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Webster, NY Opera Voice Lessons

Looking for private in-home or in-studio Opera Voice lessons? Our Webster teachers are ready to get you started. Find your teacher today!

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Popular Opera Voice Teachers near Webster, NY

Check out some of our most popular teachers near Webster, NY including Rochester, Victor, Fairport, Pittsford and Bloomfield.

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About Lesley F.

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Bloomington, IN
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Are you excited to explore the possibilities of your singing voice? I'd love to help you find your voice through the art of singing! I can help you sing your heart out and achieve your musical goals. With courage, support, and hard work you can become the singer you want to be! I teach people interested in all types of singing, because I believe that a solid technique is the basis for all singing - broadway, opera, or pop. Solid technique involves easily and healthfully produced, clear and brilliant tone. I am a laid back teacher, but I not going to let you slack off either!

Your first lesson will be a no-pressure-zone as you discuss your vocal and musical goals and experiences. Don't be worried about messing up, or singing out of tune - it happens to everyone! We will assess your voice and together, we will create a plan for your journey to discover the power of your voice.

Each lesson will include: warm-ups, repertoire, vocal technique, performance practice, and basic ...

About Lesley
Lesley is an accomplished classically trained operatic soprano at the beginning of her career. Lesley grew up all over the United States, attending high school in Tennessee where she was very active in high school theatre, playing roles like Aunt Eller in Oklahoma! and Glinda in The Wizard of Oz. Lesley currently sings operatic repertoire ranging from Mozart to Bernstein and loves new composers and exploring new music. Lesley has studied with numerous teachers, coaches, directors, and conductors who have shaped her as a musician, and hopes to be able to impart some of what she has learned. I love to sing, and would love to help you explore singing as well.

I taught in the Atlanta area for four years, as well as New Jersey and Boston, MA. I enjoy working with my students to discover and develop their true voice and passion for music
! After studying vocal pedagogy, vocal anatomy, Body Mapping, Alexander Technique, acting, dance, movement, and of course years of musical study, I have honed my skills as a teacher and wants to share them with you! Healthy breathing, physicality, phonation, and resonance techniques are crucial to any style of singing - opera, classical, broadway, or pop.

I hold a Master's degree in Opera Performance from The Boston Conservatory and a Bachelor's degree cum laude in Vocal Performance from Montclair State University. I attended the summer training programs at the Aspen Music Festival in Aspen, CO and the Seagle Music Colony in the Adirondacks. I have studied acting for over 6 years, and participated in straight theatre, as well as musical theatre. I have also coached with coaches from the Metropolitan Opera, Santa Fe Opera, Atlanta Opera, and many more!

My operatic roles include: Miss Jessel in Britten's, The Turn of the Screw, Mrs. Gobineau in Menotti's The Medium, The Female Chorus in Britten's The Rape of Lucretia, Clara Deluso in Pasatieri's Signor Deluso, Magda Sorel in Menotti's The Consul, Geraldine in Menotti's A Hand of Bridge, Ariadne in Strauss' Ariadne auf Naxos, Elisabetta in Donizetti's Maria Stuarda, Contessa d'Almaviva in Mozart's Le Nozze di Figaro, Alice Ford in Verdi's Falstaff, Rosalinde in Die Fledermaus, and the First Lady in Die Zauberflote.

My theatre roles include: The Witch in Sondheim's Into the Woods, Aunt Eller in Rodgers & Hammerstein's Oklahoma!, Marion Hollander in Woody Allen's Don't Drink the Water, Glinda in The Wizard of Oz, Lucy in You're A Good Man, Charlie Brown, and Bobby's Mother in Gershwin's Crazy For You.

I am also featured on Albany Records release of Signor Deluso in the role I performed with the Opera Company of Brooklyn. I have performed the soprano solos in Verdi's Requiem, Faure's Requiem, and Gounod's St Cecilia Mass. Recently I worked closely with Stephen Schwartz - creator of the hit Broadway musical Wicked to create the starring role, Myra Foster, in his first opera - Seance on a Wet Afternoon.

