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Navesink, NJ Music Theory Lessons

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Popular Music Theory Teachers near Navesink, NJ

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About Keith D.

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New York, NY

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Theory is standard with all lessons. It is a requirement for good musicianship.

About Keith
I teach students from beginners to advanced & aspiring professional "musicians,singers,songwriters. Each program is tailored to the individual involving all styles of music as per your preference. Theory & reading notated music is taught & required. I am a master guitar teacher/music producer for recordings/published, author of guitar instruction books. I WILL TRAVEL WITHIN MANHATTAN EAST & WEST FROM THE 30'S TO THE 80'S FOR MY CLIENTS TO THEIR HOMES TO GIVE LESSONS/or MY MIDTOWN STUDIO FOR MUSIC INSTRUCTION & RECORDING.

*** Lesson Details ***
A thorough lesson plan is created for each student according to their individual goals & types of music. They will be proficient readers of notes so they can play whatever they desire. I'm a patient teacher who can reach all student levels; beginners to advanced.

*** Studio Equipment ***
365 Track Pro recording studio
Demos to completed CD's.

GUITAR & PIANO

*** Travel Equipment ***
Guitar & Keyboard

*** Specialties ***
All styles from blues to classical
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Reviews
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Bhavin June 16, 2017
· Acoustic Guitar · In studio
Keith is a great instructor.
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Brea J. May 2, 2017
· Piano · In home
Keith is wonderfully patient and truly gifted at teaching young children. My 6-year-old can't wait to have her piano lesson every week!
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Jee Hee June 20, 2016
· Guitar · In studio
I really love his guitar lesson. I am a beginner and needed professional's help to improve and Keith taught me step by step from the basic and I was able to understand a guitar better and enjoyed playing a guitar more. From every lesson, I learnt new things. I really recommend his guitar class.
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Keith D.

Keith D.

New York, NY 10017
(8)
starting at
$30 / 30-min

About Jerry Y.

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Cranbury, NJ

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About Jerry
I've been playing and loving music for well more than half a century, now. I got started in second grade when my grandpa brought home a little violin one day, and I've been at it ever since. I was fortunate to take lessons for more than ten years with Carita Page, a teacher who was very warm, encouraging, and caring. I do my best to pass that on to my students in addition to the technique of playing and the theory of music, fascinating as those are.

I feel that playing in groups is very valuable experience for students and gives you a side of music that private lessons alone cannot. I encourage students to look for opportunities to do that. To help provide those opportunities I organized the Cranbury Scout Band, one of very few continuously-operating Scout bands in the country, which I have directed for more that ten years now.
I've also been on the staff of several Jamboree Scout bands.

*** Lesson Details ***
Every student is a different individual and learns in different ways. I try to make lessons as interesting and as useful to each student as I can, and include different things based on your interests and capabilities. Most students find duets are fun, so I include them often - both duets with the same instrument you are studying and duets with other instruments as well so you can learn the sound of such combinations. I encourage you to "play with your ears" as well as your fingers, to become a critical listener to your own performance and to decide whether you sound the way you want to sound.

I encourage students to try different things to become a more rounded musician. This might be something closely related - a flutist trying the piccolo or a clarinetist trying the bass clarinet. Or, it might be further afield - a flutist trying the guitar or a violinist learning movable Do and solfeggio singing. Every aspect of music is good to know.

*** Studio Equipment ***
My music studio is in a separate building - actually a renovated barn about two centuries old. The studio contains a piano and all the other instruments that I teach, and is roomy enough not only for private lessons but for musical groups up to about ten. I have many other resources there as well, including files of music, a small music library, and a computer that we can use for many purposes.

