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West Nyack, NY Music Theory Lessons

Looking for private in-home or in-studio Music Theory lessons? Our West Nyack teachers are ready to get you started. Find your teacher today!

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Popular Music Theory Teachers near West Nyack, NY

Check out some of our most popular teachers near West Nyack, NY including New York, Brooklyn, Bronx, Jersey City and Astoria.

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About Dominic S.

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New York, NY
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I am a music theory wizard

About Dominic
Dominic Sahagun is an Assistant Professor of Voice at Berklee College of Music. Dominic has years of experience teaching people of all ages, and in all styles of music. Professionally, he has performed in National Tours, Off Broadway, and in major films.

"Music has always been my absolute favorite thing in the world.
As far as I know, I am the only teacher in New York City who teaches Voice, Piano, Guitar, Bass and Trumpet."

Currently Dominic's studio consists of -
An Academy Award winner
A Tony Award nominee
Four students are currently performing on Broadway

BFA The Boston Conservatory of Music
Lyric Baritone

Notable Quotes about S.:

Ken Nelson (Coldplay) - "Fantastic voice"
Kenneth 'Babyface' Edmonds - "Really cool songs"
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Reviews
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Simon August 16, 2017
· Singing · In studio
Dominic gave me great advice to start learning how to sing !
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Ariel B. October 11, 2016
· Trumpet · In home
He is great Trumpet teacher. He is professional and friendly. My son enjoyed his first lesson. Thank you
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Marla H. March 22, 2016
· Piano · In home
Dominic is fabulous. if you have a chance to work with him, do yourself a favor and do it!
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Dominic S.

Dominic S.

New York, NY 10019
(19)
starting at
$90 / 30-min

About Daniel O.

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Ridgewood, NY

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everything, all genres.

the first time I did music theory, the sky opened. I love it. Lets have fun with it!!!

About Daniel
What style do you want to play? I love to play it all. I mean it. So whatever moves you, we can work with that. I've played orchestral to hip-hop fusion, religious ceremonies to wine festivals, in motown, salsa, and funk bands, and with a jazz trio in a literal cave. So--it's up to you!

*Lessons*
I can teach you all the basics in music (scales, intervals, basic melodies) so that they can be applied to any instrument you may pick up down the line.

Most of all, I'm happy to push you to be the best that you hope to be.

*Specialties*
Trombone, Music Theory, Music Production
Music Lessons = Life Lessons

In my my classes, you’ll learn some of life’s most important lessons - who you really are, what you like, what you don’t, and what really motivates you to improve. Through music, we’ll explore broader life lessons in each class.
Classes are offered in-person, in a rehearsal studio in New York, at your home, or online via Google Hangout.

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Brass Instruments
Trombone - (Beginner, Intermediate, Advanced, Professional)
Euphonium - (Beginner, Intermediate, Advanced)
Tuba - (Beginner, Intermediate, Advanced)
French Horn - (Beginner & Intermediate)
Trumpet - (Beginner & Intermediate)

Rhythm Instruments
Piano - (Beginner & Intermediate)
Guitar - (Beginner & Intermediate)
Bass - (Beginner & Intermediate)

Lessons for Musicians
Composition / Arranging - (Beginner, Intermediate, Advanced)
Composition - (Beginner, Intermediate, Advanced)
Mixing, Mastering, Recording (Beginner, Intermediate, Advanced)
Music Production, Ableton Live (Beginner, Intermediate, Advanced)
Music Production, Logic Pro (Beginner, Intermediate, Advanced)
Music Theory, Classical & Jazz (Beginner, Intermediate, Advanced)

About the classes:
Curious and committed? Let’s work together. All age levels and skill levels are welcome. Never touched the instrument before? No problem. Need some advanced ideas for fixing an embouchure issue? I’ve got you covered. If needed, I’ll even work with you to find an instrument to play during our lessons.

Overview of curriculum:
In beginner lessons we will explore the basics: the sound of a instrument, how to use it, daily routines for practicing, scales, sight reading, and most importantly, learning how to learn.

