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Tipton, IN Music Theory Lessons

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Popular Music Theory Teachers near Tipton, IN

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About Janet B.

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Indianapolis, IN
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I've been teaching both piano and voice for almost 40 years. I taught elementary vocal/general/choral music in our local public school system for 32 years. I added teaching privately about 10 years later. I work with students ages 3 and up for piano, and ages 8 and up for voice. I welcome students of all levels of experience from the earliest beginner to the most advanced. The lessons are largely focused on technique, theory, and developing skills, and can be adapted to incorporate each students goals. I encourage my students to perform in various talent shows, and other avenues as they become available. We have a Recital every May, and all students are guided through the development of their selected music to take it from the beginning stages to having it ready to perform.

About Janet
Hi! My name is Janet, and I would like to be your new music lessons teacher! As a quick biography, I have 20+ years of experience teaching both piano and voice lessons. I have taught piano students from as young as 5 years old up to a wonderful lady who was a grandmother many times over, and voice students from 10 years old up to adults. I have taught students of all ability levels, from the most basic beginner to very advanced performers. I welcome you to come to my home studio. I have both a Bachelor of Science degree and a Master of Arts degree in Music from the University of Indianapolis. I retired in 2009 from teaching in the Indianapolis area public schools after 32 years of teaching elementary vocal/general/choral music. During the last 17 years of that time I was also teaching privately during the evenings and on Saturday.

As a student taking lessons with me, I will always put your desires as a musician first, and consider them to be the most important factor in guiding the progress of your lessons. While I will make basic assignments for you to practice for your next lesson, I am always open to including music that you would like to learn. If there is a particular style of music that you would like to study, or even a particular piece of music that you want to learn, please feel free to mention that to me, and I will do my best to find that music to add to your lessons. If at any time you have questions, requests, or comments, please either mention them to me at the lessons, or contact me by phone, text, or email.
I look forward to meeting you, talking with you about your desires and aspirations as a musician, and to guiding you and helping you to reach your goals.

*** Lesson Details ***
I will work with you to find the most convenient time for your lessons. Lessons are given in my home studio. While there will be basic material you will need to learn proficiently, you will be free to select the style of music you wish to study. I always tailor the lessons to suit the student's desires and aspirations as a musician.

*** Studio Equipment ***
office/studio space for lessons; spinet piano; electronic equipment available to play cassettes, CDs, videos, and DVDs either from my own library or yours to assist and/or augment the lessons

*** Travel Equipment ***
My piano students are expected to own either a 3-4 octave keyboard, or an acoustic piano. I can give you guidance regarding specific details you need to look for when you purchase an acoustic piano or a keyboard. I do not recommend specific manufacturer names. You will also be required to purchase any necessary materials (books, flashcards, etc.). I provide supplemental materials (teaching games, etc.).

*** Specialties ***
I use a variety of methods, mostly based on the goals of the students. For piano students, I prefer the Bastien Piano Basics method books. For voice student, I use a combination of methods developed by several different voice instructors.
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Reviews
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Adom A. May 31, 2017
· Piano · In studio
1st Day...Good! She taught my son all the letters of the piano! She also is going to teach my son new things about the piano. Plus it involves homework to test and review what he knows and learned about the piano.
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Phyllis Boyd May 11, 2017
· Singing · In studio
Janet is an excellent teacher and I was able to reap the benefits of her advice after just one season.
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Cunglian H. May 1, 2017
· Singing · In studio
Thank you for teaching me how to sing!
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Janet B.

Janet B.

Indianapolis, IN 46268
(15)
starting at
$21.50 / 30-min

About Todd L.

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198731_167486_1248903156
Cicero, IN
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Help is offered on beginning music theory as taught in public and private schools. Homework help.

About Todd
Music is my life, and is something that I want to share with others! Because of that, I try my best to give positive experiences to all of my students. I have a byline that says "Music is Much More than Just Learning Notes." I believe that! Anyone can learn notes, fingerings, etc. What I try to do is add that "soul" element that each person has and cultivate that into meaningful music!

