Learn Music Performance, how to present yourself, work ethics, how to get the gig, notes of music, major and minor keys, chord construction, scales, shapes, transcription, reading, ear training, timing and rhythm, music theory, improvising, several playing techniques, how to play songs, and much more. i teach not just to play but to understand what you are playing.
I am Ivan I've been playing bass since 1972, started with guitar in 1969, i only however been teaching beginner and intermediate bass guitar and theory (professionally) since 2007, not including the people i use to teach bass back in the day and here and there. you want to learn bass, i teach bass you can understand, you can come to my home studio, or online, were we can record you playing (before and after). Music Major Inkster high school, Inkster Mi. (74-79). Detroit School of Music, Detroit Mi.(80-81). Music Minor Richmond College, Dallas Tx.(Major; Business Computer Programming Associate Degree 86-88). i am currently studying advanced Music Theory, Harmony, Arranging and Composition. Awards include, multiple trophies, letters of excellence, 1st and 2nd place music proficiency medals 1974-1979. i have played on several studio recordi
ngs, commercials, albums, and CD's with talented artist. Learning to play from a DVD or the internet can not properly teach a beginner bass player, because there should be a student/teacher interaction, one has to already know how to play in order for a DVD to be effective, and i truly believe one will still need an instructor. i enjoy teaching and playing bass. i teach (4 to 6 string), which includes learning to read bass clef notes, scales, chords, keys signatures and time on the music staff, etc., etc., i can teach tab also. i like to teach beginners to give them the correct and formal fingering techniques, then later if they like, they can go all willy nilly. i get satisfactory results. i also love playing guitar and piano, i know these instruments very well and because i want to teach as many as i can to keep real music alive, i also teach beginner guitar and piano, all the above applies to guitar and piano lessons, and music theory and ear training. i like using small i's
*** Lesson Details *** Depending on the student's current level of understanding music and playing your instrument, i start with the healthy way to play your instrument, traditional left hand and right hand techniques, learning exercises, scales, chords, keys, ear training for how to find the part in songs, also music theory including how to read music, and improvising, then different styles of playing bass and guitar, including thump and pluck, now known as slap bass, hammer and tap, harmonics, flamenco and more, most of all i make it fun. With practice you will know how to play your instrument very well, or if you just want to learn songs or licks, its all good i work for you. are you ready? i am, lets go
*** Travel Equipment *** i can provide a bass, a guitar, a keyboard and amp, but i expect student to have their own instrument and amp to practice
*** Specialties *** i teach all genres, and i teach you to understand the music on your instrument.
Performing over 200 shows a year, I have the experience to teach everything from the basics of how to prepare to being on stage, to helping an advance performer hone his or her stage presence, to be better able to connect with both the audience and fellow performers to create a meaningful performing experience
Detroit native, Nicholas C. K., demonstrated an innate musical talent from a young age. His command of piano, guitar, trumpet and bass progressed to studies at both Columbia University in Chicago and Wayne State University in Detroit. Since age 16 Nic has toured the country sharing the stage with acclaimed rock acts such as; Tesla, Bret Michaels, 3 Doors Down and many others. He is currently endorsed by Warwick Basses.
Nicholas been a musician in some form or another for as long as he can remember. His musical journey started when he was only six, with a delve into the realm of classical piano. While there he studied under world class child prodigy Josh Cullen. The composers that he studied include Bach, Beethoven, Barton, Hayden and many others.
From here he progressed to playing jazz trumpet, studying the Jamey Aebersold method un
der Paul Finkbeiner, the lead trumpet player for the Paul Keller Ensemble.
Then at the age of 11, with the help of his grandfather he discovered the guitar. He learned quickly on his old SR guitar. He quickly discovered that he had a natural taste for blues phrasing, and his soloing abilities quickly blossomed. 2 years later, he had formed his first band, Spherical. It was through this band that he found the bass.
His journey into the realm of bass, began out of necessity and progressed into love of the bottom end. Since then, he has been collecting basses, playing, living and breathing bass. He now realizes the importance of a funky beat, a subtle line and most important of all A Tight Groove!!!
The benefit of studying under someone with a vast array of both talent and experience is clear.
