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Echola, AL Music Performance Lessons

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Popular Music Performance Teachers near Echola, AL

Check out some of our most popular teachers near Echola, AL including Tuscaloosa, Vance and Northport.

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About Susannah S.

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Overland Park, KS

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With over 10 years of experience I will help you improve your technique, your knowledge, and your talent to help you become the best performer you can be.

About Susannah
***Daytime availability for summer students June-July****

I graduated from the University of Kansas with a degree in Music Education (vocal emphasis) and a trumpet performance minor. I then completed my Masters in Vocal Pedagogy in December of 2015. Right now I am teaching K-8 General music and 5-8th grade band and Chorus. I have been a private studio instructor for the past 6 years.

If you are pursuing voice I can teach you Classical operatic singing, Broadway style, or Art Songs (Lieder in French, German and Italian.)

If you are pursuing trumpet I can enhance your skills whether you are just beginning or are already an intermediate player.

*** Lesson Details **

I am a teacher that helps you reach whatever goals you set for yourself. You tell me what you want to accomplish and I will work together with you to make i
t happen. I will create a curriculum according your personal needs and skill level.

If you are taking lessons with me you will learn lots of music theory and music history. I want you to understand the style and reasoning behind each piece of music you play.

*** Studio Equipment ***
The in studio lessons are taught in the living room which includes a piano (88 key weighted), books, and seating. Student must provide own trumpet. Parking is in guest spaces.

The Elementary School lessons are taught in a classroom which includes an upright piano, books, & seating. Student must provide own trumpet. Parking is in lot.

*** Specialties ***
German Lieder and Italian Arias
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Reviews
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Kate maloney April 2, 2019
· Trumpet · Online
Was great help, and improved many things with my son's trumpet playing. Would definitely recommend to anyone trying to learn or improve certain instruments!
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Kate maloney March 19, 2019
· Trumpet · Online
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Jake January 9, 2019
· Trumpet · In home
Susannah was so pleasant and upbeat. My son was pleased with what he learned in just his first lesson. We look forward to the next one!
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Susannah S.

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About Zachary J.

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Saint Paul, MN
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All methods

About Zachary
Zachary is a multi-talented teacher and performer. He teaches violin, piano, guitar, voice, mandolin, banjo and more. As a singer/ songwriter, he has released 3 cds, tours nationally with over 100 dates per year and has shared the stage with multiple multi-Grammy award winners. He is an inspirational and motivational based teacher; he will make you or your child LOVE making music rather than dreading their weekly lesson. He has a BA in music performance and has taught for 10 years. He is an exceptionally talented and in-demand teacher and performer.

*** Lesson Details ***
Zach is very motivating and inspiring. He will not yell or discourage you or your child. He will have reasonable and attainable weekly goals. He will seek the best from you but will maintain professionalism and makes learning enjoyable and fun. Works well with all ag
es, from beginners to advanced; from young children to adults.

*** Studio Equipment ***
Music studio, f/w keyboard, and all other instruments he teachers, seating for parents

*** Travel Equipment ***
Student should provide instrument, stand. I will provide my own instrument (except piano).

*** Specialties ***
Suzuki for violin (I'm comfortable with other methods, too)
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Aubrey C. April 11, 2018
· Guitar · In home
Great with kids!
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Abby W. November 1, 2014
· Singing · In home
Relates to a 13 year old very well and is very professional.
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Janet L. February 2, 2014
· Piano ·
supportive and encouraging

I found Zach through 'take lessons' after my daughter had a few years with an intense classical pianist. I want my daughter to have fun and appreciate music and not feel the intense pressure she was feeling with our previous instructor. Zach was the perfect choice. My daughter loves her lessons. Zach does take time off for his professional endevors. Good for him. He has always let us know and connected with us when he returns.
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Zachary J.

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About Dustin C.

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Fallbrook, CA

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About Dustin
I love being a teacher, but even more than just that, I thoroughly enjoy assisting others on their journey to learning and making music a personal experience for themselves.