In 2010 I was a Metropolitan Opera National Council Semi-Finalist. I claimed third place and the Wagner award in the Orpheus National Vocal Competition. I was also recognized for excellence with the Benefactor's Award in the Saritelli DiPanni Bel Canto Vocal Scholarship Fund as well as being a semi-finalist in the 2009 Jensen Competition. I enjoyed participating in NATS (National Association of Teachers of Singing) for many years, placing every year in college, and taking home first prize senior year. In my junior year, I won my entire division for the Eastern Regional NATS competitions. I also participated in the All State choirs for 3 years in high school, taking first chair soprano 1 in my senior year, and being awarded a solo.

My students have received college scholarships, advanced in national competitions, and had successful auditions in both classical and broadway style singing. My students have performed in musicals, plays, choirs, and operas. I look forward to exploring your voice with you!
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Stefanie K. April 8, 2018
· · Online
Leslie's online singing lessons have been great.
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Feliciano R. September 24, 2015
· Opera Voice · Online
My first lesson with Lesley was refreshing and informative. She is very knowledgeable in her field and I noticed a difference in my upper range after 10 mins out of a 30 min lesson. I look forward to working with her in the years to come!
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Gloria G. September 5, 2015
· Singing · Online
Ms. Lesley is a fantastic voice teacher! I'm really shy, but she was able to "pull me out of my shell" and make me feel really comfortable. You can tell she loves what she does, and she wants to see her students succeed!
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Lesley F.

Lesley F.

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About Phyllis H.

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Baton Rouge, LA

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performed with the Rome Festival Opera and Washington Opera

About Phyllis
I hold a Masters Degree in Music from George Mason University.

A native of the Washington DC Metropolitan area, I have performed with the Washington Opera Company, at the Kennedy Center, and Historic Maryland's Adventure Theatre. New York City credits include performances off-Broadway for the York Theatre Company, CAP21, and the American Academy of Dramatic Arts.

I have been a vocal teacher in Brooklyn, New York, in addition to coaching students privately. Previously, I taught at the Virginia Institute of the Performing Arts, was Musical Director for The Episcopal Diocese of Virginia's Music and Drama Camp and The Snow Camp Historical Drama Society. I have also taught in Prince William County and Stafford County Virginia Schools and served as a judge for the VTA Middle School One-Act play Competition, VCDA District IX Choral Festi
val, and the Stafford County Choral Society Scholarship competition. In 2008, I served on the production staff as musical director at the Astors' Beechwood Mansion in Newport, Rhode Island.

Proud Member of Actors Equity Association, SAG-AFTRA, and the National Association of Teachers of Singers.

*** Lesson Details ***
Not only am I a trained singer, I am also an actor. I understand what it is to communicate and show emotion while singing. Before you can do this, you must also learn healthy singing technique. I will help blend the two.

The first half of each lesson will be dedicated to vocal exercises with the second half to songs I recommend or from your own repertoire. My recommendations may be from a different style of music than you are accustomed to, but I will be working towards helping you sing the style you want to sing.

Every voice is different. As a teacher I want to make sure that my students understand and are comfortable with what they are feeling and hearing. While I am an easy going person, I work very hard to help students find the right path to healthy vocal production.

*** Travel Equipment ***
n/a student must have piano in home for use by the teacher

*** Specialties ***
Musical Theatre

***please note: I have 3 cats. They do not come into the studio, but if you have allergies, this is possibly a problem.
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Kyle M. January 20, 2016
· Piano · In studio
Very personable and unintimidating to a beginner. Easy to follow her teaching.
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Seth G. June 25, 2015
· Singing · In home
Solid job
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Tom J. March 6, 2014
· ·
Singing Lessons

My singing lessons have been very helpful in my attempting to become a better singer. Phyllis tailors the lessons to accommodate near term needs as well as considering the long term goals. Therefore every lesson is unique to some degree. Thoroughly enjoyable.
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Phyllis H.

Phyllis H.

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$50 / 30-min

About Phil H.

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Rochester, NY

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About Phil
I have my degree from The Eastman School of Music and have played rock and roll for decades. My joy is bringing people to music and music playing. As Music is an infinite language it has always been an eternal joy to teach and relate to my beloved students what music can say to them and what they can convey to others.