*** Lesson Details *** During his musical career Nicholas has played almost every style of music; from folk to experimental from jazz to rock. One thread holds true through all music, it has to groove. During the course of a lesson he will cover a broad range of topics starting from the basics, and moving into ear training, sight-reading, theoretical knowledge and most important for bass players, groove. Just as every player has their own musical personality and voice, so to does every lesson that Nicholas gives. In a supportive, patient environment, every lesson is custom tailored to the student.
*** Studio Equipment *** Home: lessons in dedicated music room with piano and stereo, guitars/basses, cables/amps
*** Specialties *** Jazz Studies major at Wayne State University. Has a firm understanding of music across both the classical and jazz idioms spanning multiple instruments.
He is professional and patient yet he meets you where you are. I had played piano many years ago and he quickly assessed where I am today and asked what I wanted to accomplish at this point. He showed me things that I was never taught all those years ago. He is kind and so easy to work with. Can't say enough about him. Wasn't sure if I could play again after so many years. I have had hand surgery and can't wait to continue my lessons. He showed me that I can. Great for this old lady, I mean elderly person.
May 5, 2019
April 16, 2019
Nicholas’s has Great energy and patient instruction for my son’s very first lesson. He was all smiles and excited to learn more!
How to sing in front of small or large audiences, a Cappella and with accompaniment
After studying at Cass Tech High School and Wayne State University in MI, I have enjoyed teaching privately, in groups, and at churches, I have performed vocally and instrumentally throughout the US and in 8 foreign countries, and taught at public, charter, and private schools. It is important to tailor each lesson to a student's individual needs and ability to ensure that their experience is as rewarding as possible!
*** Lesson Details *** You will learn to play with ease and proficiency while learning the Music Theory that supports your playing. You will also receive ear training, which will make learning more rapid, and more thorough.
*** Studio Equipment *** Studio with pianos; parents can sit in on lessons.
*** Travel Equipment *** When needed, I provide printed learning supplements or in e-mail. The student should hav
e his/her own instrument, so they can practice regularly.
I have performed professionally for decades in a variety of settings; Rock, Jazz, Orchestral, Experimental. And as a multi-instrumentalist: Guitar, Sax, Bass, Drums, Keyboard, Vocal, Experimental instruments.
Hello Future Students!
Whether you want to pursue a Musical Career or simply learn how to Play your Favorite Tunes for friends and family, I am here as your Teacher and Guide. I teach at my own home, at the Student's home or through the use of Skype.
I am originally from Ann Arbor. I spent much of this century living in NYC and prior to that I lived in Chicago. Those experiences vastly helped me develop Networking, Performance and Teaching experience. I now live in southwest Detroit near River Rouge.
As a Father of four, I have had the joy in teaching my own children Guitar, Saxophone, Songwriting, Composition and Keyboard. As a parent I have found that Patience and Encouragement is often the best form of support.
It has been proven that learning Music helps develop intuition, self-awareness, and social skills as well as imp
rove in other subjects not directly related to the arts such as Mathematics and Science.
One of the most important aspects of playing Music is being able to Play by Ear. This has been a priceless gift that I was born with and have developed throughout my life. I encourage all musicians, young and old, to do the same. The use of simple Rhythmic Dictation and Ear Training exercises can do wonders for "picking out" Beats and Harmonies no matter what Genre we are interested in.
I attended music courses at The Boston School of Contemporary Music and Thomas Jefferson College (MI). I have a BA at Columbia College Chicago double majoring in Music Composition and English .
My band THIRD BORDER's "Sun of Water; Sea of Light" was selected to be nominated for the Grammy's as The Best Alternative Album of the Year in 2006. On this record, I played Guitar, Saxophone, sang Lead Vocal and wrote all the Songs. If you are a Songwriter, we can polish up your approach.
As a Composer, I have done Sound Design for Film, Dance, Spoken Word and Multi-media Performance - most notably with renowned poet Anne Carson and former members of The Merce Cunningham Dance Co. I also formed and composed two symphonies for my 12-member saxophone orchestra in NYC. Currently, I am rehearsing new work with a Detroit-based multiinstrumental orchestra.
