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Clements, MD Music Theory Lessons

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Popular Music Theory Teachers near Clements, MD

Check out some of our most popular teachers near Clements, MD including Chaptico, Loveville, Morganza, Bushwood and Avenue.

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About Tom G.

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Wheat Ridge, CO

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About Tom
I've performed and taught in a wide variety of settings. My early professional experiences have included 3 years in the Army Band, several cruise line contracts, and freelance work as a performer and composer. Through these times, I've learned to excel in many styles. I recently graduated from NYU, where I was an adjunct faculty member. Here, I also performed and worked with a wonderful faculty including Kenny Werner, Brian Lynch, Chris Potter, Ralph Alessi, Tony Moreno, and trumpet guru Laurie Frink, who all inspire me as a musician and a teacher. While in New York, I was a faculty member at Douglaston School of Music and Art, where I worked with younger students .

It is my belief that discipline and technique are necessary elements that allow emotion and creativity to thrive. I also recommend a healthy dose of listening to what
you love. Through this process, I strive to inspire my students, fellow musicians, and listeners.

*** Lesson Details ***
I will guide you to your goals. I write my own materials for each student's individual goals. If you want to learn a song and I don't know it, I will learn the song with you, sharing the process. After several months of study, you will have an understanding of not only what to practice, but how and why to practice.

*** Studio Equipment ***
Music room w/piano, trumpet, and seating for parents

*** Travel Equipment ***
I provide music, accessories (tuner, metronome, portable speakers), and books. I can bring an extra trumpet for beginners.

*** Specialties ***
Trumpet- Caruso Method, breathing exercises, and other mechanics depending on student level.
Piano- Jazz standards, voicings, and improvisation
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Reviews
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David D. September 8, 2017
· Bugle · Online
Tom has really helped me refine my playing. He is easy to work with and very thorough.
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Cary August 29, 2017
· Bugle · Online
Tom was AWESOME! I had a heck of a time finding someone who actually teaches Bugle. I have only had one lesson with Tom however, I am very excited to continue with him. Tom did not rush anything, he didnt watch the clock, he actually wanted to do more playing than talking about this form, music theory etc. etc. I had experienced with other Teachers. Everyone wants to start playing "something" as soon as possible and Tom dove right in to playing or trying to get me to play, HaHa in just the first 20min.
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David D. August 5, 2016
· Bugle · Online
Thomas is very patient and positive. I have advanced a lot in a short time under his guidance.
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Tom G.

Tom G.

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About Chase R.

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Antioch, CA
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I can teach students theory, harmony, ear training, based on my education through Berklee School of Music.

About Chase
I started playing guitar when I was in the 8th grade. At that time I was into punk, and as I got older I moved into listening to classic rock, then blues, then all sorts of jazz and jam bands, and now classical and sacred art. And my playing of the guitar has following the same trajectory: I played in the style I listened to. One common thread through all of this has been an, at first unconscious, but now fully conscious focus on the art of improvisation.

Improvisation is central in my own playing, and what I deliberately bring my students to do. And this is not something vainly individualistic. Franz Liszt, Beethoven, Mozart, Bach, Chopin; Coltrane, Miles; Ravi Shankar, Ali Akbar Khan; Hendrix, Jimmy Page, Clapton; SRV, Albert King, BB King: what do all of these musicians have in common? They improvised, and were very good at
it in their respective genres. Improvisation is a truly important aspect of playing music, and one which I will give due focus to. Besides this, I will teach the student technique, chords, scales, songs (chosen by both the student and, at times, myself), and later on: theory (including harmony and ear training).

I have a Master's Certificate in Theory, Harmony and Ear Training from Berklee College of Music's online extension.

*** Lesson Details ***
In my 'about me' section I have laid out in a general fashion what I will teach you.

I am very patient with my students. I focus on the qualities of effortless action, patience, contentment with our current abilities while striving to attain (eventual) mastery.

*** Travel Equipment ***
I can provide an acoustic guitar, a tuner, picks, and sheet music. I expect the student to have a guitar, a tuner, extra strings, and picks.