*** Lesson Details ***
"If music is not fun it is useless" I urge my students to play their instruments not practice! I will teach music theory as I teach you any style or all styles. Patience is the key and I am constantly filled with it. You will progress as you learn the ins and outs of your instrument and music.

*** Studio Equipment ***
Room setup for lessons, with small keyboard and instruments. Ample parking available, parents can sit in on lessons and waiting area available.

*** Travel Equipment ***
The student is
expected to provide the instrument including full keyboard or piano.

*** Specialties ***
all
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Cameron January 27, 2018
· Guitar · In studio
Cameron didn’t like his lesson, he LOVED it. It was his first lesson and Phil was extremely patient. He’s looking forward to future lessons and promises to practice! Thank you, Phil, we think we have a winner that will hopefully take time away from video games.
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John November 6, 2017
· Banjo · Online
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Pamela March 19, 2017
· Flute · In studio
Phil is so wonderful. After I retired I wanted to learn to play the flute, so I signed up for 30 minutes. I signed for 30 because you never know if you and the instructor are going to get along. I discovered that while I was in session I did fairly well. But once home alone, I would end up in tears. I decided to go from learning the flute to learning the clarinet. I was afraid I would have to find another teacher, but no. Phil pulled out his clarinet and I have been happy ever since! He has a calm demeanor, never talks down to you, multi-talented and encourages you. I finally had to go from 30 minutes to an hour. I found I would have about 15 minutes of questions on symbols, word meanings, etc.; which only left me 15 minutes of actual music. So this may also be something to think about.
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Phil H.

Phil H.

Rochester, NY 14608
(5)
starting at
$25 / 30-min

About Serena E.

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Issaquah, WA

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Students will learn how to present their repertoire with healthy technique, clear and correct diction (in all languages), appropriate stylizing, and intentional dramatic choices.

*all lessons are always taylored to be appropriate vocally and dramatically for age, voice type, and ability

About Serena
Hello! My name is Serena!

Music shapes my life and has made me the person I am today. My experience in training in opera, musical theatre, jazz, and pop has expanded my musical skills and knowledge. Not only have I been trained in performance, but I have also studied music history, music theory, conducting, movement training, ballet, Alexander Technique, acting, yoga, stage craft, improvisation, other languages, diction and the International Phonetic Alphabet, voice science and anatomy, and vocal pedagogy. I have completed my Bachelor of Music in Operatic Vocal Performance from the prestigious Jacobs School of Music at Indiana University under the tutelage of the legendary Carol Vaness. I have also studied with acclaimed teachers and coaches around the world including Dr. Kari Ragan and Maestro Dean Williamson.

This year has been w
onderfully packed with performance for Seattle Opera. I just closed out a 78 performance run of CINDERELLA IN SPAIN where I sang the role of CINDERELLA and was even on the poster! I also performed the roles for the Seattle Opera preview performances of GRETEL in HANSEL UND GRETEL, VIOLETTA in LA TRAVIATA, KATYA in KATYA KABANOVA, and QUEEN OF THE NIGHT in MAGIC FLUTE. I made my Seattle Opera debut singing ALITSA and RACCOON in their touring production of "OUR EARTH", as well as performing on the mainstage in many productions. My upcoming performances include singing in the Seattle Opera kick off to the season SUMMERFEST in July; and OLYMPIA in LES CONTES D'HOFFMANN with Pacific Northwest Opera. My other roles include ALKANDRE in PENELOPE with Vespertine Opera in Seattle, WA; FRASQUITA in CARMEN with OperaBend in Bend, Oregon and Pacific Northwest Opera; and SUSANNA in LE NOZZE DI FIGARO with the Seattle Opera Guild. I also made my international debut in December 2014 singing GRETEL in HANSEL UND GRETEL with Opera Mariposa in Vancouver, BC. I have also been the featured soloist as "Christine" in Ten Grand's Phantom of the Opera at Benaroya Hall in Seattle, WA, and many lead roles in both opera and musical theatre: such as Semele (Semele), Marie (La Fille du Regiment), Gretel (Hansel und Gretel), Countess Ceprano and Gilda (Rigoletto), Blondchen (Die Entfuehrung aus dem Serail), Maria (West Side Story), La Fee (Cendrillon), Sarah Brown (Guys and Dolls), Cathy (The Last 5 Years), Rosina (Barber of Seville), and more! I have also been part of jazz ensembles, and won the Battle of the Bands at Indiana University with a rock group! I am proud to have won the Seattle Opera Guild/Opera Plus Young Artist Scholarship Award for the 2015/2016 season, the Encouragement Award in the Metropolitan Opera National Council District Auditions, First Place in the National Classical Singers Competition, the C.M. Gerber Scholarship, Music Dean's Scholarship, Music Faculty Award, First Place at Washington State Solo and Ensemble Competitions, First Place in the National Association of Teachers of Singing (NATS) National Competitions, and many more!

