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Randolph, OH Music Theory Lessons

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Popular Music Theory Teachers near Randolph, OH

Check out some of our most popular teachers near Randolph, OH including Cleveland, Akron, North Royalton, Stow and Olmsted Falls.

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About Udell H.

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Cleveland, OH
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Theory is a very important part in learning to play and sing. I teach the meaning of notes, the types of notes, and how to read notes. I teach the meaning and purpose of the music, staff, timing,accidentals, phrases, and all other fundamentals of theory.
My method of teaching makes it fun and easy to learn.

About Udell
I have love and a great passion for music. I have been a musician for over 30 years, I have been a private instructor in piano, organ and voice for 10 years. I have trained and arranged music for several choirs and musicians. I have been music administrator for the church I attend for 12 years. I have instructed children's music classes at The Cleveland Clinic Children's Rehabilitation Hospital. I have toured with choirs, soloist, and musicians in the United States and Canada. I play for weddings and am currently on staff as a musician at a Funeral Home.

I am a graduate of Evans Academy of Music in Buffalo, New York. I have studied music at Cuyahoga Community College.

*** Lesson Details ***
I have great patience in teaching. The piano and organ lessons start with music theory which is studied each lesson. The lessons develop into
learning scales, techniques, developing skills, learning to play songs. The singing lessons start with vocal scales and breathing exercises. Diction, pronunciation, and tone quality are perfected.

*** Studio Equipment ***
Studio is at a church with separate music rooms for training. Each room has a piano and organ inside and seating is available.

*** Specialties ***
I start with description of notes, meaning of symbols, measures, lines, spaces, learning to read notes, how chords are formed, teach scales and chords, introductory theory, simple sheet music of popular songs. My genres are mainly popular music, jazz, and gospel.
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Reviews
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Santino G. June 14, 2018
· Piano · In studio
Patient , kind , takes his time with you
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Karen L. Mallory December 9, 2017
· Singing · In studio
A great instructor!! Mr. Udell helped in showing me the correct breathing technique and how to enunciate properly. Look forward to the next session.
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McLinda March 21, 2017
· Singing · In studio
He was really patient with me, a beginner.
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Udell H.

Udell H.

Cleveland, OH 44105
(16)
starting at
$25 / 30-min

About Tramane M.

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Houston, TX

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This is session is designed intrumentalists and vocalists. You will a clear understanding of how music works.

About Tramane
Tramane teaches ages 7 and up. He believes that you are never too old to learn to play or sing. He informs his students that music is all around us. Tramane will help bring out the musical gifts that you've never thought that you've had or possessed. With his 20 plus years of teaching experience, you will receive the first class attention and skills needed to further your musical endeavors. Tramane also mentors and tutors to provide support for his students. As a teacher, Tramane believes that you must go beyond the call of duty to make sure that your job is done well by developing an open access to you, receive valuable information and resources in your musical career. He is also known to refer his students for job opportunities in the music field. He also says it is a rewarding feeling when he teaches someone and help them get started o
n their musical journey.

*** Lesson Details ***
You will receive personal instruction to give you positive encouragement to be the best musician or singer. Lessons will include some of the following, but not limited to. For example: Comprehensive Music Theory, how to play and or sing scales, commonly used musical terms, uses of different clefs, notation, dynamic markings, tempo, time signatures, sight-singing and reading, ear-training, and much much more!!! After 3 or 6 months you will have mastered principle elements to make wonderful music! He prefer to use two different types of curriculum. They are Bastien's and Alfred's. He provide a stress-free learning environment to help you to reach your musical goals.

*** Studio Equipment ***
Computer and Keyboard

*** Travel Equipment ***
Portable 67 key Yamaha Keyboard

*** Specialties ***
Jazz, Gospel, Classical, R & B
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Reviews
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Ebony March 16, 2018
· Piano · In home
Tramane is very patient and reliable.
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Test S. March 1, 2017
· Piano · Online
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Chimmy A. June 18, 2016
· Piano · In home
Very experienced and patient.
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Tramane M.

Tramane M.

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$25 / 30-min

About Justin B.

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Las Vegas, NV
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I am able to teach music theory and aural skills.