*** Specialties ***
I specialize in modal improvisation. I also can teach some art philosophy and philosophy related to art.
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Nichole Coyne January 25, 2016
· Guitar · In home
Chase and I did not work together long because of other commitments. However, in the short time we did work together I learned a lot. Chase is easy going, highly skilled, very patient, and his teaching style is such that it fosters student confidence. I was really nervous at first, because I wasn't sure what to expect. Chase quickly made me feel at ease during the lesson. We only had half hour lessons, but that was definitely enough time to learn new materiel and make progress. I highly recommend him for guitar lessons.
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Declan D. January 8, 2016
· Guitar · In home
My son is 7 and really seems to like Chase. He came well prepared and finally someone has started to teach him some rock songs .
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Christie January 4, 2016
· Guitar · In studio
An Excellent Teacher!

Our daughter Charis has taken lessons from Chase for over 2 years. From the first lesson, his patient demeanor put her completely at ease. During that time we have seen her understanding of music and her love for guitar continue to grow.

Chase has a unique way of challenging his students to stretch in their ability while simultaneously making it a great deal of fun. I would absolutely recommend him to both the new and seasoned student alike.
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Chase R.

Chase R.

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$30 / 30-min

About Wendy P.

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Chicago, IL

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I can instruct you on sight-singing and basic theory of harmonics, as well as building harmonies for yourself or your band. Singers need to understand about keys, meters, rhythm and other theory terms that musicians throw about.

About Wendy
I am a professional singer, songwriter and actor working in the Chicago area for many years. I have a B.F.A. in Theater/Voice from The University of Kansas and an M.A. in Interdisciplinary Arts from Columbia College Chicago. I've been teaching private vocal instruction since 2003: I host the Singer's Salon in Chicago, a unique and supportive venue for singer's to become more comfortable performing before an audience. I also instruct workshops for vocal technique and performance. For 10 years I was the lead singer for The Red Apples, an acoustic/electric roots band that performed an eclectic mix of rock, swing, blues, country and jazz. Within the past year I have re-energized my theater and cabaret career, appearing at Davenport's Cabaret, in a new solo show, as well as productions at Big Noise Theater and Stage 773. I've also completed tw
o short films and started working on my own web series, about my life as a singer/voice teacher. I also have an art song project consisting of original material with composer Jaroslaw Golembiowski. As a singer and actress I have performed with many major theaters in the Chicago area, including Court Theater, Victory Gardens, National Jewish Theater, Bailiwick Theater, and Prop Theater.

*** Lesson Details ***
As a classically trained singer I will instruct you in all aspects of singing technique, from breath control and support to improving your tone, range, flexibility and resonance. I have recently completed training in Somatic Voicework, The LoVetri Method, which has enriched my understanding of the mechanics and health of the voice, as well as applications of technique to CCM or contemporary musical styles of singing.
My familiarity with a variety of musical styles from pop/rock, R&B, and country, to musical theater, lounge and jazz makes me an ideal teacher for those interested in contemporary styles.

I have spent many years developing my own style of singing and instruction. I draw on my experiences and training not only in music, but theater and movement, (Linklater, Alexander Technique, Grotowski) to create a well rounded approach to singing and performing. As an instructor, I am most interested in helping students find their true voice and artistic style. I teach students to find expression through and with a foundation of technique, rather then in spite of it. I also am very interested in helping students deal with the mental/emotional aspects of performance, an all important area so frequently ignored by music teachers. My style is nurturing, yet disciplined, and sprinkled liberally with good-natured humor."

*** Studio Equipment ***
My studio space is fully equipped with a piano, P.A. system with microphones, CD, MP3 player for tracks, and ability to record lessons if the student desires.