Teaching brings me such joy! To share the love of music and to educate the musicians of tomorrow is both gratifying and inspiring. I have been teaching since 2005 and provide a fun and focused learning experience where there are no "wrong" questions, and everybody's unique voice is celebrated! Many of my students have gone on to study music in college, and have landed lead roles in musical theatre, choir solos, All State and All Northwest choirs, and won awards in Classical competitions.

In my spare time, I like to hike, eat good food, and spend time with family and friends!

*** Lesson Details ***
My studio provides musical knowledge through private lessons including healthy vocal technique, basic understanding of music theory, and basic piano skills. I encourage a fun and focused environment. Come ready to learn, and let's make music!

A typical lesson will include vocalises that detail proper technique, some ear training work, some music theory training, and will be followed by repertoire. During this time, students will learn how to produce clear and authentic diction (English and other languages), breath management, phrase shaping, smooth transitions between higher and lower pitches, stylistic ornamentation, as well as dramatic involvement of the piece.

Students will learn the importance of the foundations of breath support, and how to create a healthy sound for any genre while keeping the unique qualities of their own voice-- no cookie-cutter singers here! Students will also learn how to read music, practice effectively, perform authentically, and take care of their delicate instrument for a lifetime of singing!

While Skype is a marvelous tool that has revolutionized the world of teaching, nothing can replicate natural acoustics. In-studio lessons are suggested for a clearer and more personable lesson.
**Skype lessons are reserved for long distance students only**

STUDIO ABSENCE and CANCELLATION POLICIES:
Regularly scheduled and attended lessons are the best way to see positive changes in your voice! The smooth running of the Studio Schedule helps make that happen. Therefore, missing lessons is discouraged and make up lessons/cancellations are not given in the Studio unless:
- I have had a performance or rehearsal that conflicts with our lesson time and cannot have the lesson as scheduled. If this occurs, I will inform you of the event as soon as possible and give you the option of a make up lesson or cancelling the lesson.
- Notices of foreseen cancellations (family vacations, religious holidays, school functions, special occasions etc.) are eligible for rescheduling or cancellation if given before the first lesson of the month.
- Of course, life can throw us for a loop! Illness, emergencies, and unforeseen events may possibly be given make ups or cancellations and will be determined at the Studio's discretion. (In the matter of illness: standard procedure is that if the student can attend work/school, they should come to their lesson. A cold can easily be worked around. If the voice is affected (for singing students), Studio time can still be used to work on ear training, music theory, music history, etc.)

All other absences will result in the lesson being marked as "missed". A hard copy of the Studio Policies and further details will be given to the student at the first lesson. Please feel free to ask any questions or clarifications.

*** Studio Equipment ***
The studio lessons take place in a designated area of my home. The room includes seating for parents to observe lessons as well as a weighted keyboard (88 keys), music stand, desk, and materials. No pets. Lots of street parking is available. Shopping and coffee/food located within walking distance.

*** Specialties ***
Specialties: Classical/Opera
Other styles and genres: Musical Theatre, Jazz, Pop, and Rock.
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Reviews
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marilyn August 10, 2018
· Classical Voice · In studio
I have been seeing Serena for help with some obstacles I have come up against in my study of classical voice. She has been very quick to identify what is getting in my way and has given me specific approaches to improve my technique. I have heard her sing and can say that she is superb, musical and has a solid and excellent technique.

