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Calumet, OK Music Theory Lessons

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Popular Music Theory Teachers near Calumet, OK

Check out some of our most popular teachers near Calumet, OK including Piedmont, Yukon, El Reno, Concho and Union City.

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About Heather C.

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Springfield, VA

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I've been providing music theory for over 6 years with my students gaining a better understanding of music and how it is relative. Within the first few lessons, you'll be able to read music and as time goes on you'll be able to analyze sheet music and compose short songs. Resources will be provided in aiding for studying and homework. I love working with students of all ages and experience levels and I can't wait to meet you!

About Heather
Heather is graduate from George Mason University with a Bachelor of Music in Vocal Performance. An active member of GMU Opera, Heather participated in the program's performances of 'A Christmas Carol,' 'Amahl and the Night Visitors,' 'La Boheme,' and 'Suor Angelica;' as well as Carolina in the studio scenes of Cimarosa's 'Il matrimonio segreto.'

Heather made her solo debut at the Kennedy Center in April 2011 singing for the Karen Reedy Dance Company along with singing for the GMU Dance Company.

Heather has been studying voice for over 10 years emphasizing on pop and musical theatre styles prior to her opera training. Having learned the natural way of singing, Heather incorporates vocal health into her lessons with the theory of "self-awareness" while singing. Each student will sing only what is comfortable for THEIR voice and will r
eceive, as well as give, feedback on their singing.
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Alex Beach July 5, 2017
· Singing · In studio
I just had my third lesson today and I've loved the lessons so far. Heather has already helped me become a lot more confident with my upper register by helping me with my breathing techniques. The stretching and breathing at the beginning of the lessons made me a lot more comfortable from the start. I'd definitely recommend her :)
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Remy T. June 9, 2017
· Musical Theater · In studio
Remy is really enjoying herself and learning so much!!
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Daniel Burgess June 6, 2017
· Musical Theater · In studio
Super nice and helpful! I love it
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Heather C.

Heather C.

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(15)
starting at
$40 / 30-min

About Beverly M.

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El Reno, OK

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Fundamentals of music theory will include:
Scales
Chords
Rhythm
Melody
Harmony
Dynamics
Ear training

About Beverly
My greatest desire is that I will instill in each of my students the love I have for making music. I consider it to be the language of the heart, and nothing equals the moment you realize you are hearing your thoughts and feelings in the music you are playing. What a priceless gift to give yourself!

Perhaps you've decided to become a professional musician, or maybe you've decided to follow a dream you've had for a lifetime, to play piano for your own enjoyment---whatever your goal is, I can lead you there! It's NEVER too late to follow a dream!

I am a classically-trained pianist, and received music education in Paraguay, South America, and at Southwestern Assemblies of God University, Waxahachie, TX. I have also excelled at playing many styles by ear. I am fortunate to also love teaching, which allows me the incredible privile
ge of sharing my musical knowledge and my love for playing with anyone who wants to join me on this amazing journey.

I have 30+ years of experience teaching piano--from numerous four-year-olds to an eighty-six-year-old student. In addition to teaching students to play by note, I enjoy teaching students to play by ear. Together, we will explore many different types of music--Easy-listening, Country, Southern Gospel, Black Gospel, Blues, Latin, Contemporary, Classical, etc.

I am qualified to teach piano by note from beginner through early advanced (all ages); by ear, beginner through very advanced.

I also have experience teaching special needs students, students with physical handicaps, and students with physical limitations (Ex: Autism, delayed learning, ADD, ADHD, Multiple Sclerosis, arthritis, etc.), and feel that anyone can learn to play. We may need to slow the pace or change the technique, but I haven't found a child or an adult who couldn't learn to play piano, if they really have the desire to do so. In many cases, I've seen students who struggle in other areas of life excel in the area of music.

I have written more than 200 songs (mostly Gospel and some easy listening), with numerous ones having been recorded by various artists. Several have been arranged and published for church choirs.

Having lived in South America as a child, I am bilingual and qualified to give piano lessons in English or in Spanish.

