Ama, LA Music Theory Lessons

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Teaching Philosophy -

My teaching philosophy is built on well rounded communication, explanation and examples. So, that a student can truly understand and learn a topic, surrounded in a very humorous, light and supportive environment.
Along with being provided good information, a student learns better and feels more motivated to learn when there is a balance of positive support and confidence building accompanied by constructive criticism and examples/information that can help a student assess what ever walls they may be meeting in their musical growth.

I understand that all students/artists have different goals they wish to achieve. So it is very important to me to accommodate each individuals needs and wants to help them grow in the fields they wish too; However, In that I have played music for a long time, I understand there are certain things that a student may not have been exposed to yet; It is important that while focusing on a students artistic goals they respect and are open to the suggestion and guidance of their teacher.

I truly believe music has an amazing influence on the world and has the ability to change peoples way of thinking. Therefore, I try and keep an open awareness to all music, so that I can understand all different musical languages utilized to communicate to people, and I don't believe I will ever know them all. I hold it to attention to influence my students somewhat similarly so that they can shape the landscape of how we communicate musically in the future.

I also try and be very patient with my students. Knowing that when I feel rushed, it makes information more difficult to comprehend, remember and allocate. I love watching the gears run in my students head, so I try and provide information that pushes a student but is within their abilities.

HUMOR is very important. I like to break people out of their shell by telling a joke and hopefully getting one back, so they feel more comfortable and free. One of a Artists worst enemies are nerves. Keeping things light-hearted and maybe even a little small talk can be very helpful to a students development and growth on a topic. After all, Art is meant to be fun and we should enjoy every moment of it, in fact we should enjoy every moment in life period.

I understand music requires focus and discipline and I have certain expectation of a student to understand that and practice. You can't buy chops, you can't buy music theory etc. you can get help but eventually your the one who must understand it and play it.

I am here to help you. Based on what I know and what I have extensively studied, I will do all that I can to help you achieve your musical goals. I am here to answer your questions and help you grow. I love teaching because I love sharing knowledge; As long as your seek it, it is here for you. Otherwise, I'd still love to hear some jokes.

Education -

MUSIC
_Bachelors in Music - 2016 - Guitar Performance (Musicians Institute, CA)
_Associates in Music - 2011 - Guitar Performance (Musicians Institute, CA)
_Major in Music - (Academy for Visual and Performing Arts) - 2008
_Garden of Angels - 2003 - Performance Academy

DANCE
_Krump, Pop-n-Lock - 2012 - (Xtreme)
_Break Dancing - 2011 - (Fun.Krew)
_Traditional Brazilian Dance & Samba - 2014

MARTIAL ARTS
_Capoeira - Current - (Capoeira Batuque with Mestre Amen)
_Wing Tsun - 2013 - (Johnny from the Emin Boztepe School)

ART
_Graffiti - 2011 - (Fun.Krew)
_General Art - 2008 - (AVPA)
_Painting - 2003 - (Garden of Angels)

Much Love,
Azuri Zen M.

*** Lesson Details ***
I'm very disciplined but am also very light hearted. It's important for me to assess things seriously, so that one can understand a topic or piece of information.

I generate my lessons based on the individuals needs and therefore draw from various curriculums, sources and examples, such as : MI curriculum for ear training, Theory, Single string Technique, Reading, Rhythm guitar, Ted Greenes Chord Chemistry, Berklee Guitar Method, as well as The Real Book, other artist books(Eric Clapton, etc.) The Guitar Players Hand Book, Bach pieces and self developed curriculums, relative to the topic at hand and students personal goals, amongst many others.

-Beginning students within three months of consistent lessons should have the ability to solo and playing chords to songs that they are interested in and songs provided in the lesson along with a basic understanding of the major scale and its relationship to all of the diatonic music.

-intermediate students should have an elevated understanding of scale and chord patters along with the theory that explains modal relationships and use of these concepts.

-Advanced students should learn all of diatonic scale shapes and modes assuming they don't already know them in which case their specifically situation will be assessed

-Professional students I expect to have specific questions therefore where they grow should be largely subjective.

Overall, in a short amount of time on a scale of 1 - 10 I expect to in three months at-least elevate a students musical abilities one full point if not more.

*** Studio Equipment ***
Studio in home in private room with guitars, amps, piano, and seating.
Em's studio is family owned cafe with studio in finished basement with an office, recording equipment, and teaching space for acting and guitar.

*** Specialties ***
As a Musician I try and play as many styles and be proficient in as many as possible and therefore can play most. However, in the fields of blues, jazz, funk, flamenco and Latin I excel.

lassical piano department in the School of the Arts High School of San Francisco. There I went through rigorous classical training and learned vast amounts of repertoire. At the same time, I still studied and played jazz in the high school Big Band, Latin Jazz band and small jazz combo. It was during this time that I deeply focused on not only Jazz music and improvisation, but also Salsa, Latin Jazz, R&B, Funk, Pop. Basically all other forms and styles of music. I learned what it means to be in a band and how to make an ensemble sound good and to make an audience like and cheer for the music. I was lucky to have bands and musicians to play with all around San Francisco, including jazz festivals.