I have worked with voice teachers who are good singers but have not the vaguest idea of what they are doing to sing well. This is certainly not the case with Serena. She communicates absolutely clearly what is needed for you to progress.

She is also very kind, approachable, encouraging and puts you at ease right away.

I would, without hesitation, give her the highest recommendation.
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Sanjana August 2, 2018
· Vocal Training · In studio
My deepest gratitudes to Serena for developing me into a singer who is confident in her ability to sing healthily and happily. It was truly a gift to learn from such a patient, kind, and successful artist for 5 years, and to absorb some of the knowledge she has collected throughout her growing Opera career. Not only does she teach all vocal styles and can prepare her students for any vocal musical event, but she teaches the inner anatomnical workings of the voice and the proper techniques to sing efficiently and healthily. A bit of preparation and practice goes a long way with her thorough and lively teaching style. She is truly an outstanding teacher, a brilliant singer, and a lovely person.
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Daniel March 25, 2018
· Singing · In studio
Amazing instructor. I have never taken a singing lesson, but she was extremely patient with me. She really helps you build a foundation for singing and explains the reasoning behind what she teaches very well. I would highly recommend her!
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Serena E.

Serena E.

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About Troy W.

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Houston, TX

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I have been teaching this subject for over 16 years. There is no specific curriculum as each student will come to lessons with their own unique skills, needs, and goals. Lessons are tailored to those specifics. Opera voice is for experienced singers. The ability to reading music is mandatory as is access to a piano or keyboard for practicing. Concerning repertoire, it will be selected based on the student's learning needs but also with their input. The main emphasis on performance lessons, however, will be technique and reading. Students should come to the first lesson prepared to discuss their background & goals and the plan of their course of study.

About Troy
Composer Troy W. graduated from the New England Conservatory, earning his Bachelors, Masters (cum laude) and Graduate Diploma while studying with mentor Malcolm Peyton. After spending a year studying with Lukas Foss in Boston, Mr. W. moved to Houston in 2001 where he continued graduate studies at Rice University's Shepherd School of Music.

During his time as a teacher with the Michael P. Hammond Preparatory Program at Rice University's Shepherd School of Music, Troy taught classes in music fundamentals and music theory for pre-college students. He has also served on the faculty of the Summer Institute for Piano teaching courses in Form & Analysis for pre-college students.

Troy also has maintained a private studio, tutoring and teaching private lessons in composition, ear training, voice, piano, literature, and history for over ten
years. Students who have studied with him come from a wide range of backgrounds with different goals. Those who have continued with musical studies in college have consistently placed out of at least the first two semesters of music theory and achieved advanced placement in their chosen fields of study. Those who chose a different path continue to benefit from the education and training they received from taking music lessons.

*** Lesson Details ***
There is no "standard formula" to lessons. Each student has their own unique background, needs, and goals. Lessons tend to be somewhat casual but are structured in such a way as to meet the unique requirements of the student.

To accomplish your goals, there are a few requirements and basic expectations that the student and parent must meet.
The first is practice. Students are expected to practice daily for at least the length of their lesson time. This, above all else, is essential to progress. It is also expected that a parent will attend lessons for students who are too young to drive themselves here. It's important for a parent to guide the student's practice time (particularly for younger students) to ensure that the most is gained from it. This is why I ask that a parent observe lessons.
Each student or parent should bring to each lesson a notebook, pencils (with erasers). The notebook will be used to record notes about each lesson, homework, practice advice, etc. Pencils (not pens...nobody's perfect!) are used by composers to record their creations and performers to mark their music. Both of these essential practices are subject to changing thought and must be open to change. So no ink, please!

Performers: It is not necessary to know how to read music at the first lesson for beginners. However, learning to read is required for subsequent lessons and will be a large focus for all non-readers. Lessons are not learned "by ear." A certain amount of theory will be a part of every lesson just as technique and repertoire. Concerning repertoire, it will be selected based on the student's learning needs but also with their input. The main emphasis on performance lessons, however, will be technique and reading. Students should come to the first lesson prepared to discuss their background & goals and the plan of their course of study.
Note: Voice students must be at least 16 years of age.

