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Clifton, NJ Music Theory Lessons

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Popular Music Theory Teachers near Clifton, NJ

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About Asuka U.

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New York, NY

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Music theory tutor at Queens College for 3 years. Specialized in aural skills and solfege.

About Asuka
I started my musical training as a pianist at YAMAHA institute at age 4 in Japan. I was selected to enter perfect pitch class. It was designated for students who have perfect pitch and potentials to be professional musicians.

I enjoyed playing piano and electric piano and won the 1st prize at Kitakantou Electric Piano Competition hosted by YAMAHA institute. Because of the intensive training, I have been accompanying my students' recitals and performance exams.

As much as I enjoyed playing piano, I discovered that I also love singing, so I started to take singing lessons and majored in vocal performance during my college days.

Since I have graduated, I have been performing opera professionally. My career highlights include roles as Cio-cio san(Madame Butterfly) with Snob Opera, Montreal, Quebec, Canada, Fairy(Falstaff) with Sir B
ryn Terfel with the Royal Liverpool Philharmonic, Liverpool, England, Dorinda(Orlando) with Cantanti Project, Pamina (Die Zauberflöte) with Opera Manhattan Studio, Frasquita (Carmen) with One World Symphony, Zerlina (Don Giovanni) and Clorinda (La Cenerentola) with Capitol Heights Opera, Alice (Le comte Ory) with West Side Opera Society, Adele (Die Fledermaus), Susanna (Le Nozze di Figaro), and Myrrhine (Lysistrata) with Opera Avanti, Gilda (Rigoletto) with Académie Internationale d'Eté de Nice, and The First Spirit (Die Zauberflöte) with the Opera Company of Brooklyn.

My international credits include performances under the direction of Conductor Laurent Pillot at the Royal Liverpool Philharmonic, Liverpool, England;the Académie Internationale d'Eté de Nice, France; the Daniel Ferro Vocal Program in Chianti,Italy; the International Vocal Arts Institute in Tel Aviv, Israel where I was selected to sing for the Japanese Ambassador.

I made appearances as a soloist at Carnegie Hall, Lincoln Center, Symphony Space, Town Hall, and MOMA museum in New York City and the Royal Liverpool Philharmonic Hall.

As a versatile singer, I was presented as an aspiring opera singer on the website of Maybelline New York. Her voice was featured in short films for the Japanese technology company NEC. I appeared as a soprano soloist for the opera, Jazz and theater collaboration of "TAKE ABITE" by David Antonio Cruz. I also sings Broadway songs and continues her musical theater studies. She is an active recitalist and also performs Oratorio works.

I was also a finalist at the Opera Idol Competition at Lincoln Center in New York City, The Hariclea Darclée Voice Competition in Romania and the Mario Lanza and Elaine Malbin Vocal Competition in New York City. Ms. Uchida was selected as a vocal scholarship recipient at Savannah music festival.

My upcoming engagement includes singing the role of Gilda in Rigoletto and Oscar in Un ballo in maschera in 2018 in New York City.

Besides being an opera singer, I have been teaching piano and voice for 11 years. I would like to share my skills and experience with you. Since I perform often, I can coach you how to perform on stage in addition to building solid technique and languages. Also, I have taught various kinds of music, such as Rock, Broadway musicals, Pop music, so we can work on all kind of music.

I look forward to teaching you soon!

*** Lesson Details ***
My students can expect to improve their skills and start to enjoy music more as we work together.
I believe that learning music is fun and enjoyable. However you also need to be serious and focused.
I can demonstrate various and specific techniques, phrasing, and interpretation and will always coach on how to develop your skills. However, I feel it is important for students to think critically on their own and take the first try at solving a problem themselves. I cannot emphasize enough that primarily it is you who find the ways to improve. Leaning music is a collaboration between teachers and students. I hope that through my lessons, students will become more self-sufficient and confident as musicians.
Let me help you become a better musician.