So, with all that said, here's what I try to instill:

A lesson is a place to share! I listen to students as well as teach. We all have something we can learn from each other!

While I want lessons to be fun and informative, I strive for complete understanding, which means any student will gain the needed mechanics with complete knowledge of why things happen and what they do to and for music. From there, I attempt to teach the "soul" of mu
sic and how emotion and spirit play a huge part in memorable music.

I don't believe in brow-beating, but I also don't want to pass over things. I don't believe practice makes perfect, but I do believe practice increases awareness!

I really try hard to help students move beyond the notes on the page. We may listen to music and describe how it makes us feel, or paint pictures both physical and mental of what the music is showing us. That is where I see the soul stepping in.

My Education

As stated before, I started on a little Magnus Organ. My grandmother told me years later that I would listen to television jingles and then try to play them on the organ!

Once we settled in our permanent home, my parents brought home a piano and I began working first with Robert Warnick, a local music teacher in the schools. He taught scales and chords. Then, Midge Bishop took me through John Thompson Grade 3, but then had to move away. Finally, I studied under Victoria Hope, lasting 13 years until I went on to college. She taught me the fine art of piano by continually challenging me to approach each piece as an artwork. She had me use the music to paint the picture. Naturally, the element of the soul came through as I put color to music.

My Experience

Throughout my elementary through high school days, I immersed myself in band, choir and drama. I played piano at church starting very young. I then began trombone in the band during 4th grade. Upon entering high school, I joined choir and participated in marching band, concert band, pep band and jazz band. During those years, I picked up the rest of the brass instruments as needed by my band director. In choir, I excelled both in voice and on piano through accompaniment. Later in high school, I joined up with the drama department where we ultimately had the opportunity to write our own musical. By the time I entered college, I had mastered all the brass instruments, piano and snare drum.

During college, I participated in the marching band, wind ensemble, jazz band, pep band, trombone choir, several pit orchestras, and the symphony orchestra. I also participated in the choir.

Since that time, I have mastered the woodwinds, organ, drum set guitar and bass guitar and a little violin. I have over 25 years experience teaching lessons. They occurred off and on throughout my younger days.

Subjects Taught

Private lessons on all instruments and voices, Music Theory, Music History, Art History, Architectural History, Acting, set building, lighting and sound.

Specialties

Piano, Trumpet, Trombone, French Horn, Baritone, Tuba, Voice, alto and tenor saxophone, percussion

Formal Education

1984-89 Bachelor of Science in K-12 Music Education
(Choral, Instrumental and General)
Ball State University, Muncie, Indiana

1991-95 Master of Divinity in Theology and Ministry
Christian Theological Seminary, Indianapolis, Indiana

Ages Taught

5 through 114 (I haven't seen anyone older, have you?) I believe it is a good idea that a child can read the written word. Reading music occurs in similar ways.

*** Lesson Details ***
I ask lots of questions so I can get to know you better. This is also an opportunity for you ask questions of me. At the beginning, I encourage parents to attend so they can see what these lessons entail. I give you assignments to work with and then you play them for me to receive praise and constructive suggestions. I also try to challenge my students to move beyond the normal curriculum to play other things that interest them.

Depending on the instrument and the experience you have helps me determine what curriculum I want to use. Again, I cater my lessons to the needs you have and by how you like to learn!

After 3 to 6 mos, I hope you have a good working knowledge of how music works and are now moving into intermediate level work. However, each student is different and work a different speeds. My main goal is for you to feel successful whenever you leave my studio!

*** Studio Equipment ***
Baby Grand Piano, electronic Keyboard, Drum Set, Snare Drum
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Reviews
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RON September 1, 2016
· Singing · In studio
Most excellent !
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Aaron C. December 15, 2015
· Tuba · In studio
great teacher! Easy to work with!
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Pat October 26, 2015
· Piano · In home
Knowledgeable, easy to work with fun!
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Todd L.

Todd L.

Cicero, IN 46034
(9)
starting at
$20 / 30-min

About Jay E.

