Talmo, GA Music Performance Lessons

*** Lesson Details ***
What a student may expect from this teacher:
Within 3-6 months students shall a have a good grasp on the foundation of their instrument/ craft; have a controlled sound; be playing/ singing what he/she hears; stronger, more defined tone; be able to play through/ sing through at least one song; have expanded range; confidence; and of course tackling personal goals set within the lessons.

My Goal is to facilitate bringing out what greatness already lies within and to assist in that growth, as well as teaching new information and the how to apply. I am not very strict on notation, as far as reading music (Piano and Voice). Lessons with me will more consist of the meatier portion of music how to use the instrument, developing the sound, understanding chord structures, playing/ singing what you hear, techniques and how to put it all together musically. However I will go through musical notation and reading chords, but it will not be a focus. (If you desire to play/ sing classically, I may not be the best teacher for you.)

For MUSIC PRODUCTION: Producing musical tracks and recording artist is the root and the focus. The curriculum is sculpted from LOGIC PRO X, REASON and PRO TOOLS software (subject to change). Students learn how to create what he/she hears and how to format it all together; Students learn how to track and record/ mix in the most professionally used software; Mixing and Mastering shall be touched upon as well.

When it comes to teaching and application of knowledge for each student I am serious about his or her growth; I don't want anyone wasting their money or time, so practice and dedication is necessary.

*** Studio Equipment ***
88 Length Keyboard with hundreds of sounds
Studio Mics
Teaching white board
Music Software

*** Specialties ***
Pop/Rock, R&B/ Soul, Christian, Hip-Hop, Country, Folk; By Ear& Reading
Pro-Tools, Garage Band, Reason, Logic Pro X

over 10 years, including group classes and private lessons. Below are some of the goals in my teaching method and what students can benefit in every lesson:

- Explaining the structure of guitar and giving the basic information about the instrument
- Instructing students about both the basic and advance techniques in guitar playing
- Striking a fine blend of theory and practicality while teaching guitar playing
- Ability to understand the needs, short and long term goals of different students and changing the methods of teaching accordingly
- Preparing students for student recitals or public performances if necessary

I'm funny, friendly, outgoing, and love to play guitar. I’m also flexible and easy to work with, however when it comes to learning I’m strict and serious. Some of my students call me “Three-Face”, for I’m not only your teacher but also your friend and your coach: I will introduce you to the world of guitar as a teacher; jam and have fun with you as a friend; and I will train you and make sure you are on the right as a coach.

I like all kinds of music, from Classical to Metal and everything in between. Some of my favorite bands/artists who influence me include: Joe Satriani, Slash, Santana, Jimi Hendrix, AC/DC, Metallica, Guns N’ Roses, Led Zeppelin, Disturbed, Antoine Carre, Niccolo Paganini, Antonio Vivaldi…

Sharing my knowledge in music and guitar makes me happy, and it is the greatest joy for me to see my students grow and play the music they like. Guitar lessons should be fun and enjoyable, yet challenging.

Thank you very much for visiting my page and I hope to teach you soon!

Best wishes,

- Sylivan T.

*** Lesson Details ***
During our first lesson, we will first talk about your goal and music direction that you want to pursuit. Then based on your goal and direction, I will customize a curricular track and briefly explain the things that you need to know and what you need to focus on in order to achieve your goal.

As your instructor, my goal is to help you to reach your goals and to have fun with the music you enjoy. In each lesson, according to your progress, I will introduce you new concepts/materials using fun and easy-to-learn activities. Then we will work on the materials together and have fun jamming together. Yes!! You will feel like you are jamming along with your friend instead of taking a guitar lesson, because guitar lessons suppose to be fun!!!

Each particular lesson I will assign you some assignments. They would either be things that we already jammed on during the lesson, or something that I want you to work on your own. Then when we meet again, we will go over the assignments together and I will give you comments and advises to help you play better.

