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Union, MI Music Theory Lessons

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Popular Music Theory Teachers near Union, MI

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About Mathew B.

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Homewood, IL

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Two degrees in music, 6 years of courses in Music Theory, History, and Ear Training.

About Mathew
Currently residing in Homewood, IL to play downtown with the Civic Orchestra of Chicago, I am looking to continue my passion of teaching in this exciting new city. My wife and I have relocated from Bloomington Indiana, where I was an Associate Instructor for the Jacobs School of Music. I have always enjoyed learning new instruments to get new musical perspectives; I have studied String Bass, Electric Bass, Guitar, Piano, Voice, Drums/Percussion,
and even the Viol de Gamba (Google it!).
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Reviews
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Sally W. June 19, 2013
· Guitar ·
Matt is an excellent guitar teacher. I highly recommend him.

Matt has been teaching guitar to my 12 year old son for several months now. My sons' guitar playing has improved greatly since his lessons with Matt. He's playing with a lot more confidence, thanks to Matt's influence.

Matt is always on time and has a wonderful way with people. My son feels very comfortable with him. They collaborate on songs together and it is important to Matt that Jude be engaged in his guitar practice.

We're thrilled with Matt and I highly recommend him as a teacher.
Any aspiring guitar player would be lucky to have Matt as a teacher!
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Mathew B.

Mathew B.

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(1)
starting at
$30 / 30-min

About Julian Y.

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Boulder, CO
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A good understanding of music theory will allow you to more efficiently recognize your strengths and limitations. It cultivates the ability to hear music more intelligently and teach yourself several instruments. People that can pick up and play any instrument with minimal effort, likely have a very good foundation in music theory. Music theory also cultivates the ability for the ear to recognize context and patterns in music you already know. It is one of my greatest passions and I love to share it with anyone who is interested :)

About Julian
My musical background is uniquely rooted in classical training and popular music (non-classical) experience. I have professionally played toured and/or taught on a variety of instuments including Bass, Drums, Guitar, Piano, Ukulele and Voice for the past 8 years all over the world. My main focus has been bass guitar, on which I've played in over a dozen local bands. In addition, I received my Music BA from CU Boulder in 2014. My classical training in combination with my experience as a song writer, multi-instrumentalist and band leader gives me a uniquely well-rounded teaching style. I aim to teach and inspire students to use music as a joyful platform for learning important skills such as diligent practice, cognitive flexibilty, and creative expression.

Growing up and playing in Hawaii and Colorado, I have had the opportunity to l
earn from prolific, passionate and talented musicians from all over the globe. With my students, I love to share my experience, appreciation for eclecticism, nuance and groove while also emphasizing the importance of a theoretical foundation in music and comprehension of aural skills (hearing music in a theoretical context) as a means to fluent apprehension in any genre. Ultimately, this makes me a very flexible and expeditious teacher. What would you like to learn?

If you have any questions, or would like to chat, please feel free to call me at three O three 5032572 or message me via my Take Lessons profile. I look forward to it!

*** Travel Equipment ***
I can provide most necessary lesson materials, however it is necessary that students have their own instruments on which to play and practice. I may request that students buy some materials such as tuners (for stringed instruments), lesson books, or music applications, but these are optional purchases.

*** Studio Equipment ***
I can teach in my home studio in South Boulder if that is your preference. The studio has keyboard, bass, drums, guitar, ukulele and vocal microphones. Students should bring their own instruments to the studio lessons (drums and piano provided in the studio) Parents may attend the lessons if they choose.

