Private Acoustic Guitar tutoring lessons Adams Run, SC.
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Finger-style and flat pick approach
I am a classically trained guitarist that performs both as a soloist and for ensemble in a wide variety of styles. I graduated in 1996 from Schoolcraft College with an Associates degree in Music performance, and then, studying under the tutelage of Brian Roberts went on to receive my Bachelor's degree in Guitar Performance with a secondary in Jazz from Wayne State University in 2004. While at Wayne State and along the way I've performed and participated in several masterclasses with renowned artists: William Kanengiser, John Holmquest, Philip Candelaria, Jason Vieaux, Scott Tennant, and Antigoni Goni. I have also completed the teacher requirements for books 1-a and 1-b for the Suzuki Guitar Institute.
Many of my classical guitar and electric guitar students have went on to study further at the collegiate level, some achieving scholarships. My most recent students are current Berklee school of music graduates now in a band called "Flight of Fire", recently opened for Bonjovi this past summer and are getting air time on local radio stations... well on their way to living the dream! â¦the bulk of my students become full time professional musicians.
*** Lesson Details ***
I am an extremely patient person who has been teaching for over 20 years. I am laid back so there will be no pressure. With my electric and steel string guitar students, I host a special "Jam Session" 2 - 3 times a year to which will be one of your goals to participate in. This includes playing with a drummer, bassist, singer and another guitar player (usually me) and having it recorded. This should serve as your motivation to practice. This really eliminates the need for me to pull out a "yardstick" and "smack" your hands over the knuckles when not practicing your scales as many old traditional teachers may have done!
At your first lesson I will talk with you and give you examples of music that is played with a Flat-Pick, or music that uses the Finger-Style technique. This will be an important process as it will dictate which direction you will go in as a musician and especially during our lessons.
For the most part, playing with a Flat-Pick is generally used with the electric guitar and with most mainstream styles of music like "Rock and Roll", "Blues", "Rock-a-Billy" "Funk", and playing with the Finger-Style technique is used in styles like "Classical" and "Folk." After a while, I will introduce you to the other style of playing as well, as most great guitar players use both techniques in their playing...musicians (guitarists) such as: âJimmy Pageâ, âBrian Setzerâ, âStevie Ray Vaughanâ, âJoe Satrianiâ, âLindsey Buckinghamâ, âPaul McCartneyâ, âJohn Mayerâ, and many, many more.
To make learning the guitar Fun, I make sure to incorporate your main interest(s) first. Whether it be learning your new favorite song(s), learning how to write a song, or just learning some basics that you can use for when sitting around the campfire. This will be intertwined with which style you choose to start with: Flat-Pick or Finger-Style.
Pending on the level that you are starting at, (beginner, intermediate, advanced) I will include tidbits of music theory that will be used in a consistent manner. These will usually be progressive, pending on your level. For example, the songs you learn will be written out in an easy to understand chart that will have the fundamental aspects of theory (IE, chords, key, and rhythm pattern) that all musicians should understand.
With Children learning with a Flat-Pick, I encourage the use of a basic guitar instruction book.
Level One (beginners) :
"Hal Leonard Guitar Method Book One" by Will Schmid.
I will also use as a substitute for Level One:
"Alfred's Basic Guitar Method" by Alfred's Publishing Co.
More advanced players who can read music already (and graduates from book one) I prefer;
"Hal Leonard Guitar Method Book Two"
With Adults, I will ask if learning to read music interests you. It is a vital part of a practicing musician, but sometimes your needs may require a more one dimensional approach as time may be of essence. Again, I learned by ear and educated myself later...so I understand the person who wants to hold off on reading right away.
Students who want to learn the Classical (Finger-Style) approach will be encouraged to purchase a beginners book that I use written by one of my first instructors/mentor. It is a very intuitive book that covers the technique in great detail yet is very easy to understand (along with my help.) I will provide means of acquiring this book at your first lesson.
Students who want to learn the Folk (Finger-Style) approach will usually start in the above book, unless your an adult who just wants to learn some basics.
At your first lesson I will also provide you with documentation that goes more in depth about the various styles of guitar as the above info is scaled down.
*** Studio Equipment ***
-Guitars (Electric, Acoustic, Classical, Bass)
- PA (loud speakers so you can Turn it Up! When playing along)
-Band in a Box (to play along with real prerecorded instruments seamlessly interleaved into a band type setting with almost unlimited genre choices...very impressive technology)
- Pro Tools (recording gear for all needs)
- Guitar Pro and Finale (to transpose music into sheet music)
-Skype (for out of town interactivity. Can do lessons via Skype)
-Basement with plenty of seating for parents, and or observers.