Below are only some of the instructional books that I usually use for teaching beginners. I will also use other instructional books and music repertories according to the ability of the students and their music style:

- Hal Leonard Guitar Method: Will Schmid and Greg Koch
- Alfred’s Basic Guitar Method: Alfred d’ Auberge and Morton Manus
- Hal Leonard Rock Guitar Method: Michael Mueller
- Solo Guitar Playing: Frederick M. Noad

From my experience as a teacher and student, I believe there is no such thing as a “Perfect Instructional Book”. Therefore along with the above instructional books I will add in some other activities and exercises written by myself.

*** Travel Equipment ***
I expect my students to have a guitar and a chromatic tuner. Also a note book, some staff paper, and a pen and a pencil.

For electric guitar, it's necessary to have an amp and a .25 inch cable at home

*** Specialties ***
Usually use Mei Bay Guitar Method as a general guide and text for guitar teaching.

*** Specialized in classical, rock, blues, and pop ***

Music Theory, Sight Singing, and Songwriting. I also specialize in the following instruments: Trumpet and Piano/Keyboards. As a trumpeter, I have competed twice in international competitions presented by the International Trumpet Guild, and have participated in two audition based international intensive programs: at the School for Improvisational Music, and at the Banff Center in Alberta Canada. I was one of only two jazz trumpeters in the world to receive an audition for the 2014 Juilliard Artist Diploma Program in Jazz Trumpet, and besides touring as a musician in over 5 countries, I have served as an educator for the Afro-Latin Jazz Alliance created by GRAMMY-winning pianist Arturo O'Farrill, as well as the Gramercy Brass Orchestra of New York City.

I have also been practicing various forms of meditation practices and Yoga practices for the past 3 years. My influences span from Astral Projection to Reiki, to Vipassana Meditation, to Visualization Techniques, and much more. I believe and live by the idea that creativity is an energy that flows through us, and one's creative abilities can be improved and expanded, through the emotional body, which is influenced by one's perceptions. Throughout my training in music and the arts, I have realized that creative flow and love for what one is and does can be applied to anything in life.

Because of my 9+ years experience as a professional artist living in New York City, my students receive both guidance in discovering their own voice and comfort within their desired field of practice, and also practical approaches to retain and utilize their training and pre-ordained skill sets, with self-application and diligence. Through study with me, my students enable themselves to swiftly make progress and move toward a life of renewed purpose and fulfilment. Through specific assignments, exercises, and practices my students foster a real relationship with their instruments, and themselves, thus unlocking their creative minds, for usage in all aspects of their lives.

I teach out of a my home apartment studio on the upper east side, complete with weighted 88-key digital piano, Bose high quality speakers, recording equipment, as well as musical media, and tablature spanning many musical genres, cultures and time periods. I also am equipped with a spacious floor space for Yoga, Pilates, Weight Lifting, Meditation, and more. Additionally, I am able to travel to any location within the five boroughs for an additional travel fee (TBD based on location).

I look forward to helping you realize your potential! Let's get started...

in Georgia.

She also teaches PIANO. She has taught piano for about 10 years. She studied piano privately for 10 years and had further study at Indiana University.

Students wishing to have any COMBINATION of piano, music theory, sight reading and/or vocal development can receive a program of study that meets their individual needs.

PERFORMANCE EXPERIENCE:
Mary Frances has performed with the Southeastern Savoyards Light Opera Company, the Atlanta Opera Chorus and Studio, the Atlanta Symphony Chorus, Marietta Theater in the Square, and Neighborhood Playhouse. She has sung title roles in Patience, Little Red Riding Hood and Hansel and Gretel. Other roles include Josephine in HMS Pinafore, the Princess in The Student Prince, and Connie in The 1940's Radio Hour.

She has performed many roles with Capitol City Opera Company (CCOC) including Annina in The Saint of Bleecker Street, Bastienne in Mozart's Bastien and Bastienne, Nora in Vaughan Williams' Rider's to the Sea, and Gilda in Milton Granger's Talk Opera. She sang for many years in CCOC's school outreach program. She has sung many concerts for CCOC as well.