*** Travel Equipment ***
Students need their instruments, music, and stands.
I bring my own instrument.

*** Specialties ***
Classical,
Marching Band,
Ethnic (such as Jewish, Irish)
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Reviews
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Jim November 2, 2017
· Violin · In studio
Jerry was friendly, very helpful for me as a beginner and extremely TOLLERANT to my screeching first lesson. By the end of lesson I was no longer embarrassed and started feeling good about going home to practice.
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Kevin H. February 26, 2017
· Saxophone · In studio
Very patient and explains well
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Henderson February 23, 2017
· Violin · In studio
Jerry is a wonderful teacher for my kid. He is so nice and knowledgeable. We like him!
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Jerry Y.

Jerry Y.

Cranbury, NJ 08512
(17)
starting at
$25 / 30-min

About Robert H.

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Randolph, NJ
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I combine music theory with all lessons. We study intervals, triads, 7th, 9th,13th, chords, arpeggios, scales, chord progressions.

About Robert
I started playing guitar at age 11, taking lessons at the local music studio in Hackensack, NJ. I became heavily influenced by The Beatles after hearing their music and as a teenager played in local rock groups, having some success being in the bands Jona's Ark and The Yorkshire Pudding, opening for artists Buddy Guy and Junior Wells, John Mayall and backing up Gary U.S. Bonds. I started playing piano at 19 when I took a group piano class in college. I attended Berklee College of Music and studied guitar with Bill Leavitt and Pat Metheny. That's where I started learning about all the great jazz artists from Duke Ellington to Miles Davis, Charlie Parker and Wes Montgomery to name a few. While at Berklee I also developed a love of the classical guitar and it's repertoire. After Berklee, I became a freelance musician and played guitar for
The Drifters, Del Shannon, The Shirelles, The Marvelettes, The Crystals, Chuck Berry, Leslie Gore and believe it or not Tiny Tim. I played guitar, harmonica, mandolin and banjo in productions of: Hair, Tommy, Big River, Fiddler On The Roof and Grease. I composed my own music and performed and co-wrote with others who also wrote their own music. I have always taught private guitar lessons as far back as I can remember. One notable student was Stevie Wonder's son Keita who I taught for 2 years at Stevie's home in northern New Jersey as well as CBS News Anchor Charles Osgood's daughter Annie. Currently I teach 20 private guitar students a week.. From 1994 to 2000, I was the guitarist for The Royal Scam (a Steely Dan Tribute) and during that period I was hired by Hal Leonard Music Corp. to write a guitar transcription book called "The Best of Steely Dan". I was also hired by Brother International Corp. to compose and record a national radio jingle called "P-Touch", with Corey Glover from the rock band Living Colour doing the vocal tracks.
In 1996 I went to William Paterson University to obtain my teacher certification in music education. After the 9/11 attacks, I co-wrote and arranged "America Home Of The Free". The song was used to raise thousands of dollars for the victims of The World Trade Center attacks. Presently I divide my time between teaching, which I enjoy as much as performing and playing guitar with a jazz quartet called ....and All That Jazz, whose 2005 CD "Reflections" was recorded, mixed and mastered in my home based 24 track recording studio in northern NJ. I am also involved in a mandolin / classical guitar project called Music Of The Ages and perform with a 10 piece band called Epic Soul.
As a teacher I am very patient with students and enjoy helping them reach their own musical goals. I emphasize knowing the basics and encourage students to study music theory and basic reading of standard notation. I always ask my students to bring in songs they want to learn as a way to motivate them to practice more.

*** Lesson Details ***
GUITAR: I expect my students to practice at least 5 days a week for at least a 1/2 hour per day. I use the Suzuki method for young students ages 8 to10. We continue learning basic folk songs by ear and then start reading standard notation and basic theory within 6 to 8 months along with classical guitar duets. For older students I use the Hal Leonard guitar method. After 3 months of lessons students can expect to know the basic open position chords and strum patterns to some basic songs as well as some famous guitar riffs and also be able to read some basic melodies in standard notation. After 6 months students will be able to play a 12 bar blues and improvise with the pentatonic and blues scales as well as learn moveable scales and chords and apply these to songs.