I hope to talk to you soon! Benjamin
*** Lesson Details *** My teaching style is relaxed with a forte on Patience and Encouragement. Though I have specific expectations on what needs to be learned, I gear each lesson towards the student's wishes and their personal direction in Creativity. Whether you are a beginner or an advanced student, I can guide you wherever you are headed!
For Guitar (acoustic or electric), you will learn the fundamentals of Music Theory, Chord Structure, varied Strumming and Picking Techniques, and Scale Positions to travel from one part of the neck to the other. Any song you wish to learn, I can teach!
For Saxophone, you will learn proper Embouchure technique, Notation, Music Theory, and Scale Patterns for improvisation. Whether you are interested in a Classical, Blues, Funk or Jazz approach, I can help you find your own sound that is both personal and professional.
I teach 2nd year Piano and Drums/Percussion directing you into Intermediate level.
For those leaning toward the experimental genres, I am well-versed in the use of Electronics. Much can be accomplished with my lessons on Sound-Scape Improvisation either as 1 on 1 or Group Workshops.
*** Studio Equipment *** At Home Studio: music stands, metronome, guitar amps, electric and acoustic guitars, guitar tablature, staff music paper, a scanner for weekly homework. I can also record and send MP3s of our lessons to review at home if you wish.
*** Travel Equipment *** Students will need their own instrument, a mutually chosen music book to learn from, a metronome, and hopefully easy access to a keyboard (very helpful!)
*** Specialties *** I am fluent in Rock genres, Blues, Beginning Jazz, Beginning Classical technique, Prepared Guitar, Electronics/Sound Art.
Excellent instructor and a way cool guy. My first lesson was really informative, with so many helpful tips and techniques. Ben is a friendly, patient teacher, and I am looking forward to my next lesson!
June 22, 2019
Charlie and Cindy
We had our first saxophone lesson with Benjamin today and it was excellent! He is clearly a master that can assess a student’s skill level and adapt the lesson to suit their needs. He is just what we needed :)
March 14, 2019
30 lessons for my high school son with Ben. Excellent teacher. Always on time. Very professional. Baritone Sax. Highly recomend. Will be getting more lessons with Ben.
We have 2 to 3 recitals a year as well as participate in the Michigan Music Association Competition in February each year. It is a wonderful experience for the students to show what they have been learning and also see what other students have been learning. The recitals and the competitions are not required as a part of lessons but they are encouraged as performing is a good addition to learning music. My students and their parents are very supportive of one another and are always thrilled to have another join in our group. One of the very important aspects of performing is sportsmanship and it is one that I take very seriously and I feel it is important for students to learn this not only for music but for life.
I love teaching, simply love teaching! I teach students of all ages. I teach piano, voice, clarinet, and saxophone. I have taught for over 33 years! I am also experienced in teaching students with special needs. My students have lots of opportunities for performance, if they choose to. We perform at Nursing Homes, Retirements, Festival of Trees, and Seasonal Recitals. There are at least 2 recitals a year, 1 at Christmas and 1 in the Spring, if enough participation, we often have one in summer with a party afterward. We also participate in the Michigan Music Association competition. I have also had students perform in Disney World in Florida!!! I have been in many musicals such as Annie, Gypsy, Rock Around the Clock. I have put on solo recitals. My students and I have fun while we are learning music! It is the best job ever.
*** Lesson Details *** I use a variety of curriculum, which includes classical, broadway, some pop, new age, and jazz. After 3 to 6 months you will have a basic understanding of your instrument and will be ready to take off! I do ask students to keep track of your practicing so you can see your progress.
For piano: I use the Alfred Basic Books for beginners and then we move to the Keith Snell books along with other supplemental books. If a student already is using a book, generally we will finish that book up so they won't have to purchase another set of books.
For Saxophone and Clarinet: I use the Rubank books along with other supplemental books
For Voice: I use the 24 Italian Songs and Arias, The Young Singer, and various Broadway books. Any pop music must be purchased by student as there is just way too much to chose from for me to have a lot of it.
*** Studio Equipment *** Home Studio: in living room with 2 pianos at entrance of house. Seating is available as well toys and a table for siblings.
