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Private Classical Guitar tutoring lessons Germantown, TN.

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Popular Classical Guitar Teachers near Germantown, TN

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About Paul W.

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Chicago, IL

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I tailor all my lessons to the individual students interests and wants.
Whatever your goals are, I'll help you get there.

About Paul
I have played the guitar for twenty years and have studied a wide variety of music including jazz, classical, folk, blues and rock. I’m skilled in acoustic, electric and classical styles of the guitar. I have an open mind about music and can appreciate any style or type. I have a firm background on music theory, so I am able to explain what I am teaching. I excelled in all my classes in college, music and Gen Eds, with a GPA over 3.75. I also have experience in teaching guitar or bass to students ranging from the ages of six to sixty six. I enjoy taking what I have learned and passing it on to someone else to experience. I believe this is one way you can leave your mark in music. I believe the experience I have playing in bands, and learning songs with my ability of having relative pitch will make my students improve quicker. I am a
lso a very skilled sight reader and can recognize key signatures and musical notation. I’ve also been playing electric bass guitar for 13 years now and have the same skill set as my guitar playing. In fact I am hired to perform more often as a bassist than a guitarist.
I went to Columbia College between 2000-2003 and I completed a Bachelor Arts in Music, Concentration: Instrument Performance.
I also went to Harper College between 1997-2000 and I completed an Associates in Fine Arts of Music.

*** Lesson Details ***
I tailor all my lessons to the individual students interests and wants.
Whatever your goals are, I'll help you get there.
If you just want to learn music theory or how to write a song, I can teach you all that and more.
I will teach you how to read music but if you don't wan't to do that, I will teach you how to read tablature.
I'll push you to learn your instrument and to practice but I won't force to practice anything that you are not interested in.
After about 3-6 months of lessons with me you will be able to play songs that you wanted to learn and you will also know all the essential fun basics of your instrument.
Learning the guitar or bass is fun! And as your teacher I will make you want to practice.

*** Studio Equipment ***
Lessons will be downstairs which has music stands, guitars, cords and books.

*** Travel Equipment ***
My guitar and music stand. They should have a guitar and an amp if needed.

*** Specialties ***
Anything from classic rock to blues, jazz, classical, modern rock, punk rock, music theory, improvising and songwriting.
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Reviews
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Yasmine June 14, 2019
· Guitar · In studio
Paul is an excellent teacher. Very knowledgeable and patient. He can also accommodate a flexible schedule with lessons online or in person.
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Maria May 13, 2019
· Guitar · Online
Paul has been teaching guitar to my two sons (17 and 11) since January and they are both very happy with his lessons and his teaching style. They look forward to their lesson and trust him completely, because my sons are starting to see that following Paul's instructions is producing good results. In particular, my sons appreciate Paul's patience and his ability to demonstrate clearly all the necessary steps to improve their playing ability. Paul is very good to adjust his teaching to the needs of his students and, as a fellow teacher myself, I think that is a fundamental characteristic of any good teacher. In conclusion, I feel very confident to recommend Paul, if you are looking for an experienced, patient and very attentive guitar teacher.
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Dan March 18, 2019
· Acoustic Guitar · In studio
I've been playing guitar for a number of years but wanted some new techniques and structure. Paul is great at tailoring the lesson to my skill and focusing on the areas I can use help in like scales and music theory. So far so good!
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Paul W.

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(70)
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$25 / 30-min

About Kirk R.

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Athens, GA
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Classical guitar is my first love and what brought me into the world of music. I began teaching in 2006 and have continually sought to improve my teaching over the years. When learning classical guitar (or any instrument) there are many approaches. Ideally, I believe that it is best for students to learn all of the keys to playing (physical technique, musical understand, a sense a rhythm and collaborative abilities and much more) before they jump into learning lots of pieces.

...But let's be honest, most of us don't have the patience for that. I know I don't. I want to make sure that you get all of the key elements to play the way that you want, but I know that you want to learn guitar because of the music! So even if you've never played an instrument before, it's my goal to have you playing music in the first lesson. From that point, we'll learn more pieces, and we'll continually add new musical elements so that you get an understand of not just how to put your fingers on the ...