After graduating as the only student to study in the Piano department for 4 years in my graduating class, I was accepted with scholarship to Berklee College of Music in Boston. I started my first semester in 2009, and declared a Piano Performance and Jazz Composition Dual Major in 2010. At Berklee, I studied under amazing piano teachers to focus on my jazz playing and technique and repertoire. Some of the classes I took included music theory, ear training, composition and arranging, scoring and analysis, even guitar and bass labs. As well, I was the main piano player for the Berklee Salsa Ensemble for 3 straight years. I was also involved with bands and playing recitals, shows, clubs, outdoors and indoor venues throughout Boston and Massachusetts. I had the honor of being hired by Berklee to travel and play along with other selected students at the Carnaval de Barranquilla honoring Joe Arroyo. This was the most memorable musical experience for me yet, as I played along great musicians for hundreds of people in a theater, including Joe Arroyo sharing the stage with the band.

All of this experience and training is what I bring to my lessons and tutoring sessions. I teach my students how to prepare themselves for any kind of musical situation, from music theory and technique, to piano playing and repertoire, and understanding and playing all kinds of styles and genres of music. Most of all, I teach my students to be unique in their musical endeavors and to bring out their own voice through music. And the most important element of all, the happiness and joy it brings to the students and others.

*** Lesson Details ***
In my piano and music lessons, you will be learning music theory, proper piano technique, ear training, sight reading, and repertoire. It will be up to the student to determine what genre and style of music they want to learn and study. It can be anything from classical music, jazz, or even Funk and R&B music and more. My students will also develop an ear, meaning that instead of only focusing on written material and music in sheet music format, they will learn to hear intervals and chords, and also play or sing back melodies.

My teaching style is very easy to get along with. I don't pressure or push students by being too strict. When learning music, being hard and strict gets the student nowhere. I approach the student with listening and understanding. It's my job to see the students advantages and keep them strong, as well as working on bringing up weaknesses and what's needed to make the student excel in both playing technique, and all other musical aspects.

When it comes to proper piano technique, I always teach my students with "Hanon, the Virtuoso Pianist in sixty excercises", and "Scales, Chords & Arpeggios" by James Bastien. After 3-6 months as my student, you will progress in your technique skills, ear training, repertoire and memorization

*** Studio Equipment ***
Main keyboard: Nord Stage 2 88 keysRecording equipment: M-Audio ProFire 2626 interface (modified), Black Lion Audio Inst/Mic Preamp, Black Lion Audio Master clock, KRK Rokit 6's, Shure SM57/SM58, Sterling Audio ST57 FET Condenser microphone, MacBook Pro with Logic, Ableton Live, Reason, Digital PerformerBass: Fender '57 reissue P Bass, made in JapanGuitar: Fender Deluxe Players Stratocaster, made in MexicoAmps: Behringer PA/Keyboard amp, Fender DeVille 2X12 60W all tube Guitar amp

*** Travel Equipment ***
Sheet music material and copied pages from books. Student should be able to provide their own books.

*** Specialties ***
Classically trained in Piano. Most recent styles and genres include Jazz, Fusion, Blues, Rock, Funk, R&B/Soul, Latin, Latin-Jazz, Salsa, Afro-Cuban

elen O’Connor, Alexa Still, and Jean Rosenblum. Roberta resides in Brooklyn, New York where she teaches privately and is on faculty at Great Neck Music Conservatory.

Roberta has performed with groups including Duo RoMi (with pianist Mirna Lekic), the Portland String Quartet, SEM Ensemble, Wet Ink Ensemble, Argento Chamber Ensemble, Wordless Music Orchestra, Ensemble Moto Perpetuo, Lunatics at Large, Kagel Nacht, Philharmonic Orchestra of the Americas, Cheyenne Symphony, and the Greeley Philharmonic in venues including Lincoln Center, Carnegie Hall, Alice Tulley Hall, Merkin Hall, The Kennedy Center, Bargemusic (with tenor Robert White), and the Metropolitan Museum of Art. As a guest artist, she has appeared at Bloomsburg University and the University of Southern Maine. She has recorded on New Dynamic Records, Meta, Bridge, and Innova Records.

Roberta has been a Bang on a Can Summer Institute fellow and a participant in the Institute and Festival of Contemporary Performance at Mannes College, as well as participating in festivals at Banff and Domaine Forget. Roberta recently won the Artists International Special Presentation Award and was presented in her debut recital at Carnegie Hall’s Weill Recital Hall. Other awards include: Purchase College’s Baroque Concerto Competition, Bay Chamber Summer Music Woodwind Prize, Dante Alighieri Society of Denver Music Scholarship, and the Emily K. Rand Award.

*** Lesson Details ***
In my studio, I believe that my role is to steer students toward a deeper understanding of themselves, their instrument, and their relationship to music. I tailor my teaching to the needs of my individual students, who currently range from age 4 to adult, often adding improvisation and extended techniques to increase my students’ awareness of the potential of the flute as a channel for one’s creativity.