Composers: Just as with performers, it is not necessary to know how to read music at the first lesson. However, learning to read is required for subsequent lessons. Many young composers have great ideas but can only hear them in their heads or play them on an instrument. Lessons will allow you to obtain the skills to write them down with greater speed, accuracy, and clarity. More advance students will also include exploring a wider range of harmonic languages, advanced notation, instrumentation, orchestration, and aural skills. Students should come to the first lesson with examples of their work, either written, notated, or recorded in a digital format. They should be prepared to discuss their background & goals and the plan of their course of study.

IMPORTANT NOTES:
• To reschedule a lesson, more than one day notice is required.

• Make up lessons must be scheduled before the next regular lesson.

• A make up lesson cannot be scheduled in place of a regular lesson.

• If, for any reason, two 30-minute lessons are scheduled one right after the other, they will be charged as two 30-minute lessons, not one 60 minute lesson which is a different rate.

• If, for any reason, two 45-minute lessons are scheduled one right after the other, they will be charged as two 45-minute lessons, not one 90 minute lesson which is a different rate.

• the studio space is also inhabited by two lovely cats. Do consider this when signing up for lessons.

*** Studio Equipment ***
Yamaha DGX-650 weighted 88 keys full sized keyboard
area for parents to sit and observe lessons.

*** Specialties ***
Main area is in classical music and media scoring with secondary focus on musical theatre vocal performance and composing/arranging.
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Reviews
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Peter W. August 12, 2017
· Singing · In home
Very tutor easy to follow and knowledgable
However, location was said to be 2.7 miles from me, it is actually 21 miles...... beware and double check!!
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Angelika July 17, 2017
· Opera Voice · In studio
So far, I look forward to each lesson! Troy is very kind, yet very helpful and has helped me target on my personal goals with opera while also learning more each time! I highly recommend him. It doesn't matter if you have no experience in voice or only experience in voice ( as my experience is theatre and musical theatre), he is patient in helping you achieve the goals set. I cannot wait to continue lessons with him!
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Jonathan May 2, 2017
· Singing · In studio
Troy is a rare talent in the Houston area. He's well qualified, very detailed, and has a great sense of humor. Troy has been teaching me for 6 months and I have come so far. I'll go sing karaoke anytime! Thank you Troy!
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Troy W.

Troy W.

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About Deborah C.

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New York, NY
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Hi future students!!!

We all know to be an opera singer is hard work and very difficult. However, it is not impossible. Technique is key and I am here to help you build technique in order for you to reach your goal. Also, we will have fun learning and singing because learning is fun! We will study breath support, and breath control, as well mouth positions, forward sound, the larynx and how to keep and open throat. I will also teach you and help you strengthen your registers as well as blend them.

About Deborah
I have so many different things I teach. If you are looking for a voice teacher, I definitely can be of help. I have been singing all of my life. I sing in many different genres like pop, gospel, R&B, and classical. I can even help if you want to be an opera singer, as I am studying to be one myself at the Aaron Copland of Music. First things we would start to do is learn how to breathe. After the student understands good breath, then we will apply it to actual singing.

I also teach Italian, and have taught the language for 3 years in a private school. I lived in Italy for a while and I just love the language. If anyone needs a tutor, I can help!

I also teach art history, and art as far as drawing and painting. So if any parent wants for their child learn how to express themselves through painting or drawing, I can do that as well!!


I love to do all of these things, as I have a great passion for them! I hope I can inspire someone else.
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Dario March 2, 2018
· Classical Voice · In studio
Deborah's expertise and professionalism are a pleasant surprise when you consider how young she is. I have met teachers that are decades older than her who do not have the ability to accurately tell you exactly what you are doing wrong or how you can correct it. You hear a lot of, "just keep practicing and it will sort itself out" from other instructors, and this could cause you to develop bad habits that could affect your voice. Deborah is the opposite of that.

She pinpoints exactly what I am doing wrong during my lesson and offers suggestions on how to correct it going forward. I appreciate that because if your instructor doesn't tell you, your audience will. And you might not like how they say it. I am there to go beyond just singing in the shower, and her constructive criticism only makes me better. She is also polite when she corrects you, she's not cracking the whip.