PIANO: I also start young piano students with the Suzuki method so they can play some five finger familiar melodies in a short time period. Then we progress to reading notation and eventually adding chord accompaniment to melodies. I use the Faber piano method for reading standard notation.

*** Studio Equipment ***
24 track recording studio, room for parents to sit 14' x 21'...completely furnished studio with guitars, amps, piano, drum machine, synthesizer, microphones...the works.

*** Travel Equipment ***
Students need a good quality and proper size guitar (for very young students) a music stand (for their home use) a foot stool, a metronome and books I assign along with an 8 1/2" X 11" blank manuscript book and a folder with side pockets to hold handout sheets. Piano students need their own instrument and the above materials minus the foot stool.

*** Specialties ***
Suzuki classical guitar, classic rock, blues, jazz , popular, funk, country, folk, finger picking and pick style and piano.
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Reviews
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Susan December 18, 2017
· Guitar · In studio
Robert is a wonderful balance between push and patient support--an important balance in learning practice and process. He's musically knowledgeable and has great resources for guitar techniques and theory. It's thrilling for me to settle into the pleasure of guitar, for me, tenor guitar.
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rein April 29, 2016
· Guitar · In studio
can set the foundation of the instrument while helping you apply the music to the songs that drive you.
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Terry S. April 29, 2016
· Guitar · In home
I've been taking lessons from Rob for 2 years now. He is a great teacher, classically trained, but very knowledgeable in all genres. I have learned a great deal and being taught the correct way. He pushes you to do better each and every week.
I would definitely recommend Rob for Guitar instructions
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Robert H.

Robert H.

Randolph, NJ 07869
(8)
starting at
$35 / 30-min

About Benjamin L.

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New York, NY
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I provide a base knowledge of theory, beginning with the circle of fifths, going into chord structures, and filling in any gaps the student might have in his or her foundation on the subject.

About Benjamin
In my years of teaching, I have developed an individual approach with each student, young or old, according to different needs and learning styles. I believe it is never too early or too late to begin learning, and it is my hope that music making through this instrument will be as enjoyable and passionate an experience for you as it has been for me. Whether you are looking on behalf of your son or daughter, looking to take on a new challenge later in life, or anything in between, I look forward to hearing why you want to learn to play the cello! (House calls available too!)

I've included my bio below, for those who may be interested.

Cellist Benjamin L. made his solo debut in 1999 at the Merryall Center for the Arts, where critic for the Danbury News Times, Frank Merkling, called him “remarkably gifted”, with “a charming, warm tone”
. He has performed in various venues in the Tri-State area, including concerto performances with the Hartford Symphony, Farmington Valley Symphony and Musica Dolce Ensemble, and solo and chamber performances in Asia and Europe. He is an avid chamber musician, having performed with the Enao Ensemble in chamber concerts to benefit the charity, the Bishop’s Fund for Children, from 2000-2010, was the cellist and founding member of the Lorelei Piano Trio and has been a member of several other chamber music ensembles. As a free-lance cellist, he has performed with many diverse ensembles, accompanying the musical, “Time Between Us” in the New York Musical Theater Festival, appearing with the band, The Left Banke, playing with Ensemble 212 and Shattered Glass. In addition to performing, he is on the faculty of the Zen Music School, Port Jefferson Music Academy and coaches chamber music for Jeunes Virtuoses de New York, as well as teaching privately. He is also the artistic director of Concerts on the Slope, a chamber music series in Park Slope, Brooklyn, and the Artist-in-Residence for Music at Trinity of Trinity Evangelical Lutheran Church in the Bronx.

Mr. L. has performed at several summer music festivals including the Norfolk Chamber Music Festival, Castleman’s Quartet Program, Music at Menlo and Pacific Music Festival, and has won top prizes in several competitions. His chamber music mentors have included members of the Emerson, Tokyo, American and Keller String Quartets, as well as Robert Mann, Nicholas Mann, Peter Frankl, Andre Michel Schub, and Daniel Epstein, Sylvia Rosenberg and several others. He has taken master classes with Keith Robinson and Colin Carr, and past teachers include Eric Dahlin, David Finckel, Julia Lichten and Clive Greensmith, as well as lessons with Marta Casals Istomin and Bonnie Hampton.