*** Specialties ***
Pop, Rock, Jazz, Blues, Reggae, West-African Highlife, Funk, and Soul

***Some additional background to my experience***
I grew up "noodling". I avoided the difficult task of learning to read proficiently until I was almost 18. Looking back I realize that for me, music was a way to relax and pause internal dialogue. I would create music, especially on the piano that was entirely my own, and based solely on intuition. I got by in piano lessons and choir for so many years as kid by relying on an intuitive ability to aurally recall music and "play by ear". Eventually, I was turned on to the necessity of being able to read when I was accepted into a nationally competitive choral program at Fairview High School under the direction of Ron Revier. Shortly after that, I picked up a guitar and discovered music theory.
Realizing that reading, and theory were inherently different things allowed by to accelerate quickly at music theory which opened so many doors for me creatively. Suddenly, my ability to improvise in context and write my own songs was born.
I realized that every note I sang or played was part of an essential structure, whether or not I was paying attention to it. This is why I particularly enjoy teaching aural skills, sight reading, and music theory in conjunction with whatever repertoire or skillset a student wants to learn. These things facilitate becoming one's own teacher which is the most important thing I can pass on to a student. If you can contextualize everything you hear, you can more easily pursue whatever type of music inspires you.
Understanding theoretical things like musical modes creates a structure around the seemingly elusive nature of musical improvisation. It comes naturally to some, but is stubbornly avoided by others. I assure you, anyone can do it with some guidance. Through the years, I have developed a handful of shortcuts and tools that allow elementary musicians to start creating their own music that is not necessarily oriented in genre or style, but can be applied to all of them. I look forward to sharing my passion with new students!
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Reviews
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Grant -. November 16, 2017
· Guitar · In home
This was my 14 y/o and my very first lesson. We learned chords, strum patterns, and melody. Super fun evening! Julian even gave my 12 y/o a lesson on his drum set while we practiced on our guitars. Now the family is hooked! Excited for our lesson next week.
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David June 5, 2017
· Guitar · In home
Julian has spent lots and lots of fun time with his nephews and nieces (age 13-2), playing music with and teaching--ukulele, piano, guitar and drums over the last few years, and as a result they all have some great skills, confidence, and excitement about music. He's kind and very tuned in to where his students are.
I'm his Dad so I've seen how rewarding it can be for his students. He's also given me a basic set of skills on the guitar. It goes without saying, I recommend him highly!!
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Josh D. December 10, 2015
· Guitar · Online
Great instructor.
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Julian Y.

Julian Y.

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$47.50 / 45-min

About Rich L.

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Hot Springs Village, AR
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About Rich
Music has always been my biggest passion. I started playing guitar at the age of 10, and I haven't been able to put it down since. In grade school I started my first gigs playing in bands and spent all of my time outside of school playing guitar.

Coming from a family of eight where there wasn't much money for schooling, I put myself through high school and college gigging, and teaching.

I earned a music degree from Wayne State University in performance guitar, studying under the likes of Joe Fava and Charles Postlewate. At the same time playing extensive clubwork, shows, concerts, studio work and teaching.

My styles include virtually all elements of guitar. Rock, Blues, Metal, Country, Classical and Jazz.

In "2006", I opened up a guitar studio in South Lyon Mi, where I taught, along with lessons from my home.

*** Lesson D
etails ***
I take a very serious, professional approach to my music studies and my teaching, but with a very humorous, and free-flowing concept to keep my students interested. I am very patient, and truly care about the progress of each student.

Each student that I teach has a different lesson structure depending on what the student wishes to accomplish. I tailor each lesson to help them move closer at a rapid pace to whatever style of music they have the strongest interest in. But because guitar is such a diverse instrument with many different established forms of technique, I do advocate developing proficiency in multiple styles of playing.

While I completely approve of learning to play music from TAB which expedites the playing of actual songs, I highly recommend that beginning guitarists learn to read music as you never know what they might end up doing with their knowledge. (Studio work, shows, teaching, or other scenarios where reading music is essential).

Starting to learn any instrument can be a challenge. But with persistence, guidance, and actual progress, learning how to play an instrument can be of the most rewarding experiences, regardless of your age. With my help, you or your child will be able to enjoy the experience of discovering how fulfilling playing can be.

