Chicago, IL Music Theory Lessons

ion in music therapy. Those who can do teach, and those who can teach totally do!

*** Lesson Details ***
You will set the pace for your lesson. I want you to enjoy your time in music, so your lessons will be completely customized. We will develop a goal plan for you so that our time together is interesting, fun, and we make progress! In 3-6 months, you will have a stable technical program and have started a portfolio of music for performances, no matter what level you are. We can share sheet music in person or online (I can even email you great links to amazing performances). Just let me know where you want to be in music, and we'll work together to make it happen. I can't wait to meet you!

*** Studio Equipment ***
First - YOU MUST HAVE YOUR OWN INSTRUMENT FOR PRACTICE AT HOME BEFORE BEGINNING LESSONS!!! Consistency is very important for learning, and weekly lessons ARE NOT enough for growth. My home studio is in a private music room. Parents can relax in our family space with coffee or tea and enjoy their children's learning at their leisure. My studio includes a 88-key keyboard, technology setup with an iMac, microphone and stand, a mirror for posture and musical instruments. I carry books for the lessons themselves (not for practice at home), and we can download or print out music as desired. If you take lessons online, I can email you links and sheet music as needed. Feel free to bring any additional equipment music you would like to share. I have some great recommendations for music books designed for both children and adult learners.

*** Specialties ***
jazz, contemporary, classical (instrumental), original, computer music composition

I don’t use the same strategy for each individual. I believe music should be fun and rewarding. I like to expose students to many different types of music, i.e.; jazz, pop, blues, folk and of course, classical. Students are more likely to practice music that speaks to their personality.

My teaching environment is very laid back. I expect my students to practice, but I don’t read them the riot act if they show up to a lesson not having practiced much the week before. I encourage them to practice more the next week and I give them strategies for how to fit practice time into their schedule along with the most efficient way to practice their pieces.

I encourage parents to sit in on their child’s lesson, but I don’t require it. The more a parent is informed about their child’s goals, the better they are able to assist, support and facilitate the student’s practice. Involved parents contribute greatly to a child’s success.

I love teaching adults too! It is never too late to learn an instrument and the rewards carry over into all aspects of life. As with children, music makes us all smarter. Research proves this. We learn complicated spacial and math skills without even realizing it; we’re having too much fun!

I have annual recitals for private students. I speak Spanish.

*** Studio Equipment ***
Basement studio finished and separate from house

*** Travel Equipment ***
Sometimes music. I can refer students to instrument rental or purchase places, but do not have instruments to provide. I can obtain music for the students if they prefer, otherwise I will tell them what and where to buy.

*** Specialties ***
I use Suzuki and other books for material, but my teaching is more traditional. I use actual bowhold from start. My own invention - pinky AND thumb houses. Music reading is introduced fairly early. A little at a time and it's painless.

ith discovering their artistic potential and guide them to overcome obstacles to make the most of their training. I provide my students with the technique that would last them a lifetime and build up skills that are necessary for a successful career.

I have established connections in the music industry and keep expanding my networks, so that I can best help my students to find the best platforms for further development of their careers.

I welcome motivated students who would dedicate their focus on polishing their craft to the highest standard in a great learning environment! So, whether you are an experienced musician or just in the beginning of your educational journey, I perhaps, can help you to advance you potentials and/or bring your skills to the next level!

I am currently based in Chicago, but I have coached and performed in the past in Moscow, Paris, Barcelona, Dubai and New York. I base my technical approach in classical school, while effectively applying it to a wide variety of musical genres including Pop, R&B, JAZZ, Rock, Musical Theatre, and Gospel.