In intermediate lessons, and to solidify, build on, and better explain the basics, we will explore reading music, playing by ear, music theory (scales, chords, why they matter, and how to use them), how to practice, different genres of music (with and without trombone in them)

In advanced lessons you we will explore more into advances concepts and pieces for whichever genre you would like to explore while building on previous concepts.

Logistics
Reach out for details if you are interested!
Lesson prices range depending on frequency, duration and location.
And, are typically 1 hour long, 1-2x a week.

Trombone Lessons, Life Lessons [can also be used for piano etc.]

You may not know it yet, but you will like learning how to play the trombone. It’s held firm that some of the most important life lessons can be learned through music—especially about learning who you are, what freaks you out, and what really motivates you.

About the classes / What you will learn:
I welcome all students who are curious to learn and committed to practice. All levels and all ages are welcome; whether you’ve never touched the instrument before or you just need a little help fixing an embouchure issue, or even out those lip slurs (the never ending battle!!!). If needed I will provide a trombone for you to play during in-person rehearsals, as you find an instrument to rent or purchase.

These classes embrace a holistic teaching method, where principles of music are interwoven with observations about life on a larger scale. They can be taken taken in-person, in a rehearsal studio in New York, at your home, or virtually.

Overview of curriculum:
In beginner lessons we will explore the basics: the sound of a trombone, how to the instrument together, hold it, breathe, embouchure,articulation, posture, daily routines for practice, basic scales and not reading, but most importantly, we will learn how to learn.

In intermediate lessons, and to solidify, build on, and better explain the basics, we will explore reading music, playing by ear, music theory (scales, chords, why they matter, and how to use them), how to practice, different genres of music (with and without trombone in them)

In advanced lessons you we will explore more into advances concepts and pieces for whichever genre you would like to explore while building on previous concepts.

Logistics
Reach out for details if you are interested!
Lesson prices range depending on frequency, duration and location.
And, are typically 1 hour long, 1-2x a week.

About the teacher:
I first picked up a trombone when I was 12, and have not put it down for the past 18 years. After being awarded an “Excellent Player” Award by the Sacramento Traditional Jazz Society which led to the opportunity of performing with a professional Jazz Band, performing with a number of honor bands in middle and teaching at a music camp 3 summers of high school career. I decided to pursue music in College. I received a Bachelors of Music Classical Trombone Performance from California State University, San Jose. I’ve been performing professionally for 7 years and have played in every genre I could get my hands on (Classical, Jazz, Funk, Soul, Hip Hop, Musicals, Ska, Electronic).

Testimonial:
"Daniel has been teaching trombone to my teenage son. There are many aspects of his way of teaching that make him such an excellent teacher. First of of all, he is a true musician. He has an uncanny ability to share his passion for music before getting into teaching technicalities. He takes care of every musical aspect: musical knowledge, breath control, tone quality, tonguing, dynamics, and mutes. I highly recommend him. My only regret is that, since he left California, he will only be a treasure for New Yorkers...
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Reviews
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Donna September 23, 2018
· Music Theory · In studio
Daniel is patient, kind and incredibly talented. He is so knowledgable and passionate about music, you can't help but be excited to learn! A fantastic teacher, highly recommend!!!
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Jay W. September 16, 2018
· Music Theory · In studio
Thank you Daniel!

Daniel is a great teacher. His background and knowledge on Music Theory is phenomenal and helped me take my playing and writing to the next level.

Highly recommend!
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Camille February 2, 2018
· Music Theory · In studio
I really like Daniel. His love for music is infectious. As a teacher, he's patient, crazy smart, and easy to be around. He's also a deep thinker, which makes him really good at using simple analogy to help me understand complex concepts. It's a fun way to learn. TBH I was very surprised to leave lessons not just having learned new ways of thinking about music, but also about myself, and how I can start moving out of my own way. I recommend Daniel without hesitation.
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Daniel O.

Daniel O.

Ridgewood, NY 11385
(3)
starting at
$40 / 30-min

About Antoinette A.

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New York, NY

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If there is one thing music education lacks these days, it is music theory. Too often young violinists are made into automatons with the misuse of the Suzuki method. I always ensure my students understand what they are reading on the page of sheet music, with all questions answered. My goal is to teach a man how to fish. I.e. Show the student how to read sheet music so that they can pick up any sheet of music and just play it (known as sight reading).