She focuses immediately on different techniques that will help you improve your voice so that you can PROGRESS, instead of just banging out scales on the piano lesson after lesson and overlooking mistakes a student may make like some instructors do. I hate to be this blunt, but there are some instructors I have met in the past who do just that (none of them are from takelessons) to me it shows a devotion to the art and a commitment to bringing out the best voice that you have she wants you to be as good as her! To me no one could ask for any more than that in a voice instructor. I wholeheartedly recommend her to anyone looking for a teacher.
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Nadia A. February 13, 2018
· Singing · In studio
Deborah is a wonderful teacher. She is patience, caring, understanding, knowledgeable, and motivating. I HIGHLY recommend Deborah as a vocal coach.
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Sarita G. December 26, 2017
· Singing · In studio
Just as she promise ;work on breathing first, usually I like some time go by before I make a comment but the first introduction went so well, I have a positive outlook of my future practice. I have my questions answer and I also understand them as well. I am sure I have more and have confidence they will be answer....
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Deborah C.

Deborah C.

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About Meghan L.

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Hawthorne, NJ
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I have studied classical voice from the age of 13 with instructors from The Metropolitan Opera. I have sung classical arias in Italian, German, French and Latin.

In our lesson, we will focus on the three pillars of singing: Alignment, breathing, and relaxation. We will work on classical vocal technique through simple exercises. I have exercises for people of all vocal ranges and types. I will adapt my lessons to your specific needs.

We will select the perfect music for you to work on, and I will accompany you on piano. If the music is in a foreign language, I can work on pronunciation with you. If needed, I will record piano tracks for you to practice in between lessons.

Feel free to reach out with any questions. I can't wait to get started!

About Meghan
Hi I'm Meghan! I'm a professional singer and vocal coach who has performed and taught professionally all over the country. I received a B.F.A. in Musical Theater from The Boston Conservatory with an emphasis in Vocal Repertory. I will provide detailed and constructive feedback on your vocal technique. I will break down the mechanics of singing in a way that is both fun and easy to understand. I am experienced in multiple vocal styles, including Pop, Broadway, Jazz, Country, Classical and more! I will help you sound amazing on all of your favorite songs.

As I always say, if you can learn to speak, you can learn to sing!
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EDWARD July 19, 2018
· Singing · In studio
GREAT, FUN, AND VERY INFORMATIVE TEACHER.
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Richard L. June 29, 2018
· Guitar · In studio
Megan is very helpful very positive and Encouraging . looking forward to my next lesson
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Artem January 26, 2018
· Vocal Training · In studio
Meghan is really welcoming and friendly and is a pleasure to be around. She makes the student feel really comfortable and relaxed. As I entered the studio, I was feeling tense and nervous, but she managed to quickly help me release if not all then most of that tension. I feel like the techniques Meghan has taught me so far are really effective. I know I only have one lesson to go on, but so far I'm feeling very optimistic that Meghan can help me achieve my goals.
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Meghan L.

Meghan L.

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$30 / 30-min

About Wesley D.

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Vienna, VA

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I am an opera and musical theatre performer with years of teaching experience. I offer voice lessons for all genres and abilities, beginning piano lessons, and acting coachings.

I am trained and have experience in opera, musical theatre, pop music, and other genres, and I am eager to teach students of all ages and abilities! I aim to facilitate a positive, enjoyable learning environment that is constructive and productive.

My students have performed in professional and community theatre productions, have won local competitions, and have been invited to national auditions. I have music directed several musicals and summer camps, including Annie and Captain Louie.

About Wesley
I am a recent graduate from the University of Virginia, where I studied music and drama. I have performed operatic and musical theatre roles with several opera companies, including Teatro Nuovo, Victory Hall Opera, Charlottesville Opera, and the Bethesda Summer Music Festival. My performances and studies have taken me across the country, as well as to Italy and France.

I have also worked as a stage director in opera, musical theatre, and theatre stage production. This insight allows me to guide students in their presentation of songs and characters.