*** Specialties ***
I specialize in Classical Guitar, Electric Guitar, and Acoustic Guitar; Improvisation, Songwriting, Backup Vocals, Fretboard Harmony, Music Theory, Performance, and Recording.
· Guitar · Online
· Songwriting · In studio
· Classical Guitar · In studio
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My doctorate is in music and I have experience teaching music at multiple universities, as a public schools teacher, and as a private instructor. I've performed electric and acoustic guitar in rock bands, pop bands, and jazz combos. I have experience teaching guitar from age 10 through college level. For beginners, I typically recommend working with Essential Elements for Guitar, Book 1. For booking, please sign up with TakeLessons today, and then we'll arrange a mutually agreeable meeting time. I look forward to hearing from you!
Carl taught at Oklahoma State University as a Lecturer of Saxophone and Music Theory during Dr. Jeffrey Loeffert's sabbatical in Fall 2017. His duties included graduate saxophone lessons, graduate music theory review, graduate saxophone pedagogy, and saxophone studio class.
Prior to working at OSU, Carl was Instructor of Jazz and Saxophone at South Dakota State University from 2014-2017. His responsibilities included directing the annual SDSU/Brookings Optimist Jazz Festival, directing Jazz Ensembles I-II, J
Carl completed his Doctor of Musical Arts degree in saxophone performance at the University of Kansas in 2014, and his Master of Music Pedagogy and Performance from Oklahoma State University in 2011. He graduated from Harrah High School in 2002, earned his Bachelor of Music Education from Southwestern Oklahoma State University in 2008, and was a 5th-12th grade Head Band Director at Fairview Public schools. He is currently a member of the North American Saxophone Alliance, the Jazz Education Network, Music Teachers National Association, National Association of College Wind and Percussion Instructors, and an Honorary Member of Tau Beta Sigma. He has held previous memberships with Kappa Kappa Psi, Phi Mu Alpha Sinfonia, Kappa Delta Pi, and the Oklahoma Bandmasters Association.
While at KU, Carl was also a graduate teaching assistant for the saxophone studio and jazz studies program. His responsibilities included Assistant Director of the KU Jazz Festival, directing Jazz Ensembles II-III, directing Jazz Combo III-VI, directing Saxophone Quartets II-III, teaching private saxophone lessons, assisting in saxophone studio class, and teaching the music education woodwind methods course. His Lecture Recital Document, A Performer’s Analysis of Selected Jazz Works for Saxophone Quartet, featured an interview with Bob Mintzer. Carl was a member of KU Jazz Ensemble I, KU Saxophone Quartet I, and KU's Helianthus New Music Ensemble. As a member of KU's Jazz Ensemble 1, Carl has performed with Dave Douglas, Kurt Rosenwinkel, Alex Sipiagin, Steve Owen, Gary Foster, Steve Houghton, Clint Ashlock, David von Kampen, Peter Epstein, Jeff Miley, James Miley, Roger Shew, and Brian Hamada, Brandon Draper, Rich Wheeler, Beau Bledsoe, Jeff Harshbarger, and Matt Otto. In July 2014, Carl went on a European tour with KU Jazz Ensemble I featuring Steve Leisring and Deborah Brown. Together, they performed at the Montreux Jazz Festival in Switzerland, the Vienne Jazz Festival in France, and performed in several cities in Germany. Recordings by this band resulted in KU winning the DownBeat Student Award (Graduate College Large Jazz Ensemble Division) in 2015.
While at OSU, Carl was a GTA for the saxophone studio and music theory programs. His responsibilities included Music Theory I-IV tutoring and grading, sight-singing grading, piano labs, classical and jazz saxophone lessons, saxophone quartet coaching, saxophone studio Webmaster, and saxophone studio class. Carl was a member of the OSU Wind Ensemble and Jazz Ensemble 1. He had a regularly performing jazz trio and played in OSU's X2End saxophone quartet. The X2End quartet performed locally at the 2011 Navy Band Saxophone Symposium in Washington D.C., at the 2011 NASA Region IV Conference, and has won the state and division rounds of the 2010-2011 MTNA Chamber Music Competition. The X2End quartet went on to win the 3rd place prize at the national final round of the MTNA Chamber Music Competition. They also were the Division II Chamber Ensemble winners at the 2011 Hubbard Music Competition where they were awarded the 2nd place prize in the overall finals. Carl's final degree paper at OSU was a study of composer/performer collaboration. He traveled to Texas, Michigan, and Ohio to interview saxophonists and composers including David Dees, Peter Fischer, John Sampen, Marilyn Shrude, Joe Lulloff, and Charles Ruggiero. He has presented his lecture at the 2011 Navy Band Saxophone Symposium, the 2011 NASA Region IV Conference, and the 2012 OSU Single Reed Summit. As a member of OSU's Jazz Ensemble 1, he has performed with Bob Sheppard, Conrad Herwig, Wayne Bergeron, and Andy Martin.