*** Travel Equipment ***
Please have a piano (in tune!) or keyboard for use in your in home lessons.

*** Specialties ***
I am classically trained, but I am very adept at teaching music in a wide variety of styles, including most contemporary styles of music including pop/rock, roots, swing, jazz and blues, country, r&b, and of course musical theater and cabaret. My band performs an eclectic mix of originals and covers in the roots rock genre, and I write music as well. I have many years of experience in the theater as an actress, and I coach acting technique and performance. I coach singer/songwriters, and all types of singers, of all ages. I have a workshop that specializes in helping people learn to perform better in front of an audience, and I host the Singer's Salon in Chicago, which is a supportive opportunity to perform regularly! I also coach bands, to improve their vocals, harmonies, etc.
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Anthony July 27, 2017
· Singing · In studio
Before my first lesson, I was nervous having no singing experience and not knowing what to expect from lessons.

Wendy, helped me relax and move forward in the process of learning to sing. I also appreciated how she kept me on topic and focused on the task at hand.

My first impression is that she is an intelligent professional and I look forward to my next lesson.

Sincerely,

Anthony,
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Ken April 6, 2017
· Speaking Voice · Online
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Holly February 23, 2017
· Speaking Voice · Online
Having never taken a voice lesson, i wasn't sure what to expect. Wendy gave me very good feedback and practical advice I was able to put into action.
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Wendy P.

Wendy P.

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About Marc M.

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Livonia, MI

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Theory is used in all lessons, but I do specialize in concentrated classes applying the concept of music theory. This is to either boost the complexion of your original material, or to better understand genres of existing music. All Genres are covered, Classical, Jazz and Mainstream. As you learn I show you fast and easy to understand methods to apply these concepts into your guitar playing.

About Marc
I teach all styles of guitar, as I have been in many different types of music situations: Soloist (Classical) Ensemble (Classical and Jazz) Lead and Rhythm (Various Rock and Roll bands) Songwriting and Recording. I am a people person that learned the guitar from many different sources. Most of my learning came from watching others and communicating with others. I like to learn about the people I am teaching so that I can better understand their needs as a musician. My education came as a practical necessity in order to get better as a teacher and performer, as well as make a living doing it. But, by no means do I preach the need to be "educated" but only to be a working, practical musician. I will surely go over the need to read music once the need becomes evident, enlighten you as to why it may be important to understand certain aspect
s of music as opposed to just "picking and grinning", IE learning only "By Ear." I do specialize in music theory, and have many students taking lessons simply for this excellent foundation for songwriting also.

I am a classically trained guitarist that performs both as a soloist and for ensemble in a wide variety of styles. I graduated in 1996 from Schoolcraft College with an Associates degree in Music performance, and then, studying under the tutelage of Brian Roberts went on to receive my Bachelor's degree in Guitar Performance with a secondary in Jazz from Wayne State University in 2004. While at Wayne State and along the way I've performed and participated in several masterclasses with renowned artists: William Kanengiser, John Holmquest, Philip Candelaria, Jason Vieaux, Scott Tennant, and Antigoni Goni. I have also completed the teacher requirements for books 1-a and 1-b for the Suzuki Guitar Institute.

Many of my classical guitar and electric guitar students have went on to study further at the collegiate level, some achieving scholarships. My most recent students are current Berklee school of music graduates now in a band called "Flight of Fire", recently opened for Bonjovi this past summer and are getting air time on local radio stations... well on their way to living the dream! …the bulk of my students become full time professional musicians.

*** Lesson Details ***
I am an extremely patient person who has been teaching for over 20 years. I am laid back so there will be no pressure. With my electric and steel string guitar students, I host a special "Jam Session" 2 - 3 times a year to which will be one of your goals to participate in. This includes playing with a drummer, bassist, singer and another guitar player (usually me) and having it recorded. This should serve as your motivation to practice. This really eliminates the need for me to pull out a "yardstick" and "smack" your hands over the knuckles when not practicing your scales as many old traditional teachers may have done!

At your first lesson I will talk with you and give you examples of music that is played with a Flat-Pick, or music that uses the Finger-Style technique. This will be an important process as it will dictate which direction you will go in as a musician and especially during our lessons.

