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North Liberty, IA Music Theory Lessons

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Popular Music Theory Teachers near North Liberty, IA

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About Bernadette T.

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Lindenhurst, NY

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I incorporate interval recognition, chord spelling, voice leading, and scale construction in my guitar lessons.

About Bernadette
I am a NYS certified Music teacher who has been teaching in the school system for over 20 years.

I hold both my BM and MA degree in Music Education, and Jazz guitar was my major instrument in college. My focus is to teach techniques, skills and concepts for life-long learning.

I am currently available to teach Guitar, Music Theory and Beginner Piano.

Aside from teaching private guitar and piano lessons and teaching General music and Chorus in school, I perform and accompany singers as a guitarist in churches on Long Island.

For your added security, I've been VIRTUS trained with the Catholic Diocese of Rockville Centre and fingerprinted with the NYS Education department.

My system of guitar training includes:

* Right hand and Left hand technical exercises geared towards developing coordination and confidence;

*
work in music reading of standard music notation and TAB;

* Fretboard navigation, pick-control and fingerstyle techniques.

* Song repertoire knowledge and memorization

*Solo guitar interpretation of popular songs as well as accompaniment styles appropriate for backing your or another's voice;
*Ear-training and Music theory is incorporated into each lesson.

NYSSMA preparation is available for both Classical and Jazz auditions.

Piano lessons are available with concentration in proper hand mechanics and technique, theory, ear-training and music reading. NYSSMA preparation up through level 4 is available.

*** Lesson Details ***
My guitar lessons follow a structured format. I begin with technical exercises for both the picking/strumming hand and the fretting hand, leading to good sound production. As students learn to achieve well-balanced tones, they learn to apply that to the written page using standard music notation and the TAB system. From single notes, students learn to build harmony, (chords), from 2 notes, to 3, and thereafter, 4. Song repertoire is built from a variety of sources including published method books. Memorization of song repertoire is stressed.

After the student has learned the notes and scales in the first position as well as the associated chords, he/she can learn songs of his/her choosing from the Folk, Pop, Classical and Jazz repertoire that is appropriate to his/her current level.

Piano method books used include the Dozen-A-Day and Hanon technique exercises as well as the Schaum and Michael Aaron method book series'.

NYSSMA training/coaching is available for both piano and guitar with suitable training beginning a least a year before the NYSSMA audition is to take place.

The Guitar student should have a good quality guitar, (steel strings, nylon strings, or steel-string electric) professionally set-up with light-gauged strings (for the beginners), a strap, a music stand, and time and space in the home in order to encourage a daily routine of practice.

The Piano student should have daily access to a piano or keyboard instrument with weighted keys in order to be able to practice lesson material daily.

For young students, a practice chart is given where a student is to mark his/her practice time in order for progress to be made.

*** Studio Equipment ***
I have a dedicated room in my home that is set up for private practice and teaching. It has an electronic piano, folding chairs, a music stand and guitar amplifiers and cables.

*** Travel Equipment ***
I bring an acoustic guitar with me to all out-going lessons so that I can play along with the student and demonstrate techniques as necessary. I bring extra blank sheets of music writing paper, fret board diagrams, and study sheets, as well as extra copies of the books I use most frequently. I can purchase books/materials for the student, with the student's or parent/guardian's reimbursement, or the student may purchase materials on their own.

*** Specialties ***
Pick-style and finger-style guitar, both acoustic and electric; music reading, music theory; re-harmonization and arrangement techniques to make a song your own!
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Sophia C. September 2, 2017
· Piano · In studio
Bernadette is really kind and patient, Both of our kids look forward to working with her.
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Gianna Z. April 9, 2016
· Guitar · In studio
Just wonderful with my children very pleased
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Michaela Z. April 9, 2016
· Piano · In studio
She's very patient I couldn't be happier
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Bernadette T.

Bernadette T.

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About Teresa S.

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Miami Beach, FL
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Teach both vocal and piano based music theory using Western and North Indian classical systems.

About Teresa
I grew up performing and singing. My family loved music and the arts and we went to the theater, ballet and symphony all the time in Houston Texas. My mother used to play music to get me to sleep when I was very young. She played opera by the famous Italian tenor Caruso and symphonic music by the French Impressionist composer Debussy. As a teenager I played the guitar and sang folk and pop songs with my friends. When I became an adult my interest turned back to classical music and opera as I had heard as a toddler. Eventually I found myself on stage singing opera in New York City and classical chamber music at Tanglewood in the Berkshires.

