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Perryman, MD Opera Voice Lessons

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Popular Opera Voice Teachers near Perryman, MD

Check out some of our most popular teachers near Perryman, MD including Edgewood, Abingdon, Aberdeen, Belcamp and Aberdeen Proving Ground.

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About Farobag C.

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Orland Park, IL

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A greater emphasis placed on breath control, diction, and vocal production on all aspects of operatic performance.

About Farobag
Music Director of the Chicago Philharmonia Orchestra since 1985, Farobag has also served as Managing Director of the University of Chicago Performing Artists Series from 1989 through 2002 and principal conductor of its resident professional ensembles. A skilled interpreter of Baroque literature as well, Farobag continues in his capacity as Artistic Advisor to the Baroque Masterplayers, a virtuoso ensemble that concatenates period performance techniques with modern instruments thus creating a unique voice within the realm of 17th and 18th- century repertoire.

A double graduate of the Eastman School of Music and the University of Rochester, Farobag studied under Anastasia Jempelis, a pioneer of Suzuki violin pedagogy in the United States. In addition to the Suzuki curriculum, he is also associated with the Royal Conservatory Music Devel
opment Program that sets a national standard of musical achievement in various fields.

Befitting his penchant for encouraging artistic interest amongst younger members of his community, Farobag is also the principal conductor of the Zoroastrian Symphony Orchestra that offers a unique mixture of young and seasoned professionals sitting side-by-side in a strictly professional setting. Since the year 2000, the ZSO has staged highly successful performances at various venues in Houston, Chicago, and Toronto. A New Year's eve performance in Los Angeles is scheduled for 2014.

Having also taken graduate-level coursework in educational psychology, mathematics, and philosophy at the University of Chicago, Farobag offers tutelage in various areas of elementary and secondary education as well as in SAT, ACT and GRE test preparation.

Additionally, as a certified Reiki Master, therapeutic and/or educational sessions are also extended to those who may be inclined to alternative healing techniques.

*** Lesson Details ***
Sheer technique is necessary but insufficient to play an instrument well. Aural skills, that include the study of functional tonality and voice-leading are important factors that impart musicality. This is of great import if the prospective musician wants the audience to truly enjoy his or her performance !

Whether it be the 3 Rs or preparation in the performing arts, a remarkable instructor must go well beyond the subject matter at hand and help imbue the student with a spirit of wonder that, in due time, will foster enthusiasm necessary for excellence.

A child emulates and learns to communicate in his or her mother-tongue through a supporting and nurturing environment. Likewise, a student needs to be sufficiently motivated to embrace learning in a familiar supportive manner.

*** Studio Equipment ***
The In-Studio lesson take place in the living room. Driveway parking. No pets.

*** Travel Equipment ***
None; I do expect a reasonably good piano / keyboard at a student's home.

*** Specialties ***
Traditional and Suzuki-based education. Performance and musicality training is open to all instrumentalists.

*** CD's***
Classical Energy, Triton Sound, TS 8501
Salut D'Amour, Triton Sound, TS 9014
Epiphanies1, The Halford Company
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Reviews
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Ari June 28, 2017
· Singing · In studio
I decided to start singing lessons with Mr. Cooper about a year ago and I'm very pleased with the Service. I believe Mr. Cooper is a very gifted musician and singer who has a real ability to understand music and teach that understanding in a relatable way. I'm just beginning to learn about different musical concepts that really help me understand how to learn more effectively. I appreciate everything he's helped me with and plan to continue learning as much as possible.
I would highly recommend him for any relevant musical training.
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Anonymous January 20, 2017
· Singing · In home
I have had the pleasure of taking vocal lessons from Mr. Cooper for about 2 years now, as well as starting Suzuki piano not too long ago. He is a gifted teacher who truly has a passion for teaching and love for music! Not only has he improved my aural skills, but he has helped me understand music on a much deeper level! My knowledge of technique and overall musicianship has improved drastically while taking lessons with him. Mr. Cooper has challenged me and broadened my musical horizons. He has helped me advance and learn new technique on the piano, as well as expanding my vocal range and performance skills. I would highly recommend him!
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Usman Akhtar September 20, 2016
· Algebra · In home
Excellent teacher he is
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Farobag C.