I would be honored to share my knowledge and love of music with you. Give yourself a priceless gift that will last a lifetime!

*** Lesson Details ***
Our sessions will be laid back and comfortable, yet challenging. Humor will often find its way into our sessions. I am patient with my students, while helping them master new songs or techniques. I understand that every student learns in a way that is unique to them, and I will do my best to discover each student's learning method. I do not expect perfection, but I do strive for excellence. I believe every student should work to be the best pianist they can possibly be, while having fun doing so!

I believe it is important for students to have a strong foundation of learning to read notes--so much so, that I will not teach a young student to play by ear, who is is not willing to learn to play by note as well.

Adults who have never had piano lessons are encouraged to learn to play by note as well, and will be given the opportunity to learn to play by ear if they desire. Adults who have a good knowledge of reading music will truly enjoy learning to play many styles by ear, and learning how to improvise (adding extra elements to written music).

Each lesson will conclude with an assignment of songs given to work on throughout the week--usually 2-3 songs for 30-minute lessons, and 4-5 songs for an hour-long lesson. These will be the same songs we have worked on during the lesson time, so you will go home with the knowledge you need to master each song. Music theory sheets and technique exercises will also be included in the assignments.

Daily practice is strongly urged, in order for the student to progress. If a student doesn't practice, they won't progress. If they don't progress, they will become bored. It's a very short path from boredom to quitting. That's a tragedy that can very easily be avoided, by making a commitment to practice 5-6 days a week. The amount of recommended practice times varies according to age and level of skill.

Students will showcase what they have learned at a yearly recital, the second Saturday in December. I also encourage students to share their talent in community and school talent shows, at church, at family gatherings, and for friends. In just a few weeks you'll be playing songs that others will recognize!

Note: I do have cats in my home. Unfortunately, I do not have a way to block their access to the music studio. If you or your child has a problem with cat allergies, I can teach the lesson next door in our church.

*** Studio Equipment ***
Lessons are taught in the front room on a studio piano. There is a couch for seating for parents who wish to stay and observe a lesson. The yearly piano recital is conducted at First Assembly of God (next door to the studio), and students will enjoy playing my 5'9" grand piano located in the church sanctuary.

*** Travel Equipment ***
I purchase the necessary books and lesson binder, and the student reimburses me. I provide weekly lesson sheets for the lesson binder. Every student needs to have a piano or keyboard, plenty of good lighting, and a reasonably quiet room.

*** Specialties ***
Classical, Country Gospel, Floyd Cramer Country, Black Gospel, Easy Listening, Easy Rock, Contemporary Christian, Latin, Pop. By note and by ear.
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Reviews
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Keri December 7, 2015
· Piano · In home
Mrs. Moss has taught all three of our children, who are of various ages and various abilities/styles of learning. Each child has enjoyed working with her! Mrs. Moss approaches teaching with a loving heart and a desire to share the gift of music with her students. She uses a mix of teaching by note and by ear, using various styles of music. I especially like the fact that, in addition to assigning pieces, she encourages students to learn pieces of their choosing. She communicates expectations very clearly with students and parents, which is much appreciated.
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Debby G. November 5, 2013
· Piano ·
I like this product.

Ms Bev is such an awesome teacher. She makes learning fun.
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Myra P. November 5, 2013
· Piano ·
Awesome!

Excellent experience! Skills, professionalism, communication, and reliability are second to none!
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Beverly M.

Beverly M.

El Reno, OK 73036
(6)
starting at
$20 / 30-min

About Rina M.

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Westfield, NJ

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Want to understand what makes up a chord? or What a I - IV - V progression means? How do dynamics create interest? Key signatures and time signatures -- Why are they important?... If you are looking for a teacher to answer your music questions, contact me immediately. Questions are encouraged!

About Rina
I am a music educator, classically trained with an advanced performance degree. As a soloist and collaborative musician, I have performed professionally in ensembles, bands and orchestras both here and abroad. With a high degree of knowledge and proficiency, I teach proper technique and practice strategies, music notation, theory, rhythm and phrasing, while adapting teaching approaches to match the needs of each student. I share a love of music with my students and it gives me great pride to hear each student develop their own musical voice.