About Justin
Applauded for his “gleaming trumpet work” (Hyde Park Herald) and “dazzling virtuosity” (Grunion Gazette), Justin B. is a versatile musician, performing on both historical and modern trumpets. He specializes in early music, most notably in difficult high-register music for Baroque trumpet. Before formally studying Baroque trumpet, Justin won first prize in multiple historical instruments divisions of the National Trumpet Competition. As a highly sought-after solo/principal Baroque trumpeter, Dr. B. has performed with several leading early music ensembles throughout North America including American Bach Soloists, Apollo’s Fire, Washington Bach Consort, Tempesta di Mare, Musica Angelica, Scaramella, Bach Collegium San Diego, Lyra Baroque Orchestra, and many others.

Justin continues to perform as both a soloist and ensemble musician, combi
ning ongoing North American engagements with new collaborations with leading Baroque ensembles in Denmark as well as in the rest of Scandinavia and Europe. In Europe he has played with Camerata Øresund, Copenhagen Soloists, Barokksolistene, Arte dei Suonatori, Höör Barock, Enghave Barok, the Næstved Early Music Festival, Ensemble Hven, and several others.

As a modern trumpeter, Justin has experience performing in orchestras, wind ensembles, jazz ensembles, pit orchestras for opera and musical theater, British brass bands, and numerous chamber ensembles. Before beginning his college career, he was principal trumpeter of the DC Youth Orchestra and had the opportunity to tour Japan as a trumpet soloist. He also performed regularly with the Prince George’s Philharmonic while in high school. More recently, he as appeared as a soloist with the South Dakota Symphony, the Firelands Symphony, and the Las Vegas Sinfonietta.

In addition to be being a trumpeter, Justin is also a countertenor and has sung with Apollo’s Fire and Opera Cleveland. While in Ohio, he was an alto section leader in the chamber and chancel choirs at Trinity Cathedral in downtown Cleveland and was the countertenor with Cantores Cleveland (now Contrapunctus). In addition, Justin briefly served as a bass section leader at Church of the Covenant in Cleveland. Justin also plays recorder.

Justin earned his DMA in trumpet performance from the University of Nevada, Las Vegas. He received his MA in early music performance practices from Case Western and his BM in trumpet performance from the University of Maryland. His primary trumpet teachers include Chris Gekker, Barry Bauguess, Steven Hendrickson, Steven Trinkle, and Justin Emerich. He has studied voice with Delores Zeigler, Ellen Hargis, and Aaron Sheehan. As a graduate assistant, Justin taught courses in ear training and music appreciation, and was a harpsichord tuner.

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“The orchestra brought out the pulsy organ-grinder quality in the first movement of Concerto 3, but it was [Brandenburg] Concerto 2 that was the real show-stopper. Justin [B.], on Baroque trumpet, trilled his way nearly effortlessly through one of the most difficult parts in the repertoire, the highest notes piercingly clear above the orchestra.” (Post-Bulletin)

“It [the Baroque trumpet] is more difficult to play than its modern counterpart, but it’s a fascinating and arresting sound. The trumpet part in the second [Brandenburg] concerto is famous for its fiendish difficulties, and Justin [B.] played it with aplomb.” (Edmonton Journal)

“Skilled [Baroque trumpet] players can play the notes of the harmonic series with such instruments. A very refined embouchure is needed to “lip” or flatten or sharpen the impure harmonics of the notes of the 11th and 13th harmonics. The most virtuosic could use such techniques to produce certain chromatic notes outside this series…Justin [B.] made such skills seem effortless…” (Classical Voice of North Carolina)

“…trumpeter Justin [B.] displayed dazzling virtuosity in the solo cantata [“Jauchzet Gott in allen Landen”]…”(Grunion Gazette)

“A good trumpet player is hard to find, and an excellent one harder still. It’s again still rarer to find a great player of the baroque trumpet, since the instrument is considerably harder to play than its modern counterpart (smaller embouchure, no valves) and this may explain why Justin [B.] is so darn busy and why he plays with, well, basically everyone.” (The WholeNote)
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Reviews
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Jim S. March 6, 2018
· Trumpet · Online
Patient, professional and concise, Justin is by far your best choice for superior trumpet instruction.
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Jim S. January 6, 2018
· Trumpet · Online
Justin did enough in 1 hour to rebuild my confidence toward playing the trumpet exceptionally well!