*** Studio Equipment ***
Piano (Clavinova), music stand, and desk.

*** Travel Equipment ***
By Subway, the closest station is 23rd street. You can take C, E train(within one block). 1 train(one block), M, F train (2 blocks).
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Reviews
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Leanne September 6, 2018
· Opera Voice · In studio
Working with Asuka was womderful. She is a true orofessional with a great ear, steady encouragement and flexible narmture. Really enjoyed wirking with her!
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Eleanor I. August 2, 2018
· Singing · In home
She was helpful with finding a song and preparing for auditions. Recommend!!
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Gabrielle July 21, 2018
· Opera Voice · In studio
I really love taking voice lessons with Asuka-sensei! It's a lot of fun, and I can tell that she listens very well because she immediately helps me with the areas I struggle with - whenever I come across them in the music. I really appreciate the way she coaches voice exercises, and I think they have immensely helped me get a better tone and sound. Even from the first lesson, I instantly heard a clear difference in my voice! She is seriously talented!!
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Asuka U.

Asuka U.

New York, NY 10011
(36)
starting at
$55 / 30-min

About Nick R.

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Forest Hills, NY

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Organic listening based music theory connected with ear-training

About Nick
Professor Nick R. (guitar, banjo, mandolin, ukulele, dobro/resonator/slide, tenor guitar, baritone resonator, bass, drums, composition) is currently the adjunct professor at Essex College, Jazz clinician for over 19 years via Kupferberg Center (Queens College) and has been on the staff at Great Neck Music Conservatory. Nick has given lectures at Manhattanville College, at Queens College and at schools, nationally.

-Down Beat magazine 2006 Ro review plus [Jan/Feb 2016] Hot Jazz Jumpers' "The Very Next Thing" DVD/CD review

-Jazz Insider magazine current issue [Dec 2015]
2.5 page interview

-Just Jazz Guitar magazine interview [February 2015 issue]

-Vanity Fair magazine (August 2013) interview

"Summer of 2013, Nick R. performed at Gwyneth Paltrow and Chris Martin's home. It was an honor to meet Paul McCartney and jam with
him while he played toy harmonica. Carnegie Hall, Lincoln Center, Iridium, Bluenote, Birdland, U.N., IAJE, Cape Cod Jazz Festival, NJPAC, Sweet Rhythm, Smalls, Zinc Bar, Smoke Jazz Club, internationally: Japan, Spain, Russia, Brasil, St. Kitts, Canada, France, Bermuda, Sweden, Israel

-Toured/recorded and/or worked as sideman with Antonique Smith, Jon Batiste (from the Colbert show), Jimmy McGriff, Teddy Charles, Bill Charlap, Sonny Dallas, Victor Jones and Cultur-versy, Vince Giordano & The Night Hawks, Frank Vignola/Joe Ascione, Miles Griffith, David Pleasant, Jim Nolet (former violinist for the Jazz Passengers), Dandy Wellington, Jon Weber, Aurora Nealand (from New Orleans), Anastasia Rene, Mona's Hot Four, Gordon Au's Grand Street Stompers, Michael Arenella's Dreamland Orchestra, with Jesse Gelber, Raphael McGregor, Emily Asher's Garden Party, and many other groups.

-Appears in Sam Mendes Film "Away We Go"

-Movie Soundtrack: King George.

-Guitar/banjo: "Jew Grows in Brooklyn," "Take Me Along," "The Big Apple Circus" + others.

-Banjo/Guitar Chair: "New Girl In Town" (Irish Rep Theatre)

-Author: Metallica Legendary Licks series,volume 1 & 2)
-Editor GRP chords (both Cherry Lane Music/Hal Leonard).

M.A. from the Aaron Copland School of Music at Queens College
(partial scholarship)

B.S. from S.U.N.Y. Stony Brook, graduated magna cum laude. Dean's list all semesters

-Published interview (book): A New Face of Jazz (Cicily Janus)

-Playing guitar/banjo on first episode of new PBS cartoon "Peg and Cat"

- Current adjunct professor at Essex College

-Guest lecturing professor at Manhattanville College

-Substitute adjunct professor at Queens College

-Winning participant: I.A.J.E. with Miles Griffith's New Ting 2007. Performance and educational certificate granted.

-Winning participant; part-scholarship award: 2004 International Jazz Workshop at BANFF Centre, Canada (dir, Dave Douglas)

-Winning participant; full-scholarship award of the 2001 JAS academy in Aspen Colorado (dir, Christian McBride (Down Beat Dec. 2001)

-Studying Bol (Indian rhythmic system) with tabla player, Pandit Samir Chatterjee 2006-2007; 2013-current

-Studied with Pat Martino, Billy Bauer, Ben Monder, Tony Purrone, Pete Bernstein, Dr. Stephen Salerno, Dr. David Belser

-Studying African Rhythms with drummer, Harvey Wirht

*** Lesson Details ***
With over 20 years teaching experience, Nick is patient with children & adults. He has a creative, unique pedagogy emphasizing hearing through singing, ear-training & natural, organic listening. Nick instills healthy absorption of music while students have fun learning their music, sight reading, internalizing with focus on rhythm and time.
As a student, you will get to work on music that you, the student select as well as work on sight-reading, technique, ear-training. We will also work out of method books and use other sources of information.