As an orchestral musician he has performed with the City Chamber Orchestra of Hong Kong, the Empire State Sinfonia, the Pacific Music Festival Orchestra, the Salome Chamber Orchestra in New York City, and the Farmington Valley Symphony, as well as the Manhattan School of Music orchestras. Mr. L. holds Bachelor and Master of Music degrees from Manhattan School of Music, where he was the recipient of the Hans and Klara Bauer Scholarship and the 2011 Pablo Casals Award.

*** Travel Equipment ***
I expect my students to have an instrument, method books (after I recommend one), a suitable arm less chair and music stand. I can travel anywhere public transportation can take me. (NYC or nearby New Jersey)

*** Specialties ***
I am familiar with, though not trained or certified in, Suzuki method, but I teach traditionally, often using the Suzuki and String Builder books, with an emphasis on reading music.
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Benjamin L.

Benjamin L.

Astoria, NY 11102
starting at
$35 / 30-min

About John S.

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Toms River, NJ
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All styles, styling, band arranging, rock, classical and country as well as pop arranging for band and orchestra..

About John
I am a multi-instrumentalist who has taught for 41 years. I have had both Zakke W and two other rock stars in lessons,. Further, I had a Grammy nominee and a well known comedian and Hollywood Actress, as well as countless music school scholarship students. Many of my students have embarked on performing careers as well as teaching at the school and college level. The lessons are laid back, friendly and above all- helpful. We will study and work on the music of your choice,but, with a slight twist from the traditional, that I incorporate not just playing the song, but to get you the student ready to be able to work out the songs harmony, theory, notation and phrasing on your own. I feel this must be done in order to get a student to be able to perform with others. Lessons should always be about instructing a student to know and utilize e
very musical concept so that they will be able to perform with others.

*** Lesson Details ***
You can expect to be well grounded in theory and being able to play an instrument with solo and chords, comping, etc., in all keys - as well as song structure and song learning.We will analyze all aspects of the song. We will do a song together, then, i will through theory, show the student how to work out a song on their own.

*** Studio Equipment ***
I have amps, cables, recorders, books, sheets, etc here at the studio. You need only your instrument and a music writing book.

*** Travel Equipment ***
they must have instrument

*** Specialties ***
All methods are my own. We work through theory and analysis to enable a student to learn how to put a song together and perform it on their own.
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Reviews
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Mike P. October 19, 2015
· Guitar · In home
John is intelligent; articulate; patient, and funny. I have not had a better instrument instructor than him.
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Dawn V. December 5, 2014
· Cello · In studio
The most attentive and knowledgeable music teacher I have ever had. Very aware of student improvements and yet able to make suggestions where they are needed, without any kind of harsh criticism.

John provides all the information - both theory and performance in a very laid back way which leaves the student feeling stress free. He is very realistic as to the expectations of what the student's abilities are now and when "tentatively" they can expect to achieve a level of playing.

He does his job. It is up to me to do mine! Having fun and learning in a very short time. Not easy - but practice, practice, practice.
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John S.

John S.

Toms River, NJ 08753
(2)
starting at
$35 / 30-min
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About Matthew G.

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Ridgewood, NY

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Learn scales, key signatures, harmony, voice leading and counterpoint at a conservatory level. whether you are planning to pursue music professionally or are a curious hobbyist, lessons can be geared to the basics such as keys, scales, cadences and chord progressions or as advanced as compositional analysis and strict species counterpoint.

