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Delaware City, DE Music Theory Lessons

Looking for private in-home or in-studio Music Theory lessons? Our Delaware City teachers are ready to get you started. Find your teacher today!

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Popular Music Theory Teachers near Delaware City, DE

Check out some of our most popular teachers near Delaware City, DE including New Castle, Saint Georges, Port Penn, Pennsville and Kirkwood.

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About Joe M.

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Philadelphia, PA

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My music theory background has always helped me progress with my guitar playing and song writing. I can give you the tools to help you understand how music works, which will allow you to make further progress on your own.

Again, we can start from whatever your current knowledge is. if you don't know what a key signature or a scale is, I can give you a basic understanding by lesson two. From there we can move on to deciphering chord patterns and working with more complex scales and modes.

About Joe
I can give you a solid start on the guitar. Whether you're just learning your way around the neck or ready to ...
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Joe M.

Joe M.

Philadelphia, PA 19139
starting at
$30 / 30-min

About Timothy K.

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Philadelphia, PA
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About Timothy
Education-
Currently a music performance major at Temple University
Associates in Applied Science
Major- Sound Recording and Music Technology
I can teach all styles from reggae, funk, jazz, rock or blues to heavy metal. I can also introduce students to recording and preparing for the studio. I am currently in TOOL tribute band and working on several recording projects.
Paul Green School of Rock Music, Music Director 2001-2009
Philadelphia/Southampton, PA
Produced and directed 25 concerts of varied genres of music
Responsible for teaching students reading techniques, song form, sound production and drumming fundamentals.
Educated individuals and groups in an extensive variety of musical styles
Instructed students ages 6-18 yrs in drum set and snare studies

St. Martin’s Catholic Elementary, Drum Instructor Feb 2000-Jan 20
11
Philadelphia, PA
Taught percussion ensemble
Tutored intensive individual instruction
Facilitated drum and snare studies
Prepared students for school concerts

Lansdale Catholic School, Drum Instructor Sept 1991-June 2000
Lansdale, PA
Taught marching band

*** Lesson Details ***
My lessons are laid back and fun. I set short and long term goals for my students. Beginners will learn song form, basic beats, sticking patterns and proper technique as well as a focus on playing the music that is most inspiring to them. As our lessons progress we'll work on reading more advanced music, drum set technique, soloing, playing more difficult songs, music theory and learning about all the great drummers in the world! After a few months you'll be booking yourself gigs!

*** Studio Equipment ***
recording gear, two drum sets, rehearsal space seating for parents

*** Travel Equipment ***
I have a studio with two drumsets set up

*** Specialties ***
I specialize in Rock, Funk, Prog, Reggae, Folk, and Jazz
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Reviews
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Claven October 16, 2016
· Drum · In studio
He is a great teacher he helps you learn it so you can understand, he simplifies what your having a hard time on and then you'll get it
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Yixuan July 26, 2016
· Drum · In studio
Tim is a really nice and patient teacher. I did not have any drum experience before, but Tim arranges the first courses from basic rhythm practice, and also asked me to set up a long goal of playing drum cover of my favorite song. So the drum lesson is always interesting and compact, which makes me want to practice more in my spare time. I hope I could follow up the courses with more improvement and did better with his guidance.
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Lily July 4, 2016
· Drum · In studio
Great for the first lessons. .
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Timothy K.

Timothy K.

Philadelphia, PA 19123
(10)
starting at
$25 / 30-min

About Susan T.

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Prospect Park, PA
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I have taught Music theory for 14 years. I use many different method books. When you take music theory with me, you will have a great understanding of how music is made.

