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Freeport, NY Violin Lessons

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About Antoinette A.

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New York, NY
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Whether your interest is classical music, fiddle or contemporary, you can be sure you will start your journey off right. First you will learn the basics, which apply to all types of violin playing, and then you can specialize in any genre you wish after that.

You will gradiently learn everything you need to know, becoming skilled at each new task, and never being overwhelmed by an avalanche of unimportant information. My goals for you are based upon three things:

1. Working towards your goals
2. Increasing your strengths
3. Strengthening your weaknesses.

Everybody has weaknesses and I work to improve yours with both education and practice (You can only learn how to practice something correctly if you know how to do it correctly, or fix what is wrong with it.)

Expect to play the violin on your first day, play a song within the first few weeks, and get to an intermediate level in about one year - of course, depending on how much you practice.

About Antoinette
Finding an schooled violinist and finding a good violin teacher are two very different things. When I see other teacher's profiles, they boast of the years of training they had. Anyone can learn and play, but it takes a love of teaching to really make a difference in someone's life.

PATIENCE
When you have a love of teaching, you have a seemingly endless resource of patience. This is because what the student sees as "patient" is really just a small step in the educational process. It is a fraction of time just before a correction. When you have something new to teach, whether it is a new technique, or a correction of something being done improperly, and you know exactly how to break it down so it is understandable and accomplishable, you know it is always a short matter of time before the student gets it. And by short, I mean a matter
of seconds, or minutes.

FRIENDLINESS
I respect others and what they feel and have to say. I treat others as I would want to be treated and lessons are always a pleasure to my students, because it is a pleasure for me to teach them.

EXPERIENCE
I have been playing for over 26 years. I have played with a multitude of local orchestras and bands and have done countless studio recording sessions and live shows. All of this experience comes through in my teaching either directly (when it comes time for you to perform) or incrementally.

When you are learning, there is a vast sea of information. Not all of that knowledge is equal in importance. It is incredibly important to be able to distinguish what is important and what is not very important. All of my real-life experience, and continuing experience reveals itself in the form of ensuring my students know what is truly important.

Lest you get the idea that I am a wishy-washy, undemanding teacher, I can assure you this is not the case. Lessons are fun, but that is because they are productive. You will walk away being able to do something, and that requires hard work, and practice.

WHAT I EXPECT FROM MY STUDENTS
Practice.
Practice.
Practice.
And a winning attitude.

I can even work with you if you don't have a winning attitude, but it makes it more fun when you do!

HOW FAST CAN I EXPECT RESULTS?
Some students who were musicians previously leave the first lesson being able to play their first song. Most students however, who have never played an instrument before, can expect to be comfortable bowing (a huge part of the process - half the sound!) within the first few weeks, and will then move on to learning songs. We will be learning sheet music as well, on a very, very easy gradient. After the first couple months, I expect you to tell me which song it is you might like to learn most so that we can start working on it.

RENTALS
I rent out violins of all sizes.
I sell the book that I teach out of (or you can obtain it online or from Sam Ash).

If you have any questions, I am happy to answer them. You can use the contact button on this website and I will gladly answer you in return.
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Reviews
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Jennifer July 10, 2017
· Violin · In home
Antoinette is, by far, the best music instructor that I have ever hired. Music has always been a part of my life. As a child, I took piano lessons for years and continued on and off through college. As a complete novice to the violin, I was nervous to begin such a challenging instrument as an adult hobby. Antoinette is encouraging, intelligent and incredibly skilled. Her calm demeanor and patience is vital to one's success. She focuses on the building blocks to a successful technique with ease. I am incredibly grateful to Antoinette for reminding me of how enjoyable music can be. I look forward to our weekly sessions around my busy work schedule. Her location is conveniently located within walking distance from the subway in NYC.
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Tonia May 29, 2017
· Fiddle · In studio
I took violin lessons for a year with an instructor I found through a different organization (not TakeLessons)--and I learned more in one hour with Antoinette than I learned in 30 lessons with that other teacher. In just one lesson, I can see that Antoinette is friendly, smart, encouraging, knows her stuff--and knows how to teach (which not every good player can do). I'm an adult, but I bet she'd be just as great with a student of any age.
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Donna February 16, 2017
· Violin · In studio
Antoinette was patient and effective during my first lesson. As an adult, having never taken a violin lesson in my life, I was nervous. But Antoinette has confidence in me and I am looking forward to more lessons with her!
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Antoinette A.