Thank You!
Jim Strickland
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Carol S. January 14, 2015
· Trumpet · In home
I can't compare Justin with any other teacher as my child has had only one trumpet instructor; but I believe they do not come much, if any better, than Justin! He is a natural teacher. He is punctual, caring, patient, encouraging, and most professional. I especially like the way he consistently corrects the "little" bad habits that may become a monumental problem later. I consider it an honor having my child being taught by Justin.
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Justin B.

Justin B.

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$30 / 30-min

About George F. H.

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Cleveland, OH

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IMPORTANT - REGARDING MY AVAILABILITY PLEASE NOTE:

The availability listed on the calendar is NOT my FULL availability. Because I am a full-time teacher AND performer, my schedule flexes throughout the year and the hours listed are a limited window of what I may actually have for you. I am very flexible and try to accommodate everyone. Depending on the time of year, I usually have night hours on two days a week and teach on many Saturday mornings / afternoons as well. Click on the 'Ask George F. A Question' button on the right if you have any questions about availability or be sure to ask your TakeLessons rep about the schedule as you go option when you set up lessons for the first time so we can find a time that works for both of our schedules.

*** Lesson Details ***
My teaching method is very practical and customized to every individual. I do not believe that you can use the same style with every student because everyone learns differently.

Although I teach music ...

About George F.
IMPORTANT - REGARDING MY AVAILABILITY PLEASE NOTE:

The availability listed on the calendar is NOT my FULL availability. Because I am a full-time teacher AND performer, my schedule flexes throughout the year and the hours listed are a limited window of what I may actually have for you. I am very flexible and try to accommodate everyone. Depending on the time of year, I usually have night hours on two days a week and teach on many Saturday mornings / afternoons as well. Click on the 'Ask George F. A Question' button on the right if you have any questions about availability and/or be sure to ask your TakeLessons rep about the schedule as you go option when you set up lessons for the first time so we can find a time that works for both of our schedules!

I've been playing and singing music professionally for about 25 years. As a family
man and father of two, I also I earn my living and support my family with music. I have a very student-driven teaching style, work with students of all ages, with focus on helping the student achieve his or her individual goals, small or large. I try to keep the lessons fun but focused at the same time.

I bring a balanced and personalized teaching style to my lessons, based on a well rounded education and wide range of real-world life experience. I have a B.A. in Liberal Arts and have performance experience on many different fronts, from local rock cover bands to Top 40, from acoustic soloist to fronting a nationally touring Metallica tribute.

I come from a musical family - my father is also a pro musician. The biggest thing I've learned as a teacher of guitar, bass and voice is teaching the instrument has only made me a bigger student. The learning process never ends and that is one of the great things about music.

No matter where you are with the instrument - a beginner picking it up for the first time, or a seasoned pro of 10 years that just needs help "putting it together," I believe I can help you to get wherever you want to go.

Regarding availability - make sure to inquire if you don't see a time open that suits you - I am flexible. I perform 4-6 times a week and teach full time. Flex lessons tend to work very well.
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Reviews
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Mila July 5, 2018
· Singing · In studio
George is very knowledgeable and talented in music theory and singing. He's very patient, understanding, and communicates very well. I'd certainly recommend him to anyone who is serious in their music career!
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Michael April 11, 2018
· Acoustic Guitar · In home
I've only taken one lesson, but very good so far. George showed me a good way to hold the pick and to position the guitar and my hands and how to move my wrist. I look forward to more lessons.
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Lanette G. February 10, 2018
· Singing · In home
George is a well-rounded musician and singing instructor. He adapts to the student and makes the lessons fun! He has a good sense of humor, but most of all, whether you want to learn or expand on knowledge of singing or musical instruments, he rocks!!!
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George F. H.

George F. H.

Cleveland, OH 44134
(43)
starting at
$25 / 30-min

About Carl S.

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Broken Arrow, OK

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My doctorate is in music and I have experience teaching music at multiple universities, as a public schools teacher, and as a private instructor.I have experience as a Lecturer of Music Theory to Graduate Students and I have been a Graduate Teaching Assistant of Music Theory previously at the university level. I have helped my university students with theory in their private lessons and taught jazz improvisation to my ensemble members. For booking, please sign up with TakeLessons today, and then we'll arrange a mutually agreeable meeting time. I look forward to hearing from you!

About Carl
Dr. Spaeth is currently working with Palen Music Center. He is also teaching at the University of Tulsa as an adjunct faculty member during Spring 2018. Spaeth maintains an online music studio through TakeLessons, where he teaches several instruments privately and in group settings including saxophone, guitar, oboe, music theory, flute, clarinet, and piano.