About Susan
Private Instrumental Music Teacher at Bonner & Prendergast Catholic High school. Women's Choir Director at St Jude Roman Catholic Church in Eddystone PA. Former Early preschool teacher at Chesterbrook Academy. Former Instructional assistant at Prospect Park School. Remedial reading coach at Prospect Park School. Former General music teacher and chorus teacher at St Monica's School in Philadelphia. Former director of the Delaware County Concert Band and served as music director for the Glenolden Young People's Performing Arts Club. Orchestra Sub for Arden Theater Company's production of Sweeney Todd. Substitute Music and Pre kindergarten teacher at Media Providence Friends School 2001 to 2003. Member of Chester City Band 1987 to 2000. Piccolo chair UpperDarby Sousa Band 1987 to 1993. Recorded with the Porch Chops in 1993 and Upper Darby
Sousa Band in 1987. Orchestra Member Upper Darby Summer Stage 1987-1993. Played in Upper Darby Jazz Festival in 1989. Won Soloist award. Played with Settlement Music School Jazz ensemble 1987 to 1989. Played at the Roam and Hass Jazz festival at Settlement Music School in 1988. Founding member of flute ensemble Flutes in a Chord. Studied with Christine Dalsey . Studied Jazz with Lovett Hines. Attended Masterclasses with Nestor Torres and David Cramer. Specialist in early childhood education, pre-school music and Ethnomusicology with a focus on Asian Music. Member of the Flute Society of Greater Philadelphia, Pennsylvania Flute Choir.
Flute, Jazz Flute, Flute Choir B.A. in Music, Temple University.

*** Lesson Details ***
I am a teacher that can be very strict but I can also go with the flow. I base my curriculum on Orff and Kodaly for my younger students. For my older students, I work with the student's abilities and see which curriculum works for them.

*** Studio Equipment ***
Indoor studio space: drum kit, hand percussion, 88 - key fully weighted digital piano, flutes, clarinets, computers, recording gear, alto sax, recorders, piccolos

*** Specialties ***
Classical and jazz
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Reviews
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Edward A. April 4, 2016
· Piano · In home
Miss Susan is a great teacher. I have a lot of fun in piano lessons.
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Samira W. October 30, 2015
· Percussion · In home
I expected Percussion lessons where going to be on a complete drum set however NO Drums supposedly the snare was being repaired. Not even a drum pad was available but a book was used and an African drum. I think her forte is piano lessons. .Will be calling for a refund. Waste of time and gas!!!!
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Alyssa T. March 23, 2015
· Piano · In home
Susan was very nice and also very easy to understand. She was funny and incorporated jokes within the lesson and also shared some of her own experiences with the piano with me. Overall, it was a very good lesson and i cannot wait for the next one.
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Susan T.

Susan T.

Prospect Park, PA 19076
(8)
starting at
$30 / 30-min

About Scott B.

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Philadelphia, PA
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Music theory is one of my passions. In my lessons I can present advanced harmonic, rhythmic and improvisational concepts in a way that will make sense to anyone.

For beginners, I can help you understand the basic chord/scale relationships that make your favorite songs work, and help you in writing your own songs.

About Scott
"a masterful guitarist -- really, a total whiz of a rare order."
--Hudson Valley Almanac Weekly

"a force to be reckoned with... sophisticated chord voicings, complex fingerpicking patterns, and a flurry of blues, jazz, and folk-inflected riffs performed with a ringing acoustic tone and an undeniable rhythmic drive."
--Wired.com

Scott is an internationally touring guitarist and songwriter based in Philadelphia. In addition to his work as an in-demand sideman for various artists and bands around the country, Scott is also an accomplished bandleader and composer with four acclaimed releases under his belt over the last ten years.

As a guitarist, Scott brings a modern, technical approach to traditional American styles - jazz, bluegrass, country blues, western swing and chick'n pick'n country guitar - but as a songwriter, he gravi
tates toward straightforward rock, blues, and folk.

Scott's guitar playing and songwriting has landed him features from American Songwriter, CMT, and more. He holds a BFA in Studio/Composition, with a minor in Jazz Performance, from SUNY Purchase in Purchase, NY.

Scott is currently on faculty in the Music Industry department at Rowan University in Glassboro, NJ.

*** Lesson Details ***

When studying with Scott, students can expect a comfortable and fun atmosphere that promotes experimentation and positive reinforcement. Employing a curriculum that is equal parts formal technique and informal playing of the student's favorite music, Scott makes every lesson engaging and exciting for his students.

After 3 to 6 months studying with Scott, beginners should expect to be able to play many of their favorite songs, have a firm grasp on basic scales, chords, theory and sight reading, and can even begin writing their own songs and improvising solos!

If you're already an intermediate/advanced player, Scott will push you to find your unique voice on the guitar and tap into advanced techniques and approaches that will help you fully realize all that the guitar has to offer.