*** Lesson Details ***
My goal is to help students of varying ages and abilities succeed musically. Dedicated, experienced, encouraging, and sensitive to student moods, I am a multi-instrumentalist who can instruct you in acoustic guitar, classical guitar, piano (classical and popular repertoire
), oboe, and voice. Study music to awaken your aural senses, develop muscle memory, and enhance your intellectual development.

*** Studio Equipment ***
Piano and bench, keyboard, guitar, guitar stand, music stand, foot stool. Ample seating for parents.

*** Travel Equipment ***
I am comfortable teaching from a piano or keyboard. I will transport my own guitar and anticipate students will own or rent the instrument they will be studying.

*** Specialties ***
Beginner to advanced music instruction, guitar notes and chords, piano melodies and accompaniment, vocal instruction, musical theater, classical piano and more.
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Reviews
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Stephen May 11, 2017
· Piano · In studio
Rina is a fabulous instructor. My son originally contacted Rina after researching piano teachers in our area. She came highly recommended and as a result he gave me a gift of five piano lessons to start. I became hooked; I've been with Rina for well over a year now and thoroughly enjoy learning. Her background in music is broad and she is creative in her approach to teaching.
The experience has been extremely rewarding for me and I look forward to continuing my journey into piano with Rina for many sessions to come.
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Michael R. March 14, 2017
· Oboe · Online
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Linda July 15, 2016
· Guitar · In studio
Rina is a wonderful instructor. I was nervous about taking lessons later in life but she has been very supportive. She approaches the lessons at the perfect level for me and is making learning enjoyable.
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Rina M.

Rina M.

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$40 / 30-min

About Denise B.

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New Orleans, LA

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About Denise
Thank you for your interest in viewing my profile! Here is a short description of my educational and professional background. I hold a Master's in Voice Performance degree from University of New Orleans and Bachelor of Science degree in Voice Performance from State Music Academy, Sofia, Bulgaria.
In 2001, I toured with International European Opera Company which performed numerous times in Denmark, France, Italy and USA.
I currently perform and teach in the New Orleans area and love to share my knowledge and experience with my students. There is so much more to performance then just beautiful vocalizing.....

*** Lesson Details ***
My teaching is based on my own personal, classical training from Europe and North America. Whether it's opera, o
ratorio, musical theater or pop-style singing that is desired, I believe that classical technique is an essential source of proper singing that can be used to train singers of all genres.
Just like a piano, flute or violin, your voice is an instrument.
The purpose of voice lessons is to help you develop a beautiful and dynamic singing voice and also to teach you to use your voice in a healthy age-appropriate way that will keep you singing for many years to come!
As your teacher, I want your lesson to be more than just singing through a few songs.
While what specifically happens during a voice lesson can vary greatly from student to student and from week to week, the overall structure of the lessons remains similar.
We will always start with some combination of warm-ups for your breath, body, and voice. Just as you wouldn't go running without first stretching and warming up your muscles, you don't want to start singing full songs without first getting your body and voice warmed up.
Warm-ups will also introduce you to new techniques for properly using your voice in a healthy and beautiful way.
After warm-ups, we will work on songs. Typically, you will sing through the song once, and then we will go through it in small, manageable chunks, applying the techniques from the warm-ups to the songs.
During the lesson we will also work on expression and acting. A song isn't just pretty notes—it tells a story. If it's a song from a musical, there's a specific character that sings it. It's your job as a singer to tell the story and to make it fun and exciting for the audience.
While there's a lot of hard work that goes on during a lesson, voice lessons are lots of fun! As your teacher, I am here to encourage you, support you, and guide you in your vocal studies. I look forward to working with you soon!

