Ear Training Lessons in Eighty Four. Amazing Teachers.

Please trust me on this one...I've been trained by the best..a true musical master.

Sang in choirs for more than 10 years. Experienced at playing guitar and piano by ear, and learning songs by listening as well as reading written music. Experienced at teaching how to apply music theory and ear training exercises to learning songs. Have taught improvisation and ear training to various instrumentalists, including guitar, flute, violin, cello, and clarinet.

you will be able to recognize notes, chords and scales, by ear, this will give you a great tool for any instrument you play and an ability to improve your solo work. and no worries we will have fun while learning =)

Learn how to take dictation, recognize rhythms and melodies, sing at sight, hear multiple voices simultaneously

Learn about the theory behind different types of chords - tones, semitones, major chords, minor chords and slash chords
Learn the basics of simple keyboard playing
Learn about scales – the building block for playing
How to work out the notes in any major key

I have been teaching ear training since 1989.
There are three different levels:
Level one: grades four and below:
Basis theory provides students with a fundamental background in the development of coordination and rhythmic awareness, listening awareness, responses to pitch, dynamics and tempo, and emphasizes basic reading skills.
Level two: grades 5-8
This level involves study of scales, intervals, chords, melody harmonization, and form with appropriate analysis and creative work. The ear training levels stress the singing, aural recognition, and writing of all elements studied in the theory classes. The materials used are selected from music literature appropriate to the age level and degree of advancement of the students.
Level three: grades 9 and above
This level is a comprehensive study of the elements of music from rudiments through chromatic harmony. Areas covered include melody, harmony, part writing, form and analysis, counterpoint, orchestration, and some elementary ...