Having said that, here is my teaching philosophy, including what you can expect from me as a teacher and as an individual:

PHILOSOPHY OF TEACHING

Each student who comes to me is an individual. I customize each lesson, keeping in mind the student’s level of interest, goals, and intent. I put great care into judging when to push, when to pull back, and when to stop altogether and regroup.

Sometimes there is frustration and as a teacher it is very important to take that experience and turn it into a positive learning situation. During the course of a lesson, we’ll take a "breather" and simply talk about the day, or work on material that is enjoyable and in
stills a sense of self-confidence —anything to release the tension of acquiring a new language-the musical language. Within moments, we are ready to begin again, refreshed and renewed.

I believe it's important to maintain a relaxed environment that encourages self-confidence, self-motivation, musical growth and excellence. To push students too much, being insensitive to their needs and limits, is to fail them. Sometimes this may cause students to dislike not only piano, but music itself. That may translate into personal regret years later. As their teacher, I do anything and everything to avoid that occurrence, making adjustments to their course of study.

Children and adults choose to end pursuing lessons at times, but only on an up-beat note, with suggestions of other paths to explore, other ways to grow and evolve. Closure is consciously done in a respectable and healthy manner, and students are never purposely abandoned. Having musical experience, for whatever length of time, can have lasting positive, even trans-formative effects on a student-child or adult.

As a teacher, I never give up on a pupil and attempt to instill that same dedication in each student. The piano is an instrument that requires passion, discipline, and strength. Moreover, it requires humility in recognizing personal and professional limitations with understanding and peace. We are not all capable of being world-class pianists; however, we can all foster within us their qualities of the love, joy, and awe that music brings to both the listener and performer.

In short: I offer myself as your personal musical guide to assist you in honing the skills needed to become the best musician your mind's eye can imagine. Learning music truly is an adventure that is meant to be fun and rewarding. Our time spent together will uphold that ideal.

EDUCATION

Fifteen years of private Classical Piano study under Martha Ashleigh, Hans Boepple, Santa Clara University, California. Seven years of private Classical Viola study under Christine Becktrom, Modesto, California.

Six years of private composition, music theory and counterpoint study under Martha Ashleigh, Dr. Pamela Quist at Santa Clara University and Dr. Michael Fiday at the University of Cincinnati College-Conservatory of Music.

EXPERIENCE

In addition to studying piano and composition extensively for many years I've been fortunate to have many other valuable experiences both as a teacher and musician, including but not limited to the following:

As a teacher, I've been teaching for over 5 years, having worked with young children to college age and beyond in a private lesson setting. During my undergraduate years I substituted for my professor at a local community college teaching the keyboard lab class for two semesters in a group piano setting. I have taught not only music but, composition and music theory as well.

As a church musician, I've assisted the Music Director at a northern CA catholic church as organist and pianist. I also accompanied the church choir during holidays and feast days.

As a soloist, I've performed extensively throughout California as a solo artist presenting standard literature and original works, as an accompanist for vocalists, and in chamber ensembles.

As an orchestral musician, I've toured throughout Japan presenting standard literature in Kurume, Fukuoka and Tokyo.

KEY ACHIEVEMENTS & MUSICAL ACTIVITIES

Inducted into the Music Teachers' Association of California Young Composers Guild (2000)
Inducted into the Music Teachers' Association of California Young Artist Guild (2001)

National Finalist, Music Teachers' National Association Young Artist Composition Competition (2002,
2003, 2004)

Commissioned by Denexxel Domingo to write solo clarinet piece, Paranoïaque (premiere 11/19/04)
Commissioned by the William Kapell Piano Foundation for Contemporary Music and Musicians to write
Enigma Rhapsody and Dance Illusions, two solo piano works (premiere 11/2/03)

Arrigo and Caterina Descalzi Prize for the senior music student who best demonstrates technical and
artistic growth and dedication to the art of music (2005)

*** Lesson Details ***
A typical lesson will vary depending on age and skill level when starting lessons. The first lesson will at minimum assess where your natural musical sensibilities are through a few interactive musicianship activities (rhythm etc.). Depending on the student and lesson time-frame we may also cover one or more of the following: basic hand position, keyboard geography, proper way to sit at piano (posture) and introduce some simple technique building exercises for building finger strength. From there the lesson content will be adapted to the individual's musical needs and goals. In future lessons music theory and musicianship skills will receive emphasis as well.