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Indianapolis, IN

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I began teaching music theory in 2002. I was taught advanced theory at one of the strongest programs in the country, Lawrence University. I was a professor's teaching assistant, and also did a fair amount of private instruction to music majors.

About Jay
My musical journey began the with piano at the age of seven. I took regular lesson all the way through high school, eventually performing works such as Gershwin Etudes, Chopin Waltzes, Debussy Arabesques, and Beethoven Piano Sonatas. My trumpet performing started in 1993 and continues, having earned two degrees in trumpet performance, and performed with groups such as the Las Colinas Symphony Orchestra and Lone Star Wind Orchestra.

I have been teaching privately for 14 years. For eight years, I had a studio of around 50 students in the Dallas area where my students have performed at events such as the state solo and ensemble contest in Austin, and in groups such as the Texas All State Band, and Greater Dallas Youth Orchestra to name a few. I relocated to Indianapolis in 2015, and have enjoyed teaching lessons through Fall Creek Va
lly Middle School and Paige's Music. Through the years I have learned to adjust my teaching technique to match each individual, whether it be the music difficulty, learning pace, or musical genre preference. I have taught trumpet students of all ages and abilities, as well as beginning and intermediate piano and french horn. I look forward to helping you make beautiful music on your instrument!

My teaching philosophy

Private lessons are a one on one experience that give students guidance on their specific musical needs. Rather than only working on pieces for un upcoming audition or competition, I emphasize working on a variety of repertoire that will improve all aspects of one’s musicianship. Lessons are not a weekly practice or coaching session, but rather a time for me to help students with what they have already been practicing. More specifically, I help with embouchure formation, tone production, note reading, practice technique, musical phrasing, breathing, performance anxiety, rhythm, music theory, bad habits, or anything that will help the student make better music in the long term. I also frequently provide musical examples and inspiration by playing for my students.

Lesson Policies

Students are required to practice a minimum of fifteen to forty-five minutes per day (depending on the student’s age), six days per week.

Students are responsible for purchasing their own lesson materials, such as books, valve oil, metronome, etc. Piano students must also have a well maintained piano to practice on. High quality electric keyboards with 88 keys, weighted and touch sensitive, are acceptable.

I have a 24-hour lesson rescheduling policy. If a student fails to provide notice via phone, text or email at least 24 hours prior to the starting time of the lesson, or misses a lesson unannounced, they will be charged for the full lesson cost. If adequate notification is given, the lesson will be made up at a later date. Lessons MAY NOT BE MISSED WITHOUT MAKEUP. I do, however, allow students to miss lessons without makeup during the months of November (up to one lesson), December and August (up to two lessons each month) and July (no limit), and one lesson for spring break.

With rare exception, all of my students take weekly lessons. Students who keep a regular, weekly schedule improve at a far better pace than those who miss frequently.

*** Studio Equipment ***
Baldwin upright piano
Clavinova keyboard with weighted keys

*** Travel Equipment ***
I provide no equipment

*** Specialties ***
I specialize in classical, jazz, and commercial, having experience in all three areas. I teach a lot of ear training and music theory regardless of the instrument.
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Reviews
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Corran August 13, 2017
· Trumpet · In home
When we got there, we could hear Jay warming up, and the sound was amazing. Once we started, he was very positive and explains and teaches things in a way that makes sense to me and makes me feel like I can do this. Confidence has been a problem so far; I'm thinking I might be able to get past that and learn to enjoy playing my trumpet more.
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Juwan F. February 12, 2017
· Piano · In studio
Very patient and encouraging to my son.
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Calie R. January 25, 2017
· Piano · In home
Jay did a very good job of comminicating with my twelve-year-old daughter on her level. He kept her first lesson simple, yet did not talk down to her.
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Jay E.

Jay E.

Indianapolis, IN 46256
(9)
starting at
$31 / 30-min

About Jenny L.