*** Studio Equipment ***
Chairs, music stands, instrument stands, classical foot pedals, classical guitar pillows, guitar amps, guitar, banjo, mandolin, ukulele, drum set. Students usually provide their own instruments but it's possible to borrow an instrument during the lesson at the studio on the first lesson. (free street parking right in front!)

*** Specialties ***
Nick's pedagogy emphasizes ear-training, singing, reading and truly hearing the music we are working on. Rather than rote teaching and guitar tablature, he instills natural listening, transcribing, sight-reading and proper technique. Lessons are always enjoyable as Nick observes each student's unique needs and listen's to their song preferences and musical goals. Students have the opportunity to learn pieces and genres they select and they are trained to figure out tunes by ear (ear-training) and transcribe.

Nick teaches:

-classical guitar and Brazilian guitar (nylon 6 string and nylon 7 string guitar)
-acoustic steel string guitar, electric 6 string and electric 7 string guitar
- jazz guitar + an eclectic mix of styles: blues, Brazilian music, Latin Jazz, Afro-Peruvian, Indian music, rock, heavy metal, funk, R & B, Motown, reggae + other genres.
- tenor banjo (traditional jazz, jazz from New Orleans, Dixieland and world music)
-5 string banjo (Earl Scruggs finger picking [bluegrass and country])
-tenor guitar
-ukulele
-mandolin
-resonator slide/Dobro.
-baritone resonator (slide)
...
Reviews
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Matthew H. January 18, 2017
· Guitar · In studio
He does a great job cater the lessons to your needs
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Bryan October 8, 2016
· Guitar · In home
At just my 1st lesson with Mr. Russo -- HE'S THE MAN!!! Very concerned with getting the most out teaching/reaching the student!!! HIGHLY RECOMMENDED; thanks to Takelessons!!!
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Sara G. October 3, 2016
· Ukulele · In home
Great musician, great instructor. Learned more than I ever thought I would be able to at this age. Very patient.
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Nick R.

Nick R.

Forest Hills, NY 11375
(16)
starting at
$42 / 30-min

About Avi B.

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New York, NY
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Music Theory is the backbone of every western style of music that exists today. It is integral to understanding music in a critical and coherent way. Students wishing to study Music Theory will be amazed at how their favorite songs use the same techniques as Mozart, Bach, and Beethoven.

About Avi
Greetings and Well-Met! My name is Avi and I can help you make music TODAY! I am a working composer, performer, audio engineer, and instructor, with over 10 years of experience. I enjoy passing on the knowledge of music and help my students cultivate their interest into a real life-long passion. As a heavy empath, I am the kind of teacher who will sit, listen, and connect with you to make sure you are understanding and resonating with all concepts of learning music.

Classically trained with a degree in Music Composition from CUNY City College of New York, I can give you lessons in guitar, bass, music theory, songwriting, audio engineering, and classical composition! My teaching method is personalized for every student and their specific style and pace of learning. We're all unique individuals after all!
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Reviews
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Theresa July 18, 2017
· Guitar · In home
Avi works with my 8 year old son once a week. He is prompt, friendly and my son looks forward to seeing Avi every week. My husband and I could not be happier with this experience.
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Dylan January 13, 2017
· Guitar · In studio
My son loved the first lesson. He is very excited for his next lesson.
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Caitlin December 6, 2016
· Guitar · In home
He's a great teacher! He teaches around students knowledge and ability. It was an awesome lesson
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Avi B.

Avi B.

Brooklyn, NY 11225
(7)
starting at
$45 / 30-min

About Brian M.

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Stony Point, NY
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from basic notation to advanced jazz harmony and theory, improv.