*** Specialties *** Voice - Classical & Broadway Piano - classical Clarinet - classical and pop Saxophone - classical, pop, and some jazz
I am so thankful to have Heather as my vocal teacher. She knows exactly what her students need to reach their maximum potential and she helps them to build a strong and solid foundation. Heather is not only an outstanding teacher, amazingly gifted vocalist, and a beautiful woman, she is also very encouraging, motivating, fun and caring. I absolutely love her. She is an answer to prayer, a blessing beyond words!!
2-3 times a year both solo and rock band recitals are held
I teach all styles of guitar, as I have been in many different types of music situations: Soloist (Classical) Ensemble (Classical and Jazz) Lead and Rhythm (Various Rock and Roll bands) Songwriting and Recording. I am a people person that learned the guitar from many different sources. Most of my learning came from watching others and communicating with others. I like to learn about the people I am teaching so that I can better understand their needs as a musician. My education came as a practical necessity in order to get better as a teacher and performer, as well as make a living doing it. But, by no means do I preach the need to be "educated" but only to be a working, practical musician. I will surely go over the need to read music once the need becomes evident, enlighten you as to why it may be important to understand certain aspect
s of music as opposed to just "picking and grinning", IE learning only "By Ear." I do specialize in music theory, and have many students taking lessons simply for this excellent foundation for songwriting also.
I am a classically trained guitarist that performs both as a soloist and for ensemble in a wide variety of styles. I graduated in 1996 from Schoolcraft College with an Associates degree in Music performance, and then, studying under the tutelage of Brian Roberts went on to receive my Bachelor's degree in Guitar Performance with a secondary in Jazz from Wayne State University in 2004. While at Wayne State and along the way I've performed and participated in several masterclasses with renowned artists: William Kanengiser, John Holmquest, Philip Candelaria, Jason Vieaux, Scott Tennant, and Antigoni Goni. I have also completed the teacher requirements for books 1-a and 1-b for the Suzuki Guitar Institute.
Many of my classical guitar and electric guitar students have went on to study further at the collegiate level, some achieving scholarships. My most recent students are current Berklee school of music graduates now in a band called "Flight of Fire", recently opened for Bonjovi this past summer and are getting air time on local radio stations... well on their way to living the dream! â¦the bulk of my students become full time professional musicians.
*** Lesson Details *** I am an extremely patient person who has been teaching for over 20 years. I am laid back so there will be no pressure. With my electric and steel string guitar students, I host a special "Jam Session" 2 - 3 times a year to which will be one of your goals to participate in. This includes playing with a drummer, bassist, singer and another guitar player (usually me) and having it recorded. This should serve as your motivation to practice. This really eliminates the need for me to pull out a "yardstick" and "smack" your hands over the knuckles when not practicing your scales as many old traditional teachers may have done!
At your first lesson I will talk with you and give you examples of music that is played with a Flat-Pick, or music that uses the Finger-Style technique. This will be an important process as it will dictate which direction you will go in as a musician and especially during our lessons.
For the most part, playing with a Flat-Pick is generally used with the electric guitar and with most mainstream styles of music like "Rock and Roll", "Blues", "Rock-a-Billy" "Funk", and playing with the Finger-Style technique is used in styles like "Classical" and "Folk." After a while, I will introduce you to the other style of playing as well, as most great guitar players use both techniques in their playing...musicians (guitarists) such as: âJimmy Pageâ, âBrian Setzerâ, âStevie Ray Vaughanâ, âJoe Satrianiâ, âLindsey Buckinghamâ, âPaul McCartneyâ, âJohn Mayerâ, and many, many more.
To make learning the guitar Fun, I make sure to incorporate your main interest(s) first. Whether it be learning your new favorite song(s), learning how to write a song, or just learning some basics that you can use for when sitting around the campfire. This will be intertwined with which style you choose to start with: Flat-Pick or Finger-Style.
Pending on the level that you are starting at, (beginner, intermediate, advanced) I will include tidbits of music theory that will be used in a consistent manner. These will usually be progressive, pending on your level. For example, the songs you learn will be written out in an easy to understand chart that will have the fundamental aspects of theory (IE, chords, key, and rhythm pattern) that all musicians should understand.