Beginners typically take 60 minute classes once per week at a recurring time. Young children typically take half hour classes and older children, adult musicians and those on a budget typically take 45 minute classes. The most common lesson length to start with is 60 minutes, as the teacher will need to tune your instrument and help you get set up. Some students choose to take lessons twice per week when a concert is coming up, to catch up from a vacation or if they just want to make faster progress.

In class, you will learn new ...

About Antoinette
Finding an schooled violinist and finding a good violin teacher are two very different things. When I see other teacher's profiles, they boast of the years of training they had. Anyone can learn and play, but it takes a love of teaching to really make a difference in someone's life.

PATIENCE
When you have a love of teaching, you have a seemingly endless resource of patience. This is because what the student sees as "patient" is really just a small step in the educational process. It is a fraction of time just before a correction. When you have something new to teach, whether it is a new technique, or a correction of something being done improperly, and you know exactly how to break it down so it is understandable and accomplishable, you know it is always a short matter of time before the student gets it. And by short, I mean a matter
of seconds, or minutes.

FRIENDLINESS
I respect others and what they feel and have to say. I treat others as I would want to be treated and lessons are always a pleasure to my students, because it is a pleasure for me to teach them.

EXPERIENCE
I have been playing for over 26 years. I have played with a multitude of local orchestras and bands and have done countless studio recording sessions and live shows. All of this experience comes through in my teaching either directly (when it comes time for you to perform) or incrementally.

When you are learning, there is a vast sea of information. Not all of that knowledge is equal in importance. It is incredibly important to be able to distinguish what is important and what is not very important. All of my real-life experience, and continuing experience reveals itself in the form of ensuring my students know what is truly important.

Lest you get the idea that I am a wishy-washy, undemanding teacher, I can assure you this is not the case. Lessons are fun, but that is because they are productive. You will walk away being able to do something, and that requires hard work, and practice.

WHAT I EXPECT FROM MY STUDENTS
Practice.
Practice.
Practice.
And a winning attitude.

I can even work with you if you don't have a winning attitude, but it makes it more fun when you do!

HOW FAST CAN I EXPECT RESULTS?
Some students who were musicians previously leave the first lesson being able to play their first song. Most students however, who have never played an instrument before, can expect to be comfortable bowing (a huge part of the process - half the sound!) within the first few weeks, and will then move on to learning songs. We will be learning sheet music as well, on a very, very easy gradient. After the first couple months, I expect you to tell me which song it is you might like to learn most so that we can start working on it.

RENTALS
I rent out violins of all sizes.
I sell the book that I teach out of (or you can obtain it online or from Sam Ash).

If you have any questions, I am happy to answer them. You can use the contact button on this website and I will gladly answer you in return.
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Reviews
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Jennifer July 10, 2017
· Violin · In home
Antoinette is, by far, the best music instructor that I have ever hired. Music has always been a part of my life. As a child, I took piano lessons for years and continued on and off through college. As a complete novice to the violin, I was nervous to begin such a challenging instrument as an adult hobby. Antoinette is encouraging, intelligent and incredibly skilled. Her calm demeanor and patience is vital to one's success. She focuses on the building blocks to a successful technique with ease. I am incredibly grateful to Antoinette for reminding me of how enjoyable music can be. I look forward to our weekly sessions around my busy work schedule. Her location is conveniently located within walking distance from the subway in NYC.
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Tonia May 29, 2017
· Fiddle · In studio
I took violin lessons for a year with an instructor I found through a different organization (not TakeLessons)--and I learned more in one hour with Antoinette than I learned in 30 lessons with that other teacher. In just one lesson, I can see that Antoinette is friendly, smart, encouraging, knows her stuff--and knows how to teach (which not every good player can do). I'm an adult, but I bet she'd be just as great with a student of any age.
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Donna February 16, 2017
· Violin · In studio
Antoinette was patient and effective during my first lesson. As an adult, having never taken a violin lesson in my life, I was nervous. But Antoinette has confidence in me and I am looking forward to more lessons with her!
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Antoinette A.

Antoinette A.

