acoustic guitar playing: both finger picking and playing with a pick
Professor Nick R. (guitar, banjo, mandolin, ukulele, dobro/resonator/slide, lap steel, tenor guitar, baritone resonator, bass, drums, composition) is currently the adjunct professor at Essex College, Jazz clinician for over 19 years via Kupferberg Center (Queens College) and has been on the staff at Great Neck Music Conservatory. Nick has given lectures at Manhattanville College, at Queens College and at schools, nationally.
Nick has been a sideman with Antonique Smith, Jon Batiste, Rob Morrow, John Lithgow, Russell Hall, Vince Giordano & The Nighthawks, Marcus Miller (a new film), Moroccan vocalist/composer, Malika Zarra, Bill Charlap, Frank Vignola, Victor Jones and Cultur-versy, Jim Nolet (Jazz Passengers), Jennifer Jade Ledesna, the late greats Jimmy McGriff, Teddy Charles, Sonny Dallas, Joe Ascione and continues to play for Th
e Hot Sardines, Andrew Nemr (tap dancer), Miles Griffith's New Ting, Terry Waldo, Dandy Wellington, New Orleans’ Aurora Nealand, Gordon Au's Grand St Stompers, Mona's Hot Four, Dr. David Pleasant, Jon Weber, John Colianni, Kim Clarke, Raphael McGregor, Anastasia Rene, Indian/pop singer, Meetu Chilana, & many others.
Nick has played extensively with Malika Zarra, including her Ebony Road CD release with Harvey Wirht, Mamadou Ba, Brahim Frigane and other great world musicians. As a pupil of Pandit Samir Chatterjee, Nick continues to study Indian music, plays harmonium, box tanpura (soon sitar and oud!) and jams with grammy nominated producer/composer/Indian percussionist, Deep Singh (tabla player with Sting) and grammy nominated producer/trumpet player/composer, Frank London on a regular basis.
Nick has also played extensively with ELEW years before, when he was jazz pianist, Eric Lewis and trombonist, Clark Gayton as sideman in various bands, including the James Brown tribute band with the late great, Black Velvet (Charles Bradley) led by Victor Jones.
Nick currently leads/MC's 3 bands: Banjo Nickaru & Western Scooches, Hot Jazz Jumpers and NickR+11
Banjo Nickaru & Western Scooches (with Betina Hershey) album, Get Us Out Of Fearland: #2 album, #2 artist, #5 song with 6 of our songs in top 20 on April 2018 International Folk Music DJs Radio chart!
Over the past two year, Banjo Nickaru Western Scooches has built a solid following in the Eastern U.S. with a half dozen tours while also playing such prestigious events such as NBC affiliate Kansas City TV, Falcon Ridge Fest, Kansas City Folk Fest (main stage), Folk Alliance International, NERFA, WFUV Sunday Supper, Jon Platt's On Your Radar, Blue Plate Special, WMOT Finally Friday, WNCW Studio B Sessions, WoodSongs, Isis Music Hall, the Mid-Winter Folk Fest at Club Passim and recent January 2019 APAP showcase in NYC.
“Nick has worked with artists all over the jazz spectrum. His latest release brings a decidedly unorthodox approach.” DOWNBEAT ⋆⋆⋆⋆
"....the inimitable Banjo Nickaru & Western Scooches"
— John Platt (WFUV)
“A heart as big as the sky…full of high energy and higher spirits.” -Elmore Magazine
“A band that has to be seen to be believed.” — John Platt (WFUV)
"They go back to basics with songs that bask in a genuine roots regimen and a sense of timeless tradition." Elmore Magazine
"Americana music at its purest and most impressive." No Depression
“Unfailingly high-spirited." LONDON TIMES
"...Banjo Nickaru & Western Scooches are ridiculously fun." Rambles.