For the most part, playing with a Flat-Pick is generally used with the electric guitar and with most mainstream styles of music like "Rock and Roll", "Blues", "Rock-a-Billy" "Funk", and playing with the Finger-Style technique is used in styles like "Classical" and "Folk." After a while, I will introduce you to the other style of playing as well, as most great guitar players use both techniques in their playing...musicians (guitarists) such as: “Jimmy Page“, “Brian Setzer”, “Stevie Ray Vaughan”, “Joe Satriani”, “Lindsey Buckingham”, “Paul McCartney”, “John Mayer”, and many, many more.

To make learning the guitar Fun, I make sure to incorporate your main interest(s) first. Whether it be learning your new favorite song(s), learning how to write a song, or just learning some basics that you can use for when sitting around the campfire. This will be intertwined with which style you choose to start with: Flat-Pick or Finger-Style.

Pending on the level that you are starting at, (beginner, intermediate, advanced) I will include tidbits of music theory that will be used in a consistent manner. These will usually be progressive, pending on your level. For example, the songs you learn will be written out in an easy to understand chart that will have the fundamental aspects of theory (IE, chords, key, and rhythm pattern) that all musicians should understand.

With Children learning with a Flat-Pick, I encourage the use of a basic guitar instruction book.
Level One (beginners) :

"Hal Leonard Guitar Method Book One" by Will Schmid.

I will also use as a substitute for Level One:
"Alfred's Basic Guitar Method" by Alfred's Publishing Co.

More advanced players who can read music already (and graduates from book one) I prefer;
"Hal Leonard Guitar Method Book Two"

With Adults, I will ask if learning to read music interests you. It is a vital part of a practicing musician, but sometimes your needs may require a more one dimensional approach as time may be of essence. Again, I learned by ear and educated myself later...so I understand the person who wants to hold off on reading right away.

Students who want to learn the Classical (Finger-Style) approach will be encouraged to purchase a beginners book that I use written by one of my first instructors/mentor. It is a very intuitive book that covers the technique in great detail yet is very easy to understand (along with my help.) I will provide means of acquiring this book at your first lesson.

Students who want to learn the Folk (Finger-Style) approach will usually start in the above book, unless your an adult who just wants to learn some basics.

At your first lesson I will also provide you with documentation that goes more in depth about the various styles of guitar as the above info is scaled down.

*** Studio Equipment ***
-Amps

-Guitars (Electric, Acoustic, Classical, Bass)

- PA (loud speakers so you can Turn it Up! When playing along)

-Band in a Box (to play along with real prerecorded instruments seamlessly interleaved into a band type setting with almost unlimited genre choices...very impressive technology)

- Pro Tools (recording gear for all needs)

- Guitar Pro and Finale (to transpose music into sheet music)

-Skype (for out of town interactivity. Can do lessons via Skype)

-Basement with plenty of seating for parents, and or observers.

*** Specialties ***
I specialize in Classical Guitar, Electric Guitar, and Acoustic Guitar; Improvisation, Songwriting, Backup Vocals, Fretboard Harmony, Music Theory, Performance, and Recording.
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Annette August 21, 2017
· Classical Guitar · In studio
Marc is a great classical guitar teacher. He makes learning fun and easy. I highly recommend him.
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Matthew G. August 9, 2017
· Guitar · In home
Friendly, motivating, honest and awesome guy.
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Juanyea K. May 21, 2017
· Guitar · In studio
Mark was very patient, professional as well as being knowledgeable about the guitar. I was impressed with the way he presented the information of his learning technique. Marc knows music by notes as well as play by ear. I would recommend him to for anyone of all levels of experience that want to learn or enhance their level of guitar.
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Marc M.

Marc M.

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About Amanda W.

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Lexington Park, MD
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I have lots of games, music, and activities to bring music theory to life for children and adults alike.

About Amanda
https://www.somdmusiclessons.com

Learn how to enjoy and take charge of the learning process! Read or play by ear and develop your ability to create meaningful music. Crochet Art Classes are also available.

*** Lesson Details ***
Please be aware that I am willing to travel a little farther than the 10 mile radius.

I have plenty of music, instruments and ideas to start you off with or to continue your musical education. I also offer an introductory demo lesson in case you would like to experiment with different instruments in order to decide which one you like best.
:)

*** Studio Equipment ***
I have a great library of music to choose from. I also own nearly every instrument that I teach so that I may demonstrate and play along.