To what extent deeper aspects of music theory and musicianship are explored and taught will again depend on the student's musical goals keeping the following question in mind: Is music a hobby pursued only for enjoyment or is it being pursued as a serious course of study?

Neither path is better than the other, it is merely a matter of what degree of musical proficiency and understanding you want to walk away with during your time spent learning music.

As a beginner (in the 5-12 years old range), we will typically spend a lot of time discovering music through creative "musical games," flash cards and keeping the teaching atmosphere fun and inspiring. There will also be some technical exercises to build finger strength and dexterity early on which we will continue moving forward.

For younger children (ages 5-8), I prefer for the parents to be present and engaged throughout the learning process and to assist the teacher in supporting the child's musical development. A supportive home environment is important for not only personal, but musical growth.

While I will hold a student to his or her personal musical goals, I will not be overly strict especially with young musicians who are discovering and being introduced to music for the first time. During the early formative years a nurturing environment that instills creativity, self-confidence and self-motivation is the most important. The priority is to engage a young students interest and instill the belief that "playing the piano time" is not a chore, but something exciting and beneficial. Therefore, a mixture of effective musical activities and technique building exercises are implemented throughout the course of study.

Adult beginners will also be introduced to technique building exercises, music fundamentals and learning new repertoire in an age-appropriate context. As your teacher I will keep you accountable to your musical goals and monitor progress accordingly.

All students will be asked to purchase lesson materials that can be received either through the teacher, directly from the publisher online or local music store. Generally, these will include a piano method book, technique, repertoire and theory book. Supplemental materials such as flash cards may need to be purchased as well (often times students make their own flash cards though!)

*** Studio Equipment ***
Korg SV-1 88-key digital keyboard with weighted RH3 hammer action. 300-watt Behringer keyboard amp.

*** Travel Equipment ***
Korg SV-1 88-key digital keyboard with weighted RH3 hammer action. 300-watt Behringer keyboard amp.

*** Specialties ***
Primarily classical along with some popular music. I also teach composition, church music and contemporary concert/modern music.
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Reviews
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SherylG April 22, 2012
· ·
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Things are going great with our piano lessons. The lessons material Dustin selected is excellent. We had hoped for an easy and slow start and that is what we are getting.
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TonyS January 23, 2012
· ·
When I started taking lessons with Dustin, my goals were to improve my ability to play the piano, strengthen my ear, and to have a deeper understanding of music theory. Starting from our first lesson Dustin had a lesson plan already mapped out that would help me accomplish my goals. Now when I play piano, I have the ability to play and write songs with much less effort. The ear training Dustin provided has brought me to the point that I can identify chords and intervals in music clearly. With a good foundation of theory established, being assigned harmonic analysis of a musical piece is not a daunting task. Overall, I have been very happy with Dustin's style of teaching and plan to continue taking lessons with him.
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Dustin C.

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About Nikola M.

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San Diego, CA
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About Nikola
Nikola M is locally recognized as a guitarist extraordinaire that specializes in teaching and performing progressive rock. Nikola's proven teaching methods have been acknowledged by San Diego's finest musicians and his students range from beginners to highly accomplished professionals.

In addition to stints in various rock bands, studio session work and 16 years of playing experience, Nik's development of teaching guitar was made possible by having achieved a firm musical background throughout his earlier years of performing with orchestra ensembles. As a classically trained brass player, Nikola studied music under college guitar professor Gary Tuttle and award winning SDSC band director/guitarist Phillip S. Marcus.