With Children learning with a Flat-Pick, I encourage the use of a basic guitar instruction book. Level One (beginners) :
"Hal Leonard Guitar Method Book One" by Will Schmid.
I will also use as a substitute for Level One: "Alfred's Basic Guitar Method" by Alfred's Publishing Co.
More advanced players who can read music already (and graduates from book one) I prefer; "Hal Leonard Guitar Method Book Two"
With Adults, I will ask if learning to read music interests you. It is a vital part of a practicing musician, but sometimes your needs may require a more one dimensional approach as time may be of essence. Again, I learned by ear and educated myself later...so I understand the person who wants to hold off on reading right away.
Students who want to learn the Classical (Finger-Style) approach will be encouraged to purchase a beginners book that I use written by one of my first instructors/mentor. It is a very intuitive book that covers the technique in great detail yet is very easy to understand (along with my help.) I will provide means of acquiring this book at your first lesson.
Students who want to learn the Folk (Finger-Style) approach will usually start in the above book, unless your an adult who just wants to learn some basics.
At your first lesson I will also provide you with documentation that goes more in depth about the various styles of guitar as the above info is scaled down.
*** Studio Equipment *** -Amps
-Guitars (Electric, Acoustic, Classical, Bass)
- PA (loud speakers so you can Turn it Up! When playing along)
-Band in a Box (to play along with real prerecorded instruments seamlessly interleaved into a band type setting with almost unlimited genre choices...very impressive technology)
- Pro Tools (recording gear for all needs)
- Guitar Pro and Finale (to transpose music into sheet music)
-Skype (for out of town interactivity. Can do lessons via Skype)
-Basement with plenty of seating for parents, and or observers.
*** Specialties *** I specialize in Classical Guitar, Electric Guitar, and Acoustic Guitar; Improvisation, Songwriting, Backup Vocals, Fretboard Harmony, Music Theory, Performance, and Recording.
I only got to take lessons from Marc for a couple of months in the summer of 2016 (I had to move away for work), but he is hands down the best music teacher I've ever encountered. It's a year and a half later and I'm still benefitting from his tutelage. From beginner to advanced, you've found the right guy for the job.
August 21, 2017
Marc is a great classical guitar teacher. He makes learning fun and easy. I highly recommend him.
Applauded for his “gleaming trumpet work” (Hyde Park Herald) and “dazzling virtuosity” (Grunion Gazette), Justin B. is a versatile musician, performing on both historical and modern trumpets. He specializes in early music, most notably in difficult high-register music for Baroque trumpet. Before formally studying Baroque trumpet, Justin won first prize in multiple historical instruments divisions of the National Trumpet Competition. As a highly sought-after solo/principal Baroque trumpeter, Dr. B. has performed with several leading early music ensembles throughout North America including American Bach Soloists, Apollo’s Fire, Washington Bach Consort, Tempesta di Mare, Musica Angelica, Scaramella, Bach Collegium San Diego, Lyra Baroque Orchestra, and many others.
Justin continues to perform as both a soloist and ensemble musician, combi
ning ongoing North American engagements with new collaborations with leading Baroque ensembles in Denmark as well as in the rest of Scandinavia and Europe. In Europe he has played with Camerata Øresund, Copenhagen Soloists, Barokksolistene, Arte dei Suonatori, Höör Barock, Enghave Barok, the Næstved Early Music Festival, Ensemble Hven, and several others.
As a modern trumpeter, Justin has experience performing in orchestras, wind ensembles, jazz ensembles, pit orchestras for opera and musical theater, British brass bands, and numerous chamber ensembles. Before beginning his college career, he was principal trumpeter of the DC Youth Orchestra and had the opportunity to tour Japan as a trumpet soloist. He also performed regularly with the Prince George’s Philharmonic while in high school. More recently, he as appeared as a soloist with the South Dakota Symphony, the Firelands Symphony, and the Las Vegas Sinfonietta.