*** Travel Equipment ***
I can provide some music, a few incentives and supplies, as well
as simple repairs and maintenance for your instrument. I will also bring my own instruments for demonstration. The student will be required to secure their own instrument, music stand, book, reeds, valve oil, and the like.
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Kyle October 29, 2016
· Cello · In studio
Amanda has been wonderful with my son. She is able to talk to him in a way that keeps him interested and engaged. His playing has improved dramatically. Thank you!
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Abby T. February 20, 2016
· Guitar · In studio
Amanda is a great instructor for my daughter.
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David R. December 18, 2015
· Guitar · In home
Amanda makes learning how to play the guitar a lot of .
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Amanda W.

Amanda W.

Lexington Park, MD 20653
(3)
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About Charles S.

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La Plata, MD
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About Charles
Outside of teaching percussion and musical performances I have worked in special education for over 15 years.

My life of music started knee high at the age of 4 playing drums and piano. At the age of 15 I gave my first musical performance, from that stage on I knew my talent had found a home.

In the 11th grade I toured with a local funk group in Washington DC through 26 cities learning music and the life of travel at an early age. During my last high school and college years I performed extensively playing classical, jazz, rock, funk, go-go, gospel, marching band, R&B, and with local rap artist.

Recording credits and highlights include work with Def Jam artist Steady Eddy, recording go-go Mario with Double Agent Rock, and recordings with Little Benny and the Masters.

My other musical passion is teaching. Throughout my col
lege years and beyond I served as a percussion instructor and assistant band director at Morgan State University. As part of the Morgan State University Magnificent Marching Machine I served as a instructional leader in music and performance mentor for the team. I taught part time as a percussion instructor at Milford Mill High School giving individual lessons for over 10 years.

Musical inspiration is an important element to the refinement of my craft. A few personal musical influences are Buddy Rich, Max Roach, Neil Peart (Rush), Dennis Chambers, (Santana), George Gray (Roberta Flack), Ricky Wellman (Miles Davis), Quinton Mack-Davis (Rare Essence) and Michael Bland (Prince).

*** Lesson Details ***
Within the first three months of lessons student will gain a strong foundation of sight reading and basic drum techniques in both rudiment studies and playing the drum set. My style of teaching music consist of breaking each skill down into chunks and allowing students to learn using their individual learning styles. I utilize rewards for perfect practice and each lesson contains a safe, fun learning atmosphere with students exhibiting in their best behavior.

*** Studio Equipment ***
Lessons in store front studio, drum kit provided

*** Travel Equipment ***
I will bring a practice pad. Students should have a drum set.

*** Specialties ***
Jazz, Funk, pop, and classical.
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Melanie H. April 10, 2017
· Drum · In home
Our son has never played in a marching band before but is interested in playing in the marching band when he attends college in July so we were specifically looking for an instructor who had marching band experience to teach our son since he's never participated in the marching band in high school. We saw Mr. Stewart's profile and decided to have him work with our son. That was the BEST decision that we could have ever made. We have been nothing but impressed with Mr. Stewart. He definitely has the gift of teaching and he is very patient, knowledgeable, and he challenges our son to get better by giving him homework after each session. Our son absolutely LOVES Mr. Stewart and he is always excited for each lesson and to practice what Mr. Stewart has taught him. Our son went from not playing in the marching band at all in high school to making his college band and receiving a scholarship all thanks to Mr. Stewart. We are very grateful for his outstanding teaching and we would definitely recommend Mr. Stewart 100%.
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Wesley E. March 4, 2017
· Drum · In studio
Charles is calm and patient, and yet gently pushes for better and better performance every lesson. As the parent, it is amazing to me to see how much my son has learned in only 3 lessons... and working on a drum set right from the beginning has been very inspiring to my son. We highly recommend Charles!
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Anthony H. November 11, 2016
· Drum · In home
My son had his first drum lesson with Charles and he was very impressed. He thought Charles was very patient and did a great job of explaining everything. He is very much looking forward to his next lesson. Would definitely recommend Charles to anyone.
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Charles S.