About Kirk
I have been studying music for most of my life and began teaching when I was 16. I have been given the opportunity to learn from some of the best musicians and teachers around. Before relocating to Denver, I regularly gave performances throughout the Cincinnati area, as well as in surrounding states. I earned a bachelors of music in guitar performance at The College-Conservatory of Music in Cincinnati. While studying there I was able to meet musicians with different approaches to music and broaden my perspective on the way that I played and taught. Since moving to Denver, I have begun graduate studies at the Lamont School of Music.

I have taught students of all ages and skill levels and have been able to watch my students meet goals of all sorts in their lessons. One of the studios that I teach at was also recognized in the category of
"Best Music Instruction" by Cincy Magazine.

If you have never picked up an instrument before, I would love to introduce you to the basics of music as well as the guitar. If you have played some guitar, or another instrument, and are looking to hone your skills and maximize your potential, it would be my pleasure to help you along that track.
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Deanna April 28, 2017
· Ukulele · In studio
Very good experience with Kirk! He was knowledgeable and patient, and I could tell he really enjoys teaching.
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Deanna April 13, 2017
· Ukulele · In studio
Kirk was very patient, knowledgeable, and encouraging as he taught me to play a special song on the ukulele for my husband to be. Highly recommend!
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Tiviane V. November 29, 2016
· Guitar · Online
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Kirk R.

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(24)
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$45 / 30-min

About Carl S.

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Broken Arrow, OK

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My doctorate is in music and I have experience teaching music at multiple universities, as a public schools teacher, and as a private instructor. I've performed electric and acoustic guitar in rock bands, pop bands, and jazz combos. I have experience teaching guitar from age 10 through college level. For beginners, I typically recommend working with Essential Elements for Guitar, Book 1. For booking, please sign up with TakeLessons today, and then we'll arrange a mutually agreeable meeting time. I look forward to hearing from you!

About Carl
Dr. Carl S. maintains an online and in-person music studio through TakeLessons, where he teaches several instruments privately and in group settings including saxophone, guitar, oboe, music theory, flute, clarinet, and piano. Carl teaches Saxophone and Jazz Studies at the University of Tulsa as an adjunct faculty member. During Spring 2019, Carl is teaching Music Theory and Saxophone at Oklahoma State University.

Carl taught at Oklahoma State University as a Lecturer of Saxophone and Music Theory during Dr. Jeffrey Loeffert's sabbatical in Fall 2017. His duties included graduate saxophone lessons, graduate music theory review, graduate saxophone pedagogy, and saxophone studio class.

Prior to working at OSU, Carl was Instructor of Jazz and Saxophone at South Dakota State University from 2014-2017. His responsibilities included direct
ing the annual SDSU/Brookings Optimist Jazz Festival, directing Jazz Ensembles I-II, Jazz Combo, Jazz Improvisation lessons, Jazz Pedagogy, online Jazz Appreciation, private saxophone lessons, saxophone quartets, private oboe lessons, and group guitar class.

Carl completed his Doctor of Musical Arts degree in saxophone performance at the University of Kansas in 2014, and his Master of Music Pedagogy and Performance from Oklahoma State University in 2011. He graduated from Harrah High School in 2002, earned his Bachelor of Music Education from Southwestern Oklahoma State University in 2008, and was a 5th-12th grade Head Band Director at Fairview Public schools. He is currently a member of the North American Saxophone Alliance, the Jazz Education Network, Music Teachers National Association, National Association of College Wind and Percussion Instructors, and an Honorary Member of Tau Beta Sigma. He has held previous memberships with Kappa Kappa Psi, Phi Mu Alpha Sinfonia, Kappa Delta Pi, and the Oklahoma Bandmasters Association.

While at KU, Carl was also a graduate teaching assistant for the saxophone studio and jazz studies program. His responsibilities included Assistant Director of the KU Jazz Festival, directing Jazz Ensembles II-III, directing Jazz Combo III-VI, directing Saxophone Quartets II-III, teaching private saxophone lessons, assisting in saxophone studio class, and teaching the music education woodwind methods course. His Lecture Recital Document, A Performer’s Analysis of Selected Jazz Works for Saxophone Quartet, featured an interview with Bob Mintzer. Carl was a member of KU Jazz Ensemble I, KU Saxophone Quartet I, and KU's Helianthus New Music Ensemble. As a member of KU's Jazz Ensemble 1, Carl has performed with Dave Douglas, Kurt Rosenwinkel, Alex Sipiagin, Steve Owen, Gary Foster, Steve Houghton, Clint Ashlock, David von Kampen, Peter Epstein, Jeff Miley, James Miley, Roger Shew, and Brian Hamada, Brandon Draper, Rich Wheeler, Beau Bledsoe, Jeff Harshbarger, and Matt Otto. In July 2014, Carl went on a European tour with KU Jazz Ensemble I featuring Steve Leisring and Deborah Brown. Together, they performed at the Montreux Jazz Festival in Switzerland, the Vienne Jazz Festival in France, and performed in several cities in Germany. Recordings by this band resulted in KU winning the DownBeat Student Award (Graduate College Large Jazz Ensemble Division) in 2015.