Dr. Carl Spaeth taught at Oklahoma State University as a Lecturer of Saxophone and Music Theory during Dr. Jeffrey Loeffert's sabbatical beginning August 2017. His duties included graduate saxophone lessons, graduate music theory review, graduate saxophone pedagogy, and saxophone studio class.

Prior to working at OSU, Spaeth was Instructor of Jazz and Saxophone at South Dakota State University from 2014-2017. His responsibilities included directing the annual SDSU/Brookings Optim
ist Jazz Festival, directing Jazz Ensembles I-II, Jazz Combo, Jazz Improvisation lessons, Jazz Pedagogy, online Jazz Appreciation, private saxophone lessons, saxophone quartets, private oboe lessons, and group guitar class.

Spaeth completed his Doctor of Musical Arts degree in saxophone performance at the University of Kansas in 2014, and his Master of Music Pedagogy and Performance from Oklahoma State University in 2011. He graduated from Harrah High School in 2002, earned his Bachelor of Music Education from Southwestern Oklahoma State University in 2008, and was a 5th-12th grade Head Band Director at Fairview Public schools. He is currently a member of the North American Saxophone Alliance, the Jazz Education Network, Music Teachers National Association, National Association of College Wind and Percussion Instructors, and an Honorary Member of Tau Beta Sigma. He has held previous memberships with Kappa Kappa Psi, Phi Mu Alpha Sinfonia, Kappa Delta Pi, and the Oklahoma Bandmasters Association.

While at KU, Spaeth was also a graduate teaching assistant for the saxophone studio and jazz studies program. His responsibilities included Assistant Director of the KU Jazz Festival, directing Jazz Ensembles II-III, directing Jazz Combo III-VI, directing Saxophone Quartets II-III, teaching private saxophone lessons, assisting in saxophone studio class, and teaching the music education woodwind methods course. His Lecture Recital Document, A Performer’s Analysis of Selected Jazz Works for Saxophone Quartet, featured an interview with Bob Mintzer. Spaeth was a member of KU Jazz Ensemble I, KU Saxophone Quartet I, and KU's Helianthus New Music Ensemble. As a member of KU's Jazz Ensemble 1, Spaeth has performed with Dave Douglas, Kurt Rosenwinkel, Alex Sipiagin, Steve Owen, Gary Foster, Steve Houghton, Clint Ashlock, David von Kampen, Peter Epstein, Jeff Miley, James Miley, Roger Shew, and Brian Hamada, Brandon Draper, Rich Wheeler, Beau Bledsoe, Jeff Harshbarger, and Matt Otto. In July 2014, Spaeth went on a European tour with KU Jazz Ensemble I featuring Steve Leisring and Deborah Brown. Together, they performed at the Montreux Jazz Festival in Switzerland, the Vienne Jazz Festival in France, and performed in several cities in Germany. Recordings by this band resulted in KU winning the DownBeat Student Award (Graduate College Large Jazz Ensemble Division) in 2015.

While at OSU, Spaeth was a GTA for the saxophone studio and music theory programs. His responsibilities included Music Theory I-IV tutoring and grading, sight-singing grading, piano labs, classical and jazz saxophone lessons, saxophone quartet coaching, saxophone studio Webmaster, and saxophone studio class. Spaeth was a member of the OSU Wind Ensemble and Jazz Ensemble 1. He had a regularly performing jazz trio and played in OSU's X2End saxophone quartet. The X2End quartet performed locally at the 2011 Navy Band Saxophone Symposium in Washington D.C., at the 2011 NASA Region IV Conference, and has won the state and division rounds of the 2010-2011 MTNA Chamber Music Competition. The X2End quartet went on to win the 3rd place prize at the national final round of the MTNA Chamber Music Competition. They also were the Division II Chamber Ensemble winners at the 2011 Hubbard Music Competition where they were awarded the 2nd place prize in the overall finals. Spaeth's final degree paper at OSU was a study of composer/performer collaboration. He traveled to Texas, Michigan, and Ohio to interview saxophonists and composers including David Dees, Peter Fischer, John Sampen, Marilyn Shrude, Joe Lulloff, and Charles Ruggiero. He has presented his lecture at the 2011 Navy Band Saxophone Symposium, the 2011 NASA Region IV Conference, and the 2012 OSU Single Reed Summit. As a member of OSU's Jazz Ensemble 1, he has performed with Bob Sheppard, Conrad Herwig, Wayne Bergeron, and Andy Martin.