*** Lesson Details ***
Convenient location, great studio, fun working atmosphere.

*** Studio Equipment ***
Piano, CD/Tape recorders, Copier/Printer, Stereo and Recording Equipment, Music Library, Internet, Humidifier, Mics and Amplifier, Fridge, Coffee Machine, Fresh-Filtered Water, A/C

*** Specialties ***
Voice and Vocal Coaching: Pop, Musical Theatre, Classical, JAZZ, Soul, R'N'B, Rock. Theory of Music, Ear-Training, Piano.
Sight-Reading Technique, Studio Recording, Russian Classical Repertoire, Russian Diction.

nd why music is the way it is with Music Theory lessons.

I am qualified to teach all levels of piano, opera, and voice.I take a real hands on, active approach to teaching, going beyond just the lesson books.

I am also able to offer tutoring services. I have been tutoring since high school. In high school as part of the National Honors Society, we were asked to tutor once a week and it continued into college when I decided to double major in Psychology taking an interest in adolescence psychology. My strong suits and reading and math but I am more than happy to help in any subject.

I do have dogs in the house so please be advised if you have allergies.

*** Lesson Details ***
Our sessions will be laid back and easy going. I expect the students to do their work and practice and as long as they are showing progress, we can continue with a fun and relaxed atmosphere. I am patient with my students, and do my best to develop teaching methods unique to each student to give the best experience and set them up for the highest level of success. I don't push students to perfection but rather assist them in reaching their personal best. As long as they are having fun and learning, I know I am doing my job. Music is to be enjoyed and that is my goal with each student.

For voice and piano, students will learn a wide variety of music. I also believe strongly in the power of sight reading. Students will also learn music theory in their lessons. Piano students will follow a lesson book curriculum along with learning scales and sight reading. Voice students will sing from all major languages (English, French, Italian, and German) and practice sight reading skills.

Students should bring a notebook to lessons where notes will be taken on what we accomplished in our lessons and what needs to be worked on for the next lesson. This will usually include a theory sheet, technique work, and songs.

Twice a year I hold a recital where students get to show off to other students and family what they have accomplished in their lessons. With piano students, you will prepare and memorize usually one song. For voice students, you will prepare and memorize two songs, at least one will be in a foreign language.

*** Studio Equipment ***
Lower level for studio, piano, seating for parents, on site computer for easy reference and music samples.

*** Specialties ***
I have an Opera performance degree. I am a classically trained singer and pianist.

quipment ***
I can provide a stand. Student is responsible for purchasing an instrument, and any sheet music. I can definitely advise on an instrument to purchase and will instruct with specific music requests.

ck and say they really enjoyed their lessons with me.

Michael Fennely (Carnegie Hall), Wei-En Hsu (Hong Kong Philharmonic Orchestra), and Candace Evans (Santa Fe Opera). Nicole earned her Associates in Theatre from Brigham Young University ('12) and went on to acquire her BM in Vocal Performance from Illinois Wesleyan University ('14). Nicole obtained additional training from Boston University, Elon University, and the University of Alaska Anchorage.

er 20 countries. One of the most rewarding experiences of my life was being a Fellow for OneBeat, a program run through the U.S. State Department that brings together international musicians to compose, record, and tour together. I have learned so much about the power of music through my relationships with artists from all corners of the globe.

I believe in “Occam’s Razor” bass playing – finding a simple, elegant solution to the “problem” at hand, whether that “problem” is finding a good fingering for a fast-moving melody, finding a tasteful yet interesting bassline for a funk groove, or improving your right-hand speed so you can finally play that one Tool song you’ve always loved. The “Occam’s Razor” approach builds your instincts and helps you become a solid, expressive bassist that everyone wants to play with!

No matter where you are in your musical development, I can be your ally. I have experience teaching all ages and experience levels and can help you go deeper in whatever music lights you up. I can offer advice about musicianship too – how to start a band, how to rock an audition for your school’s jazz ensemble, or how to make the most of a recording session.

Bass is a physically demanding instrument, and over my career I have recovered from multiple injuries. I am committed to helping you develop healthy technique that prevents and manages injuries and adapts to your physical conditions. I try to offer compassion AND solutions to students who struggle physically with their instrument or face health challenges. I’ve been there too, and I’m here to help.