-Down Beat magazine 2006 Ro review plus [Jan/Feb 2016] Hot Jazz Jumpers' "The Very Next Thing" DVD/CD review
-Jazz Insider magazine current issue [Dec 2015] 2.5 page interview
-Just Jazz Guitar magazine interview [February 2015 issue]
-Vanity Fair magazine (August 2013) interview
"Summer of 2013, Nick R. performed at Gwyneth Paltrow and Chris Martin's home. It was an honor to meet Paul McCartney and jam with him while he played toy harmonica. Carnegie Hall, Lincoln Center, Iridium, Bluenote, Birdland, U.N., IAJE, Cape Cod Jazz Festival, NJPAC, Sweet Rhythm, Smalls, Zinc Bar, Smoke Jazz Club, internationally: Japan, Spain, Russia, Brasil, St. Kitts, Canada, France, Bermuda, Sweden, Israel
-Toured/recorded and/or worked as sideman with Antonique Smith, Jon Batiste (from the Colbert show), Jimmy McGriff, Teddy Charles, Bill Charlap, Sonny Dallas, Victor Jones and Cultur-versy, Vince Giordano & The Night Hawks, Frank Vignola/Joe Ascione, Miles Griffith, David Pleasant, Jim Nolet (former violinist for the Jazz Passengers), Dandy Wellington, Jon Weber, Aurora Nealand (from New Orleans), Anastasia Rene, Mona's Hot Four, Gordon Au's Grand Street Stompers, Michael Arenella's Dreamland Orchestra, with Jesse Gelber, Raphael McGregor, Emily Asher's Garden Party, and many other groups.
-Appears in Sam Mendes Film "Away We Go"
-Movie Soundtrack: King George.
-Guitar/banjo: "Jew Grows in Brooklyn," "Take Me Along," "The Big Apple Circus" + others.
-Banjo/Guitar Chair: "New Girl In Town" (Irish Rep Theatre)
M.A. from the Aaron Copland School of Music at Queens College (partial scholarship)
B.S. from S.U.N.Y. Stony Brook, graduated magna cum laude. Dean's list all semesters
-Published interview (book): A New Face of Jazz (Cicily Janus)
-Playing guitar/banjo on first episode of new PBS cartoon "Peg and Cat"
- Current adjunct professor at Essex College
-Guest lecturing professor at Manhattanville College
-Substitute adjunct professor at Queens College
-Winning participant: I.A.J.E. with Miles Griffith's New Ting 2007. Performance and educational certificate granted.
-Winning participant; part-scholarship award: 2004 International Jazz Workshop at BANFF Centre, Canada (dir, Dave Douglas)
-Winning participant; full-scholarship award of the 2001 JAS academy in Aspen Colorado (dir, Christian McBride (Down Beat Dec. 2001)
-Studying Bol (Indian rhythmic system) with tabla player, Pandit Samir Chatterjee 2006-2007; 2013-current
-Studied with Pat Martino, Billy Bauer, Ben Monder, Tony Purrone, Pete Bernstein, Dr. Stephen Salerno, Dr. David Belser
-Studying African Rhythms with drummer, Harvey Wirht
*** Lesson Details *** With over 20 years teaching experience, Nick is patient with children & adults. He has a creative, unique pedagogy emphasizing hearing through singing, ear-training & natural, organic listening. Nick instills healthy absorption of music while students have fun learning their music, sight reading, internalizing with focus on rhythm and time. As a student, you will get to work on music that you, the student select as well as work on sight-reading, technique, ear-training. We will also work out of method books and use other sources of information.
*** Studio Equipment *** Chairs, music stands, instrument stands, classical foot pedals, classical guitar pillows, guitar amps, guitar, banjo, mandolin, ukulele, drum set. Students usually provide their own instruments but it's possible to borrow an instrument during the lesson at the studio on the first lesson. (free street parking right in front!)