In addition to be being a trumpeter, Justin is also a countertenor and has sung with Apollo’s Fire and Opera Cleveland. While in Ohio, he was an alto section leader in the chamber and chancel choirs at Trinity Cathedral in downtown Cleveland and was the countertenor with Cantores Cleveland (now Contrapunctus). In addition, Justin briefly served as a bass section leader at Church of the Covenant in Cleveland. Justin also plays recorder.
Justin earned his DMA in trumpet performance from the University of Nevada, Las Vegas. He received his MA in early music performance practices from Case Western and his BM in trumpet performance from the University of Maryland. His primary trumpet teachers include Chris Gekker, Barry Bauguess, Steven Hendrickson, Steven Trinkle, and Justin Emerich. He has studied voice with Delores Zeigler, Ellen Hargis, and Aaron Sheehan. As a graduate assistant, Justin taught courses in ear training and music appreciation, and was a harpsichord tuner.
“The orchestra brought out the pulsy organ-grinder quality in the first movement of Concerto 3, but it was [Brandenburg] Concerto 2 that was the real show-stopper. Justin [B.], on Baroque trumpet, trilled his way nearly effortlessly through one of the most difficult parts in the repertoire, the highest notes piercingly clear above the orchestra.” (Post-Bulletin)
“It [the Baroque trumpet] is more difficult to play than its modern counterpart, but it’s a fascinating and arresting sound. The trumpet part in the second [Brandenburg] concerto is famous for its fiendish difficulties, and Justin [B.] played it with aplomb.” (Edmonton Journal)
“Skilled [Baroque trumpet] players can play the notes of the harmonic series with such instruments. A very refined embouchure is needed to “lip” or flatten or sharpen the impure harmonics of the notes of the 11th and 13th harmonics. The most virtuosic could use such techniques to produce certain chromatic notes outside this series…Justin [B.] made such skills seem effortless…” (Classical Voice of North Carolina)
“…trumpeter Justin [B.] displayed dazzling virtuosity in the solo cantata [“Jauchzet Gott in allen Landen”]…”(Grunion Gazette)
“A good trumpet player is hard to find, and an excellent one harder still. It’s again still rarer to find a great player of the baroque trumpet, since the instrument is considerably harder to play than its modern counterpart (smaller embouchure, no valves) and this may explain why Justin [B.] is so darn busy and why he plays with, well, basically everyone.” (The WholeNote)
He is very knowledgeable and professional! I’m relearning the basics and his sessions have been very helpful to me. I plan to continue!
August 14, 2019
Justin is one of the most helpful trumpet teachers I have ever had. He adjusts the level of lessons in order to make them both challenging and enjoyable. He makes sure that I have a solid foundation and continue to practice scales and basic techniques. He also demonstrates how I should play certain pieces and what they should sound like, rather than simply telling me, which I find very helpful when learning.
August 12, 2019
There is no doubt that Justin is dedicated in working with his student and a good teacher. Our son Isac is improving every time. He enjoys the training with Justin and enjoys playing the trumpet so much that now he goes on YouTube to find popular songs he can learn to play.
All this is thanks to Justin and his good teaching skills.
I basically prepare the student for the unexpected things that happen in the music world. What their perspective should be with music and how it will effect their individual lives. I also would point out the do's and don'ts of performance preparation.
I have worked for over 30 years as a professional accompanist and musician in the greater metropolitan Detroit area. I have earned several degrees, which include a Bachelor of Music Performance in Organ and a Bachelor of Arts in Liberal Arts and Music both from Wayne State University. My studies included wonderful instructors. I have studied extensively with Albert Fillmore for ten years, Mischa Kottler for four years and Robert Conway for five years. The last two instructors were from Wayne State and also played with the Detroit Symphony Orchestra. I have studied organ with Ray Ferguson who played with DSO as well and I have studied voice with Marjorie Gordon, coloratura soprano. With over 40 years of experience as professional musician, I am confident that I possess the qualifications needed to make a difference and an impact i
n the lives of people. Most of my career tenure has been with the Detroit Public Schools. I have worked at various levels in Pre-K – 12 schools but the longest has been twelve years at Cody High School. I have enjoyed coaching the students and working with the music staff at the Cody Complex. These students are very talented and eager to express their creativity and musical ability. I am a seasoned musician with sight reading, transposing and improvisational skills. I used these skills to work with children and young adults in small groups, larger groups and individual coaching in preparation for festivals competitions and auditions. I would like to continue providing this service to the young people within the Greater Metro Detroit Area. Music is an important part of youth development in math and English. It also helps to produce character and leaderships skills of discipline, teamwork, commitment and self esteem.. I've also done the same for my private piano students, in studio as well as in a corporate setting.