While at OSU, Carl was a GTA for the saxophone studio and music theory programs. His responsibilities included Music Theory I-IV tutoring and grading, sight-singing grading, piano labs, classical and jazz saxophone lessons, saxophone quartet coaching, saxophone studio Webmaster, and saxophone studio class. Carl was a member of the OSU Wind Ensemble and Jazz Ensemble 1. He had a regularly performing jazz trio and played in OSU's X2End saxophone quartet. The X2End quartet performed locally at the 2011 Navy Band Saxophone Symposium in Washington D.C., at the 2011 NASA Region IV Conference, and has won the state and division rounds of the 2010-2011 MTNA Chamber Music Competition. The X2End quartet went on to win the 3rd place prize at the national final round of the MTNA Chamber Music Competition. They also were the Division II Chamber Ensemble winners at the 2011 Hubbard Music Competition where they were awarded the 2nd place prize in the overall finals. Carl's final degree paper at OSU was a study of composer/performer collaboration. He traveled to Texas, Michigan, and Ohio to interview saxophonists and composers including David Dees, Peter Fischer, John Sampen, Marilyn Shrude, Joe Lulloff, and Charles Ruggiero. He has presented his lecture at the 2011 Navy Band Saxophone Symposium, the 2011 NASA Region IV Conference, and the 2012 OSU Single Reed Summit. As a member of OSU's Jazz Ensemble 1, he has performed with Bob Sheppard, Conrad Herwig, Wayne Bergeron, and Andy Martin.

While at SWOSU, Carl performed as a member of the marching band, wind ensemble, Jazz Ensemble A, saxophone quartet, and his own jazz combo named Five-Seven. As a member of SWOSU's Jazz Ensemble A, he has performed with Dan Haerle, Bob Bowman, Jack Mouse, Fred Forney, Janice Borla, Eddie Daniels, Pamela York, Lynn Seaton, Carl Allen, Dr. Michael Cox, Tom Williams, Dr. Robert Chambers, Dave Hanson, Drori Mondlak, Delores Williams, Byron Stripling, Frank Wess, Kenny Drew Jr., Dennis Mackrel, Bill Watrous, Rich Eames, Jennifer Leitham, and Randy Drake.

Carl's primary saxophone instructors have been Vince Gnojek, Dr. Jeffrey Loeffert, Dr. Ann Bradfield, Dr. Keith Talley, and William Rodney Hull. He has had additional instruction in lessons and masterclasses from Gary Foster, Dr. Joseph Murphy, Dr. Michael Cox, Bob Sheppard, Johnny Salinas, Dr. Kimberly Goddard Loeffert, Dr. Geoffrey Deibel, Dr. Jonathan Nichol, Dr. Griffin Campbell, Dr. James Laughlin, and Dr. David Dees. Carl's jazz directors have included Dan Gailey, Bob McCurdy, Dr. Jonathan Martin, Dr. Keith Talley, and Dr. Terry Segress.

Carl enjoys recording several instruments in his home studio and composing new music. His compositions that have been performed include his big band arrangement of Cat Battles by Joshua Redman, September in the Refrain (alto saxophone and electronics), Funk-o-matic (jazz combo), Smooth (jazz combo), and The Deadline Arrives at Dawn (alto saxophone and electronics). As an advocate of new music involving the saxophone, he has participated in a commissioning consortium for Alone Together by composer David MacDonald through Kick Starter. In 2013, Carl performed the premier of Cuento #3 by Nelson Ramirez Diaz. During summer of 2014, he recorded selections from Dr. John Walker's "The Alto Saxophone in the Attic," published by Carl Fischer. At the 10th Annual SDSU/Brookings Optimist Jazz Festival in 2015, Carl directed SDSU Jazz Ensemble I's premier of Dog, Tired by David von Kampen.

