Portsmouth, VA Guitar Lessons

ow to 'play well with others' in informal as well as more structured gatherings every few months, with no pressure, only compassion & encouragement.

For those wishing to join in the fun of playing bluegrass music, we will start out with technique exercises, scales, basic melodies & accompaniment patterns to prepare you to learn this unique & exciting style of American music. There are many gatherings in the area called 'Pickin' Parties' that I want to get you ready to participate in as soon as is humanly possible.

If you are one of those brave souls undertaking the lovely but challenging fretless instrument, the violin, my main focus is to get you started with the all the necessary basic techniques - holding the instrument & bow correctly, getting the best possible tone & pitch using efficiency & accuracy, mixed with a great deal of ear training & heart.

Specific songs you'd like to learn? Your reward for accomplishing what I deem necessary on whichever instrument you've chosen will be for us to then listen to & analyze your desired piece, & I will then write it out in either tablature or standard notation.

*** Studio Equipment ***
Lesson studio contains music stand, tuner, metronome, & there is easy parking in the well lit front lot.

*** Travel Equipment ***
Student must have own instrument & be willing to purchase necessary tools as recommended at their first lesson for their instrument & playing level, such as music stand, tuner, pick, book, strap, etc. at a local music store or on line.

*** Specialties ***
Bluegrass, Country, Country Rock, Contemporary Christian, Americana, Ragtime Blues Guitar, Fingerstyle, Flatpick, Accompaniment, Ear Training, Theory, Harmony

current day and age.

*** Lesson Details ***
Lesson plans vary from person to person. I always make it a point to get to know the student's existing musical knowledge, goals, and background before I create a personalized lesson plan. All important concepts are covered as they are needed so students can understand theoretical concepts based upon actual application and usage. In short, I teach in a way that students can "dig in" right away and play, create, improvise, sing and/or compose freely and naturally. I always encourage students or parents to contact me with their goals, previous musical training, etc., and discuss what they really want out of lessons so they can get the most out of taking me on as an instructor.

*** Studio Equipment ***
Acoustic and Electric piano, Digital Recording Studio, Extensive library and teaching resources

*** Specialties ***
*Teachers marked as a Student
Has taught a minimum of 25 lessons and has received the highest
feedback rating from students.Jazz Piano, Composition, Choral

lso a very skilled sight reader and can recognize key signatures and musical notation. I’ve also been playing electric bass guitar for 13 years now and have the same skill set as my guitar playing. In fact I am hired to perform more often as a bassist than a guitarist.
I went to Columbia College between 2000-2003 and I completed a Bachelor Arts in Music, Concentration: Instrument Performance.
I also went to Harper College between 1997-2000 and I completed an Associates in Fine Arts of Music.

*** Lesson Details ***
I tailor all my lessons to the individual students interests and wants.
Whatever your goals are, I'll help you get there.
If you just want to learn music theory or how to write a song, I can teach you all that and more.
I will teach you how to read music but if you don't wan't to do that, I will teach you how to read tablature.
I'll push you to learn your instrument and to practice but I won't force to practice anything that you are not interested in.
After about 3-6 months of lessons with me you will be able to play songs that you wanted to learn and you will also know all the essential fun basics of your instrument.
Learning the guitar or bass is fun! And as your teacher I will make you want to practice.

*** Studio Equipment ***
Lessons will be downstairs which has music stands, guitars, cords and books.

*** Travel Equipment ***
My guitar and music stand. They should have a guitar and an amp if needed.

*** Specialties ***
Anything from classic rock to blues, jazz, classical, modern rock, punk rock, music theory, improvising and songwriting.

and more eager to share and more and more open to the possibilities ahead.

*** Lesson Details ***
I listen well to my students. They are free and encouraged to express their goals and soon, they become more and more comfortable doing so. They begin to understand that even though I am their instructor, we are working as a team and that my goals for them are directly tied to the goals they have set for themselves.

My teaching style is natural, relaxed and yet, very enthusiastic, all at the same time. I have patience in abundance and my continual student affirmation is well received. I give most attention to personalizing instruction for each of my students. My passion for musical expression is contagious and readily shared. It is a joy to teach music, to contribute to the growth and delight that I witness through a student's progress.

I have taught music to both children and adults, from beginner to advanced levels. My teaching approach remains the same, save for the goals that suit the specific student, which we discover early on, sometimes even at the first session, together, right from the start. My beginning students receive the attention necessary to encourage their desire to persevere, which includes positive feedback (which is abundant) and a teaching style that fits his/her level of learning. My student's success is my goal. This is my jubilant mission.

*** Studio Equipment ***
Piano, guitars,

*** Travel Equipment ***
I own 4 guitars, 1 classical, 2 acoustic/electric, and 1 electric, which I can provide for the lesson, if necessary.
I own a Baldwin Acrasonic piano.

The students will need to buy their books.

*** Specialties ***
Methods: Clear presentation of the instrument and the most comfortable way to achieve the best playing results. Emphasis on Theory including chords and improvisation.

Styles: From Classical to Broadway to Folk to Rock to Jazz to Blues.
Genres: All

of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory

ste time believing you can 'self teach'. Your technique needs to be monitored by someone who knows music.

I've learned a great deal in my 20 years of teaching;

- patience
- persistence
- keep it fun
- change it up
- don't compromise the fundamentals
- encourage musical discipline
- tuning, warm-up, scales, technique, repertoire, new material
- repeat!

It's my belief that music fundamentals are critical and we will create a solid musical foundation by learning the language, understanding the critical issues of timing, rhythm, reading and learning how to LEARN!

I enjoy working with all ages but specialize in children and adults that act like children!

Stay a child! Learn something new.

What are you waiting for?!

If you don't see an availability you would like, please feel free to contact me via the TakeLessons site and ask questions!