Farobag C.

Online
(31)
starting at
$35 / 30-min

About Alexis D.

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About Alexis
Alexis attended college at the University of Delaware and graduated cum laude with a double major in Music Performance: Voice and Music Education: Choral/Vocal. During her time at the University of Delaware, she was involved in numerous musical ensembles and performed as a soloist on a number of occasions, including two solo recital programs and major roles in the UD Opera Theater program (UDOT).  Alexis has performed as a soloist and ensemble singer for the UD Schola Cantorum, The UD Chorale, and the Newark Symphony Chorus. Her solo performance work includes such roles as Josephine in H.M.S. Pinafore (Ardensingers), Phyllis in Iolanthe (Rose Valley Opera), Marcellina in Le nozze di Figaro (UDOT), Despina in Cosi fan tutte (UDOT and Opera Lancaster), and Grace Farrell in the Wilmington Drama League’s production of Annie, where she receive
d rave reviews for her “musically impressive” and “soaring” performance from The News Journal. Alexis will be staring

In theater, Alexis has played both comic and serious roles, including a striking female interpretation of E. K. Hornbeck in Inherit the Wind. Alexis has also worked in film, recently completing the production of Dead on Delmarva, a zombie-comedy-thriller produced by Arkham Productions.

In addition to her acclaim as a performer, Alexis gained recognition for her work as a choral conductor, working at the New Ark United Church of Christ and the Church of the Advent in Kennett Square, as well as vocal coaching with The Tatnall School. was the music director for the production of Les Miserables at Mt. Pleasant High School. Alexis currently works at the St. Anthony's Cathedral in Wilmington.

When speaking of her career, she comments, “Performing music and drama is not just a passion for me; it’s my sense of purpose. Whether I am working on a role, singing in an opera, developing a character, teaching a student, whatever the artistic avenue. It completely fulfills me. ”

*** Lesson Details ***
Alexis teaches proper singing technique and support through the Bel Canto philosophy of vocal production, and specializes in Classical, Opera, Musical Theater, and Jazz singing styles. Sight singing skill work is also offered and will cover basic music theory in addition to solfege music reading techniques. Alexis offers audition preparation services such as audio recording and transposition for her current voice studio students, for an additional fee.

In addition to vocal lessons, Alexis is pleased to offer beginner piano and music theory lessons. The piano lessons are geared towards singers who would like to learn to accompany themselves, or would simply like to be better at piano for rehearsal purposes. Music Theory lessons will be presented at the individual students level and will cover everything a student desires to learn, from basic rhythm and pitch reading through compositional theory.

*** Studio Equipment ***
Living Room: couch, computer desk, piano, studio bookshelf, room for parents to sit in on lesson

*** Specialties ***
Opera voice, musical theater acting and voice, jazz voice, classical voice, safe stage combat acting, diction and speaking, Alexander Technique, sight singing and music reading, basic music theory, audition preparation
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Reviews
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Elise June 6, 2017
· Singing · In studio
Absolutely wonderful, patient, and kind.
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Elise September 22, 2016
· Singing · In studio
Cute dogs, calming environment, no judgement, and SCIENCE!
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Jayla September 22, 2016
· Broadway Singing · In studio
She is great. She has a lot of knowledge on music and very patience with my daughter.
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Alexis D.

Alexis D.

Bear, DE 19701
(9)
starting at
$30 / 30-min

About Wendy P.

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Chicago, IL

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Bel canto instruction and technique with a clear outline of warm up techniques using Kristin Linklater techniques. I am a classically trained singer, familiar with the repertoire, as well as diction in Italian, French, German and Latin. The goal is utter freedom and beauty of the voice, enabling you to express the scope of contemporary and classical composers.