*** Studio Equipment ***
Music studio room, 2 full size keyboards, music stands, book shelf, desk, parking lots (free).

*** Specialties ***
Classical, Music Theater, Jazz
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Reviews
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Elina August 10, 2017
· Singing · In home
We are really enjoying the lessons!!
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Fey T. July 1, 2017
· Singing · Online
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Raymond May 16, 2017
· Music Performance · In studio
Denise inspired me to expand on my tone and range to depths that I never had the courage to explore. She is truly a remarkable songstress and music teacher. If you are searching for an instructor who knows how to teach music, Look No Further..............Denise is the Truth
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Denise B.

Denise B.

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starting at
$25 / 30-min

About David G.

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Washington, DC
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Extensive training at Eastman School of Music and Bard College Conservatory of Music. Noted professors include: Steven Laitz, William Marvin, Christopher Gibbs, Kyle Gann, and James Bagwell.

About David
Winner of the 2016 Ansbacher Prize for Conducting, Scottish conductor David Gargaro was recently invited by the Vienna Philharmonic to take up residence at the 2016 Salzburg Festspiele. David currently holds the position of Principal Guest Conductor of the New Fine Arts Ensemble in South Korea, and has previously held artistic positions with both Opera Philadelphia, and New York Youth Symphony. Other accolades include being named as a finalist for the American Conducting Prize and semifinalist in the prestigious League of American Orchestras Bruno Walter Conductor Preview. This season, David was invited to conduct the BBC Symphony, London Mozart Players, and Hilliard Ensemble.

David has conducted orchestras such as the Virginia Symphony, New World Symphony, Hartford Symphony, Oregon Bach Festival Orchestra and Chorus, Bohuslav Martinu
Philharmonic, Portland Symphony, Winston-Salem Symphony, Cincinnati Philharmonia, Orchestra Society of Philadelphia, New York Youth Symphony, UCLA Philharmonia, New York Women in Music Festival Orchestra, Genovian Philharmonia, Cincinnati Concert Orchestra, Oistrach Symphony Orchestra, Bard Conservatory Orchestra, and Eastman Philharmonia.

David has collaborated with conductors such as Sir Roger Norrington, Michael Tilson Thomas, Helmuth Rilling, JoAnn Falletta, Gustav Meier, Kenneth Kiesler, Leon Botstein, Cliff Colnot, Jorge Mester, Kirk Trevor, David Effron, David Loebel, Mark Gibson, Markand Thakar, Apo Hsu, Jeffrey Meyer, and Donald Schleicher.

Born in Germany, David began his musical studies at St. Mary’s Music School in Edinburgh, Scotland where he studied trumpet with Marcus Pope and piano with John Cameron. In 2005, David accepted a scholarship to study trumpet at Eastman School of Music with James Thompson and orchestral conducting with Brad Lubman. David also holds an MM in Orchestral Conducting from Bard Conservatory of Music where he studied with esteemed mentor Harold Farberman. David has been the recipient of several prestigious scholarships including the Howard Hanson Scholarship, Dewar Arts Awards Grant, Bagby Foundation Grant, Hope Scott Trust Grant, and Bard Conducting Scholarship among others.

Performances on trumpet with over one hundred ensembles include: Meadows Chamber Orchestra, Edinburgh Symphony Baroque Orchestra, Brighton Symphony Orchestra, Edinburgh Grand Opera Company, Ossia, Musica Nova, Riverdale Choral Society, Lansdowne Symphony, National Youth Orchestra of Scotland, Eastman Wind Ensemble, Opera & Philharmonia, National Youth Brass Band of Scotland, and the Lowland Band of the Scottish Division. David has performed in trumpet masterclasses for Niklas Eklund, Mark Gould, Patrick Addinall, John Gracie, Robert Early, John Kenny, Todd J. Hastings, Angela Whelan, Marc O'Keefe, and James Chamberlain.

Live radio broadcasts include WXXI in the Live from Hochstein Concert Series and special appearances have included performing the American National Anthem at the Edinburgh celebrations marking the 229th anniversary of American Independence at the invitation of American Ambassador Cecile Shea and two invitations to perform for Her Majesty Queen Elizabeth II at Holyrood Palace. In 2005 David was awarded 1st place in the prestigious Scottish Concerto Competition.
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David G.