*** Specialties *** Nick's pedagogy emphasizes ear-training, singing, reading and truly hearing the music we are working on. Rather than rote teaching and guitar tablature, he instills natural listening, transcribing, sight-reading and proper technique. Lessons are always enjoyable as Nick observes each student's unique needs and listen's to their song preferences and musical goals. Students have the opportunity to learn pieces and genres they select and they are trained to figure out tunes by ear (ear-training) and transcribe.
-classical guitar and Brazilian guitar (nylon 6 string and nylon 7 string guitar) -acoustic steel string guitar, electric 6 string and electric 7 string guitar - jazz guitar + an eclectic mix of styles: blues, Brazilian music, Latin Jazz, Afro-Peruvian, Indian music, rock, heavy metal, funk, R & B, Motown, reggae + other genres. - tenor banjo (traditional jazz, jazz from New Orleans, Dixieland and world music) -5 string banjo (Earl Scruggs finger picking [bluegrass and country]) -tenor guitar -ukulele -mandolin -resonator slide/dobro. -lap steel -baritone resonator (slide)
This was my first lesson with Nick. He is a very nice guy. He created a calm, relaxed atmosphere in his studio, and he was clear when he gave me particular instructions. His knowledge of music theory in general, and of the five-string banjo in particular, was quite impressive. I would recommend him highly to both a beginner and to anyone (like myself) who is in need of a refresher course. I am very much looking forward to my next lesson.
April 2, 2019
Nick Russo is a fantastic tutor for kids and adults who would like to learn Ukulele, guitar, banjo or other instruments. He makes ‘learning fun’ he's friendly and cheerful. I don’t have any background in music but, Nick made it easy for me to understand the notes and how it works. I always look forward to every lesson. I Highly recommended Nick to everyone.
March 22, 2019
I’ve been taking guitar lessons with Nick now for a few months and it’s been a terrific experience — cannot say enough good things. Each lesson builds on the last and Nick tailors them to my ability and musical interests mixing in enough music theory, which makes learning both productive and enjoyable. Most importantly I feel like I’m beginning to understand how music works and not just blindly memorizing patterns or scales. I considered online courses before choosing Nick, but there’s no substitution for one-to-one instruction. Nick’s feedback and instruction are invaluable.
I was a little concerned about trying to pick up guitar in my early 40s, but its been a rewarding experience so far and I’m looking forward to more lessons with Nick.
Different way to tune your guitar Learn basic chords & strumming patterns Playing basic songs How to target the tough areas and speed up your playing level How to care for your guitar so it sounds beautifully How music theory & alternative tunings create your personal creativity
Coming from a large extended family in Hawaii, I was surrounded by luau music, kachi-kachi dancing, Japanese bon dances, handsome local guys singing and playing their guitars and my aunties strumming their ukes and singing old songs. I reveled in walking alone in Nature or playing piano and singing in empty, stained-glassed churches - just wailing in the dark and colored light!
I studied: piano, organ, oboe, clarinet, violin, voice, and guitar. I started as a teenager to make a small living playing for various churches, choirs, weddings, and funerals. As a young adult, I sang in jazz trios and pop bands, and continued playing as a church organist/choir accompanist, and began teaching private piano lessons to students of all ages.
Upon arriving in New York City, I entered into a journey of playing at a Washington Heights gospel chur
ch, living in a building filled with musicians, studying Sanskrit and mantra chanting, and sound and light healing. And, I sang! And wrote my own songs.
By blending traditional teaching methods and everything I've learned, I create meaningful experiences for students by: - being patient, flexible, and creative in approach - using visual, aural, and tactile teaching tools
*** Lesson Goals *** After 3 to 6 Months of Lessons, you can use the important music fundamentals you've learned to create music you love. After about a year, you are able to share your music with your family and friends - and maybe even perform as a service to your community!