About Wendy
I am a professional singer, songwriter and actor working in the Chicago area for many years. I have a B.F.A. in Theater/Voice from The University of Kansas and an M.A. in Interdisciplinary Arts from Columbia College Chicago. I've been teaching private vocal instruction since 2003: I host the Singer's Salon in Chicago, a unique and supportive venue for singer's to become more comfortable performing before an audience. I also instruct workshops for vocal technique and performance. For 10 years I was the lead singer for The Red Apples, an acoustic/electric roots band that performed an eclectic mix of rock, swing, blues, country and jazz. Within the past year I have re-energized my theater and cabaret career, appearing at Davenport's Cabaret, in a new solo show, as well as productions at Big Noise Theater and Stage 773. I've also completed tw
o short films and started working on my own web series, about my life as a singer/voice teacher. I also have an art song project consisting of original material with composer Jaroslaw Golembiowski. As a singer and actress I have performed with many major theaters in the Chicago area, including Court Theater, Victory Gardens, National Jewish Theater, Bailiwick Theater, and Prop Theater.

*** Lesson Details ***
As a classically trained singer I will instruct you in all aspects of singing technique, from breath control and support to improving your tone, range, flexibility and resonance. I have recently completed training in Somatic Voicework, The LoVetri Method, which has enriched my understanding of the mechanics and health of the voice, as well as applications of technique to CCM or contemporary musical styles of singing.
My familiarity with a variety of musical styles from pop/rock, R&B, and country, to musical theater, lounge and jazz makes me an ideal teacher for those interested in contemporary styles.

I have spent many years developing my own style of singing and instruction. I draw on my experiences and training not only in music, but theater and movement, (Linklater, Alexander Technique, Grotowski) to create a well rounded approach to singing and performing. As an instructor, I am most interested in helping students find their true voice and artistic style. I teach students to find expression through and with a foundation of technique, rather then in spite of it. I also am very interested in helping students deal with the mental/emotional aspects of performance, an all important area so frequently ignored by music teachers. My style is nurturing, yet disciplined, and sprinkled liberally with good-natured humor."

*** Studio Equipment ***
My studio space is fully equipped with a piano, P.A. system with microphones, CD, MP3 player for tracks, and ability to record lessons if the student desires.

*** Travel Equipment ***
Please have a piano (in tune!) or keyboard for use in your in home lessons.

*** Specialties ***
I am classically trained, but I am very adept at teaching music in a wide variety of styles, including most contemporary styles of music including pop/rock, roots, swing, jazz and blues, country, r&b, and of course musical theater and cabaret. My band performs an eclectic mix of originals and covers in the roots rock genre, and I write music as well. I have many years of experience in the theater as an actress, and I coach acting technique and performance. I coach singer/songwriters, and all types of singers, of all ages. I have a workshop that specializes in helping people learn to perform better in front of an audience, and I host the Singer's Salon in Chicago, which is a supportive opportunity to perform regularly! I also coach bands, to improve their vocals, harmonies, etc.
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Reviews
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Anthony July 27, 2017
· Singing · In studio
Before my first lesson, I was nervous having no singing experience and not knowing what to expect from lessons.

Wendy, helped me relax and move forward in the process of learning to sing. I also appreciated how she kept me on topic and focused on the task at hand.

My first impression is that she is an intelligent professional and I look forward to my next lesson.

Sincerely,

Anthony,
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Ken April 6, 2017
· Speaking Voice · Online
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Holly February 23, 2017
· Speaking Voice · Online
Having never taken a voice lesson, i wasn't sure what to expect. Wendy gave me very good feedback and practical advice I was able to put into action.
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Wendy P.

Wendy P.

Online
(28)
starting at
$35 / 30-min

About Belinda L.

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Baltimore, MD
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My specialty is in classical voice technique, whether that be for opera or art song. My formal training encompasses over 13 years.

About Belinda
*** Lesson Details ***
NOTE: I prefer to teach students ages 11 & up.  I will accommodate younger students, but as vocal development is a direct reflection of physical development (the instrument is the body), we will be unable to delve deeply into technique.  Instead, the curriculum for younger students will include musicianship and piano skills; they will be more of music lessons that incorporate singing rather than "vocal" lessons.  My current studio consists of all sorts of singers including classical, musical theater, R&B, and pop.  In classical voice lessons, we will be learning songs not only in English, but also Italian, German, and French. Classical voice lessons may not be for everyone, however, and we will learn repertoire that suits the interests of each student.