David G.

Online
starting at
$35 / 30-min
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About Gio L.

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North Hollywood, CA

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Music reading for guitar

The Music reading for guitar program is designed for Guitarist only, and is recommended to advanced players. It’s time to overcome what is probably the weakest area of every Guitar player, music reading notation ! Regardless of your style and years of playing experience, is never too late to learn how to read standard music notation.

This class will follow the curriculum used at the Musician Institute and Berklee College of Music. Books NOT included in the price.

About Gio
Hello there this is Gio L.

I'm a professional guitarist, performer, composer, instructor, international clinician, webinarist, with 20 years or professional experience in music education & live performances. Also, I'm an Italian teacher see " Ciao bella" for more details and an Adobe Photoshop teacher, see "iPhoto' for more details.

I was Raised in the coastal city of Bari, Italy, I've picked up my first guitar at the age of 10 and have not stopped playing music ever since.

My training as a musician has taken me all over the world starting from Italy to a Mediterranean tour, to a Cruise Liner in Brazil to Hollywood CA,. I came to Los Angeles to attend the Musician Institute (Hollywood, CA) where I've graduated with honors from the Guitar Institute of Technology, there I had the pleasure to work as a tutor during my scholars
hip program. I'm an active musician, music is my life. Often I have the pleasure to travel abroad where I give guitar clinics and perform my music, I like to think of myself as a citizen of the world. I've been teaching professionally in S. California ever since 1998, I reserve the option for in persons one-on-one lessons only for my best students, again, music matters to me. During these last 16 years I've secured many teaching positions like at the Los Angeles valley College extension program, at the Los Alamitos Conservatory of music, at Mars Music learning Center, at the YMCA etc. though, as I've already mentioned, the best one will continue on with me. I've much more to share with you regarding my professional life, my discography ect. but let's talk about lessons now.

What I care the most is to make sure that you'll receive the best private education that money can buy. As I've stated on my headline, If you're serious about music, if you're ready to learn the skills, expand your knowledge, achieve your goals, then, I'm your man. I've learned that we all have different approaches when it comes to studies. Learning how play an instrument is a fun but challenging process. I'm not gonna lie to you, you need to work on it, plain and simple !
I'll provide you with written curriculum or I'll indicate the right book to be purchased, I'll monitor your progress and I'll make sure to get the best out of you. My experience let me face any situation with the confidence that only the know-how can give you (16 years of professional experience will do that!). I have wrote curriculum aimed to the "Just as an hobby" type of student as well as comprehensive once for professional players that want to specialize on a specific style. In both cases it doesn't change what you have to do, practice ! To end with I've transcribed thousands of songs, It only takes me few minutes to put on paper your favorite song, wouldn't it be great to be able to read and play the music you love ? You'll be in good hands regardless of your goals in music

*** Lesson Details ***
My teaching philosophy is to make sure that you enjoy your learning process. I'm a positive person, I believe in encouraging the student, every step you'll take toward your goal shall be acknowledge and awarded, I've been there, I know what it takes. Practice is a crucial aspect of this process, I'll motivate you, I want you be be successful in your learning journey, but, again, I need you to work on it, it won't happen otherwise.

Are you ready ?

*** Studio Equipment ***
The student has to provide his/her own instrument. A small guitar amp is provided for electric guitarist, so there is NO need to bring your own

*** Specialties ***
Music reading for guitar (Beg. to Pro.) Modern harmony (Beg. to Pro.) Improvisation (Beg. to Pro.)

Styles: Jazz, Blues, R&B-Funk, Classic Rock, Pop Rock, Latin-Spanish Styles, Brazilian, Finger-picking, Classical
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Reviews
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Sabrina February 22, 2016
· Acoustic Guitar · In studio
Excellent instructor!