Nikola's client list has included the likes of music producer and composer Toby Weiss (son of jazz legend and Guitar I
nstitute of Technology co founder Joe Diorio) pro touring guitarist Christopher Eck of the band Masterguru, former students of guitar virtuosos Greg Howe and Joe Stump and many other serious amateur and professional musicians.

*** Lesson Details ***
Heavily influenced by legendary virtuoso guitarists Eddie Van Halen, Steve Vai and Yngwie Malmsteen, Nikola's goal as a teacher is to convey his knowledge and expertise of the guitar on to others while emphasizing his own style, which exemplifies speed, intensity and finesse. While his exploits in rock guitar gymnastics continue to attract and inspire new players, Nik's approach to teaching is simplistic, yet highly effective and suitable for young beginners and adults of all ages.

Nikola M's guitar lessons are professional, insightful, progressive and cover a wide and exciting spectrum including:

The Rudiments of Music

* Chords
* Rhythm studies
* Scales
* Warm up stretches
* Sight reading for beginners
* Theory
* Modes

Technique and Repertoire

* Lead improvisation
* Ear training
* Dynamics

Master Class

* Sweep picking
* Speed picking
* Arpeggios and pentatonics
* Two-hand tapping
* Chicken picking
* Blues improvisation

*** Travel Equipment ***
Amplifier (if needed)

*** Specialties ***
Heavily influenced by legendary virtuoso guitarists Eddie Van Halen, Steve Vai and Yngwie Malmsteen, my goal as a teacher is to convey my knowledge and expertise of the guitar on to others while emphasizing my own style, which exemplifies speed, intensity and finesse. In addition to teaching various genres like pop, jazz, country and folk, I specialize in instructing virtuoso rock and progressive metal guitar techniques.
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IrisL May 5, 2011
· ·
He's an excellent instructor and very talented musician. He is very knowledgeable of all the music theory and techniques I need to be a good bass player. I highly recommend him to anyone.
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Nikola M.

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$35 / 30-min

About Kristin M.

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Brighton, MA

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About Kristin
Hello!

I received a Bachelor's in Music Education and Performance from Drake University in Flute and Piano. Currently pursuing a Master's in Music Therapy.

At Drake, I received a musical scholarship covering 80% of my tuition costs.
I was also honored to sit as Principal Flute in both the Drake Symphony Orchestra and the Drake Wind Symphony, the top performing groups at the University.

I started to play the flute and piano in second grade, and
my love and passion for music have only grown and matured since then.

I enjoy sharing what I've learned, and learning from my students as well.

I am excited and thrilled by the opportunity to work with you!
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Meredith June 28, 2018
· Piano · In studio
Kristin was such a wonderful teacher for our young daughter, Margaret! We had to move out-of-state and are struggling to find someone who can fill Kristin's shoes!
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Anna W. February 21, 2018
· Piano · In home
My daughter loves going to her. She is in tune with a pace that works well for my daughter.
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Brandon M. August 2, 2017
· Piano · In home
Incredibly enthusiastic and attentive. Highly recommended!
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Kristin M.

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About Carl S.

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Broken Arrow, OK

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My doctorate is in music and I have experience teaching music at multiple universities, as a public schools teacher, and as a private instructor. I've performed professionally for many years on a large variety of instruments. For booking, please sign up with TakeLessons today, and then we'll arrange a mutually agreeable meeting time. I look forward to hearing from you!

About Carl
Dr. Carl S. maintains an online and in-person music studio through TakeLessons, where he teaches several instruments privately and in group settings including saxophone, guitar, oboe, music theory, flute, clarinet, and piano. Carl teaches Saxophone and Jazz Studies at the University of Tulsa as an adjunct faculty member. During Spring 2019, Carl is teaching Music Theory and Saxophone at Oklahoma State University.