I emphasize a basic knowledge of music theory, because it
's important for a singer to not only know how to sing, but to also understand the music he or she is singing. I will incorporate music theory into the lessons, starting with basics such as learning how to read notes.

I believe in making sure the singer is comfortable and confident.  The environment you will be learning in is open and non-threatening because a singer needs a place to explore his or her voice.  I encourage my students to make mistakes and to keep the lines of communication as open as possible.  Singers are perfectionists, and we're constantly telling ourselves what we do wrong- we don't need someone else enforcing that negativity.

I concentrate on a classical vocal technique, with proper posture, efficient breathing, lack of facial and body tension, and healthy vocal production. I believe that it is important to have a strong foundation of healthy technique no matter what style of singing. My teaching style and lesson focus will be different for each individual person, and I'm very flexible in adapting to each singer's needs and personality.

I am a very understanding teacher, and very patient, but I will push you to work to your potential! What you put into these lessons and your practicing is what you will get out of it. I am not strict, but I do expect dedication, passion, and respect. I am a very enthusiastic and energetic teacher, and lessons with me will be fun, productive, and encouraging.

If I sound like the right teacher for you, please arrange a trial lesson to see how well we work together!

*** Studio Equipment ***
Living room, piano, full-length mirror, comfortable seating for parents

*** Specialties ***
*Teachers classified as a Student Favorite have taught a minimum of 25 lessons and have received the highest feedback rating from students. I specialize in classical singing- applicable to any style of singing!
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Reviews
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Margaret W. June 23, 2016
· Singing · In studio
Belinda is a wonderful teacher. She has been very patient with me and taught the lesson in a step by step way, helping & directing me to know what I should be looking for. I enjoyed very much to have her as my instructor.
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Mercedes M. March 15, 2015
· Singing · In home
Belinda is an amazing teacher I have been doing lessons with her since January,and she is amazing fun,she will help you with anything your having a problem with, and I so Recommend her :)
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Kerry H. February 12, 2015
· Singing · In studio
I have been working with Belinda for a little over 2 years. Every lesson, she challenges me to be better than before. What I love most about her style, is she customizes her style of teaching for the student. I am a very imagery oriented person, and she always helps me to visualize things in ways that makes sense to me. My singing has dramatically improved during my time with Belinda, and I would recommend her to anyone in a heart beat. Every lesson is different, every lesson is challenging in a new way, and every time I walk away feeling like that was the best lesson I've ever had. Thank you Belinda!!
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Belinda L.

Belinda L.

Baltimore, MD 21202
(11)
starting at
$57 / 30-min

About Mariana W.

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Astoria, NY

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I have been taking classical voice lessons for 12 years, and I have been giving singing lessons for 3 years to a wide range of students. I have a Bachelor of Music degree, with a focus in opera, so I am well-versed in many forms of technique and style. I believe that the necessary foundations of classical voice are breath control, vowel specificity, and development of tone. Also, I always make sure my students are engaged and focused, and my goal is to help them achieve their personal goals. My least enjoyable experiences were when I had teachers who weren't tuned in to my specific needs and wants, so I make sure to always be attentive and accepting of my students. I also try to push my students to their greatest potential, and have students who have made it to Broadway and other successful arenas.

About Mariana
Hello! After earning my Bachelor of Music degree in Classical Voice from Hunter College in 2011, I have been working successfully as a singer, voice coach, and academic tutor. As a singer, over the past 8 years I have performed at professional theaters across the country, including Off-Broadway and at the world-renown Carnegie Hall. I specialize in musical theatre, but have a thorough classical technique, as well as strong pop/rock/belt training.

My teaching style is highly energetic, and engages the development of the student's self-esteem and enjoyment, but is also focused on a foundational technique and strong work-ethic. I am extraordinarily proud of the accomplishments many of my students have made, from achieving principal parts in their school productions, to even getting cast in Broadway shows. I am determined to help every on
e of my students reach their greatest potentials.

As a tutor, my approach is no different. Trained in the highly specialized and effective Lindamood-Bell programs, I have an intuitive grasp of children's needs and levels. I teach decoding, math, and reading comprehension, and nurture students' self-esteem and independence in their learning.