Lessons are tailored to each individual student's particular interests and abilities. Wherever you want to take your guitar playing, Scott will get you there and beyond!

*** Travel Equipment ***
I will bring an acoustic guitar with me. My student must only have a guitar of their own of any kind. If it's electric, an amp is preferable, but not necessary.

*** Specialties ***
Music, Guitar, Bass, Theory, Song Writing, Composition, Improvisation, Sight Reading, Advanced Harmonic and Rhythmic Concepts, Group Playing
I am schooled in Jazz, but have a passion for all styles, including rock, blues, country, funk, folk, punk, and world music.
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Reviews
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Kathleen P. July 14, 2016
· Acoustic Guitar · In home
Great instructor!
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Randall D. May 14, 2015
· Bluegrass Guitar · Online
My first lesson was wonderful! I have been playing guitar for 20 years, and have been in a rut for the last several. Scott has already challenged me in my first lesson and I have direction for personal practice.
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barbara F. August 27, 2014
· Acoustic Guitar · Online
Scott is not only an amazing guitarist, but he is a superb teacher. Kind, supportive, and has an uncanny ability to break-down difficult pickings and strums into understandable and easy to follow directions. Most importantly, very patient. I was self-taught in the 70s when everyone picked up a guitar, stopped as an adult and am now re-starting it again after 30 years-and enjoying every moment. Scott is able to teach any type of music or song and intuitively understands and teaches the guitar style that the student would like to learn. Any student who studies with Scott should consider themselves fortunate. Not only does he know his stuff, he is passionate about music and passing on this musical knowledge to his students.
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Scott B.

Scott B.

Philadelphia, PA 19143
(6)
starting at
$30 / 30-min

About Vince T.

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Philadelphia, PA

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Music Theory is essential for a well-rounded musician to grasp. Not only should a musician know what sounds good, but why it sounds good. Simple theory includes note names, reading music, melody, and rhythm. Complex theory includes how extended chord structures relate to each other, Serialism, and harmonization.

Vince was first introduced to music theory when he began playing trumpet and reading music. He learned the basics such as notes, scales, triads, key signatures, and time signatures, from the perspective as a performer. Later (especially when he started studying guitar and piano) Vince studied intervals, more exotic scales, and chord progressions. At college and graduate school, he formally studied advanced music theory as applied to tonal harmony, twentieth century music, and jazz.

Often, theories are built upon other theories and thus support each other. Vince can teach the basics and some of the most advanced theoretical concepts to any musician regardless of ...

About Vince
“Basically he’s the go-to cross-genre horn-blowing utility man of the Philly scene” (John Vettese). Vince Tampio is a professional trumpeter, arranger, composer, and multi-instrumentalist based in Philadelphia, PA. Although firmly rooted in jazz, he is comfortable with a wide variety of genres including rock, soul, funk, folk, classical, and electronic.

Vince’s most recent solo album Live at PafA (2017) “is a contemporary instance of fusion done right,” and whose “nontraditional instrumentation maintains a spacious environment that proves ideal for a set brimming with imaginative, drawn-out improvisation” (Matthew Aquiline). This project was recorded as part of HotHouse at PafA After Dark: a concert series of the Philadelphia Jazz Project. Live at PafA was preceded by Syzygy (2014) and Syzygy: Remix (2014). Vince is currently self prod
ucing four more solo albums. One unreleased composition was recently featured in The Philadelphia Real Book Volume 1.

Vince has appeared as a side man on more than 25 albums. He is the trumpeter and arranger with the York Street Hustle, the John Byrne Band, the Cat’s Pajamas, and You Do You. He is a founding member of the Philly Phatness horn section, which has recorded with regional, national, and international artists, and on film soundtracks. Vince also writes and arranges for the Uptown String Band, a member of the Philadelphia Mummers String Band Association.

Vince earned the Masters of Music degree in Jazz Performance from the University of the Arts; and earned the Bachelor of Science in Music degree concentrating in Jazz Studies and Theory & Composition from the State University of New York (SUNY) at New Paltz. He studied trumpet through undergraduate and graduate school with Rebecca Coupe Franks, Dennis Wasko, and John Swana. Vince has also attended master classes held by Matt Gallagher, Craig Morris, Claudio Roditi, Malcolm McNab, Scott Holbert, Jeffrey Curnow, and Alison Balsom.