While at SWOSU, Carl performed as a member of the marching band, wind ensemble, Jazz Ensemble A, saxophone quartet, and his own jazz combo named Five-Seven. As a member of SWOSU's Jazz Ensemble A, he has performed with Dan Haerle, Bob Bowman, Jack Mouse, Fred Forney, Janice Borla, Eddie Daniels, Pamela York, Lynn Seaton, Carl Allen, Dr. Michael Cox, Tom Williams, Dr. Robert Chambers, Dave Hanson, Drori Mondlak, Delores Williams, Byron Stripling, Frank Wess, Kenny Drew Jr., Dennis Mackrel, Bill Watrous, Rich Eames, Jennifer Leitham, and Randy Drake.
Carl's primary saxophone instructors have been Vince Gnojek, Dr. Jeffrey Loeffert, Dr. Ann Bradfield, Dr. Keith Talley, and William Rodney Hull. He has had additional instruction in lessons and masterclasses from Gary Foster, Dr. Joseph Murphy, Dr. Michael Cox, Bob Sheppard, Johnny Salinas, Dr. Kimberly Goddard Loeffert, Dr. Geoffrey Deibel, Dr. Jonathan Nichol, Dr. Griffin Campbell, Dr. James Laughlin, and Dr. David Dees. Carl's jazz directors have included Dan Gailey, Bob McCurdy, Dr. Jonathan Martin, Dr. Keith Talley, and Dr. Terry Segress.
Carl enjoys recording several instruments in his home studio and composing new music. His compositions that have been performed include his big band arrangement of Cat Battles by Joshua Redman, September in the Refrain (alto saxophone and electronics), Funk-o-matic (jazz combo), Smooth (jazz combo), and The Deadline Arrives at Dawn (alto saxophone and electronics). As an advocate of new music involving the saxophone, he has participated in a commissioning consortium for Alone Together by composer David MacDonald through Kick Starter. In 2013, Carl performed the premier of Cuento #3 by Nelson Ramirez Diaz. During summer of 2014, he recorded selections from Dr. John Walker's "The Alto Saxophone in the Attic," published by Carl Fischer. At the 10th Annual SDSU/Brookings Optimist Jazz Festival in 2015, Carl directed SDSU Jazz Ensemble I's premier of Dog, Tired by David von Kampen.
Carl is a Conn-Selmer Endorsing Artist. He hosted the North American Saxophone Alliance Region 3 (ND, SD, NE, MN, IA) Conference at South Dakota State University on March 17-18, 2017. On Saturday, April 8, 2017, Carl performed Dreams in the Dusk by David Biedenbender with South Dakota State University's Wind Symphony, directed by Dr. Jacob Wallace. On Monday, February 6, 2017, Carl performed the premiere of Lhotse for alto saxophone and percussion by Steve Danyew with Dr. Aaron Ragsdale. In April 2017, Carl performed solo tenor saxophone and orchestral clarinet in Ethan Bortnick's national PBS Special called "Generations of Music," which featured special guest, Peter Yarrow, from Peter, Paul and Mary.
· Trombone · Online
· Saxophone · Online
· Clarinet · In home
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From kids to adults - I love teaching guitar as a lifelong skill and outlet!
I was about 10 years old when someone taught me my first chords on a guitar, and I fell in love with it. I started getting serious with it when I turned 15, and I am now (15 years later) a full-time professional musician at a church. When I'm not working, you can usually find me in the mountains, working on my gear, or hanging out with my wife, Claire, and my dog, Cash.
I believe playing guitar should be FUN as well as relaxing - my best memories are of times I was playing guitar, and some of my best friends are ones with whom I've bonded through playing music. I love the idea of not just teaching technical skill, but teaching how to play as an outlet. Life can and is stressful, so learning a skill to manage the chaos is priceless.
Please send me a message with any questions - I look forward to working with you!
I believe playing guitar should be FUN as well as relaxing - my best memories are of times I was playing guitar, and some of my best friends are ones with whom I've bonded through playing music. I love the idea of not just teaching technical skill, but teaching how to play as an outlet. Music is cathartic, but it has to be taught that way!
· Acoustic Guitar · In studio
· Acoustic Guitar ·
· Guitar ·
Even better, he doesn't just teach you the mechanics of playing guitar. He will show you how to really put soul into your playing.
I highly recommend booking a lesson with Zach.