*** Lesson Details ***
I give lessons in 30, 45, and 60 minute increments. Each lesson will be personalized to the specific needs of the student.
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Cornel D. June 4, 2017
· Music Theory · In home
We practiced the new cadence for example of the deceptive cadence, the plagal cadence, and the phrygian. we learnt the basic root progression. a standard method of connecting triads with roots a fifth apart is to hold the common tone in the same voice and move all the other parts to the closest possible chord number. We learn about mediant triads s well.some ways using cadence that I can expand my harmonization practice is in general, when tempted to part write or analyze a chord in common-practice music as iii (in major), give the context further thought. i imagine with this knowledge it ill help me to compose a better harmonize song.
We practice together the scale degrees that are designated by Arabic numerals (1, 2, 3...), chor ds are similarly designated by Roman numerals (I, II, III). For example, in the key of C major the notes are C,D,E,F,G,A,B and we have designated them as 1,2,3,4,5,6,7. However, when we consider the triad chords in the key of C we have Cmaj, Dm, Em, Fmaj, Gmaj, Am, Bdim. These are designated I,II,III,IV,V,VI,VII. When speaking about these chords, for instance in the key of C major, we would call Gmaj the five chord, Dm the two chord,

Cornel's review of Mariana
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Cornel May 16, 2017
· Music Theory · In home
The easiest way to find an interval's name is to first, count all the pitch names present, including the notes themselves (ignore sharps and flats at this point). Then, find out (had it been missing a flat or sharp) what type of interval it would be, depending on whether it is perfect (a 1,4,5,8) or major (2,6,7). If there are no sharps or flats, you are done. If there are, figure out if the flat or sharp decreases or increases the distance between the two pitches. If it increases the distance, the interval is augmented. If it decreases the distance, and the interval would otherwise be perfect, it is diminished. If it decreases the distance and the interval would otherwise be major, it is min that is what I learnt
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Kristina September 10, 2015
· Singing · In studio
Mariana was great! Very professional and able to explain the techniques in a very clear way. When I began, I was very nervous and self-conscious. She was patient and kind and never made me feel embarrassed!

She really knows her stuff and technique. I'd been to a few voice teachers before and they were great singers, but they didn't seem to have to really KNOW the techniques behind singing. Mariana clearly is a wonderful singer and has great training in what she does.
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Mariana W.

Mariana W.

Online
(3)
starting at
$40 / 30-min
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About Susanna B.

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Washington, DC
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Bel Canto Style, Marchesi Method, Legato Singing.

About Susanna
Susanna is an American soprano and President/CEO of M Institute for the Arts. Her recent engagements have included Puccini's Suor Angelica (Miami Lyric Opera, Gusman Center for the Performing Arts, Miami); Monteverdi's L'incoronazione di Poppea (New York Lyric Opera, Symphony Space, NYC), Mozart's Die Zauberflöte (New York Lyric Opera, DiMenna Center for Classical Music, NYC), Mozart's Don Giovanni (New York Lyric Opera, Lincoln Center, NYC); and Sousa's The Charlatan (Victorian Lyric Opera, F. Scott Fitzgerald Theater, Maryland). Upcoming roles include Juliette (Romeo et Juliette, Lincoln Center) and Constance in Poulenc's Dialogues of the Carmelites (La Musica Lirica, Il Teatro di Novafeltria, Italy).

Teaching all levels of singing, Susanna's specialty is classical and operatic voice and holds studios in DC, NoVa, and NYC. Holding a
BA of Music, she has studied under renowned Romanian soprano, Virginia Zeani, Met Opera baritone Mark Oswald, and internationally acclaimed bel canto pedagogue Joan Patenaude-Yarnell. She is also a disciple of Bulgarian piano virtuoso Tzvetan Konstantinov. Susanna serves on the board of the The International Master Institute of Music "Leopold Godowsky", Inc.

Susanna instructs on proper intercostal support and the alignment of the vowels is emphasized to create long, seamless lines. Support is accompanied by a mixing of the registers to promote even vocal resonance up and down the scale. A wide range of literature may be explored, including opera, lieder, oratorio, and classical musical theatre in all voice types.