Carl taught at Oklahoma State University as a Lecturer of Saxophone and Music Theory during Dr. Jeffrey Loeffert's sabbatical in Fall 2017. His duties included graduate saxophone lessons, graduate music theory review, graduate saxophone pedagogy, and saxophone studio class.

Prior to working at OSU, Carl was Instructor of Jazz and Saxophone at South Dakota State University from 2014-2017. His responsibilities included direct
ing the annual SDSU/Brookings Optimist Jazz Festival, directing Jazz Ensembles I-II, Jazz Combo, Jazz Improvisation lessons, Jazz Pedagogy, online Jazz Appreciation, private saxophone lessons, saxophone quartets, private oboe lessons, and group guitar class.

Carl completed his Doctor of Musical Arts degree in saxophone performance at the University of Kansas in 2014, and his Master of Music Pedagogy and Performance from Oklahoma State University in 2011. He graduated from Harrah High School in 2002, earned his Bachelor of Music Education from Southwestern Oklahoma State University in 2008, and was a 5th-12th grade Head Band Director at Fairview Public schools. He is currently a member of the North American Saxophone Alliance, the Jazz Education Network, Music Teachers National Association, National Association of College Wind and Percussion Instructors, and an Honorary Member of Tau Beta Sigma. He has held previous memberships with Kappa Kappa Psi, Phi Mu Alpha Sinfonia, Kappa Delta Pi, and the Oklahoma Bandmasters Association.

While at KU, Carl was also a graduate teaching assistant for the saxophone studio and jazz studies program. His responsibilities included Assistant Director of the KU Jazz Festival, directing Jazz Ensembles II-III, directing Jazz Combo III-VI, directing Saxophone Quartets II-III, teaching private saxophone lessons, assisting in saxophone studio class, and teaching the music education woodwind methods course. His Lecture Recital Document, A Performer’s Analysis of Selected Jazz Works for Saxophone Quartet, featured an interview with Bob Mintzer. Carl was a member of KU Jazz Ensemble I, KU Saxophone Quartet I, and KU's Helianthus New Music Ensemble. As a member of KU's Jazz Ensemble 1, Carl has performed with Dave Douglas, Kurt Rosenwinkel, Alex Sipiagin, Steve Owen, Gary Foster, Steve Houghton, Clint Ashlock, David von Kampen, Peter Epstein, Jeff Miley, James Miley, Roger Shew, and Brian Hamada, Brandon Draper, Rich Wheeler, Beau Bledsoe, Jeff Harshbarger, and Matt Otto. In July 2014, Carl went on a European tour with KU Jazz Ensemble I featuring Steve Leisring and Deborah Brown. Together, they performed at the Montreux Jazz Festival in Switzerland, the Vienne Jazz Festival in France, and performed in several cities in Germany. Recordings by this band resulted in KU winning the DownBeat Student Award (Graduate College Large Jazz Ensemble Division) in 2015.

While at OSU, Carl was a GTA for the saxophone studio and music theory programs. His responsibilities included Music Theory I-IV tutoring and grading, sight-singing grading, piano labs, classical and jazz saxophone lessons, saxophone quartet coaching, saxophone studio Webmaster, and saxophone studio class. Carl was a member of the OSU Wind Ensemble and Jazz Ensemble 1. He had a regularly performing jazz trio and played in OSU's X2End saxophone quartet. The X2End quartet performed locally at the 2011 Navy Band Saxophone Symposium in Washington D.C., at the 2011 NASA Region IV Conference, and has won the state and division rounds of the 2010-2011 MTNA Chamber Music Competition. The X2End quartet went on to win the 3rd place prize at the national final round of the MTNA Chamber Music Competition. They also were the Division II Chamber Ensemble winners at the 2011 Hubbard Music Competition where they were awarded the 2nd place prize in the overall finals. Carl's final degree paper at OSU was a study of composer/performer collaboration. He traveled to Texas, Michigan, and Ohio to interview saxophonists and composers including David Dees, Peter Fischer, John Sampen, Marilyn Shrude, Joe Lulloff, and Charles Ruggiero. He has presented his lecture at the 2011 Navy Band Saxophone Symposium, the 2011 NASA Region IV Conference, and the 2012 OSU Single Reed Summit. As a member of OSU's Jazz Ensemble 1, he has performed with Bob Sheppard, Conrad Herwig, Wayne Bergeron, and Andy Martin.