Carl is a Conn-Selmer Endorsing Artist. He hosted the North American Saxophone Alliance Region 3 (ND, SD, NE, MN, IA) Conference at South Dakota State University on March 17-18, 2017. On Saturday, April 8, 2017, Carl performed Dreams in the Dusk by David Biedenbender with South Dakota State University's Wind Symphony, directed by Dr. Jacob Wallace. On Monday, February 6, 2017, Carl performed the premiere of Lhotse for alto saxophone and percussion by Steve Danyew with Dr. Aaron Ragsdale. In April 2017, Carl performed solo tenor saxophone and orchestral clarinet in Ethan Bortnick's national PBS Special called "Generations of Music," which featured special guest, Peter Yarrow, from Peter, Paul and Mary.
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Aiden June 20, 2019
· Trombone · Online
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Courtney June 20, 2019
· Saxophone · Online
Carl is really great! I learned a lot!
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Jerome June 12, 2019
· Saxophone · Online
Excellent lesson, innovative!
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Carl S.

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$29.95 / 30-min

About Billy N.

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Brooklyn, NY
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I've been teaching 20 years. Classical Guitar technique is the foundation for most fingerpicking styles. Exploring the repertoire of Bach, the classic guitar composers - Sor, Guliani, Carcassi and learning how to arrange melodies for the guitar even if not written for guitar are some of the goals when I teach this style. My specialty is Brazilian Guitar and I have available vast repertoire of guitar music for the "Classical Guitar" plus I've explored the works of Piazolla and Leo Brouwer to name 2 guitarists. For Beginners we begin with 2 fingers, basic reading, getting a feel for your instrument, all made fun through the use of melodic material from various sources, sometimes pop tunes chosen by the student

About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
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Reviews
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

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$65 / 45-min

About Cole P.

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Memphis, TN

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My goal as an instructor is to keep the lessons fresh, fun, interesting, and to ultimately guide the students to better teach themselves as they gain experience and familiarity with the instrument and music. Students can have their lessons catered to the music and styles they wish to pursue. Lessons are tailored to each individual student so that we can build upon their strengths and focus on lessons to improve weaker areas. Students will learn how to build dexterity, use proper technique, and be creative. Every student has different goals, some really want to learn theory and read music. Others may simply want to learn to strum a few chords. Whatever the goal, I can provide the instructions to help the student succeed!

About Cole
NEW AVAILABILITY!!! CHECK OUT NEW TIMES!!!

Cole is a professional guitarist and studied music at Western Kentucky University from 2014-2017 with an emphasis in guitar under Professor John Martin. He has played guitar for 19 years in a variety of styles ranging from classical, jazz, blues, rock, metal, finger style, and many others. He has also studied under the phenomenal jazz-fusion guitarist Dani Rabin from the band Marbin and also Kieran Johnston from the Scotland metal band Perpertua. He has studied jazz improv under trumpeter Dr. Marshall Scott. Also has learned much from Grammy Award winner guitarist Greg Martin.

The goal as an instructor is to keep the lessons fresh, fun, interesting, and to ultimately guide the students to educate themselves as they gain experience and familiarity with the instrument. Students can have the
ir lessons catered to the music and styles they wish to pursue. Lessons are tailored to each individual student so that we can build upon their strengths and focus on lessons to improve weaker areas. Every student has different goals, for some it is their passion and some are starting a new hobby. Whatever the goal, I can provide the instructions to help the student succeed!

All ages and skill levels accepted. No books to buy, will provide all material needed!

Cole is a composer, arranger and also play a variety of other instruments as bass, piano, ukulele, mandolin, percussion, and extended range guitars.

Works with several music production softwares such as Finale, Cubase, Garage Band, Logic and Protools.

He has worked with artists, audio engineers, and producers such as Chris Robertson (Black Stone Cherry), Russell Brooks (The Schools, 00 The Rabbit, Solo artist) John King (Sixth Floor, South Bound, Mud River Revival), Kenton Embry (Nashville Session player and touring artist), , David Barrick (Barrick Studios), Jason Simpson (Colter Wall), Joel Whittinghill (7 time fiddle, mandolin, and bluegrass guitar champion).