*** Studio Equipment ***
lessons in living room, music stands, acoustic & electric guitars, amps/cables

*** Travel Equipment ***
Will provide a loaner guitar for a lesson if necessary.

*** Specialties ***
All styles - Rock, Country, Jazz, Classical, Blues, Metal

Look Forward to seeing you!
Rich
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ViolaL December 24, 2009
· ·
very nice and good to student and make the student wants to come back and learn more
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Rich L.

Rich L.

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$25 / 30-min

About Serena E.

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Issaquah, WA

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Students will learn how to read and interpret sheet music. They will also learn a foundational understanding of the piano to help play notes, and be taught to pitch match and understand intervals and scales aurally.

*all lessons are always taylored to be appropriate vocally and dramatically for age, voice type, and ability

About Serena
Hello! My name is Serena!

Music shapes my life and has made me the person I am today. My experience in training in opera, musical theatre, jazz, and pop has expanded my musical skills and knowledge. Not only have I been trained in performance, but I have also studied music history, music theory, conducting, movement training, ballet, Alexander Technique, acting, yoga, stage craft, improvisation, other languages, diction and the International Phonetic Alphabet, voice science and anatomy, and vocal pedagogy. I have completed my Bachelor of Music in Operatic Vocal Performance from the prestigious Jacobs School of Music at Indiana University under the tutelage of the legendary Carol Vaness. I have also studied with acclaimed teachers and coaches around the world including Dr. Kari Ragan and Maestro Dean Williamson.

This year has been w
onderfully packed with performance for Seattle Opera. I just closed out a 78 performance run of CINDERELLA IN SPAIN where I sang the role of CINDERELLA and was even on the poster! I also performed the roles for the Seattle Opera preview performances of GRETEL in HANSEL UND GRETEL, VIOLETTA in LA TRAVIATA, KATYA in KATYA KABANOVA, and QUEEN OF THE NIGHT in MAGIC FLUTE. I made my Seattle Opera debut singing ALITSA and RACCOON in their touring production of "OUR EARTH", as well as performing on the mainstage in many productions. My upcoming performances include singing in the Seattle Opera kick off to the season SUMMERFEST in July; and OLYMPIA in LES CONTES D'HOFFMANN with Pacific Northwest Opera. My other roles include ALKANDRE in PENELOPE with Vespertine Opera in Seattle, WA; FRASQUITA in CARMEN with OperaBend in Bend, Oregon and Pacific Northwest Opera; and SUSANNA in LE NOZZE DI FIGARO with the Seattle Opera Guild. I also made my international debut in December 2014 singing GRETEL in HANSEL UND GRETEL with Opera Mariposa in Vancouver, BC. I have also been the featured soloist as "Christine" in Ten Grand's Phantom of the Opera at Benaroya Hall in Seattle, WA, and many lead roles in both opera and musical theatre: such as Semele (Semele), Marie (La Fille du Regiment), Gretel (Hansel und Gretel), Countess Ceprano and Gilda (Rigoletto), Blondchen (Die Entfuehrung aus dem Serail), Maria (West Side Story), La Fee (Cendrillon), Sarah Brown (Guys and Dolls), Cathy (The Last 5 Years), Rosina (Barber of Seville), and more! I have also been part of jazz ensembles, and won the Battle of the Bands at Indiana University with a rock group! I am proud to have won the Seattle Opera Guild/Opera Plus Young Artist Scholarship Award for the 2015/2016 season, the Encouragement Award in the Metropolitan Opera National Council District Auditions, First Place in the National Classical Singers Competition, the C.M. Gerber Scholarship, Music Dean's Scholarship, Music Faculty Award, First Place at Washington State Solo and Ensemble Competitions, First Place in the National Association of Teachers of Singing (NATS) National Competitions, and many more!