I began teaching voice while I was getting a Bachelor's Degree in Music at the University of Texas. When I came to New York City I opened the Vocal & Dramatic Arts Studio in 1996. Since that time I
have kept up a studio teaching voice and acting to people of all ages: 6 to 86! I love the variety and feel everyone can sing and act. In honor of my high school choir director, I created an a cappella vocal improvisation method called "lavocezensing" using the Do scale as a frame to become comfortable harmonizing and improvising vocally.

Education is one of my passions. Working for Lincoln Center and other arts presenters in New York City between 1996 and 2012, I created curriculum on music and art in public and private schools and have trained educators nationally and internationally on using music and art in their classroom lessons. I found that song writing and musical improvisation are great ways to integrate music with other curriculum within the Humanities.

Today in Miami Beach part of my work is using yoga, music and sound healing practices as tools to learn meditation and reduce stress.

Over the years, I have performed many styles of music: standard opera, contemporary opera and chamber opera, classical chamber music, musical theater and cabaret. Now I am exploring the ragas of India and Nada (Sound) Yoga practices and have developed a sound based mindfulness meditation practice called Sound Yoga Therapy™ or SYT. SYT sessions combine North Indian Classical vocal music with Western vocal pedagogy to elicit a relaxation response and then to focus the mind in order to activate the higher levels of the brain.

As a music, voice, yoga and acting teacher, I offer traditional and non-traditional methods using multi-sensory approaches to help students realize their goals. In addition to developing vocal, musical and theatrical skills, the tools and techniques offered aid students in relaxation, breath awareness, and stress reduction as a part of our lessons together. It is a creative, fun and student-centered learning environment for students of all ages!

*** Lesson Details ***
AFTER 6 MONTHS OF WEEKLY LESSONS you will be able to use the basic knowledge, tools and techniques you have learned to perform a song, a monologue or begin to create your own lyrics or song.

AFTER ONE YEAR you are ready to share the art you have created in an intimate gathering with family and friends.

*** Studio Equipment ***
Room w/ piano; video recording available

*** Travel Equipment ***
Studio & Skype lessons only

*** Specialties ***
Classical and musical theater singing styles; extended vocal techniques; Indian ragas using Saregam scales; exploring the voice in songs, chants and toning as an approach to increased well-being; European, American and Indigenous repertoire from many cultures
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Vel G. December 9, 2014
· Singing · In studio
Highly recommend!
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Teresa S.

Teresa S.

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$45 / 30-min

About Francis R.

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San Diego, CA

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Music theory will be taught as a supplement to most other subjects I teach. I would avoid taking lessons in this subject unless you need extra help/tutoring in a music theory class in school.

If you are not a musician and want to understand music better, music theory will be a really boring place to start. It's no fun without context. Learn to play a guitar or a trumpet or something first!

About Francis
Hi everyone! I'm a hard-working musician with a background in live performance, songwriting, composition, and home recording. I want to help you perform the music you love, whether you're playing to your family, your webcam, or a 15,000 seat arena. I have been teaching private music lessons since 2007.

I am a graduate of UCSD, where I completed my bachelor's degree in music theory and composition. I have taken years of private lessons, played bass, guitar, and mandolin in local and touring bands, and my music has been featured on at least 7 albums. I want to make your goals accessible, and I want to help you find your sound.

*** Lesson Details ***
I focus on making lessons fun for my students. I emphasize the importance of practicing on your own and building confidence by performing live and/or writing your own songs. I love to hel
p people get better at sounding like themselves.

During lessons from me, you can expect to play, sing, clap your hands, and become completely immersed in the music you love. Whether your goal is to perform in front of an audience, record albums, or just play for fun in your living room, I'll help you make that happen.

*** Studio Equipment ***
Music room, seating available, street parking.

*** Travel Equipment ***
I only teach students who provide their own instrument. I am willing to provide a loaner guitar for the week if a student's instrument needs to be repaired or is not accessible for any reason. I also provide homework when necessary :)

*** Specialties ***
I specialize in teaching confidence in performance practices, technique, singing and playing, and good microphone habits for singing, speaking, recording, and songwriting. I teach based on student needs, and I find each student benefits from a different curriculum.
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Quinn January 15, 2018
· Singing · In home
super cool dude, and incredibly capable teacher. Super stoked about the lesson.
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Janelle E. January 14, 2018
· Speaking Voice · In home
Francis is an incredibly personable, professional, and informative instructor. He helped me hone my speaking voice for performing spoken word poetry, and offered really tailored, constructive feedback along the way. I'm so glad that I committed to taking speaking lessons. The entire process has been positive.
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Melissa L. December 28, 2017
· Guitar · Online
I really enjoyed taking lessons from Francis and would recommend him to anyone.
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Francis R.