While at SWOSU, Spaeth performed as a member of the marching band, wind ensemble, Jazz Ensemble A, saxophone quartet, and his own jazz combo named Five-Seven. As a member of SWOSU's Jazz Ensemble A, he has performed with Dan Haerle, Bob Bowman, Jack Mouse, Fred Forney, Janice Borla, Eddie Daniels, Pamela York, Lynn Seaton, Carl Allen, Dr. Michael Cox, Tom Williams, Dr. Robert Chambers, Dave Hanson, Drori Mondlak, Delores Williams, Byron Stripling, Frank Wess, Kenny Drew Jr., Dennis Mackrel, Bill Watrous, Rich Eames, Jennifer Leitham, and Randy Drake.

Spaeth's primary saxophone instructors have been Vince Gnojek, Dr. Jeffrey Loeffert, Dr. Ann Bradfield, Dr. Keith Talley, and William Rodney Hull. He has had additional instruction in lessons and masterclasses from Gary Foster, Dr. Joseph Murphy, Dr. Michael Cox, Bob Sheppard, Johnny Salinas, Dr. Kimberly Goddard Loeffert, Dr. Geoffrey Deibel, Dr. Jonathan Nichol, Dr. Griffin Campbell, Dr. James Laughlin, and Dr. David Dees. Spaeth's jazz directors have included Dan Gailey, Bob McCurdy, Dr. Jonathan Martin, Dr. Keith Talley, and Dr. Terry Segress.

​Spaeth enjoys recording several instruments in his home studio and composing new music. His compositions that have been performed include his big band arrangement of Cat Battles by Joshua Redman, September in the Refrain (alto saxophone and electronics), Funk-o-matic (jazz combo), Smooth (jazz combo), and The Deadline Arrives at Dawn (alto saxophone and electronics). As an advocate of new music involving the saxophone, he has participated in a commissioning consortium for Alone Together by composer David MacDonald through Kick Starter. In 2013, Spaeth performed the premier of Cuento #3 by Nelson Ramirez Diaz. During summer of 2014, he recorded selections from Dr. John Walker's "The Alto Saxophone in the Attic," published by Carl Fischer. At the 10th Annual SDSU/Brookings Optimist Jazz Festival in 2015, Spaeth directed SDSU Jazz Ensemble I's premier of Dog, Tired by David von Kampen.

​Dr. Spaeth is a Conn-Selmer Endorsing Artist. He hosted the North American Saxophone Alliance Region 3 (ND, SD, NE, MN, IA) Conference at South Dakota State University on March 17-18, 2017. On Saturday, April 8, 2017, Spaeth performed Dreams in the Dusk by David Biedenbender with South Dakota State University's Wind Symphony, directed by Dr. Jacob Wallace. On Monday, February 6, 2017, Spaeth performed the premiere of Lhotse for alto saxophone and percussion by Steve Danyew with Dr. Aaron Ragsdale. In April 2017, Spaeth performed solo tenor saxophone and orchestral clarinet in Ethan Bortnick's national PBS Special called "Generations of Music," which featured special guest, Peter Yarrow, from Peter, Paul and Mary.
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Reviews
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Michael June 26, 2018
· Saxophone · Online
I'm just thrilled with the instruction and motivation Carl is providing. Thanks so much.
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Michael June 20, 2018
· Saxophone · Online
This dude is a beast
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Earl June 19, 2018
· Saxophone · Online
Just finished my third sax lesson with Dr. Spaeth. This man really knows his stuff, and more importantly, he knows how to teach. Highly recommended.
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Carl S.

Carl S.

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About Noel S.

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Beachwood, OH
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.

About Noel
Guitarists: Check out my TakeLessons article - Master These Metal Scales so You Can Shred http://takelessons.com/blog/metal-guitar-scales-z01

Pianists & other Musicians continue exploring here:
A professional music venue hosts spring and fall recitals; Instruction from a paid performer; I hold a Master of Music degree and an Ohio Teaching Certificate!
*** Lesson Details ***
As one of my students, you can come to expect a friendly welcome at the beginning of the lesson and then throughout expect our main goal to be helping you make your best music possible. I possess a wealth of knowledge and skill collected from decades of practice, master classes, winning competitions, earning degrees and performing both in bands and as a solo artist.
I am relaxed and happy, disciplined and product-oriented while at the same time understanding th
e difference between practicing for improvement and statically repeating the same exercise or passage over and over. We want to make the most of our time during the lesson and your practice sessions by focusing on achieving your goals quickly.
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Kasriel May 16, 2018
· Guitar · In home
Noel was great and my son really enjoyed his lesson.
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Noel S.