While at SWOSU, Carl performed as a member of the marching band, wind ensemble, Jazz Ensemble A, saxophone quartet, and his own jazz combo named Five-Seven. As a member of SWOSU's Jazz Ensemble A, he has performed with Dan Haerle, Bob Bowman, Jack Mouse, Fred Forney, Janice Borla, Eddie Daniels, Pamela York, Lynn Seaton, Carl Allen, Dr. Michael Cox, Tom Williams, Dr. Robert Chambers, Dave Hanson, Drori Mondlak, Delores Williams, Byron Stripling, Frank Wess, Kenny Drew Jr., Dennis Mackrel, Bill Watrous, Rich Eames, Jennifer Leitham, and Randy Drake.

Carl's primary saxophone instructors have been Vince Gnojek, Dr. Jeffrey Loeffert, Dr. Ann Bradfield, Dr. Keith Talley, and William Rodney Hull. He has had additional instruction in lessons and masterclasses from Gary Foster, Dr. Joseph Murphy, Dr. Michael Cox, Bob Sheppard, Johnny Salinas, Dr. Kimberly Goddard Loeffert, Dr. Geoffrey Deibel, Dr. Jonathan Nichol, Dr. Griffin Campbell, Dr. James Laughlin, and Dr. David Dees. Carl's jazz directors have included Dan Gailey, Bob McCurdy, Dr. Jonathan Martin, Dr. Keith Talley, and Dr. Terry Segress.

Carl enjoys recording several instruments in his home studio and composing new music. His compositions that have been performed include his big band arrangement of Cat Battles by Joshua Redman, September in the Refrain (alto saxophone and electronics), Funk-o-matic (jazz combo), Smooth (jazz combo), and The Deadline Arrives at Dawn (alto saxophone and electronics). As an advocate of new music involving the saxophone, he has participated in a commissioning consortium for Alone Together by composer David MacDonald through Kick Starter. In 2013, Carl performed the premier of Cuento #3 by Nelson Ramirez Diaz. During summer of 2014, he recorded selections from Dr. John Walker's "The Alto Saxophone in the Attic," published by Carl Fischer. At the 10th Annual SDSU/Brookings Optimist Jazz Festival in 2015, Carl directed SDSU Jazz Ensemble I's premier of Dog, Tired by David von Kampen.

Carl is a Conn-Selmer Endorsing Artist. He hosted the North American Saxophone Alliance Region 3 (ND, SD, NE, MN, IA) Conference at South Dakota State University on March 17-18, 2017. On Saturday, April 8, 2017, Carl performed Dreams in the Dusk by David Biedenbender with South Dakota State University's Wind Symphony, directed by Dr. Jacob Wallace. On Monday, February 6, 2017, Carl performed the premiere of Lhotse for alto saxophone and percussion by Steve Danyew with Dr. Aaron Ragsdale. In April 2017, Carl performed solo tenor saxophone and orchestral clarinet in Ethan Bortnick's national PBS Special called "Generations of Music," which featured special guest, Peter Yarrow, from Peter, Paul and Mary.
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Manish K. April 2, 2019
· Saxophone · Online
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Kirk B. April 1, 2019
· Bass Guitar · Online
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Courtney April 1, 2019
· Saxophone · Online
I couldn't be happier with my lessons. Carl is providing me with sound advice and is very friendly. Thank you!
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Carl S.

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About Joseph M.