Francis R.

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About Marc M.

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Livonia, MI
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Theory is used in all lessons, but I do specialize in concentrated classes applying the concept of music theory. This is to either boost the complexion of your original material, or to better understand genres of existing music. All Genres are covered, Classical, Jazz and Mainstream. As you learn I show you fast and easy to understand methods to apply these concepts into your guitar playing.

About Marc
I teach all styles of guitar, as I have been in many different types of music situations: Soloist (Classical) Ensemble (Classical and Jazz) Lead and Rhythm (Various Rock and Roll bands) Songwriting and Recording. I am a people person that learned the guitar from many different sources. Most of my learning came from watching others and communicating with others. I like to learn about the people I am teaching so that I can better understand their needs as a musician. My education came as a practical necessity in order to get better as a teacher and performer, as well as make a living doing it. But, by no means do I preach the need to be "educated" but only to be a working, practical musician. I will surely go over the need to read music once the need becomes evident, enlighten you as to why it may be important to understand certain aspect
s of music as opposed to just "picking and grinning", IE learning only "By Ear." I do specialize in music theory, and have many students taking lessons simply for this excellent foundation for songwriting also.

I am a classically trained guitarist that performs both as a soloist and for ensemble in a wide variety of styles. I graduated in 1996 from Schoolcraft College with an Associates degree in Music performance, and then, studying under the tutelage of Brian Roberts went on to receive my Bachelor's degree in Guitar Performance with a secondary in Jazz from Wayne State University in 2004. While at Wayne State and along the way I've performed and participated in several masterclasses with renowned artists: William Kanengiser, John Holmquest, Philip Candelaria, Jason Vieaux, Scott Tennant, and Antigoni Goni. I have also completed the teacher requirements for books 1-a and 1-b for the Suzuki Guitar Institute.

Many of my classical guitar and electric guitar students have went on to study further at the collegiate level, some achieving scholarships. My most recent students are current Berklee school of music graduates now in a band called "Flight of Fire", recently opened for Bonjovi this past summer and are getting air time on local radio stations... well on their way to living the dream! …the bulk of my students become full time professional musicians.

*** Lesson Details ***
I am an extremely patient person who has been teaching for over 20 years. I am laid back so there will be no pressure. With my electric and steel string guitar students, I host a special "Jam Session" 2 - 3 times a year to which will be one of your goals to participate in. This includes playing with a drummer, bassist, singer and another guitar player (usually me) and having it recorded. This should serve as your motivation to practice. This really eliminates the need for me to pull out a "yardstick" and "smack" your hands over the knuckles when not practicing your scales as many old traditional teachers may have done!

At your first lesson I will talk with you and give you examples of music that is played with a Flat-Pick, or music that uses the Finger-Style technique. This will be an important process as it will dictate which direction you will go in as a musician and especially during our lessons.

For the most part, playing with a Flat-Pick is generally used with the electric guitar and with most mainstream styles of music like "Rock and Roll", "Blues", "Rock-a-Billy" "Funk", and playing with the Finger-Style technique is used in styles like "Classical" and "Folk." After a while, I will introduce you to the other style of playing as well, as most great guitar players use both techniques in their playing...musicians (guitarists) such as: “Jimmy Page“, “Brian Setzer”, “Stevie Ray Vaughan”, “Joe Satriani”, “Lindsey Buckingham”, “Paul McCartney”, “John Mayer”, and many, many more.

To make learning the guitar Fun, I make sure to incorporate your main interest(s) first. Whether it be learning your new favorite song(s), learning how to write a song, or just learning some basics that you can use for when sitting around the campfire. This will be intertwined with which style you choose to start with: Flat-Pick or Finger-Style.

Pending on the level that you are starting at, (beginner, intermediate, advanced) I will include tidbits of music theory that will be used in a consistent manner. These will usually be progressive, pending on your level. For example, the songs you learn will be written out in an easy to understand chart that will have the fundamental aspects of theory (IE, chords, key, and rhythm pattern) that all musicians should understand.