New York, NY 10036
(20)
starting at
$40 / 30-min

About Vanessa G.

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New York, NY
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Beginning & Intermediate music theory using college textbooks and breaking it down for the level of the student.

About Vanessa
Bachelor's in musical theater performance from Columbia College Chicago. Audition prep (acting/singing) and vocal technique for clients since 2007.

My critique during your lesson is always honest, so you know when I give you a compliment it is well deserved. I especially love working with non-singers and helping them find their voice. I always start with an assessment to see where your work is currently at and where we can go from there. I keep notes during your lesson, send you home with your homework for the week, and I use those notes to think of personalized ways to improve your technique before your next lesson.

If honesty and results are what you're looking for in a teacher, I promise to be that teacher for you.

*** Lesson Details ***
Whether you're studying vocal technique or prepping for an audition with me, each lesso
n starts with an assessment. Then, we start with where you are at that moment and push your technique to the next level. Afterwards, I will send you an email with notes from the lesson and your homework.

My goal is cultivate your technique and discipline to take you to the next level of your performance.

*** Studio Equipment ***
-Digital piano
-Large mirror (to see your technique)

*** Specialties ***
Beginner voice for non-singers, new singers, or singers that have been out of the game for a while.

Audition prep for both film/stage acting and singing auditions. (Great results!)
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Reviews
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Alassea October 7, 2018
· Singing · Online
Your so nice man
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Kristen R. August 1, 2018
· Film and TV Acting · Online
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sophia N. July 31, 2018
· Singing · In studio
Vanessa is Knowledgeable and sweet. She made my daughter feel comfortable and uber excited about her next lesson.
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Vanessa G.

Vanessa G.

New York, NY 10018
(75)
starting at
$40 / 30-min

About Billy N.

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Brooklyn, NY
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20 years I've been including music theory in my lessons and many times giving private lessons just on the subject to Singers, Percussionists and instrumentalists outside of guitar. I have some fantastic sight singing books but I start with your memory, the melodies that have touched you. We explore your personal contact with music to find that you actually know the intervals, the building blocks of music. My understanding of chord function and harmonic colour gets clearly categorized and explained for the student so she/he can use for her/his self to develop a better ear and the right tools to analyze how any song works.

About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
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Reviews
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

Billy N.

Brooklyn, NY 11217
(11)
starting at
$65 / 45-min
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About Melissa M.

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Brooklyn, NY
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I am an experienced music teacher of 10 years available for eager students of all experience levels and ages! I structure my lessons so students learn what they want to learn, while also building a strong foundation of music theory skills.

About Melissa
WHAT TO EXPECT
When meeting with a student for the first time we always discuss his or her needs or goals. After that, we get into the foundation of building technique, starting with posture. Next, the student is assigned breathing exercises to practice. These exercises are structured to energize the body and manage the breath. Every single student learns about appoggio. This is the term used for the process of suspending exhalation while keeping the torso in the position of inhalation by using the transverse abdominis and obliques. Students also learn that the action of the diaphragm is involuntary, therefore the exercises in which we engage are in place to have command over physical activity that we can control.

A TYPICAL VOICE LESSON
After posture and breathing are addressed the students begin to learn how to produce tone,
which encompasses the vocal onset and the closure of the vocal folds. Students realize that proper breath management and producing tone go hand in hand. The ideal that the student and I work towards is a balance between superfluous air flow and and pressed pressure. This concept leads to a clean onset in which the edges of the vocal folds cleanly come together and stay closed during singing.

Students also learn how to negotiate and coordinate the vocal registers. This means that every student who walks into my studio learns where and what the larynx is. It is my job to be a second set of ears to help the student optimize his or her tone quality by maximizing vocal resonance. This concept may be different across genres, however every student learns how to begin coordinating the vocal process.

HOW I TEACH
My aim as a teacher of voice is to be flexible and innovative, and provide students with a clear and honest assessment. I strive to explain to each singer exactly how to complete a task, whether maintaining the position of inhalation or correcting posture. In lessons, I refrain from being demonstrative so that the student can find his or her own unique sound without attempting to copy my sound. I use this method so that the student learns how to be her own teacher. This way, the student will be able to identify and correct her own vocal problems. When I am not present, the student will have confidence in her skills and can make educated corrections in practice, rehearsals, and in performances.