Teaching brings me such joy! To share the love of music and to educate the musicians of tomorrow is both gratifying and inspiring. I have been teaching since 2005 and provide a fun and focused learning experience where there are no "wrong" questions, and everybody's unique voice is celebrated! Many of my students have gone on to study music in college, and have landed lead roles in musical theatre, choir solos, All State and All Northwest choirs, and won awards in Classical competitions.

In my spare time, I like to hike, eat good food, and spend time with family and friends!

*** Lesson Details ***
My studio provides musical knowledge through private lessons including healthy vocal technique, basic understanding of music theory, and basic piano skills. I encourage a fun and focused environment. Come ready to learn, and let's make music!

A typical lesson will include vocalises that detail proper technique, some ear training work, some music theory training, and will be followed by repertoire. During this time, students will learn how to produce clear and authentic diction (English and other languages), breath management, phrase shaping, smooth transitions between higher and lower pitches, stylistic ornamentation, as well as dramatic involvement of the piece.

Students will learn the importance of the foundations of breath support, and how to create a healthy sound for any genre while keeping the unique qualities of their own voice-- no cookie-cutter singers here! Students will also learn how to read music, practice effectively, perform authentically, and take care of their delicate instrument for a lifetime of singing!

While Skype is a marvelous tool that has revolutionized the world of teaching, nothing can replicate natural acoustics. In-studio lessons are suggested for a clearer and more personable lesson.
**Skype lessons are reserved for long distance students only**

STUDIO ABSENCE and CANCELLATION POLICIES:
Regularly scheduled and attended lessons are the best way to see positive changes in your voice! The smooth running of the Studio Schedule helps make that happen. Therefore, missing lessons is discouraged and make up lessons/cancellations are not given in the Studio unless:
- I have had a performance or rehearsal that conflicts with our lesson time and cannot have the lesson as scheduled. If this occurs, I will inform you of the event as soon as possible and give you the option of a make up lesson or cancelling the lesson.
- Notices of foreseen cancellations (family vacations, religious holidays, school functions, special occasions etc.) are eligible for rescheduling or cancellation if given before the first lesson of the month.
- Of course, life can throw us for a loop! Illness, emergencies, and unforeseen events may possibly be given make ups or cancellations and will be determined at the Studio's discretion. (In the matter of illness: standard procedure is that if the student can attend work/school, they should come to their lesson. A cold can easily be worked around. If the voice is affected (for singing students), Studio time can still be used to work on ear training, music theory, music history, etc.)

All other absences will result in the lesson being marked as "missed". A hard copy of the Studio Policies and further details will be given to the student at the first lesson. Please feel free to ask any questions or clarifications.

*** Studio Equipment ***
The studio lessons take place in a designated area of my home. The room includes seating for parents to observe lessons as well as a weighted keyboard (88 keys), music stand, desk, and materials. No pets. Lots of street parking is available. Shopping and coffee/food located within walking distance.

*** Specialties ***
Specialties: Classical/Opera
Other styles and genres: Musical Theatre, Jazz, Pop, and Rock.
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Reviews
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Chuck June 17, 2017
· Opera Voice · In studio
My daughter has been taking lessons from Serena for more than two years. We are very happy with her and plan to continue. Training is for classical opera and focus is on basic technique.
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Alaka June 17, 2017
· ·
Serena has taught me so much about music and performing. She's a wonderful teacher and friend, and she is very professional; there is no one I'd rather be learning music from!
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Narcisa K. January 20, 2016
· Opera Voice · In studio
10 stars! She's very strict but in a good way. Keeps the students motivated! Recommend!
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Serena E.

Serena E.

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$45 / 30-min

About James N.

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Mishawaka, IN

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As you learn the notes, it becomes increasingly critical to understand the theory behind them. My instrumental lessons will often include basic theory fundamentals such as scales, major and minor triads, etc., but if you are interested in specific theory tutoring, I can help out with that as well. In particular, we can develop the ability to sing notes on the page at just a glance and learning notes by ear.

About James
Hello everyone! Please have a look around my profile and feel free to contact me. I have taught privately since 2009 and joined takelessons.com in 2014.