With Children learning with a Flat-Pick, I encourage the use of a basic guitar instruction book.
Level One (beginners) :

"Hal Leonard Guitar Method Book One" by Will Schmid.

I will also use as a substitute for Level One:
"Alfred's Basic Guitar Method" by Alfred's Publishing Co.

More advanced players who can read music already (and graduates from book one) I prefer;
"Hal Leonard Guitar Method Book Two"

With Adults, I will ask if learning to read music interests you. It is a vital part of a practicing musician, but sometimes your needs may require a more one dimensional approach as time may be of essence. Again, I learned by ear and educated myself later...so I understand the person who wants to hold off on reading right away.

Students who want to learn the Classical (Finger-Style) approach will be encouraged to purchase a beginners book that I use written by one of my first instructors/mentor. It is a very intuitive book that covers the technique in great detail yet is very easy to understand (along with my help.) I will provide means of acquiring this book at your first lesson.

Students who want to learn the Folk (Finger-Style) approach will usually start in the above book, unless your an adult who just wants to learn some basics.

At your first lesson I will also provide you with documentation that goes more in depth about the various styles of guitar as the above info is scaled down.

*** Studio Equipment ***
-Amps

-Guitars (Electric, Acoustic, Classical, Bass)

- PA (loud speakers so you can Turn it Up! When playing along)

-Band in a Box (to play along with real prerecorded instruments seamlessly interleaved into a band type setting with almost unlimited genre choices...very impressive technology)

- Pro Tools (recording gear for all needs)

- Guitar Pro and Finale (to transpose music into sheet music)

-Skype (for out of town interactivity. Can do lessons via Skype)

-Basement with plenty of seating for parents, and or observers.

*** Specialties ***
I specialize in Classical Guitar, Electric Guitar, and Acoustic Guitar; Improvisation, Songwriting, Backup Vocals, Fretboard Harmony, Music Theory, Performance, and Recording.
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Reviews
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Chris February 8, 2018
· Songwriting · In studio
I only got to take lessons from Marc for a couple of months in the summer of 2016 (I had to move away for work), but he is hands down the best music teacher I've ever encountered. It's a year and a half later and I'm still benefitting from his tutelage. From beginner to advanced, you've found the right guy for the job.
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Annette August 21, 2017
· Classical Guitar · In studio
Marc is a great classical guitar teacher. He makes learning fun and easy. I highly recommend him.
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Matthew G. August 9, 2017
· Guitar · In home
Friendly, motivating, honest and awesome guy.
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Marc M.

Marc M.

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About Corbin A.

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Chicago, IL

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About Corbin
Chicago based freelance saxophonist Corbin A. is a dynamic youthful voice amongst the Second City music scene.  Originally from Decatur, IL, Corbin moved to Chicago in 2007 to attend DePaul University.  There he studied improvisation privately with Mark Colby, Bob Palmieri, Ron Perrillo, and Kelly Sill, as well as composition with Tom Matta.  These led to performances with Jeff Hamilton, Phil Woods, Tim Ries, Ira Sullivan, Jimmy Heath, John Fedchock, and Randy Brecker. After achieving his bachelor of music in 2011, Corbin was accepted to pursue a Master’s degree in Jazz Composition from DePaul.
As a bandleader, Corbin just recorded his debut album “Accidently On Purpose” which released on January 1st 2013.  This group performs throughout the Chicago area in venues such as Andy’s Jazz Club, Martyr’s, the Drake Hotel, and Lilly’s.  As a si
deman, he performs with a slew of different ensembles including Bumpus, Greg Duncan’s Latin Ensemble, M13, Joe Clark Big Band, Ryan Adamsons’ Medium Ensemble, Ian Torres Big Band, Nootka Sound, Rich Daniels “City Lights Orchestra”, Billy Wolfe, and The Tommy Dorsey Big Band.
In addition to jazz, Corbin is also active among the funk and rock scene in Chicago.  He travels throughout the U.S. with Chicago funk/soul legend James Johnston and Bumpus.  Through James, Corbin has performed with Syl Johnson, J.C. Brooks and the Uptown Sound, Clip-Art, Terrible Spaceship, Brother Joscephus & the Love Revolution, The Right Now, J-Livi & the Party, Afro-Zep as well as many other studio projects.
Mr. A. is also a very capable doubler on clarinet and flute.  He teaches woodwinds privately from his home studio, as well as at Kagan & Gaines Music.
You can hear him on Corbin A.’s “Accidently On Purpose”, Joe Clark Big Band feat. Jeff Hamilton “LUSH”, Greg Duncan’s “Chicago, Barcelona Connections”, and Ian Torres “January.”  Otherwise, Corbin leads one of the busiest jam sessions in Chicago at Lilly’s every Wednesday night and was recently nominated for the Chicago Music Awards “Jazz Entertainer of the Year.
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Austin F. June 24, 2017
· Saxophone · Online
On time, helpful, encouraging ! Great teacher !
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Ilija Vukotic January 18, 2016
· Clarinet · In studio
You know a great teacher when there is no fixed plan of lessons but you work exactly on things that you need the most.
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Suzanne L. December 4, 2015
· ·
He was fantastic! Very supportive and motivating. Challenged my son in new areas. Definitely recommend!
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Corbin A.