TECHNIQUE
Throughout the course of lessons, it is my job to identify the most effective resonating space for the student and give her the skills to maintain that space. It is through the combination of effective breath management using appoggio and flow-phonation that the student becomes most efficient. Finding the most efficient technique for the student involves discovering the proper laryngeal position for the student’s voice type and by practicing continuity through all of the registers.

As all of the aspects of technique are being built in the studio, it is my job to ensure that I am building a musician. This means that I go over how the student needs to learn a piece and how to perform a piece. Often times with young students, they do not have the musical skills to teach themselves the pieces assigned. Sometimes the voice teacher’s job is to “plunk out the notes.” I highly encourage my students to take piano lessons and to use technology resources to aid them in building musicianship so they feel confident reading music. This process takes time, but it is the first step in building a competent performer.

MY GOALS
I always cater to the students tastes while still meeting requirements, if any. I believe that this fosters joy and excitement in music. My goal as a voice teacher not only involves building a good singer, but creating a performer. I make sure that I not only find performing opportunities for my students, but also I create them. Every semester I hold a studio recital for my students to perform their repertoire in front of an audience. In the Fall of 2015 I founded a local opera company in order to bring classical music to the community. My students made up the chorus of Handel’s Messiah that we performed that December. In addition, I have invited my students to participate in the church choir I direct every week. I believe that learning how to sing must take place in the studio, but the most important thing that I can do as a teacher is to make sure that the student knows how to transfer the skills learned in the classroom to real-world performing experiences.

APPROACH
I believe in a holistic approach to teaching, which involves connection to the text and acting. Though I cover many of these aspects in the studio, it is extremely beneficial for students to go outside of the studio and engage in physical courses such as yoga, Alexander technique, acting and dance. I personally engage in these activities to relate to my students and to be able to explain how we need to engage the body in singing. I also encourage my students to have coachings with other professionals to gain more insight into their repertoire.

Not every student who comes to my studio wants to sing opera. Many students want to sing in choir, in church, or just for fun. Overall, I always come from a place of acceptance and non judgement. Every voice is unique and I strive to help my students not only reach their goals, but surpass them.

ABOUT ME
I have been teaching voice and piano since 2010. Not only an avid teacher, I have performed in music festivals all over the world including The American Institute of Musical Studies in Graz, Austria, Accademia Europa dell’Opera in Lucca, Italy, Angel Vocal Art in Los Angeles, CA, Russian Opera Workshop in Philadelphia, PA, and Highlands Opera Studio in Haliburton, Ontario. I have also performed with companies including Opera San Jose, The Napa Valley Music Association, The San Francisco Youth Chamber Orchestra, Opera on the Spot, and The Solano Chamber Society.

I earned my Doctorate of Musical Arts in Vocal Performance, Pedagogy, and Literature from James Madison University in Harrisonburg, VA with Kevin McMillan. During my time in Harrisonburg, I founded Harrisonburg Opera Theatre and was the church choir director at Sunnyside Retirement Community Meredith Chapel.
I completed my Post-Graduate Artist Diploma in Voice at the San Francisco Conservatory of Music under the tutelage of acclaimed opera singer, Deborah Voigt. While in San Francisco, I interned in the Education Department of San Francisco Opera and taught Kindergarten and First grade music with the San Francisco Conservatory in the Schools mentor-ship program. I also received a full scholarship to attend the Rubin Institute for Music Criticism.

I earned my Masters of Fine Arts in Vocal Performance from the University of California, Irvine at the Claire Trevor School of the Arts where she sang the National Anthem for President Barack Obama at the school’s 50th Anniversary Celebration. At UC Irvine, I received critical acclaim for my portrayal of Euridice in Gluck's Orfeo ed Euridice, and as the Soprano in Pergolesi's Stabat Mater.

I specialize in the Alfred Series for piano and My First Piano Adventure for young students. This approach focuses on ear training and reading music. Custom exercises and choice of material is based on the student's level and field of study. Lessons are scheduled at the student's convenience as per availability. Frequency and length of lessons is based on the students needs.