*** My Studio Equipment *** Upright piano, synthesizers, guitars, ukulele, percussion instruments, cool learning tools and charts
*** Travel Equipment *** I can carry my own guitar, ukulele, teaching aids, manuscript paper, pen/pencils, and handouts.
*** My Specialties *** Playing instruments thoughtfully, with feel, especially with vocals. Taking basic techniques & music theory to expand, create one's vision. Creating music to nourishes the body and soul. Making lesson times fun and meaningful. Singing from an unguarded voice - to be as authentic as possible.
Carolyn is great! She brings an amazing chill energy and makes it feel more like time hanging out with a friend than a lesson. Definitely recommend her, I think kids would love her as well.
April 14, 2019
First lesson with Carolyn in the books! She is a wonderful teacher - positive, encouraging and while thoughtful with her lesson plan, is happy to take the lesson in a direction of your choosing!
Very much looking forward to my future lessons with her!
July 17, 2018
Carolyn is terrific! I decided to finally learn to play the piano and learn music theory at 50! I am having an incredible learning experience with Carolyn. She is patient and is always one step ahead anticipating my challenges and helping me learn and improve.
I have been playing guitar for 30 years, and have experience playing and teaching practically every style of guitar, including fingerstyle, classical, folk, jazz, rock, blues, pop, country, and metal. I have been teaching guitar professionally for 11 years, and have taught countless people how to play like they had only dreamed of... Let my experience and patience guide you on your way to mastering the guitar!
A lifelong musician and songwriter, Ian S. has extensive experience teaching guitar and piano to students age 3 and up both as a private music instructor and as a staff music instructor at the Institute of Music for Children. With 28 years of experience on the guitar and 32 years on piano, Ian has studied and performed with several award-winning music artists, and has written, recorded, and produced over one hundred songs. He plays and teaches a variety of styles on both the guitar and the piano, from classical to jazz to rock. Ian is patient, friendly, and loves sharing the gift of music.
Ian was the guitarist in the Princeton University Jazz Ensemble for 3 seasons, was selected from a nationwide pool of musicians to perform at a special music event at the Kennedy Center in Washington DC, and was the recipient of the New Jersey Gove
rnor's Award in Arts Education for the category of Instrumental Music.
*** Lesson Details *** I am very laid back and friendly, and I want you or your child to be as comfortable as possible during our lessons. You or your child will develop confidence and musical intelligence. I will make your lessons fun, enjoyable, and effective. Boredom is not an option! Music is fun... let's keep it that way.
The teaching methods I use will be custom-tailored to your individual needs, personality and specific musical goals. If it's guitar or piano you want to learn, I want to get you playing exactly what you want to be playing as soon as possible. That's what you're here for, and that's what I'm here for. I will make it happen. If it's songwriting that you want to learn, I will help you access that place inside of you that is dying to express itself creatively, and will teach you techniques to harness that energy and translate it successfully into musical expression.
You can expect to learn all the basics of music theory, proper playing techniques, improvisation and spontaneous musical expression, and I will help you develop your "ear" so you can figure out songs you like just by listening to them. This is all about you and your goals, and I want you to achieve them in a fun and engaging way.
*** Studio Equipment *** Living room: Upright piano, guitars, amps, keyboard, percussion
*** Specialties *** I specialize in pop, rock, classical, jazz, blues, folk, fingerstyle (guitar), etc. I also teach improvisation and songwriting, and try to develop the student's ear for figuring out songs they like on their own.
Ian is fantastic teacher. He was so patient with my toddler daughter. And when she became fuzzy during the class, Ian could be so creative to always come out with a way to calm her down and redirect her attention to other musical things. I would love him to be my daughter’s music teacher for as long as possible if I did not have to move.
October 12, 2019
Ian is very knowledgeable and is great in explaining theory and great in demonstrating so you can understand.
I'm a specialist in Brazilian Guitar and have played and used American Folk Styles to teach finger picking for many years. This includes Travis Picking, Blues and arrangement of all sorts of melodies for guitar. One of the first world musics I played was Irish music and I have a nice repertoire of these melodies to help the student learn how to play a linear melody. Reading is not necessary but I'm expert at getting people to read by using simple familiar music.