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Cicero, IN

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About Jenny
I have a bachelors of science degree in k-12 music education from Ball State University and a Masters of Education degree from Indiana Wesleyan University. I have enjoyed teaching elementary general music, youth choirs, band and orchestra for 20 years. I love teaching private lessons and watching my students grow musically. I especially enjoy teaching elementary age students and beginners of any age. I am a teacher who believes first and foremost that music should be enjoyed! The more a student enjoys their music the greater their long term success! I believe students should be able to work with the styles and genres of music they like. I can't wait to help you or your child find their love and passion for music!
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David August 17, 2017
· Saxophone · In studio
Jenny has been an excellent addition to the band staff at Westfield HS. She works mostly with our marching band and has a great understanding of our students and program needs.
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Dori August 2, 2017
· Piano · In studio
My daughter has been taking lessons from Jenny for a couple of years now and we absolutely love her! She is very knowledgeable, encouraging, and fun! My daughter has learned so much!
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Jenny L.

Jenny L.

Cicero, IN 46034
(2)
starting at
$18 / 30-min

About Alex J.

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Indianapolis, IN
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Students who study with me are taught how to read music. Although I do teach some by ear, I mostly enforce the reading of rhythms and notes on a page. I do this so that they all of my students can be as prepared as possible if they choose music an area of music as a career.

Those who study mallet percussion with me get a chance to go more in depth with music theory as I incorporate in in each lesson as the student learns either an exercise or a solo piece.

About Alex
Alex was born May 31, 1987. Since both of his parents were band directors, he grew up in a very musically inclined family. When he was 15 years old, during his freshman year of high school, he started studying percussion. A year later he began studying under Chad Kohler and continued to do so until 2009. During spring semester of 2009 he studied briefly under Richard Walker at Indiana University Purdue University Indianapolis (IUPUI). In the fall of that year he then transferred to Butler University for an academic year and studied under Craig Hetrick and Jon Crabiel.

Beginning in 2011 Alex began studying attending University of Indianapolis and is currently studying under Paul Berns as well as Art Reiner. In addition to studying with them he has also went back to continue to study with his mentor Chad Kohler. In the time since Alex gr
aduated high school, he has been continuously presented with teaching opportunities. At the time, though, music was not looking like the best course of action for him. With the aid of Chad Kohler, Alex then began getting more involved with teaching percussion. Alex eventually went on to arranging his own parts for his students, as well as composing original percussion ensemble pieces. Alex is currently pursuing his Master's Degree in Music Technology at IUPUI.

In the time since he has been out of high school, he has taught at a number of schools including the Lynhurst 7th & 8th Grade Center, North Putnam Jr./Sr. High School, Broad Ripple Magnet School for the Arts & Humanities, and Lawrence Central. He has also taught at Arlington High School and Short Ridge High School.

When it comes to teaching music, what is known to be as the “Holy Trinity” comes to mind. While teaching I personally believe that it is important to challenge students just enough so that they are not discouraged and are still able to have fun.

The Holy Trinity plays a big role in this. What it consists of is embracing your students from all angles. This would be from ensembles and private lessons, which in turn then encourage them to practice. Ensemble, private lessons, and practicing are the three main categories that make up the “Holy Trinity.” And in using this, you can also be more involved with your students as well. It is always a good idea be friend your students as well and not just be the “teacher.” There is a great quote that goes like this, “They will never care about how much you know, until they know how much you care.” In which case has been proven to be very true time and time again.

It is important as a teacher to be able to inspire your students and to encourage them. Which is why I think it is important to be a good friend as well to your students. This way a kind of trust is formed and in turn can easily lead to the success of a music program. Also I do believe that it is important to expose students to as many forms of music as possible. This way they are not just stuck in one kind of mind set and if they choose to go into music for their career, then they have many different experiences they can pull and relate from. Plus they will also have some more knowledge of different cultures and music genres that can help not only create better music but also be more overall worldly in their personal life out side of music. Being able to learn about music is very important, and can easily impact a student’s life in many different ways that most subjects just do not have the capability to. This is what I believe about learning music and why I also love to teach it. I want my students to be able to have all the same great experiences I have had and more. Which is why I personally believe so heavily in a good music education.

*** Lesson Details ***
Although the approach to teaching that I use comes across as being pretty laid back, I do expect what some might consider to be a lot out of my students. This is because I want to make sure that my students will be successful as musicians.