Noel S.

Beachwood, OH 44122
(1)
starting at
$25 / 30-min

About Aaron F.

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Learn the basics of music theory and how to apply concepts to composition, improvisation, and performance.

About Aaron
Hello! I am a pianist and cellist with many years of teaching experience and a Master's degree in music performance. I am patient and flexible, but also methodical. I am fascinated by the learning process, and I enjoy finding the most effective and enjoyable ways for each student to learn and practice.

My students have earned spots in orchestras such as the Cleveland Orchestra Youth Orchestra, the Contemporary Youth Orchestra, Cleveland Institute of Music Prep Orchestra, the Harvard Summer School Orchestra, and Boston Arts Academy.

If you send me a message, please include the following information:

1) Why do you want to learn music?
2) What types of music do you listen to?
3) What experience/how many years do you have of playing music?
4) How old are you?
5) What are your goals with music?

I have worked with 4 year olds
, up through adults of various ages. As well as being a classical musician, I improvise and teach many styles such as jazz, pop, and rock.
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Katie November 1, 2017
· Piano · In home
Aaron teaches piano to my 8 year old daughter, Abby. She is shy but loves piano and she very much looks forward to his visits! He customizes her lessons to her skill level and interests. No question he is a serious musician, but he is also laid back and funny which is perfect for young kids as it puts them at ease. Abby is thriving under Aaron's instruction, I'm so glad we found him!
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Bonnie August 5, 2017
· Cello · Online
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Nadine May 28, 2017
· Cello · Online
We are very happy with Aaron's instruction. He is very patient and skilled.
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Aaron F.

Aaron F.

Kent, OH 44240
(11)
starting at
$30 / 30-min

About Paul W.

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Houston, TX

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Jazz theory as applied to performance

About Paul
Professional musician, engineer, producer, music educator with a lot of experience teaching kids and adults alike.
Taught in Germany, The Netherlands, Great Britain, Portugal, Africa , U.S.A. etc.
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Tyra Anderson July 5, 2018
· Singing · In studio
Paul was wonderful . It was a little mixup on the location but everything turned out fine. Paul was able to identify the areas I need to work on and I’m looking forward to my next class.
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Eian Woodward December 8, 2017
· Bass Guitar · In studio
An amazing teacher that has truly changed my life, and challenges me to be a better musician every week!
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Brian Ellis February 23, 2017
· Acoustic Guitar ·
Paul has been a tremendous instructor for me and my journey on learning acoustic guitar. During lessons he has also taught me music theory and explained it simply, and through that I feel like the guitar and music in general has been opened up to me and I now see music more clearly. I highly recommend him as an instructor!
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Paul W.

Paul W.

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$45 / 45-min

About Lucas B.

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Winter Park, FL

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With learning any musical instrument comes the theory behind the music. This can be a daunting task, but the payoff is invaluable and extremely beneficial to a musician's understanding of their craft.

About Lucas
Hi! My name is Lucas and I love to teach! I've been playing violin since I was 11 years old and currently hold two degrees. A Bachelor's degree from Florida State University and a Master's degree from DePaul University in Chicago - both are degrees in Violin Performance. I began violin in the public school system in Tallahassee, FL and eventually began taking lessons privately with an emphasis in the Suzuki Method. Currently, I serve as Adjunct Professor of Violin at Seminole State College as well as 1st Violinist for the Classern String Quartet.

I love coffee, cats, Meryl Streep, and basset hounds
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Jim July 12, 2018
· Violin · Online
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Ilana D. June 8, 2018
· Violin · Online
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Ashley June 5, 2018
· Violin · Online
Lucas is patient and well spoken.
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Lucas B.

Lucas B.

Online
(17)
starting at
$22 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

Subdivision: The Easy Trick for Reading Rhythms Right

Subdivision: The Easy Trick for Reading Rhythms Right

As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin … Read More

Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
6 Fun and Unique Ways to Learn Music Theory
Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou

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