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil, receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.
Testimonials: From Coda Magazine August 2012: by Seton Hawkins
Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.
A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH
Reviews of my Book on Alfred Brazil: Guitar Atlas, I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!
This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.
*** Lesson Details *** I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".
*** Studio Equipment *** I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.
*** Specialties *** Brazilian Fingerstyle - Choro, Samba, Baiao Solo Jazz Guitar - Pick or Fingers Beginning Flamenco Cavaquinho Improvisation for any instrument Harmony and Theory
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
December 17, 2014
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
October 17, 2014
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
I've been playing guitar for recordings for years, and can show you the fundamentals of rhythm guitar, finger picking, and soloing.
I'm a bass player, educator, composer, arranger and band leader living in Brooklyn, NY, and am active in a diverse group of projects that include polka, jazz, classical, and commercial music. I've been teaching double bass and electric bass for 20 years, and have recently added synth bass to my lesson repertoire. I grew up playing orchestral music, jazz, and rock throughout high school, and attended NYU Jazz Performance program, from which I graduated in 2005. While there I studied with a variety of teachers including John Scofield, Mike Richmond, Billy Hart, and Ron McClure.
I've performed with a wide variety of acts, including The Lone Bellow, Grace McLean (Marya in Broadway's "The Great Comet of 1812"), Major Attaway (Genie in Broadway's "Aladdin"), Donnell James Foreman, (Broadway's "The Book Of Mormon"), and I'm currently the Mus
ical Director for Melanie Penn and Porter and Sayles. I've appeared in performance on ABC's "The Chew" and "The Bachelor," and perform regularly with New York City's most renown Polka Band, The Polka Brothers.
I've thoroughly enjoyed working and growing as a musician, and I'm passionate about helping others do the same. I currently teach at NYU, as well as occasional programs at the Turtle Bay Music School in Manhattan.
We have more than 10 years of experience teaching guitar and piano to adults and children 3 and up. We personalize each lesson to motivate you and help you reach your musical goals!
I am a professional musician graduated from the National University of Colombia and with a MA in live performance from the University of San Jorge (Spain). I teach all styles of guitar, I also teach piano, ukelele and vocals and have more than 10 years of experience teaching children and adults. If you want to learn to sing and comp for yourself with the guitar or play instrumental solo guitar, I am the one to learn from :) I look forward to meeting new students with a great passion for music!
Experienced teacher of 15 years, specializing in the beginner/intermediate piano student! All ages welcome. Lessons are customized and catered to the needs/goals of each student. Not only will you be playing songs in no time, but you will be building a strong foundation of note reading, music theory, ear training, sight reading, technique, and more. I have different graduated professional music teacher available For classical guitar and electric guitar
Hi my name is Enmanuel I'm a Experienced teacher for 15 years, specializing in the beginner/intermediate/advanced in piano,guitar,violoncello,violin,viola,flute,saxophone etc.. for students! All ages welcome. Lessons are customized and catered to the needs/goals of each student. Not only will you be playing songs in no time, but you will be building a strong foundation of note reading, music theory, ear training, sight reading, technique, and more. I have different graduated professional music teacher available For all the instruments offered.
I can show you the basics of guitar from tuning to your first chords. My speciality is in rhythm as I am a drum player first. Rhythm is so important to playing the guitar. I also have a strong foundation in the chord and scale theory as well as jazz harmony.
Benjamin Engel is a percussionist and mandolin player from North Carolina. Coming out of a folk music tradition he has expanded his interest into the world of electronic music, free improvisation and world music. He most recently visited Dublin to work with composer Cal Folger Day on a historical Operetta. He has performed in long standing Brooklyn Based bands like Free Advice, Eamon Fogerty band and the Wyndham Baird band. His newest projects include collaborations with violinist/vocalist Concetta Abbate and sound artist Ted Robinson, in addition to his original music under the moniker Chemical Bags.
