognition by both The American Prize in Voice and New York Lyric Opera Theatre Competition for her performance of works by Strauss, Mozart, and Wagner. A native of Baltimore, Ms. Balter earned her Bachelor of Music in Vocal Performance from the University of Miami’s Frost School of Music and is currently pursuing a Master of Music degree in Vocal Performance from the University of Alabama under where she is a student of Dr. Paul Houghtaling. As a member of the University of Alabama Opera Theatre, Ms. Balter will sing the roles of Consuelo in West Side Story and Rosalinda in Die Fledermaus in the upcoming season.  During the 2017/18 season, Ms. Balter appeared as a guest artist in Visions of Dreams, where she performed selections by Duparc, Schubert, Mozart, and Lehár. In July 2017, she made he
r role debut as Donna Anna in Mozart's Don Giovanni at the Centre for Opera Studies in Italy. During the 2015/16 season, Ms. Balter returned to the Hawaii Performing Arts Festival as Marcellina in Mozart’s Le Nozze di Figaro, where she also covered Countess Almaviva under the baton of Maestro James Richman. In addition, she appeared as La Chatte/L’Écureuil in Ravel’s L’Enfant et les Sortilèges. Previously, Ms. Balter joined the roster of Russian Opera Workshop, where she covered Zemfira in Rachmaninoff’s Aleko and the title role in an abridged version of Tchaikovsky’s Romeo and Juliet. Balter began the 2016 season as a guest artist in From Heidelberg to Hanover, where she performed Strauss’ Four Last Songs in addition to selections from Lohengrin, Der Freischütz, and Tannhäuser with Lyric Opera Baltimore Artistic Director, James Harp. Highlights of the 2014/15 season included Second Lady in Mozart’s Die Zauberflöte with the Hawaii Performing Arts Festival, Alice (cover) in Verdi’s Falstaff with Harrower Opera Workshop, and An Evening of Opera & Song with the McDonogh Guest Artist Series. Ms. Balter holds the position of Artistic Administrator at the Hawaii Performing Arts Festival having previously served as Director of Admissions. Jamie Balter maintains a private voice studio in Tuscaloosa, Alabama, previously having studios in Springfield, Illinois and Miami and Tallahassee, Florida. She has previously served as the head of the voice program at The Music Factory in Springfield, Illinois and served on the faculty at The Stubbs' Music Center in Tallahassee, Florida.  This spring, Ms. Balter will be teaching a masterclass as part of a series at McDonogh School in Owings Mills, Maryland titled An Artist Works: Tools of the Trade where she will discuss vocal technique, the key elements to having a successful audition, and how to make a website and a résumé.  
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Reviews
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Sophia February 25, 2016
· Piano · In home
Loved her!! My daughter is 5 years old very high spirited and she really knew how to keep her attention. Can't wait until her next lesson!! Happy mommy!
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Melissa E. January 20, 2016
· Piano · In home
Nice, professional, great energy! My daughter loved her from the minute they started her first class. She is very patient and makes the class really enjoyable.
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Mela V. January 20, 2016
· Singing · Online
First lesson was great, can't wait to continue!
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Jamie B.

Jamie B.

Online
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starting at
$40 / 30-min

About Dustin G.

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Pittsburgh, PA
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Helping students utilize performance techniques, deep breathing, visualization and other methods to optimize and unlock performance success.

About Dustin
Mr.Dustin is a freelance bass trombonist and professional musician in the Dallas-Fort Worth Area. Dustin holds a bachelor’s Degree in music performance from Texas Christian University and has performed with Center Stage Brass, The Brass Roots, and The Balcony Big Band. Dustin leads an active and versatile freelance career playing in ensembles of a wide range including orchestral settings as well as jazz and commercial settings while also running his own private lesson studio.

Dustin has a background check from Pittsburgh and is certified to work with students at the Carnegie Mellon University Preparatory school!
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Reviews
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Jude M. June 22, 2018
· Trombone · In studio
Dustin was Fantastic! Could hear an immediate improvement with a cleaner sound of my son's playing. Dustin is calm and easy going but still addressed the issues my son was having in a positive and relatable manner.
So excited that we are able to have Dustin tutor my son for the trombone.
Monica Disbrow
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Dustin G.

Dustin G.

Pittsburgh, PA 15217
(1)
starting at
$30 / 30-min

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Open Mic 101: How to Overcome Stage Fright & More
Thinking about stopping by an open mic night, or hitting the stage for karaoke? Performing in front of others is a fantastic way to boost your confidence and meet other musicians in the area - but it can also be pretty scary if you're a newbie! Luckily, learning how to overcome stage fright is easy when you focus on the right things. Read on to learn more about how open mic nights work, how to prepare for your first performance, and how to overcome your stage fright: How Do Open Mic Night
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