Vince first began teaching music in 2006 as the trumpet instructor at Silver Creek Central School. He directed trumpet master classes for high school students. Vince later took on various private students teaching trumpet, guitar, electric bass, improvisation, and arrangement and composition. While earning his Master of Music at the University of the Arts, he served as the trumpet department intern and was responsible for teaching private trumpet lessons, preparing transcriptions for class materials and live performances, and proctoring music theory exams.

Also at UArts, Vince was a teaching assistant for the Freshman Jazz Improvisation class for which he conducted sectionals, administered exams, and offered critiques regarding inventiveness of improvisations. He currently teaches a number of electric bass students at Philadelphia's Rock to the Future. Vince privately teaches trumpet, electric bass guitar, ear training, music theory, improvisation, arrangement, and composition to students of all ages and levels.

Since each student approaches music differently; I tailor my teaching to fit their approach. I ask each student, "What are you aiming to accomplish?" Together, we set short and long term goals. I believe a strong technical foundation leads to freer ease of artistic expression. My students receive a holistic approach to music applicable to whatever instrument of their choice. 

Fast becoming a sought after trumpeter and arranger, Vince continually pursues work performing, arranging, composing, teaching and recording original music.

Quotes:

"Vince Tampio proves himself a very creative composer. I look forward to hearing more from this upcoming composer & instrumentalist." (Fred "Rock Steady Freddie" Reiter)

"Vince plays his horn with creative passion and soul, his tone is very open and full these two combined make him one of the leading up and coming young jazz trumpet players of today." (Rebecca Coupe Franks)

"I've had the great pleasure of working with Vince as an arranger and writer. His music explores many styles and directions, and is always well crafted. He has an original and distinctive voice as a player, an arranger, and a writer. Such dedicated talent deserves to be heard, and I'm sure we'll be hearing a lot from Vince in the future." (Vinnie Martucci)
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Reviews
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Stefan D. November 16, 2017
· Trumpet · In studio
Vince was very personable, and knowledgeable. He offered many ideas, and techniques needed for a beginner. Vince explained everything in great detail, and is willing to go the extra mile to help. Overall a good experience.
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Dan D. December 29, 2016
· Trumpet · In studio
Vince got me back on track for a few months after not playing trumpet for years! Hopefully will work with him again in the future!
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George A. May 1, 2016
· Trumpet · In studio
Great to work with n learn from!
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Vince T.

Vince T.

Philadelphia, PA 19148
(14)
starting at
$25 / 30-min
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About Rosalind H.

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Coatesville, PA

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Having attended Westminster Choir College and taken music theory based classes in highschool, I have had experience with everything from basic theory to music analysis to ear training and more. I have taken practical theory classes and music history/world music classes which have contributed to my understanding of the patterns in and characteristics of a wide variety of musical genres. At Drexel University, as a music therapy masters student, I was expected to improvise and transpose at a moments notice. These experiences have convinced me that it is in the musician's best interests to have a strong foundation of theory knowledge, and I emphasize theory approaches to understanding music in voice, and particularly piano lessons, as I believe this will help the student to better predict and understand an underlying musical structure to a song, helping with his or her reading fluency.

About Rosalind
Hello! My name is Rosalind and I believing in teaching music lessons that go the extra mile. Students and parents can expect excellence in customer service that goes beyond their weekly lessons.

How are lessons with me different?

-Convenient Locations in Downingtown, Coatesville, West Chester as well as online lessons!

-Lessons are recorded and sent to parents and students within 24 hours so that assignments are always clear and that you have a clear idea of progress

-Access to my student newsletter which includes tips for how to improve as a performer and news about student's upcoming performances

-I help students find and prepare for performance opportunities and I attend student performances

-I select one student a month to participate in our student showcase, featuring them in my newsletter

-I host twice a ye
ar recitals where students can show off their new skills

-I bring all materials to lessons for your convenience (excluding piano)

-singers receive recorded warm ups to practice with at home

-I am skilled at helping students with ear training if they need it for voice, most of my students can match pitch after a month of singing lessons no matter the trouble they have had before

-every student gets a "new student kit" at their first lesson including a list of performance opportunities and a vocal health guide for singers

-weekly instructional videos for voice sent

-weekly links to articles about music and the brain

-I respond to student concerns and questions within 24 hours

I welcome students of all ages and work hard to make music accessible for everyone.