"Great teacher, motivator and encourager! He can prepared to my first class with a plan and handouts to facilitate my practice in between lessons. I have a
n ambitious goal and timeline in mind, and I believe Anthony is just what I need to get me there!"
"Oliver is a wonderful teacher. This is my daughter's second guitar teacher and what a difference from the first. He is enthusiastic, talented, patient a
nd a lovely person. All qualities that truly make him the best instructor. She is learning quickly and really looks forward to her guitar lessons each week. So happy that we found him!"
"Knowledgeable, helpful and genuinely cares about how my son is progressing in his lessons"
"I have been taking lessons with Jimmy for 3 months now and have learned so much in that time. I was excited to learn the acoustic guitar, but a bit nervou
s since I have never taken any type of musical lesson or have ever had any success with learning an instrument. Jimmy's patience and fun personality put me at ease right away. I am an elementary teacher of over 20 years, so I could tell that I had made the right choice in coming to Jimmy for lessons. Jimmy takes the time to teach music theory, which I appreciate, and answers any questions that have. He is a very dedicated musician whose experience and knowledge become apparent as he teaches his students, and when you view his studio. He is very reliable, always getting back to me quickly when I correspond with him. If I have had to change lesson days due to weather or family commitments, he is always understanding and flexible. I highly recommend him to other perspective students and look forward to growing as a musician with him as my teacher!"
"Eric Lesko taught my son Brian guitar 18 years ago when Brian was a teenager. My son got to a point that he didn't want to practice and we were thinking
about giving up the lessons. However, Eric got Brian playing whatever kind of music my son was interested in and he continued taking for a few years thereafter, completely enjoying it. When I decided to take up the guitar around eight years ago, Eric was the first and only instructor I thought of. Besides being very capable musically, he is willing to move in any direction that you want in order to keep you interested and helping you achieve your goals. He always has suggestions on ways to approach a particular piece in order to make playing fun and not frustrating. He is also well-versed in the use of technology to make playing a continuum as you gain skills, making a huge difference in being able to get more out of practice. Finally, he is conveniently located in a new facility in downtown Oviedo and he is very flexible with lesson days and times. Eric's greatest asset is that he wants the student to enjoy playing as much as he does!"
"Theresa is a wonderful teacher! I have had many private lessons teachers, and she is by far the best. She is incredibly patient with me (especially when I
get frustrated and struggle with a particular technique) and always challenges me each and every lesson. I feel that her pricing is very fair (my previous teachers charged much higher rates) and she is flexible whenever I cannot meet for lesson (given advance notice). I highly recommend her for anyone looking for teacher --- young child or adult. I have only had her for acoustic guitar lessons, but I imagine she is probably just as competent at teaching other instruments."
"It was nice to meet and begin lessons. David asked some good questions and we set some goals in advance. I look forward to learning a lot from David who i
s very welled versed in all styles of guitar repertoire."
"Ahmad has made learning guitar a great pleasure. He is extremely patient and fun to work with. I have small hands and not much of a musical background a
nd was sure I was doomed to fail but Ahmad has really made me feel confident about my abilities. I have improved SO much over the past few months. I highly suggest studying with Ahmad."
"My experience have been very good and I learned a lot, I was impressed with his talent, patient and love for music. if you show interest, dedication and f
ollow his instructions I can guarantee you will see great results."
Not sure whether to buy an acoustic or electric guitar for your first try at the instrument? Read on as Corona, CA teacher Milton J. shares his expert advice...
Deciding on which guitar to start with is a big step. Not only do you want to feel comfortable with playing guitar for the first time, but you also want to suit your musical tastes, style, and aptitude. So should you learn to play acoustic guitar first? Or go straight to the electric, if your style leans more toward Hend …