*** Lesson Details *** I am a diligent instructor that possesses intuitive goals, almost from the first few lessons! I am always encouraging, and give modest yet helpful criticism. I insist on teaching and developing the fundamentals in private study, ie, standard concepts and music theory. In three months time, the student will know whether we are a good fit, whether or not they like my instruction, and discover their unique abilities as a result of my facilitation!
*** Travel Equipment *** I expect the student to have an acoustic piano, or a full-sized weighted keyboard. All equipment should be adequately functional. *** Specialties *** I am a classically trained musician. I am also a church musician. My other styles do include pop, jazz, oldies, gospel and contemporary christian music. I start with the basics before moving to any other styles of music.
Cheryl was very patient with me during our first lesson. She’s a really good and nice teacher I wish I was able to still go to her but I can’t due to my new schedule
July 10, 2017
So far so good. Was excited to get home and try out what I learned and have practiced everyday so far. Looking forward to the next lesson!
April 22, 2017
All I can say is wow , Cheryl is a fantastic teacher with a great deal of patience and very skillful at finding the best approach for each student .Just the 1st lesson and I'm eager to get home and begin practicing .
"I played in the Advent Band with Vandi as our worship leader for several years. Her energy and enthusiasm was contagious and she always provided positiv
e, constructive criticism. Vandi's knowledge of music theory was demonstrated in her ability to arrange our songs to suit the various skill levels of the band members and the congregation! This is not an easy task and she handled it with ease and grace. I would highly recommend her as an instructor."
"Amanda is very attentive and thorough."
"Even a kid can pick this up
Tim was a super awesome guitar teacher! Not only did he teach me a lot of riffs but was also a super nice guy. I recommend hi
m to anyone trying to further their talent with guitar!!"
"Quite Simply The Best.
With all of the music teachers in LA and the world, it is difficult to choose the best. With Fawn, I believe 100% that I have foun
d the best. She is well educated, well rounded and versed in all the musical styles, up on the latest musical trends, yet knows the composers, songwriters and vocalists of yesteryears. She is passionate, fun, compassionate, patient, loving, kind and has a college degree from the 2 top music schools in the world. She has a thorough understanding of music theory, performance, voice, piano and the many ins and outs of the music industry. She is able to teach her students the theory behind the songs they are learning to play, sing, write and record. She is great at sharing the musical journey with her students, guiding them with honesty, tender care and knowledge. My daughter has grown leaps and bounds with Fawn and absolutely loves her. Sheâs helped change her voice into her authentic voice, taught her how to get over stage fright, how to turn her poems into song lyrics and how to produce her own vocals in the recording studio. She is quite simply, the best."
"Greg is an excellent musician. I have performed with him many times. I've known Greg for over 12 years. He worked on my guitars, and his work was exempla
ry! He is a person of great character."
"Jessie is very pleasant and my daughter enjoyed her first class and looks forward to the next one!"
"Shanita Jackson is fabulous singer with an exceptional range. She is a powerful solo act but also works beautifully with an ensemble. A consummate profess
ional and a pleasure to work with, Shanita understands how to interact with her audience and shines in a diversity of vocal styles, from Jazz to Pop and Reggae."
"She is the best she gives u great pointer you would love her and she is very nice."
"Hallie's dedication and passion is second to none. I had the honor to see her at Sewanee conducting a symphony performing a piece that she composed. In or
der to put that production together, she had to conceive of the piece, write the parts for each performer, and teach all the musicians how it should sound through rehearsal. It was amazing. That same weekend, she was the soloist performer for a flute concerto and you could see that she really knows her stuff! Her ability to communicate her vast musical knowledge is what makes her a fabulous teacher. I highly recommend Hallie for your music lessons."