With over a decade of teaching and a doctorate in flute performance, I have extensive experience teaching flute lessons and recorder lessons to students from beginners to advanced. I teach at my studio in Brooklyn or can come to your home in New York City. I have previously taught in Colorado, Westchester, NY, and throughout New York City. I've been on faculty at The Harmony Program and the Denver Public School’s Saturday Music Program, where I taught beginning flute classes to public school children. I have given masterclasses at the University of Southern Maine and the Pittsburgh Creative and Performing Arts High School, and have taught music classes at Purchase College and Hostos Community College.

*** Studio Equipment ***
I have a studio with music stands, flutes, recorders, an upright piano, and place for parents to wait. Street parking is available, and I'm less than a block from the subway.

Students are expected to bring their instrument, music, and a notebook.

*** Travel Equipment ***
I bring my flute. Students need to have a music stand, music, a notebook, and a working instrument.

*** Specialties ***
I am well-versed in all areas of classical music, especially new music. My primary instrument is flute, but I also enjoy teaching beginner piano, recorder, and music theory.

ratorio, musical theater or pop-style singing that is desired, I believe that classical technique is an essential source of proper singing that can be used to train singers of all genres.
Just like a piano, flute or violin, your voice is an instrument.
The purpose of voice lessons is to help you develop a beautiful and dynamic singing voice and also to teach you to use your voice in a healthy age-appropriate way that will keep you singing for many years to come!
As your teacher, I want your lesson to be more than just singing through a few songs.
While what specifically happens during a voice lesson can vary greatly from student to student and from week to week, the overall structure of the lessons remains similar.
We will always start with some combination of warm-ups for your breath, body, and voice. Just as you wouldn't go running without first stretching and warming up your muscles, you don't want to start singing full songs without first getting your body and voice warmed up.
Warm-ups will also introduce you to new techniques for properly using your voice in a healthy and beautiful way.
After warm-ups, we will work on songs. Typically, you will sing through the song once, and then we will go through it in small, manageable chunks, applying the techniques from the warm-ups to the songs.
During the lesson we will also work on expression and acting. A song isn't just pretty notes—it tells a story. If it's a song from a musical, there's a specific character that sings it. It's your job as a singer to tell the story and to make it fun and exciting for the audience.
While there's a lot of hard work that goes on during a lesson, voice lessons are lots of fun! As your teacher, I am here to encourage you, support you, and guide you in your vocal studies. I look forward to working with you soon!

*** Studio Equipment ***
Music studio room, 2 full size keyboards, music stands, book shelf, desk, parking lots (free).

*** Specialties ***
Classical, Music Theater, Jazz

*** Studio Equipment ***
bass and guitar amp, music stand, sheet music books/magazines, home recording system w/ seating for parents

*** Travel Equipment ***
I can provide a guitar amp..I expect the student to have a guitar

*** Specialties ***
Sight Reading, All Modern techniques Pertaining To Guitar and Bass... Specialize in the Rock/Funk Genre

lps them to gain confidence.

*** Studio Equipment ***
Home: Music room w/ piano, guitar, violin, stands, seating for parents

*** Travel Equipment ***
Music stand if required

*** Specialties ***
Russian traditional and Suzuki methods.

vocal accompanist for Tulane students as well as for local churches.

I am able to offer lessons at Tulane University and am able to travel throughout the metropolitan area. As I am frequently performing throughout the state, I can also arrange special lessons in other cities. Feel free to contact me about scheduling a lesson!

I am also happy to assist you in finding an instrument, supplies, sheet music and method books. Having the right setup is the best way to ensure success!

ase basis, tailored to each individual student. Everyone is at a different waypoint on their path so why would I use a predetermined formula to try and help them, am I right? I am excited to meet and grow with every single one of you, let's learn to love the life we have and let our studies become radiant!

I teach all kinds of disciplines from guitar, mandolin, banjo, and clarinet, to creative writing, meditation, and even astrology. If you have any questions about my teaching methods, skill level in a certain discipline, or anything thing you can think of I would be more than happy to answer you!

Musically yours,
Grant

y as a featured trumpeter/vocalist performing New Orleans' Traditional Jazz Music. I began teaching professionally around 2011 when I joined the faculty at the Don Jamison Heritage School of Music in New Orleans as the brass instructor where I also teach theory and Jazz. I've done clinics (internationally) and taught students of all ages. I really believe that when you have a desire to do something (like learn to play trumpet), your desire is a signal that you have the potential to be great at it! I can't wait to help you be great!

tool in your toolbox, as well as give you some new ones. Music is not too vast to understand, and all it takes is one little push to be off on your way, making your own musical adventures.
As someone who has thrived in most ensemble scenarios from Concert Bands, Orchestras, Big Bands, to Rock Bands and Jazz Combos, I can help prepare you for any musical undertaking. I love students who love music and want to get better at it, regardless of what style it might be in.
So whoever you are, whatever you like, and wherever your skills are at, I want to help- to impart you with skills and knowledge you might need to play at the level you want. I look forward to meeting you and helping you be even more awesome!