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In my 10 years of teaching experience, I have learned that my passion for teaching rivals my passion for learning and playing. From day one, my students are able to come home playing music while learning essential technique. Everyone has a unique learning style, and it’s my duty to find out what that is and adapt my lessons accordingly. Contact me today to learn how I can help you achieve your academic goals.
Lessons should be FUN, ENGAGING, and about YOU! In my approach we will focus on your goals and help you become the musician you want to be. All experience levels are welcome. It's never too early or too late to enjoy the art of music!
My name is Will. I have been playing guitar for well over 15 years. I've always been a big metal player at heart. When I began my journey with music, I struggled at first and honesty, did not like guitar. WHAT!? It wasn't FUN to take lessons for me. It wasn't until I found my long-term teacher, and still good friend today. Going from frustration to inspiration was a big eye-opener for me into the world of teaching. All it took was one passionate teacher to change literally my entire life. That kind of privilege is something that has driven my career to this day.
To tell you a bit about my experience: I have played in multiple rock and metal bands and have toured the United States multiple times. I have written full length albums and have appeared on a variety of radio stations, websites, strea
I have studied at college for jazz and classical guitar and have plenty of experience in both reading music and understanding music theory. While it depends on each student's goals, we can go as deep down the rabbit hole for theory as you'd like!
My topics cover a wide range: technique, style, composition, theory, song-learning, reading, improvisation, fundamentals, rhythm, lead mechanics, recording etc.
If you aren't sure on what you want to learn or are looking for the right teacher for your child, I have years of experience working with children and creating lesson plans from the ground up for each student.
I look forward to meeting you and watching you grow as a musician. Most importantly, I can't wait to have some fun playing music together!
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Popular songs and introduction to chord formations, tuning and technique.
I've worked as a professional church choral music director, and have extensive experience teaching (in addition to piano) hand drums, drumset, singing, and beginning guitar -- all in a variety of genres.
I help singers achieve vocal freedom, connecting most directly to songs as well as their natural voice.
I perform around my local area in a variety of venues from upscale wine bars to weddings.
I live, teach, and play with passion -- and look forward to sharing that with every new student I meet.
· Singing · Online
· Piano · In studio
· Singing · In studio
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My lessons are unique because I focus on self-expression and fun while still emphasizing technique! I think one of the most important things in playing guitar is developing ones own style! However, having solid chord changes, scale knowledge, and hand positioning, are just some of the essential skills needed to developing good technique and style. I have been playing for 14 years, and teaching for 4. I was self taught so I understand all the trials and pitfalls that both a young guitarist and a seasoned guitarist can go through. Also those struggling with or wanting to learn improvisation, that is my specialty!
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I have 20 years of experience as a working professional musician. Whether a beginner or a budding artist I have something to offer all levels. From basic music theory and guitar technique to advanced classes in live sound, recording, gigging 101, and vocal technique. Student have access to my professional recording studio with a wide array of vintage and modern industry standard equipment. Classes and lesson plans are adaptable to all skill levels and based on the students musical goals.
· Blues Guitar · In studio
· Guitar · In studio
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Excellent customer service! I truly enjoy working with people who are looking to take up this wonderful instrument. Also the remote lessons are unique. My students get a combination of real-time coaching and personal customized video lessons. We start out with a goal -usually a song you want to learn- decide when we'll meet, and figure out how long it's going to take to get it the way you want.
the interaction between myself and my customers, especially beginners. Those lessons are the high point of my week.
First thing is always to listen to the student and get a sense of their expectations. Once I understand what they want to do, lessons are created based on the student's skill, and expectations.
I studied with guitarist John LaGreca and am attending the Berklee school beginning in September 2018. I look forward to helping you reach your own goals as a guitarist!
· Acoustic Guitar · Online
· Acoustic Guitar · In home
· Guitar · In home
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I am a professional banjo guitar player with the band Nu-Blu and a graduate of East Tennessee State University’s Bluegrass Program. My success has depended on my ability to create, organize, and execute unique teaching methods based on student’s specific goals and skill level. If a student is serious about learning an instrument, theory, or anything within my realm of knowledge, I can guarantee results. I spend majority of my free time studying, researching, and thinking of different ways to succeed in the instruments and subjects I offer.
· Acoustic Guitar · Online
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As your teacher, I strive to create a comfortable and fun learning environment for students. The most important part of lessons is learning to love music, and appreciate the benefits of learning a new skill and instrument. I understand that every student is unique, and I make a special effort to teach using the strategies that work best for each individual student. Learning to play the guitar can be a benefit to you throughout your life. Schedule with me today, and find out just how exciting learning the guitar can be!
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