Antoinette A.

New York, NY 10036
(20)
starting at
$45 / 30-min

About Michael P.

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Brooklyn, NY
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For my beginning violin students, I have found the Essential Elements Series to be highly effective, as well as the Suzuki methodology. All lessons will typically start with scales/arpeggios and be followed with the selected piece(s) we have chosen together. All of my students will attest that I set clear and high expectations for every lesson, yet am very understanding, friendly and approachable right from the start. My goal is to provide every individual with the tools necessary for becoming a well-rounded musician, so that they too can share their love for music with others.

About Michael
Beginning his cello instruction at the age of 8, Michael spent the majority of his early years under the guidance of Nancy Hambleton-Torrente, current director of music for the Yorktown public school districts in Westchester county. During his undergraduate years, he attended Colgate University where he received a B.A. in both Music and Psychology. While at Colgate, Michael had the privilege of studying with cellist Florent Renard-Payen, founder and director of the esteemed Tarob Cello Ensemble. Upon graduation, Michael continued his studies at Montclair State University where he received an Artist Diploma in performance. Under the guidance of Nicholas Tzavaras of the Shanghai String Quartet, Michael performed two solo recitals for the John J. Cali School of Music before further pursuing his studies in the studio of Marc T. Johnson of the
Vermeer Quartet. From 2012 to 2014, Michael served as principal cellist of the Symphony Orchestra at Hunter College while concurrently earning a Masters degree in Music Education. He graduated with summa cum laude honors in 2014 and began his teaching career with the New York City Department of Education later that year.

At present, Michael is director of Orchestral activities at P.S. 205 Clarion in Brooklyn N.Y. and principal cellist of the Riverside Orchestra on the upper west side of Manhattan. He runs a full private teaching studio and actively gigs in and around the greater New York City area. He has also played in numerous master classes for world renowned cellists such as Lynn Harrell and Andres Diaz, and has had the privilege of working with esteemed conductors such as Marietta Cheng of the Southern Finger Lakes Orchestra, Paul Hostetter, Chair of Orchestral Activities for the Schwob School of Music, and Rueben Blundell, current Conductor and Music Director of the Lansdowne Symphony Orchestra, the Hunter Symphony and the Riverside Orchestra.

While Michael does enjoy a busy academic and teaching schedule, he believes that part of the joy of being a working musician is having the ability to share his love of music with others, something he feels both honored and privileged to be able to do.

*** Lesson Details ***
My teaching philosophy is one that tailors to the specific needs, interests and abilities of each individual. Throughout my years of private instruction, I have learned that no two individuals learn and/or think the same way. Thus, for some students I have found the Suzuki method to be highly effective, while for others I have been more comprehensive with my instruction, incorporated scales, etudes, sonatas, concerti and Bach suites for a more well rounded approach. Regardless of the methodology employed, all of my students will attest that I set clear and high expectations for every lesson, yet am very understanding, friendly and approachable right from the start. My goal is to provide every individual with the tools necessary for becoming a well-rounded musician, so that they too can share their love for music with others.

*** Studio Equipment ***
Two music stands and chairs.

*** Specialties ***
While I do specialize in classical instruction, I am able to instruct students in a variety of genres, including Jazz, Pop, and alternative rock. In addition, I tend to tailor my lessons to the needs of my students. If they are more comfortable learning by rote, then this is how I tend to instruct. My lessons are loosely structured by beginning with scales, moving on to etudes, then finishing with Bach suites, a sonata and/or a concerto.
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Reviews
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Ke C. August 28, 2016
· Cello · In home
I had a great class with Michael. He is extremely experienced in teaching and he has a very focused teaching strategy. Definitely take his class if you are interested in cello.
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Yemi A. August 12, 2016
· Cello · In studio
I have been taking lessons with Michael for over a year now. I've taken lessons before with other instructors (though not in cello). Michael is one of the best instructors that I have ever had. He instructs and challenges you to get better, while at the same time being patient with your development. It has been a pleasure being a student of Michael.
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Marlynn W. May 3, 2016
· Cello · In studio
Beginner nerves vanished immediately. Michael is very disarming. Very encouraging. Very happy with him.
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Michael P.