Mary Frances was a soloist in Handel's Messiah for Peachtree Presbyterian Church. She has worked as the soloist at The First Church of Christ Scientist in Roswell, Georgia and at The Second Church of Christ Scientist in Sandy Springs, Georgia ( This church has now closed). She occasionally directs and sings in the choir, and substitutes for the cantorial soloist at Congregation Dor Tamid in Alpharetta, Georgia.

EDUCATION:
Mary Frances holds a bachelors degree from Indiana University School of Music in both Voice and Theater. Mary Frances was a long time student of the late Elizabeth Nohe Colson of Atlanta, Georgia. She has attended Brevard Music Center, The Georgia State Opera Workshop and the American Institute of Musical Studies in Graz, Austria. While in Graz, Mary Frances was a finalist in the Meistersinger competition.

*LESSON DETAILS

RECOMMENDATIONS FOR LESSON LENGTH:
30-minutes for beginning adults and elementary students up to 5th grade. 45-minutes for intermediate adults and students 5th to 8th grade. 60-minute lessons for more advanced students high school and up.

TEACHING STYLE AND CURRICULUM:
ALL: My teaching style is relaxed and nurturing I use positive reinforcement to encourage progress with adults and children. Students are allowed to progress at their own pace.

PIANO: I prefer the Alfred's Basic Piano Library series for my piano students. I find that my students learn more music theory and music reading with this series. If the student has started lessons in a different series, I can work with that as well. I have a large music library that provides a wide selection of music in addition to the Alfred books. I expect most beginning students to learn basic music reading and theory in 3 to 6 months. They should also to be able to play simple tunes in that time. I am an active professional singer, so I have a large library of vocal material at my disposal.

All piano students are REQUIRED to have an instrument to practice on at home. The piano MUST HAVE AT MINIMUM:
IF Digital - 88 full sized, weighted keys with polyphonic sound ( at least 10 keys should be able to sound at at the same time) and a sustain pedal,
OR - If Accoustic - maintained and properly tuned.

VOICE: I begin my voice lessons with breathing techniques and vocal placement using widely accepted exercises coming from a large body of sources such as:
Vaccai, professional level vocal teachers, coaches and directors that I have worked with and learned from over the last 30 years, and the writings of highly acclaimed authors in the vocal field. I also have a wide selection of art song books, oratorio, musical theatre, and opera. My background is classical and musical theatre, but I believe all styles of singing need the basic skills of breathing and vocal placement. I strive to keep voices healthy as well as find each student's most beautiful sound. Most students will see progress in breath control, range, projection and diction in 3 to 6 months.

Repertoire is chosen on an individual basis. Younger students and beginners will be encouraged to not push their voices with material that is too difficult for their individual abilities because singing requires a certain amount of physical endurance. My goal is to find each student's natural sound for whatever style he or she sings.

Voice students are encouraged to bring a recording device to lessons to use for later practice and study.

STUDIO EQUIPMENT AND LIBRARY:
Piano, Computer with Internet Access, Library of Music and Reference Materials (Sample Listing): Alfred's Basic Piano Library Books Twenty-Four Italian Songs and Arias, Medium High and Medium Low Voice; Schirmer Sing at First Sight; Alfred Basics of Singing by Jan Schmidt; Schirmer Many Soprano Collections of Arias, Oratorio, Sacred, and Art Songs from Schirmer Several Broadway Music Collections from Hal Leonard Discover Your Voice by Oren Brown Training the Speaking Voice by Virgil Anderson International Phonetic Alphabet for Singers by Wall Dynamics of the Singing Voice by Meribeth Bunch Classical Singer Magazine Subscription Journal of Singing, The Official Journal of the National Association of Teachers of Singing,Inc.Subscription

SPECIALTIES:
I am classically trained bel canto voice teacher, but I can work with broadway and pop styles. I teach sight singing for students pursuing auditions for All State Chorus and College entrance, etc. I use the Alfred Basic Piano Series for Piano students

ove it.
- Worship intern May 2014 - Sep 2014
- Dallas/ Fortworth Church of Christ
- Led worship, produced music, directed choirs, taught assorted parts to part singers.
- I Speak 3 languages fluently
- I am a certified member of the National Association of Music Educators
- I have received awards in the fields of Voice and Piano for outstanding professionalism, & Excellency
- I am presently teaching ages 5-65, with the exception of one enthusiastic 67 year old.
- I love my job, and I am passionate, above all I will make you excited about the field of study you choose