I strongly feel each student needs lesson goals tailored to what he or she wants to take away from music. Getting ready for a college performance degree, making it to state solo contest, surviving band music, or simply discovering the huge scope of music available to us these days are each worthy goals, but require different preparation. I will work with you to figure out where your interests lie and focus on those, first and foremost!

My education includes bachelor's and master's degrees in trumpet performance from Lawrence University and UW-Milwaukee, respectively. In addition to my private studio, I maintain an active teaching schedule with the Fairfield Jr/Sr High School marchin
g band and Oregon Crusaders drum and bugle corps, as well as freelancing throughout Michiana.

Thanks for your time, and happy practicing!

*** Studio Equipment ***
I can provide: music stand, method books during lessons, recording equipment for lessons, tuner, metronome

Students should provide: instrument/mouthpiece, any other music they would like to play

*** Specialties ***
I have spent most of my playing time on classical (orchestral, chamber, and solo music), but also welcome students interested in jazz up to an intermediate level, especially if they have an interest in playing lead trumpet.
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Jazon February 12, 2018
· Trumpet · Online
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Asmita T. February 5, 2018
· Trumpet · Online
Best instructor ever
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Matthew S. January 19, 2018
· French Horn · Online
James is outstanding. He is very personable, professional and is a talented musician and teacher. James was able to quickly build a rapport with our son and uses a sensible approach to developing him as a young musician. We feel lucky to have him as a teacher and i'd recommend him without hesitation.
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James N.

James N.

Mishawaka, IN 46545
(48)
starting at
$30 / 30-min
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About Sasha V.

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Marietta, GA

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International performer from small venues to large festivals. Whether you are looking to play for fun or looking to enhance your live performances as a seasoned musician, I can help you! I teach the basics of music theory up to how to site read and compose your own songs

About Sasha
Originally from the UK, I travelled and studied music in Brisbane, Australia, where I gained a Diploma in Contemporary Music in 2000. Since then I have toured internationally, supported major acts such as Kid Rock, Ben Harper, Bastille, Ludacris, Cypress Hill and The Roots to name but a few, recorded albums, guested with numerous bands such as members of Portishead, Massive Attack, Robert Plant's Band of Joy and The Black Keys and composed music scores for two feature films and various shorts along with directing my own music video and having my music featured in various movies and TV shows. I also have booked acts across the US and organised music festivals in Los Angeles. I recently appeared on the cover of Guitar Girl Magazine, and I am also a contributing writer.

I have vast skills from performance to management, booking, PR and pl
acements in film and television. Whether you are looking to just begin learning an instrument for fun or would like to take your skills further and move towards becoming a professional musician, I have the skills and expertise to help you along every step of the way. I tailor each lesson to meet the needs of the student, teaching them exactly what they would like to learn and having lots of fun doing it!

*** Lesson Details ***
For the first lesson, we will discuss what you are hoping to achieve, what kind of structure you would like for your lessons (theory, performance etc) and I will assess your skill level. Then I will tailor exercises, lessons and study to suit your needs.

*** Studio Equipment ***
Fender Rhodes Piano
Doric Vintage Organ
Microphones and Stands
Pro Tools
Fender Amp
Jaguar Bass
1968 Hagstrom Bass
Gibson Les Paul Guitar
Dan Electro Guitar
1950s Burns Bass
Fender Acoustic
Yamaha Mini Acoustic
Small Boss Keyboard
Flutes, Harmonicas, Percussion
Ipod, cd player
Various effects pedals for voice and guitar etc

*** Travel Equipment ***
Can bring guitars, mics, stands, practice amp and small keyboard

*** Specialities ***
Specialising in rock, pop and soundtrack music, I can also teach performance and acting stage skills and voice projection.
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Lindsay G. November 14, 2017
· Harmonica · Online
Sasha is a wonderful teacher. She has encouraged my 11 year old daughter to love the harmonica. She is professional, talents and an excellent teacher.
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Duncan October 17, 2017
· Guitar · In studio
Sasha knows what I’m looking for so we should work well together
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Will September 18, 2017
· Singing · In studio
Sasha is pleasant, supportive, flexible, and extremely knowledgeable in the area of vocal performance. I would highly recommend her!
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Sasha V.