Michael P.

Brooklyn, NY 11209
(8)
starting at
$40 / 30-min

About Penny H.

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Westbury, NY
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About Penny
Born in Cebu City, Philippines in 1990, raised primarily in Phnom Penh, Cambodia and other Southeast Asian countries, and pursuing further education in the United States of America, Hopengrace ("Penny") is a Global Nomad currently situated in the Greater New York City Area.

She started taking music lessons from her mother at the age of four and learned to read music at the same time she started to read storybooks. ​From the age of ten, Hopengrace took violin lessons, during her parents' rare furloughs, from Mr. Frederico Regner, a World War II veteran returned from the United States. While in the Philippines for a combined year of junior and senior level high school, she took violin lessons from Mr. Marc Hamlet Mercado and Mr. Rodelio Flores. Hopengrace has also taken coaching from Ms. Princess Christine Ybañez to prepare for competit
ion in the Solo String (Bowed) category of the 14th National Student Convention in which she won 2nd Place.

In 2007, Hopengrace received a Presidential Scholarship from Tennessee Temple University (TTU). There she studied violin under Mrs. Laura Minor (B.Mus. Vanderbilt University, MA Music NYU). She also took piano from Mrs. Carolyn Kemp​ (BS Mus.Ed. Baptist Bible College, MA Mu. Ed. University of Tennessee at Chattanooga) and voice from Dr. William Knowles and Mr. Michael Mays (BS Mus. Perf. University of Tennessee at Chattanooga, MA Church Music Southwestern Baptist Theological Seminary).

In 2008, as a member of TTU's Weigle Concert Choir, Hopengrace had the privilege to be chosen to sing with a combined choir in Carnegie Hall's Stern Auditorium with the Manhattan Chamber Orchestra under the baton of Dr. David Thye, Principal Conductor-in-Residence of MidAmerica Productions. She became a member of the Chattanooga Symphony and Opera Youth Orchestra (CSOYO) ​in the fall of that year and continued performing with them for three seasons. She also participated in the special orchestra for the annual Chattanooga Boys' Choir "Singing Christmas Tree" concerts at the Tivoli Theatre. In 2010, world-renowned violinist Midori chose CSOYO as one of two youth orchestras for her annual Orchestra Residencies Program, and Hopengrace had the rare opportunity to perform with one of her inspirations in concert.

Hopengrace​ became a registered Suzuki Method Violin Teacher with the Suzuki Association of the Americas on July 2011. She has also trained in Orff-Schulwerk.

During her travels around the world, Hopengrace struggled to keep her art alive. However, she has often been complemented for her distinctive strong, full-bodied tone​ and adaptability. Her range varies from Baroque to Modern. She plays on a John Cheng 1737 "King Joseph" Guarneri model violin with both wood and carbon fiber bows.

​Hopengrace welcomes students and employment while she prepares for entrance in a Master of Music in Performance program. She hopes to start on that new chapter of her life in the fall of 2013. Inspired by the impact of Venezuela's El Sistema program and her own experiences during her travels, Hopengrace hopes to use her talents to enable or build similar programs both while she teaches and in the lands where she was raised. ​

*** Lesson Details ***
TEACHING PHILOSOPHY
“Play with heart. Play with living soul.”
— Dr. Shinichi Suzuki
As a teacher, my goal is to instruct as well as inspire each student to reach for his or her highest potential. I hope to give each student the tools to progress so that one day they can be their own best teacher, and play with a sound and style that is uniquely their own. Most importantly, I hope to instill a desire to learn and a mindset that the art of violin playing is fun and that it is just as we call it--playing. My teaching abilities range from beginning through advanced levels. Students must have a desire to learn and commit to daily (mindful) practice.