Susanna now serves as President/CEO of her own private company here in Washington, DC and as a board member of the The International Master Institute of Music "Leopold Godowsky" in McLean, VA. She currently resides in Dupont Circle.

--Student Consultations--
Accepting new students for classical and musical theater genres only. Students should have the availability to practice 5-7 days per week, 60 mins per day. For your consultation, please either bring a piece from the classical voice repertoire or a piece of classical musical theater. Lessons should be recorded (iPhone is fine).

--M Institute for the Arts (Georgetown) Location--
Baby Grand Piano
Music Stand
Large Room
Professional Recording Equipment
Music Library

-Dupont Circle Location-
Electric Piano
Large Room
5 Min Walk from Dupont Circle Metro

--Recitals/Performances--
Available.

--Ages Accepted--
A child's voice should be mature enough to safely embark on the rigors classical training. Please feel free to schedule a consultation to see if your child is ready for lessons.

--Scheduling--
I do not update my TakeLessons scheduler, as I have students at various different studios, including my own conservatory in Georgetown. I have my own scheduler outside of TakeLessons. Please select your first-choice time slot on TakeLessons and we will go from there!
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DeDe August 4, 2017
· Opera Voice · In studio
Follow her instructions for rapid results! The best.
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Mo F. July 2, 2015
· Vocal Training · In studio
Susanna is a great teacher! My first lesson exceeded my expectations.
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Diane D. April 14, 2015
· Classical Voice · In studio
Susanna is the best! I am singing things I never thought I would be able to sing. I can't recommend her enough!
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Susanna B.

Susanna B.

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(5)
starting at
$60 / 30-min

About Madeline H.

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Baltimore, MD

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I am a classically trained singer, and I prioritize health above all else when teaching voice. As a soloist, I work with students to improve their abilities to sing confidently and technically efficient by themselves. I teach everything from standard operatic repertoire, musical theater (helping them get roles like Cinderella from "Into the Woods" and Gabriella from "High School Musical"), popular music, and much more. I love learning from my students and their interests.

About Madeline
Hello! I'm Madeline, and I'm a vocal performance and music theory pedagogy major at Peabody Institute. I've been a music theory tutor since Fall 2014, and teaching private voice lessons since January 2015. I love introducing students to new repertoire, showing them a different way of looking at concepts, and helping students realize how smart and talented they are. I want my students to feel prepared for where their love of music takes them, and we are absolutely going to have fun while learning. I'm excited that you are interested in learning, too, and I cannot wait to hear from you.
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Coreen May 30, 2017
· Vocal Training · In studio
Madeline was fantastic! She has great knowledge and passion for voice, and in our short time together I have learned so much and found this new confidence in myself when it comes to singing. Thank you so much Madeline! It has been a pleasure working with you!
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Brooke Thomas May 29, 2017
· Singing · In studio
Madeline combines her terrific knowledge of singing, anatomy, music theory and songs and shares it in a wonderfully accessible, patient, passionate and age-appropriate way. My daughter has her lesson scheduled for Fridays after her long school week is finally done and no matter how tired and sometimes grumpy she might be as she heads into her lesson, she is always smiling and cheery when she finishes.
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Hannah November 24, 2016
· Music Theory · In studio
Madeline was so friendly and helpful. She connected with me on a personal level through tutoring and we're still friends today! She helped me through my music theory classes in college and adapted to my learning styles easily. One of the sweetest people I know, thank you Madeline!
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Madeline H.

Madeline H.

Baltimore, MD 21202
(8)
starting at
$30 / 30-min

About Holly D.

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Houston, TX

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As a voice instructor with over 20 years experience in the private studio, college environment, church ministry, high school chorus master teacher, and as a free-lance performer, I understand that each student requires tools and techniques unique to their needs to grow and improve. Focusing on the basics of breath control, efficient support, and healthy vocal production, my gift of hearing and assessing each student's strengths and weaknesses allows me to create lessons catered to each singer's specific needs.