About Brian
Individualized lesson programs are geared toward your goals and the style of music, artists, and bands you are interested in. Chords, Scales, theory, technique and more are covered.
Students usually give me a list of songs that they are interested in learning. Students are encouraged to read music so later on they have the ability to learn songs from books and magazines for themselves.
I teach from my own learning/teaching experience and what past teachers have shown me. I use books from Berklee, Hal Leonard, Alfred and more. I usually email students files between lessons to support practicing. I also have custom backing tracks(songs/practice songs without guitar part) available.

I am teaching guitar privately. I can go to your home(Rockland County) or give lessons in my home(Stony Point). I have taught at Rockland Music and with M
usic to Your Home

Having trouble finding the right teacher locally?
Webcam lessons/online live guitar lessons are also a possibility. Good for long distance lessons, late night/off hour lessons....

* All ages
* Beginners, Intermediate, and Advanced
* In My Home - Stony Point
* In your home- Rockland County(Stony Point, Nanuet, Nyack, New City, Pearl River, Congers,Pomona...)
* Pop *Rock *Blues *Jazz
* Music Theory *Harmony * Reading/Sightreading *Rock & Jazz Improv *Ear training
* Computer Recording - GargeBand, Logic, Guitar Rig, Sibelius
* Midi Guitar

With my past experience in Music Retail sales, I can help you with purchasing guitars, effects, and equipment. I call also help you use any equipment or music software.

I graduated from Berklee College of Music with a Bachelor's of Music(B.M.) in performance. I also have studied guitar with Steve Khan, John Abercrombie, Bill Connors and Ken Hatfield.

My Rock influences include Alex Lifeson, Neil Geraldo(Pat Benatar), Jimmy Page, Eric Clapton, Jeff Beck....

Jazz influences include Steve Khan, Mike Stern, Pat Metheny, Miles Davis, Bill Evans, Michael Brecker, Chic Corea, Jim Hall, Wes Montgomery, Pat Martino.....
...
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Brian M.

Brian M.

Stony Point, NY 10980
starting at
$40 / 30-min

About Paul Jared N.

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New York, NY
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With B.A. and Master's degrees in music and many years as a working musician, music book author and teacher, I incorporate music theory and ear training into the lessons I give; the goal is to help you be more than just a guitar strummer, but a musician as well, to develop the skills to become your own teacher and to go as far as you want.

About Paul Jared
Hi, I am a native New Yorker and a guitar player since age 13. I played in blues/rock bands throughout my teens, getting to play the legendary clubs of my Greenwich Village neighborhood. My discovery of Spanish classical guitar music occurred in college at UC Berkeley, and I graduated with a BA in Music, then spent two years playing in Europe, before returning home and forming the band Not Heaven; we played the club circuit, Danceteria to CBGB.

I also began teaching at the American Institute of Guitar in NYC, and writing guitar instruction books (still in print!). Along the way I did a Master’s in Guitar Performance at Stony Brook, and have continued to publish, perform and teach the music which inspires me.

Classical and Flamenco music are my primary involvement, as a teacher, performer and composer.
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Elsie February 28, 2016
· Music Theory · In studio
I learned so much from this guy! Very articulate and funny.
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Paul Jared N.

Paul Jared N.

New York, NY 10025
(1)
starting at
$30 / 30-min
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About Benjamin Y.

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New York, NY
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I can teach both classical, and contemporary harmony. I have studied contemporary harmony extensively. We will mainly focus on analysis of jazz and other contemporary music, and use the techniques learned in this analysis to compose original music.

In classical harmony we will analyze all forms of classical music, and practice composting within these guidelines.

About Benjamin
Benjamin is a musician in the NYC area. He has been studying music since the age of 3. His background includes Violin, Cello, Percussion, Drum Set, Voice, Electric Bass, and Upright Bass. He is a graduate of Berklee College of Music where he majored in Upright Bass Performance. He has studied with Dave Zinno, John Lockwood, Bruce Gertz, and Susan Hagen. He has performed with John Oates, New York Voices, and Kevin Mahogany, Becca Stevens, Mario Jose, Kurt Elling and many others.

Benjamin is mainly a jazz/contemporary musician, focusing on bebop through modern jazz, top 40, rock, pop, RnB, and many other styles. He is also trained in classical music.