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Huntington Station, NY

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35 + yrs playing/teaching experience
Classical to Jazz
Fun mixed with work

About Joseph
Local tutor;

Will travel to you, or we can use my studios located in Nassau, Suffolk and all 5 boroughs.

My name is Dr. Joseph M., Ba/Ma/Dma, in Education and Performance. I have reference lists a mile long, (with phone #'s, so you contact my previous and current

clients), full of success story after success story!

22 yrs teaching experience. I have sent thousands of children to Nyssma. Most of my students have scored; "Outstandings", (lvls 1-4), and A+'s, (lvls 5-6). Have gotten students

into All-County,

All State, and All National honor bands. This requires a ranked Nyssma level 6 score of 100.

I have prepared students for auditions to the finest music schools in the world, Julliard, The Curtis Institute, Berklee, etc.

My students have appeared on Broadway, have played at Birdland/the Bluenote, and have won
Grammys.........

I play and teach all styles; Classical, rock, Broadway, jazz,pop, etc.....

I have performed at the world class, A-list level in all the above mentioned styles as well.

I believe it is critical to be humble, down to earth and easy to work with, no matter how accomplished, student, teacher, or parent. :)..................
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Reviews
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Dana September 18, 2016
· Saxophone · In home
Very professional and thorough!
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louis R. August 9, 2016
· Saxophone · In home
First lesson with my grandson. My grandson enjoyed it. Joseph was very professional.
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Joshua W. April 19, 2016
· Singing · In home
We couldn't be more pleased and thrilled to have discovered Dr. Merkel. He is committed, gifted, firm, yet kind,
with my son. Thank you Dr. Joe!!!
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Joseph M.

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About Jamie B.

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Tuscaloosa, AL
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I am an active performer and have been teaching voice for 7 years. I tailor each lesson to the student's needs and create a supportive and nurturing environment, which gives the student the opportunity to try new things out and take risks. For Music Performance, I will help the student learn how to take work accomplished in the studio to the stage.

About Jamie
Soprano Jamie Balter most recently received recognition by both The American Prize in Voice and New York Lyric Opera Theatre Competition for her performance of works by Strauss, Mozart, and Wagner. A native of Baltimore, Ms. Balter earned her Bachelor of Music in Vocal Performance from the University of Miami’s Frost School of Music and is currently pursuing a Master of Music degree in Vocal Performance from the University of Alabama under where she is a student of Dr. Paul Houghtaling. As a member of the University of Alabama Opera Theatre, Ms. Balter will sing the roles of Consuelo in West Side Story and Rosalinda in Die Fledermaus in the upcoming season.  During the 2017/18 season, Ms. Balter appeared as a guest artist in Visions of Dreams, where she performed selections by Duparc, Schubert, Mozart, and Lehár. In July 2017, she made he
r role debut as Donna Anna in Mozart's Don Giovanni at the Centre for Opera Studies in Italy. During the 2015/16 season, Ms. Balter returned to the Hawaii Performing Arts Festival as Marcellina in Mozart’s Le Nozze di Figaro, where she also covered Countess Almaviva under the baton of Maestro James Richman. In addition, she appeared as La Chatte/L’Écureuil in Ravel’s L’Enfant et les Sortilèges. Previously, Ms. Balter joined the roster of Russian Opera Workshop, where she covered Zemfira in Rachmaninoff’s Aleko and the title role in an abridged version of Tchaikovsky’s Romeo and Juliet. Balter began the 2016 season as a guest artist in From Heidelberg to Hanover, where she performed Strauss’ Four Last Songs in addition to selections from Lohengrin, Der Freischütz, and Tannhäuser with Lyric Opera Baltimore Artistic Director, James Harp. Highlights of the 2014/15 season included Second Lady in Mozart’s Die Zauberflöte with the Hawaii Performing Arts Festival, Alice (cover) in Verdi’s Falstaff with Harrower Opera Workshop, and An Evening of Opera & Song with the McDonogh Guest Artist Series. Ms. Balter holds the position of Artistic Administrator at the Hawaii Performing Arts Festival having previously served as Director of Admissions. Jamie Balter maintains a private voice studio in Tuscaloosa, Alabama, previously having studios in Springfield, Illinois and Miami and Tallahassee, Florida. She has previously served as the head of the voice program at The Music Factory in Springfield, Illinois and served on the faculty at The Stubbs' Music Center in Tallahassee, Florida.  This spring, Ms. Balter will be teaching a masterclass as part of a series at McDonogh School in Owings Mills, Maryland titled An Artist Works: Tools of the Trade where she will discuss vocal technique, the key elements to having a successful audition, and how to make a website and a résumé.  
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Reviews
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Sophia February 25, 2016
· Piano · In home
Loved her!! My daughter is 5 years old very high spirited and she really knew how to keep her attention. Can't wait until her next lesson!! Happy mommy!
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Melissa E. January 20, 2016
· Piano · In home
Nice, professional, great energy! My daughter loved her from the minute they started her first class. She is very patient and makes the class really enjoyable.
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Mela V. January 20, 2016
· Singing · Online
First lesson was great, can't wait to continue!
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Jamie B.