I first met Gio at Los Angeles Valley College. I enrolled in the beginning guitar class and enjoyed it so much that I formed a group class with two other classmates for a once per week group lesson with Gio. I have found him to be an excellent guitar instructor who is very patient and complimentary to the student’s strengths. I appreciate the manner in which Gio approaches teaching guitar, which is a combination of constructive criticism and challenging material. Gio provides the foundation for the student to build upon and that has given me the confidence to continue learning how to play the guitar.
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gg G. November 1, 2015
· Adobe Photoshop · In home
good
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gg G. November 1, 2015
· Acoustic Guitar · In studio
good teacher
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Gio L.

Gio L.

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(13)
starting at
$35 / 30-min

About Alexandra P.

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San Mateo, CA

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I have been teaching music theory for ten years in my private studios and in classrooms.

I focus on beginning theory from note reading and rhythm recognition through to the ABRSM theory exams.

I also teach and tutor theory from the Laitz and Kastka Payne theory textbooks.

My desire is to help people understand music theory in an easy and fun way.

About Alexandra
Alexandra has been teaching harp and piano around the country for eighteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her students have also appeared on National television as well as playing for the Grammy Awards.

A strong supporter of the American Harp Society, she is Vice President of the American Harp Society Foundation. Alexandra is also co-chairman of
the distinguished Anne Adams Awards Harp Competition where she has been a main Director for fifteen years. She has served as the President of the Orange County Harp Society Chapter as well as a board member of the Bay Area Harp Society Chapter.

Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.

Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.

Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
 
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).

In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.

Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.

*** Lesson Details ***

As a HARP teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire: fun, orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before. 

I require all students make
at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don’t worry about
your pace. In the end, lessons are about you personally and not someone else.

As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.

*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources. 

*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.

PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
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christina March 9, 2016
· Harp · Online
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
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Carol M. September 30, 2015
· Harp · In home
Alexandra was the most patient and caring teacher. She is very interested in going at the student's pace. She excelled my expatiations! Thank you Alexandra!
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Yana T. June 13, 2015
· Harp · In studio
Alexandra Perdew is a one of a kind instructor. She not only pushes her students to excel, but I truly believe that she inspires greatness. She treats her students with the utmost respect and works diligently to provide them with every possible resource needed for learning. She is not a teacher who will let anyone get by with putting in half the effort. She motivates me to work and perform at the highest level possible.
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Alexandra P.

Alexandra P.

Online
(12)
starting at
$80 / 60-min

About Sam K.

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Oakdale, PA
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I you to understand scale and chord construction and chord progressions through worksheets and piano and applied to your main instrument(s) and ear development and basic song forms and composition basics.

About Sam
I play and teach Guitar (Electric/Acoustic), Bass (Electric/Upright), 5-String Banjo (Bluegrass and Old-timey), Violin/Fiddle, Mandolin, Dobro, Pedal Steel Guitar and Lap Steel Guitar, Ukulele, Piano and Piano Accordion. I have been teaching in the Pittsburgh area for over 20 years and owned my music studio/store for over 10 years. I have instructional book/cd(s) and instruments for purchase or rentals usually available on-site. I am experienced and friendly. Parking lot is free and off-street.
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Reviews
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Marc S. October 8, 2016
· Fiddle · In studio
Great first lesson with Sam. Learned a lot the entire way through
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Karen May 27, 2016
· Banjo · In studio
I went into banjo lessons not knowing if I could master the instrument or not, being nearly 70 years old. While by no means a master (and never going to be), I have learned so much from Sam and he has shown such patience with me. I often leave my lessons wondering how he ever puts up with me - but he does. His encourgement, laid-back style, expertise and knowledge of music (plus theory) and the banjo is impressive. His good nature makes my lessons so much more pleasant. I would say Sam is a a great teacher for both a beginner or an accomplished musician or in between. He likes to talk and demonstrate (nice and slowly if requested) so I would recommend hour-long lessons at first.
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D. B. February 4, 2016
· Banjo · In studio
Four lessons with Sam have been amazing. I had previous banjo lessons and plodded from one song to the next. Sam has expanded the entire scope of music for me. I continue with the lesions and enjoy music much more
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Sam K.