While a student is studying with me; they will learn about percussion from multiple angles. They will learn and be able to understand many basic music theory terms and principles. They will also learn how each percussion instrument is tied to one another in technique and how to easily transition from instrument to instrument.

Depending on the age of the student, after about three months of studying with me, the student will know a few major scales, most of the standard American rudiments, and some basic drum set concepts. After 6 months, the student will know all 12 major scales, be familiar with all 40 snare drum rudiments, and know a good portion of basic drum set.

Please keep in mind that results may vary depending on the age of the student and the amount of practicing they do on their own. Results also depend upon whether or not they are practicing correctly, which is something they will also learn how to do with me.

*** Studio Equipment ***
In-studio lessons in basement with acoustic drum set. Street parking or drive way. Seating available for parents.

Lessons at the High School will be in the band room with their equipment.

*** Specialties ***
I mostly specialize in marching percussion as well as 2 and 4 mallet percussion.
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Reviews
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Kai July 30, 2017
· Drum · In studio
Alex is super friendly and flexible. And his home studio is well equipped.
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Cindy G. February 12, 2014
· Drum ·
Great with children

Alex is great with my 7 year-old son! David has already shown improvement in concentration at school, thanks to Alex!
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MacKenzie M. May 14, 2013
· Percussion ·
Outstanding!

Always challenging and keeps me informed about stuff that I need to know. Always relates things to other areas of percussion. Is really funny and nice. Always keeps me interested in what is going on during the lesson.
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Alex J.

Alex J.

Indianapolis, IN 46236
(3)
starting at
$20 / 30-min
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About Laurel T.

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Monterey, CA
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Functional theory, from the basics through harmony and composition.

About Laurel
Classically trained violinist and violist Laurel enjoys performing, composing, improvising, and recording across a variety of genres and with ensembles ranging from orchestras and chamber ensembles, to bands and singer-songwriters. Laurel is frequently sought for her particular ability to add depth and emotion to all types of music and her knack for creating infectious melodies. She released her first solo original EP in 2013 and most recently she’s been touring North America as a duo with Canadian guitarist and hit songwriter, Dan Frechette, logging 25,000 miles and 130 concerts in 2013 alone.

Beyond her musical talents, Laurel's poise and professionalism have earned her consistent respect and admiration from musical collaborators, audiences, and students. Her elegant stage presence and sharp musical executions combine with a deligh
tful sense of fun and a natural charm that readily appeals to all generations.

Laurel's genuine and thoughtful manner puts others at ease. As a teacher, she is recognized for her ability to troubleshoot challenges and inspire dedicated students of all ages. Laurel began teaching at age 14 and has since taught hundreds of students privately and in workshops and youth orchestras. Since 2009, as the New York Times reported, Laurel has taught online to growing numbers of students from New York and Texas, to Africa and Hong Kong.

Wanting to share her musical insights across the globe, in 2010, Laurel launched Violin Geek Podcast and began authoring what would quickly be dozens of articles on violin technique for Strings magazine. In early 2011, she was commissioned by String Letter Publishing to create the book/video guides Improve Your Bowing Technique and Improve Your Violin & Viola Technique.

Laurel's violin and viola abilities are praised not only for technique and tone, but for her sensitivity and extraordinary ability to convey emotion. Laurel hears music as a story, and when she plays, vivid imagery and deep feeling move her beyond the auditory. She experiences music as a form of dynamic communication with her collaborators, her audience, her students, and her inner self, and whether on stage or in the teaching studio, she enjoys diving into the creative unknown and seeing how she can expand the boundaries.

*** Studio Equipment ***
-computer
-microphones
-piano
-audio recording device
-music stand
-sheet music library
-video recording device

*** Travel Equipment ***
-laptop
-music stand
-portable audio recording device
-video recording device

*** Specialties ***
-Technique and tone
-Interpretive skills
-Classical repertoire
-Fiddle styles
-Improvisation and composing
-Troubleshooting
-Pain and injury cases
-Performance anxiety
-Adult and teenage learners
...
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Laurel T.