I am a Suzuki Violin teacher. This means that I am trained to work with even the youngest of musicians in a nurturing , fun and challenging way. Dr. Suzuki believed that it was important to develop a noble character in all children through the mastery of a musical instrument. He also believed that all children were capable of this mastery if the environment is saturated with music and love. My students enjoy playing the violin because they are given the tools they need to play beautifully and to make progress on their instrument. Each lesson will focus on proper set up and posture, technical work and musical direction/ideas that will inspire them to carry on their work throughout the week. I demonstrate quite a bit in the lessons, as I find it is the most effective way to communicate in music. However, I am only with the student once a week, therefore much of the lesson is geared towards helping the parent and child understand what his/her home tasks are, and how to carry them out successfully. 10 minutes of mindful practice is worth an hour of careless work.
“There is no born genius. Education is the way to develop ability.”
— Dr. Shinichi Suzuki
​Parental support and involvement is key to any child’s progress, especially at the beginning stages. Parents of young beginners are encouraged to take a few lessons before starting their child on the instrument. Parents serve as a practice coach/partner during daily home practice sessions and are required to attend and participate in their child’s lessons. Listening to recordings and attending live concerts are strongly recommended to increase musical awareness and enthusiasm in the student.

In spite of my rigorous Suzuki training, my unorthodox learning experience has taught me the value of being flexible and using methods that work best for a specific individual. I am not averse to seeking and applying a new method (eg. traditional, Masterclass, O'Connor, etc.) if the situation calls for it.

What should be expected from a Teacher/Student relationship?

I think a student should expect their teacher to give them honest, thoughtful feedback. Just enough that they can manage the information at that time. The teacher should give detailed instruction on ways the student can improve, without destroying the students sense of self worth or spirit. On the contrary, the teacher must always find a way to see the student as having great potential. This way, no matter how limited the current level of ability may be, there is hope for growth. Even without saying it, the student will feel the teachers' attitude towards him and may become that person (for better or for worse). The student should expect to be challenged, encouraged and inspired by their teacher. The teacher should expect that the student and the parents commit to daily practice, and have a desire to improve. The student must apply his/her teacher's feedback while always searching within himself for ways to develop. Mutual respect is key.

*** Studio Equipment ***
living room, baby grand piano, couch, two chairs, residential area, street parking

*** Travel Equipment ***
My own violin, music stand, and teaching books. I expect my students to provide their own instruments, music stand, and student books.

*** Specialties ***
Suzuki, Orff-Schulwerk, classical, film, fiddle, world music, new age, popular, contemporary classical
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Penny H.

Penny H.

Westbury, NY 11590
starting at
$40 / 30-min

About Daniel H.

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Malverne, NY

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You will be comfortable, tuned, and attuned - ready to play. You may tell me about music you have just heard, which interested or inspired you. You will play what you have most recently practiced or performed. I will explain what went best, and model how to improve. We will find your best next steps for technic and repertoire, and set a realistic, effective plan for you to achieve them. Carrying out the plan will be up to you, with family support. I will be reachable if you need guidance.

About Daniel
Kind, insightful and experienced coach and performer. Excellent background in Suzuki and traditional string instruction from Louise Behrend and Dorothy DeLay. Music graduate of Indiana University, Sarah Lawrence College, School For Strings, and Aaron Copland School. Member of ASTA, NYSSMA and NJMEA; do NYSSMA/All-State/ASTA adjudication and preparation. State certified to teach music in both New York and New Jersey.
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Charlotte L. October 3, 2017
· Violin · In home
Daniel was patient and kind, and was able to capture my 7 year old's attention. She is excited for her next lesson!
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Kristen S. August 27, 2017
· Violin · In studio
The instructor was very focused on the needs of my child.
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Jessica J. March 22, 2017
· Violin · In home
Daniel is a great violin teacher. Very professional, very helpful, very knowledgeable, very punctual.
I can recommend this teacher to everyone. "The best instructor ever!!"
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Daniel H.