Corbin A.

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About Max M.

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North Hollywood, CA
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I have tutored music theory both privately and through my college's peer tutoring program. I can help you apply music theory to any genre, including classical, jazz and pop. As a jazz guitar student at the University of Miami, I developed a solid understanding of complex chordal structures. Shoot me a message to see how I can help you!

About Max
I love to teach. I started teaching privately while earning my Music Engineering degree (B.S.) from the University of Miami. I studied jazz guitar at UM and during my 10 years as a guitarist I have played many other genres from folk to metal to pop.
Most of my tutoring experience during college focused on math courses, SAT prep and music theory.
I am great with kids; I taught summer camps at a town-run skatepark for 4 summers.
Give me a call to see if we are a good fit!
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Marina June 16, 2016
· Math · In home
Max has been on time every time. He has established a very good rapport with my 15 year old (!!!) son which results in my son doing the homework and not dreading the sessions. My son seems relieved to be understanding the Algebra II concepts that he missed during the past term. He also seems way more confident and in a much better mood as if solving this issue for school was weighing him down before. In addition Max is very pleasant, very polite so his presence is welcomed by the rest of the family. Thanks!!!
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Brian G. June 15, 2016
· Guitar · In studio
Max taught me guitar in a fun and effective manner. Would recommend to a friend!
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Max M.

Max M.

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About Steph D.

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Coal Township, PA

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Need help passing a theory class in college or high school? Want to just improve your theory skills in general? I'm here to help you out! I received A's in all of my music theory courses in college, including Diatonic Harmony, Chromatic Harmony, Advanced Harmony, Modern Harmony and Orchestration. While in college, I tutored each of those classes every semester, and I never had a student get below a B-.

About Steph
Hello! My name is Steph and I can't wait to hear you play! I will absolutely enjoy teaching you regardless of your age or playing ability. :)

Beginner students: We will mostly work on pieces out of Kathy Blocki's flute method books as well as exercises composed by myself to make sure your fundamentals are solid from the beginning. Plan on learning new notes and rhythms each lesson as well as having scale and playing assignments. You will learn a lot each week while having a super awesome time :)

Intermediate students: We will be working on honing the fundamentals (tone, technique, articulation) through various etudes and intermediate solo pieces, depending on playing level. Vibrato will be introduced as well as phrasing, breathing, and everyone's favorite: intonation! Weekly assignments will include memorizing scales and preparing a
ll pieces covered in lessons. Prepare to take notes and laugh frequently at my jokes!

Early-Advanced students: We will learn about body awareness and work on playing without tension. We will work on developing tone colors (warm, sweet, bright, hollow, etc.), developing technique through daily exercises, as well as further developing the fundamentals. We will work on repertoire for your auditions, more advanced solo pieces, etudes, and technical exercises. Weekly assignments will include practicing at least 45 minutes per day to have material fully prepared for the lesson. You will get really good at taking notes!

Always remember: You will get out of lessons what you put into them! The magic always happens during practice. The more you practice, the more I am able to teach you, and the better you will play!

A little bit about myself, I recently graduated Summa Cum Laude with Honors from Bloomsburg University with a Bachelor's of Arts degree in Music, where I focused on flute performance. While at Bloomsburg, I taught private lessons to college-age students who were beginners to intermediate flutists. I have studied many major classical works as well as modern works with extended techniques. I was principal chair of Bloomsburg University's Wind Ensemble and Concert Band for three years, and I was actively involved in our New Music Ensemble. I would love to help you improve your playing and I truly can't wait to teach you :)
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Kristy B. February 22, 2018
· Flute · Online
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Candice February 22, 2018
· Flute · Online
I get so much out of every session I have with Steph. She has a lot of knowledge and provides many useful tools for approaching challenging techniques. It's easy to see that she's used to working with students at all levels.
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Pravin R. February 19, 2018
· Flute · Online
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Steph D.