Young voice students are taught general concepts, music theory, and ear training. After the voice is more mature, advanced and serious vocal study can be pursued. Melissa's students receive a well-rounded training in the style of their choice: Classical, Popular, Musical Theatre, and Jazz.

I emphasize solid technique, posture, breathing, and control, in addition to music fundamentals.
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Reviews
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Roger November 6, 2018
· Classical Voice · In studio
Love Dr. M! I've wanted to take voice lessons forever but I have been hesitant due to my lack of experience. Dr. M not only made me feel comfortable but also confident in the voice that I have. She's personal and warm but also very professional. She never gets frustrated with obstacles I face in my lessons; instead she helps ways to overcome them.

I've never left a lesson feeling disappointed with my ability, something I experienced with other voice teachers. I feel confident in my voice and I owe that all to Melissa. For instance, during one lessons I was feeling a little off. Rather than getting frustrated she helped me focus on great ways to approach singing when not feeling your best. Dr. McCann rocks!

If you are looking for a voice teacher new or experienced I would definitely recommend Dr. McCann. Top notch lessons and overall awesome woman!
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Kassondra November 5, 2018
· Classical Voice · Online
Dr. M. is a phenomenal teacher who does a great job customizing her lessons to the needs of the student. She has helped me make amazing progress with my voice, and just as importantly has helped me gain the confidence to be able to sign.

Her lessons are fun, effective, and very positive. All of which help the student learn more and get more out of the lesson. I highly recommend Dr. M. as a teacher to anyone (at any level) who is interested in becoming a better singer.
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Isabel November 5, 2018
· Classical Voice · In studio
I recommend Melissa as a voice teacher! She has a very easy going personality and gets along great with my 11 year old daughter. She got to know my daughter personally, and chooses music to fit her personality. She is very easy to work with and extremely knowledgeable as a voice teacher. My daughter has definitely made progress over the last two years!
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Melissa M.

Melissa M.

Brooklyn, NY 11206
(15)
starting at
$30 / 30-min

About Emily P.

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Brooklyn, NY
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Music theory is the backbone of music itself, and as a subject is one of the most important areas of study within music. In tandem with correlated principles of ear training, I aim to arm my students with the skills needed to deliver a well-informed and musically-interesting performance.

About Emily
Woodwind instrumentalist Emily performs regularly in a range of styles including classical, jazz, rock, funk, Afrobeat, Third Stream, and musical theater. Emily holds her M.M. in Multiple Woodwind Performance from The Boston Conservatory with concentrations in saxophone, clarinet, and flute performance. She also holds a B.M. in Music Education from Ithaca College with an emphasis on jazz performance and pedagogy in addition to traditional studies in music education.

Emily has performed on tenor saxophone, alto saxophone, clarinet, bass, clarinet, and flute in Big League Productions' Broadway National Tour of the Frank Loesser classic "Guys and Dolls." Emily has also performed on alto saxophone, soprano saxophone, clarinet, flute, and piccolo in the Broadway National Tour of "How the Grinch Stole Christmas...the Musical!" She just retur
ned from the Broadway National Tour of "42nd Street," where she performed on tenor saxophone, alto saxophone, clarinet, flute, and piccolo.
...
Reviews
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Peter F. February 28, 2018
· Clarinet · In home
A great first lesson. Hoping it continues.
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Lucia F. December 11, 2017
· Saxophone · In home
Emily is warm, energetic, very professional and talented.
We love her!!
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Cassel September 17, 2017
· Saxophone · In studio
My daughter had the most wonderful first lesson I could have hoped for! Thank you for making her education enjoyable.. it already left her wanting to come back !
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Emily P.

Emily P.

Brooklyn, NY 11207
(13)
starting at
$35 / 30-min

About Simon W.

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Brooklyn, NY
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Master of Music from the renowned New England Conservatory. Students will gain an organic understanding and relationship to music theory, where it always serves a musical purpose and it doesn't stay in the realm of ideas.

About Simon
Hi there! My name is Simon Willson and my main gigging instrument is the double bass. I studied Jazz Bass at the New England Conservatory for my Bachelor's and Master's degree.