With a Master of Music in vocal performance from Peabody Conservatory of the Johns Hopkins University, an appreciation of various styles of music, and my personal investment in each individual singer, I am able to successfully share my knowledge of the vocal instrument and my love of music with my students. I am proud of my student success rate with many singers pursuing degrees in music at the collegiate level, winning competitions, earning roles in local and community ...

About Holly
As a professional performer, teacher and master teacher with a Master's degree from Peabody Conservatory of the Johns Hopkins University and a Bachelor's degree from California State University, Chico, I have performed with orchestras, chambers groups and choirs throughout the United States and Europe.
Comfortable in both classical and musical theater genres, my knowledge of vocal production and the musical skills needed to succeed in music make me an excellent teacher. I pride myself in having a great ear and instinctual understanding of each student's individual instructional needs.

Before relocating to Houston, I owned and operated a successful full-time private teaching studio in the Atlanta area with voice students succeeding in All-State Chorus, the Governor's Honors Program, college auditions, local competitions, community thea
ter, and school chorus auditions. As a successful soloist and vocal instructor, I pride myself in teaching proper technique, nurturing each student's vocal development, helping singers develop a true love of music, and gaining an appreciation of their unique vocal gifts. Many of my vocalists learn the skills of reading music by learning keyboard and basic theory through piano lessons, which I am also able to teach.

With a creative and personable teaching style, I am able to connect with each student where they need to be met. My students of all ages see an immediate improvement when applying the techniques that I share with them. Focusing on healthy vocal production, good breath support, and proper techniques of support and vowel placement, I am able to help students reach their musical goals through vocal exercises and drills, direct application to selected music, and assigned home practice between lessons. After learning the basics of vocal production, we can further focus on interpretive elements of the songs and students will feel the rewards of making beautiful music with their own free and unique sound.
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Avika June 29, 2017
· Classical Voice · In studio
I had the opportunity to study classical voice with Holly for 3 years in high school. She was not only a phenomenal teacher, but also a wonderful life mentor and friend. Once a part of many voice groups as a child, I grew to love instrumental music and sacrificed my singing career for the flute. When I decided I wanted to come back to the world of vocal music, Holly helped me find my voice again and gave me confidence not only in my talent, but also in myself. She taught me great techniques on how to open up my voice and adapted her teaching style as my voice continued to grow. An overall incredibly understanding and patient person, Holly is the reason I was such a successful soprano. She genuinely cares for all her students and is solely interested in furthering their vocal careers. If I had the opportunity, I would gladly be a student of hers again, any day.
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Veena June 29, 2017
· Vocal Training · In home
My daughter was Holly's student in Atlanta for few years before she moved to Texas. My daughter loved her teaching style and gained a lot of confidence to sing in public.
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Maggie June 27, 2017
· Singing · In home
I had the pleasure of taking lessons from Holly during my senior year of high school. She was always so warm and patient! It was evident that her knowledge and expertise in voice combined with her passion made her an excellent teacher. Specifically, Holly helped me accomplish getting a dream lead role in my school's spring musical, which I know I could not have achieved without her guidance and support throughout the auditions and play process. I truly learned so much from her in a short amount of time!
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Holly D.

Holly D.

Online
(10)
starting at
$35 / 30-min

About Derrick H.

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Baltimore, MD

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We have over 15 years of teaching and performance experience. Our lessons are customized to the needs and interest of the students. We accept students ages 6 to 96! You'll be singing your favorite song before the end of your first lesson!

About Derrick
Derrick A. Hewlett is very passionate about sharing his musical gifts with others through performing and teaching. In 2013, Mr. Hewlett was appointed Choral Department Chair for the Baltimore Symphony Orchestra Orchkids Program. He has also taught Vocal/General Music in the Baltimore City School System from 2011-2014. Hewlett is currently Director of Hewlett’s Music Studio where he teaches piano, voice, and Music composition. In 2011, Mr. Hewlett received the Bachelor of Science in Music from Towson University.