*** Lesson Details ***
These details change depending on, whether you would like musical training or academic tutoring.
Musical:

Music is fun and the lessons should be as well. When it comes to practice I recommend that students do spend time (1/2-1hour daily) outside of the lessons practicing to ensure that they see results. If you choose to practice only while in the lesson you will get better but it will be at a slower pace.

- Start with quick warm ups (these work to increase students fluidity with their instrument)
- Work technique
- Assign repertoire depending on skill level.
- Work on assigned repertoire
- Work on technical aspect of the pieces.
Your student will learn much more about their capabilities and their instrument as they will learn many aspects of Music Theory.

I teach beginning- advanced piano lessons touching on posture, hand position, rhythm training, sight-reading, expression, and pop/jazz chord charts. If you want to learn how to play songs by ear that you hear on the radio, I can train you how to do that too! Once I feel that you have surpassed my ability to help you grow, I will be happy to pass you on to a more experienced teacher and attend all of your future recitals.

I teach voice beginner-professional, which includes classical repertoire and technique as well as Musical Theatre, Pop, Rock, Standards, Country, RnB,...you name it. The best part is that you will learn to sing in a manner that will not damage your instrument and in fact will work to fortify your instrument.

Academic:
- Start with introduction to the standard.
- Work on problems with material.
- Present new methods to reach a solution.
- Work on all assigned work.
- Work on future work to give the student an academic advantage.

I am a hard working tutor that will bring the joy of the subject to our sessions of tutoring. I am strict at times, however, some of my students have referred to me as mellow. I will strive to bring your student up to speed and surpass even their own expectations. I love my students, and I want to see them succeed.

*** Studio Equipment ***
Piano, Recording equipment etc.

*** Travel Equipment ***
Casio Keyboard Piano, sheet music, and much more equipment as needed.

*** Specialties ***
Classical Piano, Classical Voice, English Literature, Spanish Linguistics

material when helpful), so students will only be learning what *they* need to be learning next, based on their unique blend of skill, experience, and curiosity. With that in mind, here are some topics on which we tend to focus.

Guitar Lessons:
-Proper Technique. (How to hold a pick. Proper ways to apply pressure to the strings with the left hand. Tension-free technique to prevent injury and strain.)
-Chord Formations. (Bar chords, Power chords, Open chords, Triads and inversions, CAGED system chords, Seventh chords, Advanced jazz voicing, Chords in alternate tuning.)
-Scales/Arpeggios. (Proper fingering to build technical skill. Three note per string scale forms. Conventional scale forms. Cross-fretboard patterns. Seeing arpeggios from different scale degrees. Pattern manipulation.)
-Reading Music. (One position reading. Multi-position reading. Sight reading practice. Understanding rhythmic variation. Ledger line studies. Dollahon 10th position method for sight reading.)
-Repertoire. (Songs in genre(s) of preference. Learning to play songs from favorite artists. Learn to accompany yourself if you sing.)
-Ear Training. (Hearing melodic phrases. Identifying chords. Transcription projects. Learning to "play by ear".)
-Rhythm Training. (Differentiate between different rhythms. Metronome work. Keeping solid time. Develop ability to clap/strum/pick a variety of rhythms with good time.)

*** Studio Equipment ***
Two small jazz amplifiers, five guitars ranging from acoustic to electric to archtops, and an 88-key electric piano for music theory lessons.