Sam K.

Online
(7)
starting at
$35 / 30-min

About Randy M.

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Winchester, VA

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A vital subject for a performer, the study of music theory allows us to explore the reasoning behind the music we create and possibly create. In sessions, we discuss a variety of objectives, including rudiments, notation, compositional techniques, and ear training.

About Randy
I am an eclectic pianist and singer with dual Bachelor of Music degrees in Performance and Jazz Studies from Shenandoah Conservatory. My skills are diverse and I enjoy using them as I teach at any level. Other than teaching, I compete in voice and piano competitions, perform as a soloist and accompanist, arrange, and compose. I also play in a funk band called Souled Out, stationed in Winchester, VA. My passion is in classical and jazz music, as well as musical theatre, but I teach all contemporary styles.
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Reviews
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Gus June 21, 2017
· Classical Piano · In studio
Mr. MC is an excellent instructor. He always takes into account students' background and interests in order to develop meaningful lessons. He explains and presents new music material clearly, and always models in order to facilitate learning. He also monitors progress continuously and provides feedback on students' performance. One of the best instructors I have had the pleasure to work with.
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Randy M.

Randy M.

Online
(1)
starting at
$20 / 30-min

About Amy N.

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Newark, DE

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Hi! I'm Amy and I love music and I think of teaching music as a way of coming beside someone to help them discover their own love for music, too.

About Amy
Music is my life's purpose and I am committed to helping anyone and everyone I can to reach their musical potential. Whether that is as a hobby, an experience or fulfilling their own life's purpose.

From 2013-2015 I taught group music classes through Soli Encore in Orange County, CA, in violin, guitar and K-2 creative music (Orff-based instruction with singing, xylophone, hand percussion and flutophone). The last two years of that position I managed the entire program including hiring teachers, writing curriculum, and teaching classes myself. I had also consistently held private violin, viola, and guitar students. In both violin and viola I saw my students move up chairs in their orchestras and excel in local, district and state honor orchestras. I sent students to great schools for music like Orange County School of the Arts and Ne
w England Conservatory.

As for my performance career, I have committed to always being a member of an orchestra, band or performing group of some sort because it's my passion and I endeavor to teach from personal experience. Over my last ten years in SoCal I performed with several groups including the Blackbird Music Project, Montage Orchestra and Symphony Irvine. My last year concluded my position as Principal viola of the Dana Point Symphony for four seasons. I was in two bands during my college years. With Galanis I was a part of several Western U.S. tours that took us through California, Arizona, Utah, Idaho and Montana. I have had the privilege of working with artists such as violinist Anne Marie Calhoun, Jimmy Hopper, Andy Grammer and Stevie Nicks. Some of the larger productions I have been a part of include appearances on TV shows like Melrose Place and the Bachelorette, and performances for former President G.W. Bush and at the Governor's Ball for the Academy Awards.

My performance career continues to grow here on the East Coast, where I have lived since August 2015. I have been a member of the McLean Orchestra and have been added to rosters for the Alexandria Symphony, Arlington Philharmonic and Washington Sinfonietta. I currently hold a Bachelor's of Music in Viola Performance from Azusa Pacific University where I studied with Robert Becker, founder of the American String Quartet with a BM and MM in Viola Performance from Juilliard. I am now enrolled as a graduate assistant for my Master's of Music in Viola Performance at the University of Delaware.

When I'm not making music I'm running far, studying nutrition, cooking or spending time with my beloved friends and family!
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Reviews
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Melissa August 7, 2017
· Violin · In home
Amy is a wonderfully gifted teacher! My teen daughter loves her teaching style and encouraging personality. Amy has a knack for understanding a student's strengths and weaknesses and guiding them to reaching their potential. We highly recommend her!
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Amy N.

Amy N.

Online
(1)
starting at
$50 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

How to Transition from Classical Pianist to Jazz Pianist

How to Transition from Classical Pianist to Jazz Pianist

Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound … Read More

How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many

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