Mr. Hewlett works as a freelance Music Director, pianist and organist in the Baltimore-Washington Metropolitan Area. In 2008, he conducted the Municipal Opera Company of Baltimore production of “Bent Twig,” a folk opera exploring the struggles of urban life. During the summer of 2007, Mr. Hewlett served as répétiteur for the Bal
timore and Municipal Opera company production of “She Never Lost a Passenger,” an original opera about the life of Harriet Tubman. Hewlett performed with Darin Atwater & the Soulful Symphony Orchestra during their inaugural season in 2005. Since 2004 he has served as music editor and copyist for local composers. In 2003, he was awarded a grand piano, gift of the Governing Members of the Baltimore Symphony Orchestra. In 2001, the Education Department of the Baltimore Symphony Orchestra awarded him the Charles A. Buerger Scholarship. In the same year, Hewlett served as a music instructor for the Baltimore Symphony Orchestra’s Camp Allegro, a musical enrichment experience for underprivileged students. He won first place, Classical Vocal at the Omega Psi Phi Talent Hunt Competition in 2000, 2002, and 2003 under the tutelage of Mrs. Delores Jones.

For 18 years, Mr. Hewlett has served as music director, organist, and guest conductor at churches of various denominations throughout the Baltimore-Washington Metropolitan Area. His church appointments include serving concurrently as Director of Music/Organist On October 31st, 2015, he was privileged to serve as Director of Music for the Vigil Eucharist for the Installation of the Most Reverend Michael B. Curry, 27th Presiding Bishop of the Episcopal Church in America. During the preceding summer, he was honored to serve as Director of Music for the 47th National Conference of the Union of Black Episcopalians.
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Reviews
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Avery Pearsall January 13, 2017
· Vocal Training ·
Derrick was absolutely AMAZING! i appreciate someone who really knows what they are doing when it comes to vocal training and providing constructive feedback. Leaving both of my sessions, I felt more prepared and confident for my upcoming auditions. I even loved the notebook he provided me with. While I know how to sight read, it never hurts to refresh on old subjects. Again, amazing and talented coach!
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Gale GIbbs June 17, 2016
· Vocal Training ·
Derrick is AMAZING!! He is patient, knowledgeable, professional and kind. He listens and gives feedback that improves your skills. He sees your potential and brings out the best in you. If you're looking for a good teacher then Derrick is the one for the job.
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Asia Brittingham April 18, 2016
· Vocal Training ·
Derrick has taught me some great vocal techniques. He has a great personality and very good with helping others feel comfortable with their OWN voice. Looking forward to my next lesson!
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Derrick H.

Derrick H.

Baltimore, MD 21212
(4)
starting at
$40 / 30-min

About Paul G.

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Los Angeles, CA
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I am a lyric Tenor, Opera singer. I was a vocal coach for a group of people with problems with technic. I mainly focus on Singing technic and Costo-diaphragmatic breathing, vocalization. I can help you in any genre applying the classical technic for singing that most Opera Singers use that let them perform in every genre needed. Due to how tedious teaching of solfeo is, I reserve myself for only to help in technique and tuning.

About Paul
I am a Tenor, Opera Singer in training. I am still developing my voice.
I Started singing since I was 6 years old. After that my voice turn to an Operatic Style. In 2008 I Joined to a Scenic Program in Mexico where I started singing as part of the voices group in a Theater located in Mexico. In 2011 I started auditioned to a Private Opera Company in Morelos, Mexico where I joined to a great group of Opera singers directed by a Professional Soprano who performs in the National School of Music and who also studied in the National Conservatory of Mexico. I learn mainly about classical singing Technic and breath support. I participated in Operas and many concerts as part of the chorus and soloist. Nowadays I am joining to a many different genres, exploring my voice. I have worked with groups of people and individuals as a vocal coaching, (In
person and even online). I try to help singers to find their right voice and to understand the vocal projection.
I am very glad to help as much as I can to anyone who loves singing and would love to have help from a Classic singer.
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Reviews
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Shila Kim August 5, 2017
· Spanish · In home
I was very confused about my Spanish pronounciation, but I was helped to read and talk with a very neutral accent in spanish, that was awesome, now I have a huge knowledge of how to speak better and read in a better way. Paul was very kind and patient.
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Paul G.

Paul G.

Online
(1)
starting at
$49 / 60-min

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