-Young kids in voice can expect their lessons to be fun and educational including using visual tools like scarves and shakers, and imaginative play to learn vocal techniques needed to sing on pitch and with proper breathe control.

-Children in piano lessons will learn music theory and piano technique through simple songwriting exercises, theory games, visual tools and more. They will learn about composer's lives and musical styles, providing them with a well-rounded lesson experience.

-Older children and adult singers can expect to learn about their vocal anatomy in order to better control of their voice and become independent during practice sessions at home. They will learn how to improve breathe control, posture and diction. Time during lessons will also be dedicated to developing stage presence and discussing vocal health. Singers will be allowed to select repertoire from the genre of their choice. They can also learn how to harmonize and sight-sing in lessons if they would like.

-I teach beginning guitar students and help them learn how to play with proper technique and accompany themselves when singing. These students learn to read staff and tab and shape different chords on the guitar. I use theory games and visual tools for kids to make lessons fun

-Music theory/composition students will be taught how to read and write music. Students will be invited to improvise on the piano and record their improvisations.They will be taught how to sight-sing in order to learn how to notate any melodies in their head
They will learn how music has changed and been influenced throughout history. They will learn how to read lead sheets and use stylistic invariants in their playing. They will be provided with honest feedback and constructive help on their compositions.They will learn how the human brain processes music and how best to capitalize upon this process for the greatest audience appeal.

-I have experience teaching students with special needs and adjusting lessons to help them meet their goals.

About me!

I am a Westminster Choir College '11 Alum  who graduated with a Bachelor's of Arts in Music, summa cum laude. I also have my master's degree in music therapy from Drexel University. I am also a Member of the National Association of Teachers of Singing and a  Board Certified Music Therapist. During my time at school I performed at Carnegie Hall and the Kimmel Center, and did music therapy work with older adults, as well as disadvantaged children and parents.

I also have my own parent/child music class I host every Thursday September-May. It's never to early to start a music education!

I have been teaching for over four years and now have a studio of more than 70 happy students. Teaching music is my passion, and I love seeing students grow!

I often draw upon my experience from my master's degree in music therapy, which taught me that music can have a profound effect on the human brain and upon cognitive development.  My skills as a music therapist allow me to better understand a student's cognitive strengths and areas for improvement, and to develop individualized teaching strategies which utilize student strengths.

*** Studio Equipment ***
My studios are equipped with keyboard, guitar or piano, as well as a sizable repertoire of classical, broadway and popular music. ' I also have a mirror for voice students to see how their body is moving when singing and visual tools for students like scarves, whiteboard, markers, crayons...ect. I am more than happy to help students find any music they may need for lessons that is not already in my library.

I recommend the following books for piano students (listed by age):
Ages 4-6:
My First Piano Adventure, Lesson Book A with by Nancy & Randall Faber
Ages 6-12:Piano Adventures - Level 1: Lesson Book [Book]Faber Piano Adventures

Ages 12 and up:

Adult All-In-One Course: Alfred's Basic Adult Piano Course, Level ...by Willard A. Palmer

Voice: Alfred's Teach Yourself to Sing
*** Specialties ***
I specialize in ear training, sight-singing and knowing and understanding vocal anatomy. Many of my students are students who have gone on to score lead roles in their schools or community theater performances, as well as lead singers of local bands looking to improve their techniques and improve their vocal health.

I specialize in theory and sight-reading for piano and theory students.

I also specialize in teaching those with special needs.
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Reviews
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Matthew November 26, 2017
· Guitar · In studio
Rosalind is knowledgeable and patient. She explains things clearly and on my level musically. I thoroughly enjoyed my first lesson.
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Danielle July 19, 2017
· Piano · In studio
My daughter loves Rosalind's patience and helpful attitude. I also love the recorded lessons that Rosalind emails me each week. She is a wonderful teacher!
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Michaela Y. June 5, 2017
· Singing · In studio
My daughter's first lesson with Rosalind went great! She made my daughter feel very comfortable and kept her attention the whole time. Rosalind is very knowledgeable and we are looking forward to seeing our daughter 's progress!
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Rosalind H.