Daniel H.

Malverne, NY 11565
(3)
starting at
$40 / 30-min

About Monica B.

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New York, NY

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An organized, clear approach applicable to all levels. Develop a strong technical foundation, learn how to avoid injuries and tension while playing, create a beautiful sound and express yourself through music. Teaching tailored to your level and needs - learn repertoire and a variety of styles.

About Monica
Monica B., hailed as an “excellent violinist” by the Washington Post, performs extensively in chamber music, orchestral and solo settings. Monica has studied and worked both in the United States and Europe. A graduate of the Eastman School of Music and the Conservatoire de Geneve, she has held positions with L'Orchestre de la Suisse Romande in Geneva, Switzerland, and the Esbjerg Ensemble-the national chamber ensemble in Denmark. She is presently coaching and performing at Siena Summer Music in Siena, Italy, and has performed as soloist with orchestras in Scandinavia, Central Europe, and the New York region. Her recordings are under the Philips and Albany labels.
Monica is the founder of the Manhattan chamber music series “Concerts in the Heights”. This series brings together world-class musicians for performances and educational proje
cts. She is also a founder and Artistic Director of the conductor-less String Orchestra of New York City- SONYC.
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Monica B.

Monica B.

New York, NY 10034
starting at
$50 / 30-min
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About Lydia Yu-Lin W.

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Brooklyn, NY
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18 years violin experiences! I play violin in multi-genres such as jazz, latin, and classical of course :)
I had a classical-trained background with a violin performance Bachelor degree from Nation Taipei University of Education in Taiwan. And I was also violin player in gypsy jazz band in Taiwan. I went to Berklee College of Music in 2011 and start focus on jazz violin and music production,graduated in 2014. I had experiences work with musicians from many different genre such as classical, jazz, Latin, fusion, pop...etc.
while I teach violin, I always pay a lot of attention on students postures because it's very important to have a comfortable position when we play the violin. And also I will teach some basic music theory to help students understand the music better!

About Lydia Yu-Lin
Hello! My name is Lydia and I can't wait to meet you! I've been teaching private lessons since 2010 and have loved helping my students learning violin and piano, music theories, and sharing my music experience with them as well. I went to Berklee College of Music and earned a degree in contemporary writing and production (music production basically) in 2014. I'm a organized and friendly person. My teaching idea is to inspire my students, lead them into the music world. I also have many experiences working with little kids in preschool. So little kid are welcome as well!
Besides teaching musical instruments, I'm also a freelance composer and arranger base in NYC. I've worked with many musicians around east coast and Taiwan. If you are interested in trying to writing some music. Then don't be afraid! Just do it! And I'm more then happy to
help!

I look forward to helping you reach your goals!
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Lydia Yu-Lin W.

Lydia Yu-Lin W.

Brooklyn, NY 11221
starting at
$35 / 30-min

About Larry M.

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Teaneck, NJ

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Larry teaches students of all ages and skill levels on violin technique, repertoire, and musicality. He is based in Teaneck, NJ and teaches students in his studio in North Jersey or any location via the internet. Larry works hard to foster the creative spirit in his students while simultaneously providing solid technical and classical training on the violin. Students love Larry's positive attitude and his commitment to music as a means of personal growth and self expression. An accomplished educator, chamber musician and violinist, Larry offers a simple and straight-forward perspective on the violin that is sure to inspire. Skilled at adapting the violin to his great love of American Standards and other popular genres, Larry introduces students to the innovative and exciting roles that the violin can play in contemporary music. Larry also strives to bring the world's great music to all through is work as founding member of the Iceni Ensemble.
Whether you have never picked up a ...