Benjamin has been teaching privately for 5 years. He has a comprehensive approach that brings in technical study to any style of music.
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Reviews
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Robert F. September 25, 2018
· Bass Guitar · In home
I had my first lesson with Benjamin last night, and I’m already playing better!! Clear, concise, and you can tell he really loves to teach - can’t wait for my next lesson!!
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Patrick April 18, 2018
· Bass Guitar · In home
Very knowledgeable and engaged, delivering the content I needed at a level that made sense to me.
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Spencer April 11, 2018
· Bass Guitar · In home
He's always super helpful in learning both theory and technique, as well as where different styles are useful. All of the lessons have been great at expanding my knowledge of how music works and how different eras and genres utilize theory to achieve a certain goal.
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Benjamin Y.

Benjamin Y.

New York, NY 10031
(5)
starting at
$30 / 30-min

About Grady T.

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New York, NY

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Classical and jazz theory. Focusing on training the ear as well as our knowledge of theory.

About Grady
My personal philosophy of music is to explore and learn as much from my students as I can teach them. For me teaching is like going on an adventure to find something together. I've been able to play all over the world and tour with many different musicians and the thing that made the core of every great performance was the human interaction and communication. For me music is about being more human. This is something I just as much try to impart and teach in my lessons as theory and technique. (On a side note I can travel farther than 13 miles as long as it's in the boroughs of Manhattan, Brooklyn, Queens or the Bronx).
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Reviews
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Olivia September 24, 2018
· Piano · In home
Grady is totally fun and made me feel very comfortable. He listened to what kind of songs I want to learn. Grady is the best teacher I have ever had! I can’t wait to have another lesson with him!
- Olivia, 10 years old
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Kilun August 4, 2018
· Piano ·
It was entertaining and helpful lecture. I love Grady's class. He is such a good teacher!
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Ethan April 4, 2018
· Piano · In home
Dynamic, fun, organized teacher. My son is learning a lot and loves it! Thanks, Grady!
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Grady T.

Grady T.

New York, NY 10003
(12)
starting at
$25 / 30-min

About Yoon L.

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New York, NY
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My mission is to give my students the most meaningful and enjoyable musical experience through piano lessons. Having studied with multiple master music educators from the Juilliard School and Manhattan School of Music, I understand that inspiration and positive influence is the best gift a music teacher can give to a student. Shaping young minds, I focus on proper technical foundation, sensitivity in sounds, while keeping the excitement of creating music. Lessons are usually held once a week, sometimes twice a week, from September-June, either at my Upper West Side studio or at student's home in Manhattan. My students are ages of 5 and older, at all levels. Complete beginners are welcomed.

About Yoon
My mission is to give my students the most meaningful and enjoyable musical experience through piano lessons. Having studied with multiple master music educators from the Juilliard School (Graduate Diploma) and Manhattan School of Music (Doctor of Music), I understand that inspiration and positive influence is the best gift a music teacher can give to a student. Shaping young minds, I focus on proper technical foundation, sensitivity in sounds, while keeping the excitement of creating music. Lessons are usually held once a week, sometimes twice a week, from September-June, either at my Upper West Side studio or at student's home in Manhattan. My students are ages of 5 and older, at all levels. Complete beginners are welcomed.
...
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Yoon L.

Yoon L.

New York, NY 10025
starting at
$125 / 45-min

About Saad H.

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New York, NY
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I have experience in harmony and counterpoint from the renaissance to the present time, and can work together with you on ear training exercises as well.

I earned a 5 on all sections of the AP Music Theory Test, and have taken all required undergraduate and graduate music theory courses at the University of Southern California and the Juilliard School, respectively.

About Saad
Saad is a composer of orchestral, chamber, vocal, and electroacoustic music who achieves a “remarkable fusion of idioms” (New York Times), most notably in his work exploring the disparate qualities inherent in Western art music and Middle Eastern musical tradition. His music delves into that relationship by transferring the performance techniques of traditional Arab instruments to Western symphonic instruments, while extending their capabilities through the advancement of technology.

The 2017–18 season featured the premiere of Saad's first major string quartet, commissioned by the Lydian String Quartet, the premiere of Risala, co-commissioned by the Columbus and Princeton Symphony Orchestras, the premiere of Hawa, written for the Illinois Philharmonic Orchestra, performances of Takht by the Minnesota Orchestra and the Hangzhou Philharm
onic Orchestra, and a performance of Kaman Fantasy by Symphony in C, among others.