*** Travel Equipment ***
Two small jazz amplifiers and five guitars ranging from acoustic to electric to archtops.

of Music, Radio Disney AM 1260, and the New Victory Theater (Off-Broadway).
World class venues include: Carnegie Hall, The Vatican, Notre Dame Cathedral, Palau de les artes de Regina Sofia, and Symphony Space. Liz has also performed with the Amore Opera, NY Lyric Opera and Regina Opera companies of New York City.
Favorite Theatrical Credits include: The International Tour of Disney Live! (Feld Entertainment), Nickelodeon at Sea (Norwegian Cruise lines), Macy's Thanksgiving Day Parade (NBC), RWS and Associates, Carnival Cruise lines and legendary summer stock theaters including Ogunquit Playhouse, ME and the Granbury Opera house, TX .
Past NYC Music Venues include (Select): The Metropolitan Room, The Cutting Room, Ashford & Simpson's Sugar Bar, Toshi's Living Room, The Shrine, Silvana, The Bitter End, The Path Cafe.
Past TV/Film Selections Include: Orange is the New Black, Elementary, Law and Order SVU, Mozart in the Jungle, Grown ups 2, Labor Day, The Makeover, Nurse Jackie, The Knick, Blue Bloods, The Following, The Woody Allen Summer Project, Madame Secretary, Mysteries of Laura, Royal Pains, Teenage Mutant Ninja Turtles 2, The Heat, The Carrie Diaries, Vinyl, Public Morals,The Tap, The Only Boy in New York, Irreplaceable you,The Leftovers, Marvelous Mrs. Maisel and Bull.
She has a passion for singing jingles, and recording voice overs all around the world for clients in India, New Zealand, France, Israel, Philippines, and Russia to name a few, be on the lookout as you never know where you may hear her Voice!
Her writing has been published by the Vail Jazz Festival, Lessonface, Takelessons, NewMusicalTheatre, Onstageblog, New Victory Theater Blog and with Dance, Laugh, Learn LLC.
She has had the pleasure of Musical Directing with various inner city schools with young, at risk students including Inside Broadway, Brooklyn Arts Council, Mainstages, The Queens Theater, Long Lake Camp for the Arts, Berklee City Music Program, Boston Bridge Charter School, and St. Joseph's Regional Catholic School. Past shows she has musical directed have included Annie, Legally Blonde, The Wizard of Oz, Seussical, Oliver, Shrek, and Chicago. Liz also serves on the Berklee Alumni Audition Committee, and was recently named Berklee Alumni Ambassador of the Year. (2017)
Currently she is working on her original musical Ciao Bambino, which debuted it's first staged reading at the Midtown International Theater Festival in the Fall of 2016, and Off-Off Broadway at the 13th Street Repertory Theater! At MITF Ciao Bambino was recognized with an award for Best Staged Reading. "Give me the stage" an original song from the musical also won first place in competitions at the Bunol Symphony Orchestra in Spain and Hampton Beach talent show in New Hampshire.

YOUNG ARTIST PROGRAMS
Opera Viva!
Verona, Italy June-July 2018
Coaches: Dr. Madelyn Gearheart, Dr. Lisa Sylvester, Catherine Ciesinski, Joyce Fieldsend, David Walsh, Laura Athey-Janka, Darrell Babidge, Gerardo Felisatti and Gordon Ostrowski.
Miss. Turner is a member of the following professional organizations: SAG-AFTRA, The Dramatists Guild, BMI, Society of Composers and Lyricists, The Drama League, The Manhattan Association of Cabaret Performers, AFM Local 802, Actor's Equity Membership Candidate, Theater Resources Unlimited, The Off-Broadway Alliance, Women in Music, National Italian American Foundation, National Organization of Italian American Women, International Women's Jazz Association and The League of Independent Theatre.

*** Lesson Details ***
I like to work with students at all levels, whether you sing for your own enjoyment or are serious about pursuing a career in performing, I want to help you be the best performer! Please send me a message before you sign up for lessons so we can coordinate time difference/scheduling, Thank you!

*** Specialties ***
Voice, Piano, Clarinet, Music Theory, Songwriting, College Audition Prep. (Past students have been accepted to Berklee College of Music, Laguardia High School, Frank Sinatra High School of Performing Arts, PPAS, Murrow High School)

ful instruction, I will work with you to achieve your goals in a relaxed, and encouraging environment with positivity and praise.