About Larry
Having started my study of violin at age eight and continuing on to a bachelor's degree in music education from West Virginia University and a Master's degree in violin from Columbia University, I have spent my career bringing the joy of music and performance to students both young and old. A teacher of violin for 28 years in Teaneck Public Schools, as president of the North Jersey Philharmonic, the Art Center Chamber Music Concerts and now as founding member of the Iceni Ensemble I continue to work at sharing my parent's great love of music that they shared with me with students of a new generation. I strive to pass on the same joy and love of the violin, of friends made, of the wife I met, through music and performance of my instrument.
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Tiara November 8, 2017
· Violin · In studio
Mr. Marino is by far the greatest, and most talented instrumental instructor I have ever had. The amount of patience and passion he has for this art is resonate in his teaching style. I had the absolute pleasure of working with him for 6 years and I can truly say I have learned a wealth of information and have become incredibly skilled at multiple instruments thanks to Mr. Marino.
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Larry M.

Larry M.

Teaneck, NJ 07666
(1)
starting at
$40 / 30-min

About Nicolas O.

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New York, NY
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Hello! My name is Nicolas, I was born and raised in Valladolid, Spain.
From an early age, I have been very interested in many facets of world culture including music, art and languages. I attended the Professional Conservatory of Music in Valladolid, as well as Musikene College of Music of the Basque Country.

I have 17 years of experience in classical violin, as well as 15 years of bilingual education. Throughout my violin career I've performed with numerous professional orchestras in Spain and Germany, opera companies and many chamber music groups. As a teacher, I've remained active as a private instructor for the last 5 years.
I currently reside in Manhattan where I continue to teach violin lessons.

To inquire about specifics or for more information, please don't hesitate to contact me! Thank you!

About Nicolas
Hello! My name is Nicolas, I was born and raised in Valladolid, Spain. From an early age, I have been very interested in many facets of world culture including music, art and languages. I attended the Professional Conservatory of Music in Valladolid, as well as Musikene College of Music of the Basque Country.

I have 17 years of experience in classical violin, as well as 15 years of bilingual education. Throughout my violin career I've performed with numerous professional orchestras in Spain and Germany, opera companies and many chamber music groups. As a teacher, I've remained active as a private instructor for the last 5 years.

I currently reside in Manhattan where I continue to teach violin lessons.To inquire about specifics or for more information, please don't hesitate to contact me! Thank you!
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Nicolas O.

Nicolas O.

New York, NY 10028
starting at
$96 / 60-min

About Trevor R.

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Brooklyn, NY

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I have six years' professional experience teaching privately, and I specialize in Classical, Jazz, and Popular styles. I use a patient approach to accommodate each student's unique learning styles, challenges, and interests. While each student will have a personalized experience, all the necessary fundamentals will be covered, including technique, note reading, music theory, and ear training. Send me a message letting me know what your goals are. I can't wait to make music with you!

About Trevor
I am a professional bassist and teacher living in Park Slope, Brooklyn. In 2017 I earned a Bachelors of Music with a concentration in Instrumental Music Education from Wayne State University in Detroit, MI. I have experience teaching students from age 5 up through adulthood, and I have taught several students with special needs. I am proud to say that students of mine have won concerto competitions, earned first-degree ratings at solo and ensemble festivals, and have gone on to continue their study at the collegiate level.

As a bassist, I am fluent in Classical, Jazz, and Popular styles. Before moving to New York, I played with multiple orchestras and chamber groups around the Detroit area, including the Dearborn Symphony Orchestra, Detroit Jazz Festival Brass and Percussion Ensemble, and others. I have been fortunate to share the stag
e with the likes of Sean Jones, Joshua Redman, Jason Moran, as well as Leonard Slatkin.

I would love to get to know what you or your student's learning goals are! Please feel free to contact me at your convenience so we can start making great music!
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Gabriel November 18, 2017
· Upright Bass · In studio
Allow me to start by saying that I am a violist, not a bassist. I had never so much as held a bass before in my life. However, after a few months of Trevor's patient guidance, I found myself reasonably confident not only in my ability to hold a bass but also somewhat in my ability to play it whilst doing so.