Sasha V.

Online
(44)
starting at
$30 / 30-min

About Knox S.

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Culver City, CA

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Learn everything from Figured Bass to how to spell a C#13(#9, #11) chord. For beginners I write customized exercises for you. Intermediate and up I use the Berklee Press harmony books.

About Knox
Ear Training, Sightreading, Music Theory, and Harmony are all essential parts of mastering any musical endeavor. Your instrument is merely the voice by which you express your musicianship. HURRY - I only have room for 8 to 10 students!

I've performed on THE VOICE, AMERICAN IDOL, GREASE LIVE! & others. My music has been featured on NBC, ABC, CBS, and domestic & international films. I've coproduced KRISTIN BELL, JEFF DUNHAM, WANG LEEHOM, & LINYU CHUN.

I received undergraduate training at BERKLEE COLLEGE OF MUSIC (BM) in Boston where I studied with Tiger Okoshi, Charles Lewis, John Bavicchi, Richard Davis, & Gregory Fritze, and was a Graduate Assistant at the HODGSON SCHOOL OF MUSIC at UGA (MM) where I was a protege of the late Fred Mills (1935-2009), founding member of the Canadian Brass.
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Matt February 12, 2018
· Arrangement and Composition · In home
Knox is an incredible person and teacher. In addition to his education, he has a lot of real-world experience. His lessons are fun and full of informative, practical knowledge. Highly recommend!
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Evan February 11, 2018
· Arrangement and Composition · In studio
Knox is a great musician, great teacher and all-around great guy! Knowledgeable and friendly. Highly recommended!
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Lee February 6, 2018
· Trumpet · Online
I got better with just one lesson!
He opened my eyes! I studied with other trumpet teachers for years and didn't learn as much!
Try a lesson with him!
Thank you Mr. Knox!
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Knox S.

Knox S.

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$45 / 30-min

About Winslow Y.

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San Francisco, CA

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Music theory is just the names and numbers we use to identify and organize musical sounds so that they sound good and happen at the right time, with great beats. It's way better than grunting and pointing when musicians communicate. I can teach theory the classical way, the Nashville way, or the juke joint way - whatever you need to understand musical materials so that you can use them to best advantage and communicate with your fellow musicians

About Winslow
My focus is on you - helping you achieve your goals with the harmonica, whatever they may be. Whatever inspires you to pick up the harmonica, whoever you want to emulate, whatever style grabs you, I bring the background, deep knowledge, and teaching experience to enrich your understanding and grow your skills and ability to express yourself musically.

I'm a harmonica specialist, known internationally as a player and teacher. I'm the author of the books Harmonica For Dummies and Blues Harmonica For Dummies. I can teach all styles, all levels of expertise and all types of harmonica.
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Andrew July 22, 2017
· Harmonica · Online
Great first lesson- Winslow is easy to talk to and very knowledgeable. He is very good at explaining and demonstrating technique in a clear way. Thanks again!
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Philip E. November 11, 2016
· Harmonica · Online
Winslow is very knowledgeable and an excellent teacher.
He's very passionate about the harmonica, which makes for a great learning experience. I look forward to future lessons.
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Bob S. August 5, 2016
· Harmonica · In studio
My first lesson went very well and was just as I had hoped.
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Winslow Y.

Winslow Y.

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About Mona S.

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Boston, MA

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Through music theory, one is able to understand the basis of music. Lessons will cover a variety of topics, from chords and scales to counterpoint and part-writing. Material will be drawn from different textbooks (such as Laitz's "Complete Musician" and Schachter's "Harmony and Counterpoint") and students will analyze musical examples from all genres. Your understanding of music will develop and advance after studying music theory!