Cole has an extensive knowledge of music theory which he applies to lessons, as well as ear training, harmony, solfege and sight reading just to name a few and depending on the wishes of the student. At his alma mater was a member in the guitar ensemble, guitar quartet, jazz band, and classical solo guitar. He also studied music theory, jazz improv, orchestral arranging, piano, choral arranging, ear training, musical form & analysis, conducting, aural skills, music drama, and music history.
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Pamela May 8, 2019
· Guitar · Online
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Gregory F. May 7, 2019
· Blues Guitar · In studio
Very patient and informative. Allowed me to ask endless questions. Addressed all my concerns and removed any doubt about this arrangement working specifically for me and my schedule. His studio has a very nice setup and it's simplified. We did a breakdown of my experience and focused on setting realistic goals towards my learning process. More than a "Teacher" of music but a "Professor" of guitar methods! He focused in on getting me comfortable with the most basic of finger techniques, finger placement and familiarized with the sections of the solo lead guitar. After an hour's session my mind was put at ease about my ability to be patient with myself. I was never made to feel awkward or out of my league. This caused me to open up and to really focus. Mr.Cole has a great style and passion towards helping me to soak in as much content as possible. His location is within a community that's family orientated. I look forward to being tutored by Mr.Cole over the course of the next year without any complications.
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Josh S. March 19, 2019
· Ukulele · Online
Great first lesson! Super excited to continue to work with Cole.
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Cole P.

Memphis, TN 38135
(48)
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$27 / 30-min
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About William G.

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Chandler, AZ
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Are you interested in learning to play the music you love, using techniques that are actually healthy for your hands? My instruction promotes efficient, ergonomically sound, time-tested playing techniques.

Do you want to play well? Then you need to learn to practice well. Quality practice coaching will make a profound difference in your ability to learn and play music effectively, but it takes time. That's why I offer full hour lessons at a reasonable price.

I offer training for acoustic as well as electric (steel and/or nylon string) instruments and provide instruction in popular music styles as well as formal classical.

Quality practice coaching will make a profound difference in your ability to learn and play music effectively, but it takes time. That's why I offer full hour lessons at a reasonable price ($55 per hour). Practice well and you will play well.

About me: I earned my Degree in Music Education from Shenandoah Conservatory where I studied Classical ...

About William
I am a professional guitar instructor. I earned a Bachelor of Music in Music Education and graduated with High Honors. My formal training includes classical guitar performance, jazz guitar and improvisation, music theory and arranging, psychology, piano, violin, recording, and much more.

With over 25 years of teaching experience and well over 30 years of experience playing music, I have enjoyed working with students as well as other musicians with broadly diverse backgrounds. I have performed solo, played in rock bands, blues and jazz combos, duos, trios, and classical guitar quartets as well as large guitar ensembles.

Students currently studying with me include young through older adult and retirement age students with performance goals ranging from the private, personal enjoyment of playing music, to professional and semi-profess
ional aspirations.

I strive to provide a friendly, comfortable learning environment my students can thrive in. I won't pressure you to play in recitals in order to increase my studio size, but I will greatly encourage you to play an active role in customizing your own individual curriculum. As soon as you have the skills to do so, you should be learning to play the music you love.

Regardless of what your musical goals are, I would love to help you learn the skills you need to reach them. Thank you so much for your time.
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Rich G May 27, 2019
· Guitar · In studio
Almost five months have passed since I decided to take up the guitar. As, I was looking back on these five months, I realized that I could not have found a better instructor to teach me this instrument.

William provides insight. compassion and patience. He makes you feel good about learning the guitar. I look forward to my lessons knowing I will be learning something new each week.
I have already made great progress and look forward to the challenges William has for me in the near future.

If you are looking for someone that will make learning the guitar a fun experience, William is your guy, He has made sure he customizes my lesson plan to my abilities and makes sure I have the best techniques that will insure my success!

Thanks William!!
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Rich January 22, 2019
· Guitar · In studio
Three lesson in an William has exceeded my expectations.

William is a kind talented person and has not only been extremely patience but his teaching method is making sure I understand what I have to do in order to be successful at learning the guitar.