Laurel T.

Online
starting at
$40 / 30-min

About Tim B.

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Newberg, OR

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I took a college harmony and theory course taught by Loren Hamar using Musicians Institute Harmony and theory coursework. I was asked the next year to teach a class. Theory and Technique, A weekend workshop taught by columnist for Acoustic Fingerstyle magazine John Standefer. He also was the winner of the 2002 National Fingerstyle Guitar Contest and open division winner of the 2004 International Home of the Legends Competition.world renowned Acoustic Finger Picker John Standefer. I have also taught Gibson's Best Selling Course, Learn and Master guitar and music theory to my students.

About Tim
I love to help anyone who has been told they're not able to play guitar, has quit out of frustration, or been told they're too old or too young to play.

*** Lesson Details ***
Each lesson is customized to your learning style and different for everyone depending on what you want to learn. Most of my students like to learn from scratch which would include the following:
In the first 3 lessons you will learn basic guitar fundamentals, basic 1-4-5 song progressions (the stuff that 85% of all music we listen to is made up of), left hand / right hand coordination, picking techniques, how to strum, mute, & play notes on the guitar.

We can play as a band too. When you are ready, I love to bring out the drum or backing tracks to your favorite artists songs while you play guitar and I play what your not, giving you the feel of a live group
situation that can make learning at your lesson more fun.

Genres include Acoustic, Blues, Country, R&B, Funk, Latin, Jazz, Rock, Pop and more.

*** Studio Equipment ***
My Line 6 Spider Jam will take any wave file and speed up or slow down the tempo and lower or higher the key to your preference.
Great transposing tool

Tuner Korg

Electric Ibanez Guitar s470dxqm
Acoustic Taylor 110CE
Classical Cordoba model 20

Amp Mesa Boogie Nomad 100 watt combo all tube
Amp Line 6 Spider Jam

Effects Roland GR-55

Microphone Audio Technica AT 2035
Microphone Peavey I-101

Operating System WIndows 7 64 bit edition
Recording Software Presonus Audiobox USB with Studio1

Mixer Alto ZMX 862 Zephyr Series

Logitech C620 HD Webcam

Camcorder Sony HDCRX430V

*** Specialties ***
I have studied under virtuoso Rex Carroll from Atlantic Records signed band Fierce Heart & another famous band he was in was Whitecross, Shawn Gette who is in the band Forbidden Symphony, who in his words once took over a gig for Steve Vai and the American Guitar Academy.
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Julie-Anne August 15, 2017
· Acoustic Guitar · Online
Very friendly, encouraging and I felt Tim genuinely want to help me succeed and personalize our lessons to my strengths as a singer/songwriter. I am very excited to be working with Tim.
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Alex C. August 9, 2017
· Guitar · Online
I have been playing for 20 years, and I have written many songs. I could never understand how to put together the formula to write, I have always written by patterns and sound. Now thanks to Tim, and about 5 minutes he explained to me how to write a song within structure and how to compose it, with many different choices. I no longer live in a box and am excited that my eyes are opened. I highly recommend Tim, he is great at encouraging you even through songs that I have said. "I'm not playing that" to "I played that and in perfect timing".
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David June 21, 2017
· Guitar · Online
Tim has been teaching me the basics but also how to play a song which I'll be performing with a band in July. He has been great to work with.
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Tim B.

Tim B.

Online
(39)
starting at
$18 / 30-min

About Josh L.

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Indianapolis, IN

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I studied music theory in college. I tutored many students while taking classes myself. I teach my students not only to solve theory problems but to understand the greater concepts of music theory.

About Josh
I am a professional singer, pianist, songwriter, and recording artist. I graduated from Indiana Wesleyan University with a Bachelors of Music, specifically voice.

Voice students can expect to improve week to week in their vocal technique. Every voice has a unique timbre; I teach students to release built up tension and apply foundational techniques in order to unlock their own individual sound. I can help any student to sing with freedom, confidence, and expression.