Steph D.

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About Evan C.

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Warwick, RI

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Professional Bassist trained by the New England Conservatory of Music. I work with you to meet and expand upon your goals as a musician. Experience in common tonal practice, atonal music theory, set notation, and Lydian Chromatic Concept

About Evan
I am a professional upright and electric bass player located in Southern New England. I have years of experience as an educator, recording artist, and performer. I am currently pursuing my degree in Jazz Performance from the New England Conservatory of Music in Boston, MA.

I can be found playing with a variety of bands and musicians across all genres. Carley is a member of the Boston based Wedding Band “Speechless,” the modern jazz group “Puppet Club”, and various freelance work. Some of his notable collaborator include Francisco Pais, Jhony Keys, Clay Nordhill, Mark Texiera, Daniella Schatcher, and many others.

I am interested in all styles of music and working with people of all ages and backgrounds! I want to help teach you how to teach yourself, how to practice, and how to grow as a musician. I can help you with everything from jaz
z, to rock, to classical music and beyond.
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Marianne November 2, 2017
· Ukulele · In studio
Evan is a patient and talented teacher! I highly recommend taking classes with him!
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John September 19, 2017
· Bass Guitar · In studio
I have been studying bass with Evan for 3 months now and he has been unbelievably helpful in my studies. He has tons of information and experience to share and always gives practice materials to address my weaknesses!
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Evan C.

Evan C.

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About Caleb L.

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Iowa City, IA

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My theory training came from the top notch theory staff at Chicago College of Performing Arts. I love to teach music theory from building major and minor chords to jazz modes, chord progressions, four part harmony, voice leading, etc. I am currently a tutor at the University of Iowa for undergraduates taking music theory and am especially knowledgeable about that course material.

About Caleb
I am excited to start offering my teaching services on trombone, euphonium and the rest of the instruments from the brass family here at takelessons.com.

I have played with notable groups such as the Chicago Symphony Orchestra and am a former member of renowned Axiom Brass Quintet. I studied with Jay Friedman and other members of the Chicago Symphony at Roosevelt University for five years. My teaching philosophy falls into the Arnold Jacobs Song and Wind school of thought. I teach a lot of mouthpiece buzzing, and fundamental exercises to get my students playing with golden singing sounds!

Currently I am starting my second year in the DMA program at the University of Iowa where I am also a graduate teaching assistant in the trombone studio. In addition to the teaching I do at the University I am also a low brass teaching partner a
t West Music in Coralville.

Currently I am affiliated with two professional orchestras in the Eastern Iowa area. I am the second trombonist in Orchestra Iowa based out of Cedar Rapids, and will be filling in as an interim second trombone for the 2017-2018 Quad City Symphony season. I have been playing in professional orchestras for the last ten years and can teach you orchestral style, and audition preparation.

In addition to my orchestra playing, I was also a member of Axiom Brass Quintet from 2012-2014 where we were the first prize winners at the International brass competition held in Passau Germany.

As a soloist, I was also the grand prize winner of the Chicago International Brass solo competition in 2012 on euphonium.
Currently, I am also an active member with the New Chicago Brass, a modern brass ensemble based out of Chicago. I am comfortable teaching all brass instruments for all ages and skill levels. I look forward to answering any questions you may have in regard to taking lessons on a brass instrument.
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Nicholas December 4, 2017
· French Horn · Online
My son has learned so much in just a few lessons with Caleb. He is also practicing more than ever as Caleb is giving him excellent feedback and instruction. Can't wait to see how he does with upcoming auditions and looking forward to more leasons.
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Jennifer December 1, 2017
· French Horn · Online
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Mike September 14, 2017
· Trombone · In studio
My son is brand new to the trombone and Caleb has been great. My son is having fun which is all due to Caleb.
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Caleb L.

Caleb L.

Iowa City, IA 52240
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$25 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

All in Order: Tricks for Identifying Key Signatures

All in Order: Tricks for Identifying Key Signatures

What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou … Read More

All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
6 Fun and Unique Ways to Learn Music Theory
Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform

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