He has been extremely helpful in providing me with great options in selecting a guitar. Not only did he make great suggestions on what I should purchase but made sure the instrument was in top form by giving it the once over after I made the purchase. William's ability to provide helpful information and the his willingness to share his expertise has gone above an beyond my expectations.

I am looking forward to my future lessons and learning the correct way to learn how to play the guitar.

Thanks William!
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Sushma November 15, 2018
· Guitar · Online
Mr. G. helped me with Good Riddance today, and he helped me with the song and equipped me with what I needed to know the whole thing. He has been a great instructor.
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William G.

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About Bebé S.

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Fort Lauderdale, FL

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Want to be able to read music? Interested in being able to grab your guitar and play your favorite pop songs? Want to impress your family and friends with some flashy classical pieces? Well look no further, I will help you build a solid foundation of music theory, sight-reading, ear training, and technique while tailoring to your personal needs and goals. All ages and genres are welcome, my only rule is to have fun, so lets get started.

About Bebé
I am a professional singer, pianist, songwriter, and recording artist. I graduated from Broward College with an Associates Degree in Music Technology and dual -majoring in Vocal Performance. My primary instruments are Voice and Piano, but I also play guitar and trumpet.

All of my students can expect to improve weekly in their technique and skill level. I teach students to release built up tension and apply fundamental techniques by relaxing and enjoying their time practicing or performing. I can help any student to sing or play with freedom, confidence, and expression.

I teach students of all different ages and experience levels. I studied classical piano and voice for 4 years. I can teach students to excel in reading music, sight-reading, ear training, music theory, and performance and technique in not just classical music, but all
genres of music.

As a professional recording artist I frequently take trips to Atlanta and New York for recording and meeting with record labels. I have performed along side bands such as We The Kings, Plaid Brixx, and I have many musical connections such as Jadyn Maria, Katy Perry, Tiyon Christian, D. Smith, and more. I don't only teach my students, I mentor them, create a lasting friendship and help them reach their full potential and level of excellence.

My personal passion is contemporary music but I firmly believe that great technique is essential to any and every style. I look forward to meeting you and helping you to become a better musician!
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Catherine April 21, 2019
· Vocal Training · In home
Very patient and very knowledgeable
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Deontae H. April 16, 2019
· Singing · In home
She was a great instructor! I will work with her again!!
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Melina V. September 24, 2018
· Piano · In home
Bebe is a great piano teacher, very patient and Enthusiastic about music. I highly recommend her!!
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Bebé S.

Online
(17)
starting at
$30 / 30-min

About Lindsay W.

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Gorham, ME
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I am a violinist/music teacher located in West Baldwin, ME. Come learn in a relaxed, supportive, and friendly atmosphere with a focus on comprehensive learning including practice/performance techniques, ear training, theory, musicality, and mindfulness. I incorporate a mix of pedagogies to provide you with a well rounded educational experience. Traditional, contemporary, fiddle, or jazz- feel free to learn what you are inspired by and I will customize my lesson plan to fit your needs. I will also help you explore and broaden your musical interests. I offer beginner and intermediate lessons on my primary instrument violin, as well as beginner lessons on my secondary instruments viola, piano, and guitar. I teach at the Gorham School of Music located in Gorham, ME. I am also available for gigs (weddings, pit orchestra etc.) and I am willing to travel up to an hour.

About Lindsay
I am a violinist/music teacher located in Maine. I graduated from the University of Maine in 2018 and have been teaching privately since 2017. Come learn in a relaxed, supportive, and friendly, atmosphere with a focus on comprehensive learning including practice/performance techniques, ear training, theory, musicality, and mindfulness. I incorporate a mix of pedagogies to provide you with a well rounded educational experience. Traditional, contemporary, fiddle, or jazz- feel free to learn what you are inspired by and I will customize my lesson plan to fit your needs. I will also help you explore and broaden your musical interests. I offer beginner and intermediate lessons on my primary instrument violin, as well as beginner lessons on my secondary instruments viola, piano, and guitar. I teach at the Gorham School of Music located in Gorha
m, ME. I am a certified teacher in the state of Maine. I am also available for gigs (weddings, pit orchestra etc.) and I am willing to travel up to an hour.
...
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Lindsay W.

Online
starting at
$25 / 30-min

About Ivan G.

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Yonkers, NY

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I am a classical and flamenco guitarist with decades of experience and have studied with the best. I was Vice President of New York City classical guitar society and always interacted with students and masters .