I teach piano students of all different ages and experience levels. I studied classical piano for 16 years, and contemporary keyboard for 7 of those. I can teach students to read music and pursue classical excellence, to learn how to play contemporary music using chord sheets, or both depending on the goals and preference of the student.

As a professional recording a
rtist I frequently take trips to Nashville for co-writing, recording, and meeting with record labels. I have written with well-known writers like Mia Fieldes from Hillsong, Tony Wood from Provident Label Group, Stu G from Delirious?, and Jon Steingard from Hawk Nelson. I love to mentor students who want to become effective, dynamic songwriters.

My personal passion is contemporary music but I firmly believe that great technique is essential to any and every style. I look forward to meeting you and helping you to become a better musician!
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Karla August 15, 2017
· Singing · In studio
Awesome!
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Morgan M. July 11, 2017
· Singing · In studio
First lesson for my 15 year old daughter went great! Josh is talented, helpful, professional, and kind.
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Tess May 1, 2017
· Singing · Online
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Josh L.

Josh L.

Indianapolis, IN 46250
(34)
starting at
$40 / 30-min

About James H.

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Highland, NY
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I am very big on music theory but I know how to simplify it so that my students will understand it easier and there's no rush!

About James
Take lessons to learn guitar, music theory, reading music, and many other musical skills. I specialize in solo guitar, improvisation, finger-style guitar, arranging, music theory and knowledge of various styles of music. Beginners are more than welcome, as are intermediate and advanced players, of all ages.
Skype lessons are also available!
Learn to play rock, jazz, blues, Latin, Brazilian, Classical, pop, reggae, folk, pop, metal, really anything!
Music should be fun to play and learn, which is the focus of my teaching method. I hold a Bachelor's degree in Music from SUNY New Paltz, and have performed at venues around the Hudson Valley and NYC.
I look forward to meeting and helping you to become a better musician!
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James H.

James H.

Online
starting at
$30 / 30-min

About Jennifer R.

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New York, NY
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Are you interested in learning how to write your own music? Do you want to be able to play any song that you hear? I can help you learn the foundations of music theory and composition that will help you be the best musician you can be. I'll work with your interests and goals to make lessons fun and entertaining while giving you the solid technique and skills you need to succeed. If you're interested in composing, I'll also help you make the things you write come to life by recording, mixing, and producing them for you. Let's get started!

About Jennifer
I am a professional composer and arranger. I graduated from the University of Cincinnati with a Bachelor's of Music in Commercial Music Production and am pursuing my Master's at New York University in Scoring for Film and Multimedia.

I'm passionate about all things related to music theory, composition, and history. I believe that anyone can compose; they just need the music theory knowledge to know how to bring their ideas to life. Music theory doesn't have to be hard! I strive to make every lesson stress free and relevant to the student's interests.

As a professional composer, I've worked on numerous projects including short films and commercials. I've been playing piano since 2002 and cello since 2004. I've began theory and composition training in 2006 and have solidified my skills throughout my undergraduate education. I also studied
songwriting and music production, and I am happy to help students who are interested in writing and producing their own songs.

I believe a solid foundation in music theory is essential to being a successful musician, whether you want to write pop songs or perform in concert halls. Classical music is easy once you learn it, and it will help you in ways you could never imagine. I'm excited to work with you and help you become the best musician you can be!
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Reviews
Silhouette-80
Bryard August 13, 2017
· Music Theory ·
"If it wasn't for Jennifer - brilliant composer, beautiful arranger, bright person - I would not have gained the necessary knowledge in orchestration and thus, would not have been able to compose and score two symphonies for orchestra. Jennifer is a passionate and charismatic individual who lives and breathes music; someone with such a vast wealth of knowledge of her craft and the art of orchestration and theory in particular. I am grateful for Jennifer's patience, kindness, and God-given musical gift, as well as her guidance gifted to me as a composer myself."
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Jennifer R.

Jennifer R.

Online
(1)
starting at
$25 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

All in Order: Tricks for Identifying Key Signatures

All in Order: Tricks for Identifying Key Signatures

What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou … Read More

All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many

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