About Matthew
Hello! My name is Matthew and I am offering piano and voice lessons in your home or my studio. All lessons focused on student's goals and interests. Learn to sight read, play the blues, sing a show tune! I have been working professionally in the performing arts and have 20 years of experience working with all ages, from children to adults, and all levels, from beginners to professionals. I am always thrilled to help a young person uncover their musical ability, guide the experienced musician to further their proficiency, or provide the hobbyist with a fun, creative environment to explore the music they've always loved.
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Peri L. October 19, 2017
· Logic Pro Software · Online
Matthew wasreally nice and kind.
Very patient too
Knowledgeable as well🙏🙏🙏🙏
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Kayla September 30, 2017
· Piano · In studio
My 7 year old daughter loved her lesson!
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Crystal C. September 25, 2017
· Singing · In home
I LOVE LOVE Matthew. Im so lucky to have him as a teacher. If you're looking for the best teacher for singing or piano lessons I highly recommend him.
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Matthew G.

Matthew G.

Ridgewood, NY 11385
(30)
starting at
$40 / 30-min

About Ian M.

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New York, NY

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Want to understand music? I specialize in communicating a rock-bottom understanding of the basics and building you up to a level of fluency where you’ll be able to guide yourself where you want to go next! Not to mention writing, instrument familiarity and improvisation.

About Ian
I'm Ian! I've been tutoring in a variety of subjects for over a decade now and I'm an expert at spotting what someone is trying to understand and helping them to really get it and be able to use it. I listen to a wide variety of styles from the softest pop to the hardest rock and I get a kick out of figuring out what makes different things tick. I can help you to pull apart the songs and styles you enjoy to understand what's happening and how you can apply it to your instrument.

I have experience and success teaching people from ages 10-80.
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Alex March 2, 2018
· Music Theory · In studio
I was really happy with my lesson with Ian. In the short time I was with him he managed to break down all the theory I had “known” before and turn it into something I really understood and could actually apply. I found myself listening to music in a completely new way the moment I left my lesson and was able to visualize the music itself more fully. Thank you Ian.
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Antoinette December 6, 2017
· Ukulele · In home
I was really struggling with some music theory concepts and Ian broke it down for me and gave me some really great groundwork. He's also personable and friendly which make lessons a breeze. Thanks Ian!
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Jeff December 5, 2017
· Ukulele · In home
It was great he was my first guitar teacher and made it very simple for me to learn quickly. I was also taught on the correct gradient of difficulty giving me wins on each lesson. :)
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Ian M.

Ian M.

New York, NY 10036
(3)
starting at
$40 / 30-min

About Alex T.

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Brooklyn, NY

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Music theory has always been a constant source of inspiration for me. The knowledge that I’ve accumulated has helped me write hundreds of songs and to understand the mechanics of what goes behind great music. I teach music theory in a way that is useful for any level from beginner to professional. Some of the topics covered will be: reading/writing music, interval training, basic chord construction, time/key signatures, scales, just to name a few!

About Alex
Hello! My name is Alex and I've been a professional bassist for the past 15 years. I have enjoyed learning the instrument and have strived to be as versatile and educated as possible, not just on my principle instrument, but in music as a whole. I graduated from the Jackie McLean Institute at the University of Hartford and moved to New York City to continue my career and studies. Since moving to New York I've been hired to play at some of the cities biggest venues and various festivals around the country and the world. These venues include the Blue Note, The Cotton Club (Tokyo), Blues Alley, Dizzy's Club Coca-Cola, The Jazz Standard, Minton's PlayHouse, Joe's Pub, The Iridium, and that's just to name a few!

I've loved teaching for many years and have gained experience leading programs for different age groups. My teaching credentials
include after-school and in-school programs for kids from ages 10-18 and also various workshops as a private clinician at the University of Hartford, University of West Virginia, and many different public and private high schools in the states of Rhode Island, New York, New Jersey, and Connecticut. In conjunction with these credentials I've also worked for organizations such as Jazz House Kids, Jazz at Lincoln Center, Arts By The People, and am currently director of the BackCountry Jazz after-school music program. I get great joy from teaching and working with students of different levels and ages and I always take extra care in making sure that all the information being taught is organized and that the student has fun and learns at their own pace. Making sure that the students understand the information and know how to apply it in a real-life playing situation is one of my main goals as a teacher.