Rosalind H.

West Chester, PA 19382
(15)
starting at
$35 / 30-min

About Maria M.

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Philadelphia, PA

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Having studied classical, counterpoint and jazz theory for 10 years, I believe it is important that theoretical knowledge is apart of the basic skills of all musician. I can provide music theory tutoring.

About Maria
At a young age, I found my passion through playing and listening to jazz and classical music and experiencing the interpersonal connections music creates. From performing to teaching, I love to share my passion for music with those around me.

Since graduating from Temple University with a B.M. in Music Education and Jazz Studies, I have played with musical groups in Europe and recently became a K-8 general music teacher in Philadelphia. Playing and teaching around the world and at home has given me great insight into how students need to be taught: with relevancy to their own lives while maintaining artistry and integrity.

My teaching experience ranges from private lessons and jazz workshops to summer music camps and K-12 music classes. I love teaching and will probably never stop!

*** Lesson Details ***
I believe it is impor
tant to solidify the foundations of music, so that the student can grow into a knowledgeable, expressive musician. My lessons are taught with a personal and energetic approach leaving the student excited and eager to further explore music. I always make sure that the student is having fun!

Learning an instrument is all about personal growth as a musician. I will help my students become better musicians week by week as long as they are willing to practice and come prepared for the lesson.

*** Studio Equipment ***
I will provide a metronome, tuner, music stand and some music books/repertoire. Student may need to provide their own lesson books.

*** Specialties ***
I specialize in classical techniques, improvisation, composition and songwriting.

****Cancellation Policy:
Out of common courtesy, please notify me at least 24 hours in advance if you need to cancel and/or reschedule a lesson, and you will not be charged. NOTE: You will be charged for the lesson if you cancel less than 24 hours before the scheduled lesson. No notification of cancellation will result in being charged for the lesson as well. Bottom line, please communicate to me through call/text/e-mail in ADVANCE if you need to cancel a lesson in order not to be charged for the lesson. *********************************

Cancelled Lessons = You have contacted me in advance and you will not be charge. This lesson will be rescheduled.

Missed Lessons = You have NOT contacted me in advance and you will be charge. ** If you have to miss a lesson, we will reschedule a make-up time for that lesson, free of charge.
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Reviews
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Brian B. February 12, 2017
· Singing · In home
She was very patient,nice and welcoming.she was a great teacher.
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Will B. August 12, 2015
· Saxophone · In studio
Maria is my first sax teacher and i loveeeed her. She is extremely patient, and knows how to teach (which is so important). She also inspires me for jazz solo pieces. I remember one time she just asked me to improvise and great music was "forced" out of my horn.

She is a great teacher and I would def have kept taking lessons from her if not she moved out of town. I am really hoping that she will return and do lessons with me again.
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Jon S. October 2, 2014
· Flute · In studio
I can't say enough about how great Maria is! She was quickly able to assess my ability and create a unique lesson plan catering to my goals. Each lesson was informative, fun, and most importantly- helped immensely with my playing. I happily recommend Maria to anyone hoping to expand their musical horizons.
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Maria M.

Maria M.

Philadelphia, PA 19125
(7)
starting at
$25 / 30-min

About Rachel I.

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Philadelphia, PA
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At the recommendation of my professors during my undergraduate program, I worked at the university as a music theory tutor. I currently give music theory lessons to my students at the Settlement School, as well as to my private cello students.

About Rachel
I have a BFA in Cello Performance from UW-Milwaukee. As a student, I worked for the university as a tutor in Music Theory, at the recommendation of my professors. Since relocating to Philadelphia, I have established myself as an educator all over the city. I am a teaching artist with the Settlement School of Music as well as the cello instructor at the Baldwin School. My teaching method puts a focus on realizing musicality and expression through proper playing technique. Playing for hours shouldn't be hard on your body! I work to make my students comfortable at their instruments so their musical intentions can shine.