Tuscaloosa, AL 35406
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starting at
$40 / 30-min

About Pamela K.

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Sacramento, CA
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Pre- performance preparation. Clothing selection. Posture. Use of stage. Make up.

About Pamela
Hi! My name is Pam. If you have a song in your heart , a love for music and a desire to sing, let me show you how you can sing your best. If you want to expand your range and to develop a strong voice with no breaks, I can definitely help you. It took years to find a mature, experienced teacher who understood how to use good vocal technique to help me express my artistic musicality.

After more than 20 years of teaching and performing, I know how to teach a successful vocal technique that works. I want to share the knowledge and technique I have acquired with you. Let me help you develop your voice to its fullest potential.

I teach a comprehensive course of study. It includes classical vocal techniques to improve range, ear training, breath control, vibrato, tone production, diction and beginning music theory. My formal education i
ncludes Leonard Davis Center of Performing Arts Bachelor of Arts Degree - Music Major from the City University of New York, Masters degree in Education, and opera workshops and private lessons from Judith Raskin, Soprano and Mario Berini, Tenor of the Metropolitan Opera.

Now's the time to make it happen. If you register with me at the Take Lessons office we can get started this week.!
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Reviews
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Nikki H. February 13, 2019
· Singing · In studio
I got more than I expected out of my first lesson and I was able to implement the learned techniques at my following performance. Ms Pamela is great!
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Quitha O. February 12, 2019
· Singing · In studio
Just completed my first lesson and I am so happy ! I can't wait for my next lesson.
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George August 14, 2018
· Vocal Training · In studio
When I came to Pamela for voice instruction I had a limited range. There were lots of songs I wanted to sing but because I had a low voice I couldn't reach the high notes. Pamela showed me how to use breath support breathing and how to sing the vowels of every word so that the songs flow. Also I have more confidence in my singing now and I am making really fast progress.
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Pamela K.

Online
(5)
starting at
$65 / 60-min

About Chrissy H.

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Boston, MA
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Not sure how to wow your audience? Not sure how to phrase the song in a way that makes sense? Do you want help with your overall musicality and stage presence? These are all things I can work with you on improving!

About Chrissy
I am currently a student at Berklee College of music studying saxophone performance. I have traveled the world to share my music and have performed in 4 different countries so far! Music has also taken me to visit 7 different countries! I was an Oregon All-State first chair, and I've taken part in competitions and honor bands such as WIBC (Western International Band Clinic), and OMEA (Oregon Ambassadors of Music). Music has given me so many opportunities in my lifetime and has definitely been more than worthwhile to me. And I hope it can be such an inspiration for you as well!
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Chrissy H.

Online
starting at
$25 / 30-min

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