About Mona
I'm an active flutist and Japanese enthusiast living in Boston! I recently graduated from the University of Washington with a flute performance degree and Japanese minor and am now pursuing graduate studies at the New England Conservatory. I believe that learning music should be fun and inspiring, but that 95% of artistry is simply hard work! I, therefore, create a positive and encouraging environment for all of my students, while still setting challenging goals. Additionally, I tailor my teaching to fit each student’s needs so that learning potential can be maximized. Stylistic choices in musical expression/phrasing are encouraged through the incorporation of music theory, music history, and ear training skills into lessons. I also believe that body awareness is important, and will include stretches and practice methods into each lesson,
so students can practice efficiently and prevent injuries!

I grew up speaking both Japanese and English and welcome beginning Japanese students!
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Robert February 3, 2018
· Japanese · Online
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Warren M. December 19, 2017
· Flute · In studio
Terrific first lesson. Almost immediate improvement in tone thanks to a few simple, easy to remember cues. Stretching exercises and body stance were emphasized as a foundation to build for quality sound as well as care to prevent injury.
I almost can't wait for my next lesson.
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Rebecca July 9, 2017
· Japanese · Online
Mona knows what she's doing and is very kind. Not only are the links that she sends you during the lesson helpful but she explains when you'd use the words and helps you understand the appropriate situations for when you use them. She is very friendly and a wonderful teacher that will listen to your questions and answer them and her answers are never halfhearted. I completely would recommend her as a Japanese tutor/Instructor if you wish to learn how to speak and write Japanese while still having that relaxing environment.
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Mona S.

Mona S.

Online
(6)
starting at
$20 / 30-min

About Anna P.

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South Bend, IN

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Experienced Piano and Music Theory teacher of 45 years available for eager students of all experience levels and ages! I structure my lessons so students learn what they want to learn, while also building a strong foundation of Music Theory and adjacent disciplines like Harmony, Polyphony and Music Forms. I specialize in music pedagogy in all its facets so my students get a complete knowledge of the music basics, elements and forms and how they interact including the knowledge of music perception and cognition. My working experience in different countries and different cultures helps significantly in teaching a student to getting a broader perspective of music, its perception and how to express yourself in music language adequately.

About Anna
I hold a Master's degree in Piano Pedagogy and Music Theory and History. I established my own teaching method that is based on European classical teaching tradition. I am familiar with most of the American piano teaching methods and use their achievements in my teaching widely.
Personally, I am kind but demanding. My students thrive fast and steady.
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Sally October 10, 2017
· Piano · In studio
Our son began lessons in the spring and he has progressed rapidly under Anna's guidance. He looks forward to his lessons with her. She is very patient, but also challenges him. My husband and I are very pleased with her methods. We strongly recommend her.
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Natacha Rickenbacher April 29, 2017
· Piano · In studio
My son Jean-David, who was then 10 years old, took lessons with Anna during six months (the duration of our stay in South Bend) and he had much pleasure to follow these lessons and practise the piano every day. Anna made him play various styles of music and she corrected him well. Even if Jean-David knew only a few words in English (we are Swiss and he was used to speak French), he could understand what she explained. Anna had expactations, but she was also encouraging and friendly. I recommend her warmly.
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Terri April 20, 2017
· Piano · In studio
I'm learning a musical instrument for the first time ever, at the young age of 43! I love working with Anna, she has made this a wonderful experience for me. Very informative, learning to read music and positioning my hands correctly. I have been taking lessons with Anna for 3.5 months now, she gives me just enough push out of my comfort zone to expand my piano learning.
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Anna P.

Anna P.

South Bend, IN 46614
(13)
starting at
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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

Subdivision: The Easy Trick for Reading Rhythms Right

Subdivision: The Easy Trick for Reading Rhythms Right

As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin … Read More

Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory

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