I have been in love with music since I was very young, and it has been the best gift I have ever received. I would like to be able to share this gift with other people, and that has been the driving force behind my teaching.

In addition to teaching, I keep a very busy performing schedule. You can find me playing at different venues in NYC several nights a week, in addition to frequent tours to Europe, South America, and the US.

I have a background in the Jazz and Classical tradition. In addition to performing, I compose and play guitar and piano. I love harmony and theory, and feel confident teaching those subjects as well.

Some of my past teachers i
nclude bassists Ben Street, Dave Holland, Cecil McBee, and Donald Palma, pianists Ethan Iverson and Frank Carlberg, and trumpet player John McNeil.
...
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Simon W.

Simon W.

Brooklyn, NY 11205
starting at
$35 / 30-min

About Cory H.

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Plainview, NY

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Experienced music theorist, composer, and arranger looking to help students build a strong foundation of music theory skills.

About Cory
I am a professional singer, beatboxer, audio engineer, and music director who specializes in contemporary a cappella music! I graduated from the Aaron Copland School of Music at Queens College with a Bachelor of Arts in vocal music. I also am an acting coach; I can help build confidence in your performances as well as help you feel more comfortable speaking in front of people.

I perform often with a variety of musicians at all levels - I've performed with school choirs, community choirs, The Maccabeats, Josh Groban, and more. I have also performed at many well-known venues such as the Nikon at Jones Beach, Lincoln Center, Carnegie Hall, The White House, and more. I travel both nationally and internationally to perform and often find myself singing with the communities I travel to. I have also judged singing competitions and given masterc
lasses to a variety of singing groups.

As a teacher I want you to succeed! I am always happy to discuss your goals and aspirations and we can work together to find a plan of action that best suits your needs, whether that be sight reading, vocal technique, or anything else!
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Reviews
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Saera M. September 14, 2018
· Acting · In studio
Very knowledgeable and professional, would highly recommend
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Julia August 28, 2018
· Singing · In studio
Cory is terrific! Knowledgable, enthusiastic, and very patient in working with my super limited knowledge. He was always willing to rephrase or help me visualize something when I wasn’t getting it. A few lessons with him have given me the confidence and preparation I need to finally go through with an audition!
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Cory H.

Cory H.

Plainview, NY 11803
(2)
starting at
$40 / 30-min

About Beau R.

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New York, NY
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NYC based Australian teacher of 6 years! Holds a BFA of Musical Theatre. Can work with all levels of voice to achieve your specific goals. Also qualified independently to teach music theory with degrees in musicology. I have a strong belief in developing performance quality through an understanding of technique and theory, as well as stage presence and textual analysis. I am fun and lively as a teacher and can't wait to get started with you!

About Beau
I am a professional singer, actor and teacher. I graduated from The American Musical and Dramatic Academy with a Bachelor's of Fine Arts in Musical Theatre.

Voice students can expect to improve week to week in their vocal technique. Every voice has a unique timbre; I teach students to release built up tension and apply foundational techniques in order to unlock their own individual sound. I can help any student to sing with freedom, confidence, and expression.

I work in NY and LA as an Actor and Singer for TV/Film and Theatre and have a plethora of experience that I can apply to our lessons.

My personal passion is Musical Theatre, Jazz and RnB/Soul, but I teach all styles and am very passionate about them all. I really emphasize singing from your soul as that is where your true sound lies. I really look forward to starting lesson
s with you!
...
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Beau R.

Beau R.

New York, NY 10032
starting at
$40 / 30-min

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6 Fun and Unique Ways to Learn Music Theory

6 Fun and Unique Ways to Learn Music Theory

Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform … Read More

6 Fun and Unique Ways to Learn Music Theory
Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform
Can You Pass This Basic Music Theory Quiz? Test Your Knowledge!
A knowledge of music theory is absolutely indispensable to musicians. For beginners, it can seem intimidating, but experienced musicians will attest that theory is well worth the effort needed to master it. While you can certainly acquire proficiency on an instrument without a knowledge of theory, you’ll miss out on the depth of understanding that it provides. Music theory is also extremely useful for musicians. Think of music theory as your tool box. It enables you to analyze, trans
All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many

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