About Ivan
I have over 25 years experience playing the guitar, both classical and flamenco. I have performed in numerous concerts and master classes in NYC. I can help you with all aspects of good technique. If you are looking for a teacher that understands pedagogy and how serious the art of learning guitar can be, I am the one. Often undoing bad habits because of bad teachers is what I specialize in. I have experience teaching students from age 10 to adults.
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Reviews
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Rani June 4, 2019
· Acoustic Guitar · Online
Ivan is an exceptional teacher. His instruction goes far beyond the technical foundation required for all musicians - he integrates teachings that help one tap into the emotional connection to music and how that impacts playing. His disciplined approach helped me break out of some habits that developed as a self-taught guitarist and his patience was an asset for someone like me, who is very impatient.

From Ivan you will establish a foundation that is build on theory and technique. With Ivan there are no shortcuts - practice, be diligent and you'll achieve consistency. He works you hard but it's worth the effort because with these pillars, even I, an uneducated musician, have seen growth in my skills.

Geography is no issue so no matter where in the world you live, I highly recommend Ivan as a teacher and mentor.
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Setareh May 16, 2019
· Acoustic Guitar · In home
I had a great experience working with Ivan! He was an amazing mentor and I have learned a lot from him.
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Lauren May 16, 2019
· Flamenco Guitar · In studio
Best teacher, very patient with me, learned a lot. If you are looking to actually learn something definitely go with him.
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Ivan G.

Online
(9)
starting at
$75 / 45-min

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Recent Classical Guitar Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Classical Guitar articles on our blog.

5 Pieces Every Classical Guitarist Should Know

5 Pieces Every Classical Guitarist Should Know

With so much amazing classical guitar music to choose from, how do you decide which pieces are absolutely essential to learn to play? Here, we'll share our top picks for classical guitar students to study and play. To study the classical guitar is a great and noble pursuit. Bringing back music that is centuries old is not a easy task, especially when the documentation and the preservation of sound was increasingly difficult the farther you get from the 1900’s. This makes the job of a classi …

5 Pieces Every Classical Guitarist Should Know
With so much amazing classical guitar music to choose from, how do you decide which pieces are absolutely essential to learn to play? Here, we'll share our top picks for classical guitar students to study and play. To study the classical guitar is a great and noble pursuit. Bringing back music that is centuries old is not a easy task, especially when the documentation and the preservation of sound was increasingly difficult the farther you get from the 1900’s. This makes the job of a classi
A Little Bit of Country: Easy Classic Country Songs for Guitarists
If you're a fan of classic country music, you've come to the right place. Here, guitar teacher Willy M. shares his favorite classic country songs for guitarists... I grew up in the late '70s and early '80s in the rural Midwest when "Hee-Haw," a country television program, was something that everyone knew about. It was the Grand Ole Opry’s rendition of a high-theatrical experience, and a showcase for classic country artists to play their tunes. Willie Nelson, one of my favorite songwr
7 Classic & Fun Songs to Play on the Guitar
  Ready to learn a few fun songs to play on the guitar? Guitar teacher Heather L. picked out 7 easy and classic tunes, just for you... So, you've practiced your scales and played the songs out of your guitar method book. You've checked your posture, your hand position and your guitar technique. You've finished all of your theory homework. Now, you just want to play guitar! Here are seven classic and fun songs to play on guitar and a video for each. 7 Fun Guitar Songs 1. "Brown Eyed Gi
4 Essential Classic Rock Guitar Solos That Will Make You a Better Player
Learning to play other people's guitar solos is a great way to begin learning to write your own! Guitar teacher Nils B. shares his tips to learning four classic rock solos so you can develop your technique... An essential part of every musician's development is to imitate those who have already mastered their instrument. After settling on a song, give it a couple of close listens (preferably on headphones or a decent stereo), pick up a good transcription, then learn the rhythm parts, while
Should Classical Violinists Learn to Improvise?
A few weeks ago the Washington Post published an article about musician Hannah Hanh and her struggles with improvisation.  As a classical violinist, she hadn't had much training for spontaneity, naturally. The article points out improvisation as a technique that has fallen by the wayside for many performers these days. And it asks an interesting question: Can (and should) classical musicians learn to improvise? We've talked a lot about improvising on the guitar and drums, but where do classi

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