Charles S.

La Plata, MD 20646
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About Paul N.

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Reseda, CA
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Trained by one of the top composers and teachers of music theory in Los Angeles, my music theory teaching skills have long been sought after by classmates, former classmates and tutoring centers on University campuses. Need help analyzing Bach, Beethoven, Brahms or Bartok? Look no further!

About Paul
Graduate of California State University Northridge's illustrious Jazz Studies program, Paul has studied various styles of guitar for many years. He has taught in and around the Los Angeles area while simultaneously remaining active as a performer.
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carrie October 19, 2017
· Ukulele · Online
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May A. January 18, 2017
· Guitar · In home
Paul is an excellent teacher ,very professional and know how to deal with youth and let them love music and guitar ,my granddaughter enjoyed his lessons and I ll not hesitate to recommend him to my friends and family .
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Jacob September 21, 2016
· Guitar · In home
My son really loved his lesson with Paul.
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Paul N.

Paul N.

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About Earl C.

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Greenbelt, MD
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Will learn the basics of music theory.

About Earl
International guitarist Earl C. is now offering in-person and online coaching sessions. With more than thirty years of experience, he has performed with many well-known artists including grammy-nominated celebrities and others such as Freddie Jackson, Regina Belle, EU, Angela Bofill, Alyson Williams, Mya, Syleena Johnson, Nick Colionne, Mike Phillips, Michael Lington, Bobby Lyle, Marcus Johnson, Bob Baldwin, Pamela Williams, and more.
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Ken October 22, 2015
· Bass Guitar · In studio
Earl Carter is extremely knowledgeable, and very patience. You will find that each session is enjoyable yet challenging. I would recommend Him to anyone from the beginner all the way to the more advanced student. If you have the desire to learn the art of music then you will enjoy His instruction. I couldn't ask for a better instructor.
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Jocelyn S. September 18, 2015
· Acoustic Guitar · In home
Although I lacked the commitment to follow through with my lessons, Earl's teaching ability is STELLAR!!! In the short time I was taking lessons with him, I learned a lot, relatively quickly.
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John September 17, 2015
· Guitar · In studio
Aside from being a Master Guitarist himself, he is a Master Teacher! His teaching style is very unique and the little tips and tricks he has taught me has helped me advance as a guitarist by leaps and bounds. I highly recommend him!
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Earl C.

Earl C.

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$40 / 30-min

About Timothy R.

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New Orleans, LA

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I teach music theory with the goal of improving my students' functional abilities as performers and composers. Whether I'm teaching basic note, key, and scale lessons or advanced jazz and classical theory lessons, I aim to keep theoretical ideas firmly connected to my students' experiences as performers and listeners. My time studying at the Berklee College of music has provided me with extensive knowledge of the theory and structure of jazz, pop, and classical music, and with proven methods of passing this knowledge on to others.

About Timothy
I'm a multi-instrumentalist with a degree in Professional music with a Music Education Emphasis from Berklee College of Music. I have experience performing, composing, and/or recording on the genres of classical, jazz, Latin, rock and pop music, and I have extensive knowledge of jazz and classical music theory. I take great pride and pleasure in helping my students realize their innate musical abilities and in providing the structure and knowledge to allow them to expand those abilities in whatever direction their passion dictates.
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ABHI May 14, 2017
· Guitar · In home
Tim is very cool and he teaches in a way that makes the playing guitar so easy
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Jennifer March 28, 2017
· Saxophone · In home
11 year-old Tommy likes Timothy because "he's kind, understanding, helpful and funny." I like Timothy because he's courteous, reliable and is helping my son to get better and to enjoy playing the Sax.
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Tianrui January 2, 2017
· Clarinet · In home
The first class went very well!
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Timothy R.

Timothy R.

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$25 / 30-min

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Recent Music Theory Articles from the Blog

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Subdivision: The Easy Trick for Reading Rhythms Right

Subdivision: The Easy Trick for Reading Rhythms Right

As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin … Read More

Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
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What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound

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