Aside from his patience, I appreciated his flexibility and approachability. Of course, I did my best to practice and attend all of our lessons, but if, for some reason, I was unable to do so, he would always work something out in a fair and rational manner. Not only did I feel comfortable asking questions, but I felt encouraged to do so. His hands-on approach of not just showing or telling but both was refreshing, as was his focus on the goals of student (me, in this particular situation). If there was a particular topic I wanted to discuss - vibrato, for instance - he would incorporate it into lesson plans piece by piece as I advanced to the necessary skill level, without losing a sense of the comprehensive "big picture." At the same time, I never felt rushed or lost during lessons or while practicing; his pacing was excellent, and there is no question that he absolutely knows the instrument well.

In summation, I learned a lot in a short period with Trevor, and strongly recommend this instructor.
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Kim October 10, 2017
· Upright Bass · In studio
Trevor is great with giving useful and constructive feedback for all levels of skill!
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Trevor R.

Trevor R.

Brooklyn, NY 11215
(2)
starting at
$40 / 30-min

About Alex S.

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Astoria, NY
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I have studied with members of the Juilliard Quartet, and hold degrees from Juilliard and Harvard. As a teacher, I aim to give my students the tools to analyze and improve their own playing. I currently teach in the Preparatory Division at the Juilliard School and at the Interlochen Arts Camp.

As a professional violinist, my performance experiences range from solo (Sapporo Symphony Orchestra, Sendai Philharmonic, and AXIOM Ensemble, among others) to orchestral (Metropolitan Opera Orchestra, New World Symphony, Tanglewood Music Center Orchestra, and more) to even popular music (Stars of the Lid tour and Cheryl B. Engelhardt's CD One Up)! I am constantly evaluating my own musicality and the physical mechanics of how I play, and I apply this to my teaching of students of all levels.

About Alex
Praised by The New York Times as “spellbinding,” violinist Alex Shiozaki is emerging as a strong advocate for the music of today. He has performed in venues including Carnegie Hall and Alice Tully Hall in New York City, Paine Hall at Harvard University, and the Hitachi Systems Hall in Sendai, Japan. At home with music new and old, he has appeared as a soloist with the Sendai Philharmonic, AXIOM Ensemble, and Juilliard Orchestra.

A member of the Momenta Quartet since 2016, Alex also performs with Le Train Bleu, American Contemporary Music Ensemble (ACME), and Argento Ensemble. He recently took part in the Arvo Pärt at Eighty concert at the Metropolitan Museum of Art, a performance which was streamed live globally. He appears regularly at the Chelsea Music Festival, and has also performed in the music festivals Bravo! Vail and the Tangle
wood Music Center. Alongside his wife and pianist Nana Shi, he made his Carnegie Hall debut with Mendelssohn’s Double Concerto for Violin, Piano, and Orchestra. The couple have presented recitals across the country, performing repertoire from Beethoven to Schnittke. Alex has led as concertmaster the Tanglewood Music Center Orchestra, Juilliard Chamber Orchestra, New Juilliard Ensemble, Harvard Bach Society Orchestra, and more. In the summer of 2011, he joined the Metropolitan Opera Orchestra on their tour to Japan.

Alex's diverse interests in music have led him to an international tour with the ambient drone-music duo Stars of the Lid, playing shows in Montreal, New York, and Los Angeles. An avid collaborator, he has performed with the Mark Morris Dance Group, Lar Lubovitch Dance Company, and with dancers from the New York City Ballet. Complementing his performing experience, Alex is part of the faculty of Juilliard's Music Advancement Program, as well as a teaching artist with Chamber Music by the Bay, an educational outreach and concert series that engages with audience through chamber music.

Alex recently received his Doctor of Musical Arts degree from the Juilliard School, where he studied with Ronald Copes and Joseph Lin of the Juilliard String Quartet. His scholarly research was focused on Western music in Japan, specifically that of contemporary composer Somei Satoh. He also took lessons on Baroque violin with Robert Mealy of the Juilliard Historical Performance program. Alex holds a Master of Music degree from Juilliard, and a Bachelor of Arts degree from Harvard College, where he studied with Lynn Chang.
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Alex S.

Alex S.

Astoria, NY 11105
starting at
$80 / 45-min

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