As a performer, I work in diverse settings, from professional orchestral experience during my time in the Midwest to theater and dance accompaniment in Philadelphia. A fundamental part of my career has been performing
with bands: I have recorded on 30 albums and toured extensively, with projects spanning a broad spectrum of genres.
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Rachel I.

Rachel I.

Philadelphia, PA 19148
starting at
$35 / 30-min

About Michelle W.

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West Chester, PA

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We can work on basic skills required for college theory classes.

About Michelle
I'm currently a college student working on my B.A in Music Ed, and have been making music since I was 7. I've had the most experience with students aged 8-14, but I'm open for anything. As a Spanish minor, I speak Spanish fairly well and have experience with an ESL program.
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Rachel A. November 26, 2017
· Violin · In home
Michele was great! Always worked with our busy schedule and worked well with our 14 year old data!
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Amrita M. August 19, 2017
· Spanish · In studio
Very good
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Brenda July 1, 2017
· Piano · In studio
Michelle is patient and maintains her sense of humor - making her a great instructor!
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Michelle W.

Michelle W.

West Chester, PA 19383
(9)
starting at
$25 / 30-min

About Lenny R.

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Philadelphia, PA
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The theory department at Oberlin conservatory is top notch. During my time there I was able to take courses in functional harmony, voice leading, atonal harmony, serial music, emotion in music, the visible in music, and performance and analysis. I emphasize practical theory in my lessons and always make sure the student knows how to apply this information to a musical end. I use approved collegiate level texts in my teaching.

About Lenny
Studying music has tremendous benefits including: discipline, self confidence, problem solving, and stronger connections in the brain! Understanding music can give you new perspectives on how to look at the world. If you have felt the power of music then you owe it to yourself to understand and harness what is already a part of you. OWN IT!

While studying with me we will work on many facets of music including technique, sight reading, critical listening, music theory, improvisation, and how to apply these skills to a piece of music to truly express yourself. My goal is to instill a deep understanding of music to my students while letting their individual sensibilities show.

STYLES: I can teach all styles of American music (i.e Rock, Blues, Country, Jazz, R&B etc.) as well as classical and fingerstyle.
I have a degree in classical
guitar and have performed with the Buffalo Philharmonic Orchestra as well as done concerts in the USA, Italy, and the UK.
I have experience playing in many different bands in many styles including: Rock, Reggae, African, Blues, and Jazz groups.

SUZUKI METHOD: I am trained and certified in the Suzuki Guitar Method and spent 3 years teaching Suzuki in studio with children as young as 5. This involves a significant parent-teacher-student commitment and regularly yields impressive results.

ON TALENT: I agree with Shin-ichi Suzuki that talent is irrelevant and a myth. I believe that the potential of all my students are the same but they come to me with various starting skills levels and all learn at a very different pace. I believe that the myth of “talent” really just means that the individual has had a long exposure to music. This is why I emphasize critical listening in my lessons. If you have a large knowledge of music and sounds in your head it makes it easier to make connections and better assess your ideas.
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Reviews
Silhouette-80
Brandon March 9, 2017
· Blues Guitar · In studio
Lenny is a great instructor. He's both personable and patient, brings extensive theory knowledge as well as technical guitar playing abilities to the table. His rates are reasonable and he's flexible with scheduling. I highly recommend lessons with Lenny, regardless of your level of experience.
Silhouette-80
Louise November 5, 2016
· Acoustic Guitar · In studio
Lenny was my daughter's first instructor for guitar, she had two years of piano - she was not as motivated with the piano instructor as with Lenny. He took his time with any questions she had, he was totally patient with her, he really has a understanding of music and is able to explain it in a way with minimal if no confusion. No matter what kind of day he may have had at school he remained absolutely consistent from week to week with how he taught during the lesson. His focus was where it should be, even when other family members needed to take my daughter he was undaunted yet caring. I would highly recommend this young man hands down. I told him personally through emails how thankful and blessed we were with him as a teacher. I have other children, older, and I have had them through various teachers with various instruments and Lenny is definitely a 5-Star.
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Lenny R.

Lenny R.

Philadelphia, PA 19143
(2)
starting at
$25 / 30-min

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All in Order: Tricks for Identifying Key Signatures

All in Order: Tricks for Identifying Key Signatures

What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou … Read More

All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
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Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform
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Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
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