Many of my former students have told me that when studying with me they're constantly learning and deepening their knowledge, most of the time without even realizing it. This is because I enjoy using real examples of the music that I suggest to them, or that they themselves are listening to, to illustrate what I am teaching, and how they can use it too. I hope this gave you some insight into my lifelong journey as a musician and I sincerely look forward to meeting you and showing you via online or in person what I can do for you and how anything is possible with a great teacher!
...
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Alex T.

Alex T.

Brooklyn, NY 11221
starting at
$59 / 30-min

About Payton K.

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Brooklyn, NY

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Experienced teacher of 5 years able to teach all levels of experience. I am a graduate of The New School of Jazz and Contemporary music. While at the New School I studied with some of the masters including Reggie Workman, Billy Harper, Jane Ira Bloom, Matt Wilson, Dave Glasser, Peter Bernstein, Vic Juris and many others. Additionally, I was a tutor for three years in every subject so I know their curriculum back to front. I am available to teach Ear training, Sight Reading, Improvisation, Music Theory, Rhythm, Arranging, Composition, Music Appreciation, Guitar doubling on bass and much more. I am able to teach all music styles. I also play French Horn and bass at a high level. I love teaching and helping students on their own musical paths. I am looking forward to meeting you and finding YOUR voice together!

At my time at the New School I was a tutor for all levels of Music Theory. I specialize in Jazz theory but I have a working knowledge of Classical theory as well. I am a big ...

About Payton
Payton Kerkes is an guitarist, French hornist, composer, and educator living in Brooklyn, NY. Payton’s music is rooted in everything from jazz, rock, classical, and pop. Along with his unique combination of influences, his music is focused around expressing specific emotions and feelings through composition. He has had the opportunity to perform in the Burlington Jazz Festival, Flynnspace, as well as several venues in New York City. Payton is a graduate of The New School for Jazz and Contemporary Music.
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Nick May 1, 2018
· Guitar · In studio
Payton has done a great job helping me grasp the material. He knows how to pinpoint what is giving you trouble and how to effectively solve it. Overall my playing has greatly improved since taking lessons with him and I would highly recommend.
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Marie May 1, 2018
· Guitar · In home
Payton is a fantastic musician and guitar instructor. He is able to teach any type of music from beginner to advanced. He is fun to take lessons with and very helpful with any problems you may come across. I have improved tremendously since taking lessons from him. He also can help with composition, theory and ear training. I would highly recommend him!
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Ben Fortunato April 30, 2018
· Guitar · In studio
Payton is a fantastic teacher who is extremely knowledgeable about all things guitar and music. He is very reliable and a great person. I've enjoyed every lesson and learned so much!
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Payton K.

Payton K.

Brooklyn, NY 11207
(5)
starting at
$34 / 30-min

About Kellon A.

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New York, NY

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Kellon has an extensive background in theory, specializing in jazz/popular music analysis, composition, and improvisation.

About Kellon
My name's Kellon, and I'm a professional saxophonist, doubler, composer and band leader. Actively performing in NYC, I specialize in funk, jazz, hip-hop/r&b, rock, folk, musical theatre, symphonic band, and pop playing. As a educator, I've taught everything from middle school marching band to collegiate jazz masterclasses.

I can help students in the following areas:
-Beginning saxophone
-Technique and musicality for all levels
-Performance practice and piece preparation
-Reading music
-Playing by ear
-Beginning to professional level improvisation in any genre
-Gear guidance based on desired aesthetics
-Music Theory
-Composition
-Beginning to double on flute and clarinet
...
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Kellon A.

Kellon A.

New York, NY 10031
starting at
$30 / 30-min

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6 Fun and Unique Ways to Learn Music Theory

6 Fun and Unique Ways to Learn Music Theory

Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform … Read More

6 Fun and Unique Ways to Learn Music Theory
Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound

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