Recent distinctions include the Charles Ives Fellowship from the American Academy of Arts and Letters, the Barlow Endowment General Commission, the S&R Foundation Washington Award Grand Prize, the Jerome Fund for New Music grant from the American Composers Forum, the Palmer Dixon Award from the Juilliard School, the Aaron Copland Residency Award, and multiple awards from ASCAP, BMI, and the Vancouver Chamber Choir. His orchestral works have been performed by the American Composers Orchestra, Hangzhou Philharmonic, Illinois Philharmonic Orchestra, Kaleidoscope Chamber Orchestra, Los Angeles Philharmonic, Minnesota Orchestra, Symphony in C, and the symphony orchestras of Albany, Columbus, Milwaukee, New Jersey, Princeton, and Sioux City. His music has been broadcast on stations across the Unites States, including WWFM, MPR, WPRB, and KWIT/KOJI, among others.

Born in Georgia and raised in California, Saad holds degrees in composition from the Juilliard School and the University of Southern California, where his principal teachers included John Corigliano, Mari Kimura, Bruce Broughton, Frank Ticheli, Stephen Hartke, and Donald Crockett. His music is published exclusively by Dib Press.
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Ethan July 9, 2018
· Composition · In studio
I started with Saad at a music camp upstate I was attending and of which he was composition faculty. Having taken plenty of music theory in the past but no formal composition, I didn’t know what to expect. First off, Saad’s manner couldn’t have been more calming or inviting from the very beginning, and that really built a great rapport between us and allowed me to do my best work. Secondly, based on my accounts of my past training, it took little time for Saad to identify what were my strengths and what we needed to study in order to ensure my best compositional outputs. We studied invertible counterpoint, a complex subject fundamental to nearly all forms of advanced classical counterpoint. Saad made the subject really approachable through intricate but understandable explanations of different concepts and provided really illustrative examples of each concept. Even a year after those several weeks of study, in which I have hardly written nearly the number of contrapuntal exercises as I did in the weeks during and after Saad’s tutelage, I still find canon and fugue writing to be doable and even fun, testament to how I was able to hold on to Saad’s teachings even long after working with him. I couldn’t recommend Saad’s abilities and qualities higher to anyone wishing to take composition lessons, and it certainly doesn’t hurt that he is an accomplished, experienced, fascinating, and highly-sought-after composer in his own right. Even after working with dozens of different teachers in different musical disciplines, I have found my studies with Saad to be among the absolute most rewarding.
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Sam B. July 9, 2018
· Composition · Online
Saad was able to guide me into directions in my compositions I wouldn’t have thought would be possible otherwise. I recommend him highly as he pushed me to work as hard as I could on my pieces, while at the same time highlighting pertinent contemporary repertoire in our lessons.
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Luke July 4, 2018
· Composition · In studio
Such a patient knowledgeable tutor who really cares about his students’ progress and goes above and beyond to nurture their musical growth
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Saad H.

Saad H.

New York, NY 10027
(5)
starting at
$25 / 30-min

About Joseph P.

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Sayreville, NJ

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Students can expect an in-depth discussion on concepts. We will discuss not just the what and how, but why.

About Joseph
Mr. Puliafico has been performing in local theatre since 1995 and teaching since 2003. He received his Bachelor's Degree in Music Education from the University of Delaware in 2007, and his Master's in Music Education from Boston University in 2018. Mr. Puliafico has performed locally with The Ocean County College Repertory Theatre, Sayreville Main Street Theatre Company, and the East Brunswick Young Adult Charity Players, where he also music directed for five years. Currently, he is a full time Voice Instructor at the Ocean County Performing Arts Academy in Lakehurst, NJ. Students of Mr. Puliafico have been accepted to Musical Theatre and Music Education Programs at schools such as Fairleigh Dickinson University, Montclair State, Rowan, AMDA, Monmouth University, Ithaca, University of the Arts, Rider University, Berklee College of Music,
and Belmont University. Students of Mr. Puliafico have also received Superior ratings in Musical Theatre Solo, Duet, and Group and the NJ Thespian Festival and at the International Thespian Festival. Mr. Puliafico is a member of the Educational Theatre Association, The National Association for Music Education, and NJEA
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Joseph P.

Joseph P.

Sayreville, NJ 08872
starting at
$35 / 30-min

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6 Fun and Unique Ways to Learn Music Theory

6 Fun and Unique Ways to Learn Music Theory

Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform … Read More

6 Fun and Unique Ways to Learn Music Theory
Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory

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