I have worked as an educator at several institutions, including Imagination Stage in Bethesda, MD, which specializes in inclusive artistic education. I am passionate about teaching lessons because private instruction allows for a personalized approach that is so necessary in singing.
Each singer's instrument is unique, and I take joy in helping my students find the easiest, healthiest, and most beautiful sounds that they can produce.
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Reviews
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Abby May 16, 2018
· Classical Voice · In home
I started taking voice lessons with Wesley to help me with my college auditions, and I couldn't be happier! He really knows what he is talking about! I have become way more confident in my singing, and I am no longer nervous for my auditions next year! Thanks!
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Robyn May 16, 2018
· Singing · In home
My 12 year old son has been taking voice lessons from Wesley for 3 years now, and I have to say that his voice has grown tremendously! From what I have observed, Wesley focuses on age-appropriate technique, and knows what repertoire to assign that is fun, yet challenging. I would recommend him to any potential voice student!
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Matt May 15, 2018
· Singing · In studio
Wesley is a kind and patient teacher! When I started, I was new to singing, and Wesley has opened up my voice so much.
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Wesley D.

Wesley D.

Online
(3)
starting at
$45 / 30-min

About Robin G.

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Weatherford, OK

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Welcome to the Studio!

I am very excited to be able to work with you this year. Voice study is one of the most challenging and rewarding experiences of my life. There is something special about developing an instrument that is inside you. Each voice is unique to the student and possesses an individual beauty. Teaching voice has become my primary passion and I can’t wait to help you improve. This syllabus will give you an overview of studio requirements and expectations.

COURSE RATIONALE:
Singing is a skill, a sophisticated blend of fine-tuned muscular coordination and performing artistry. Concepts presented in lessons, when reinforced by your regular practice, will support skillful singing and compelling performances. Whether this is your first set of lessons as a vocalist or whether you are an experienced performer, these lessons will help you grow as a singer. We will discuss technical ideas as applied to both vocal exercises and repertoire, balancing your development ...

About Robin
Robin, tenor, holds degrees from the University of Missouri-Kansas City Conservatory of Music and Dance (D.M. in vocal performance), the University of Arizona (M.M. in vocal performance), and Lawrence University (B.M. in vocal performance).

Robin has recently performed the roles of Nemorino in Donizetti's L'elisir d'amore, Ferrando in Mozart's Cosi fan tutte, Gherardo in Puccini's Gianni Schicchi, Fenton in Verdi's Falstaff, and Nanki Poo in Gilbert and Sullivan's The Mikado. In recital, he has performed Hugo Wolf’s Italienisches Liederbuch and the composizioni da camera of Rossini, Donizetti, Bellini, and Verdi. In addition to his experience in operatic and art song repertoires, Robin has extensive experience in musical theater.

Robin has sung with the Arizona Opera Chorus, North Star Opera Chorus, and the Arizona Choir. A numbe
r of Robin's students have attended or participated in the the University of North Texas, the Academy of Vocal Arts (AVA), Luther College, Tisch School of the Arts, Minnesota Opera Clinic, and Minnesota All-State Choir. He currently serves as Associate Professor of Voice at Southwestern Oklahoma State University.
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Reviews
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Chelsea July 5, 2018
· Vocal Training · In studio
In as short as one semester, Dr. Griffeath has helped my voice tremendously. He genuinely cares about his students and works hard to understand how each one learns.
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Whitney June 21, 2018
· Opera Voice · In studio
Dr. R is a very talented vocalist who has a strong background in Alexander Technique. Combining the two makes a very sympathetic and understanding mentor. He can hear all of your tensions, including the ones you aren’t aware of. His style of teaching is a very natural approach and he will not ask you to do anything that hurts or pushes you too far. What stands out the most is his determination. He is determined to help you grow. I am very lucky to have him as an on staff professor.
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Andrew June 19, 2018
· Classical Voice · In studio
Dr. Griffeath is very approachable and highly knowledgeable. He has a great, in-depth understanding of voice and helps one to understand the processes behind every action taken in vocal lessons. He cares greatly about students’ progress, well-being, and enjoyment of the instrument. Highly recommended.
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Robin G.

Robin G.

Online
(3)
starting at
$59 / 30-min

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