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Glencoe, OK Songwriting Lessons

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About Kyle K.

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Medina, OH

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This is where we ultimately want to be, right? I write everyday and it's my favorite thing to do and teach.

Put all your knowledge and abilities to work as you compose songs!

I'll show you song structure, groove, styles, feels, moods, emotions etc.

About Kyle
TakeLessons.com Instructor since 2012, Kyle K. is now available for online lessons worldwide featuring a great screen sharing experience to maximum involvement with students!

Kyle has been playing guitar for over 20 years, been writing for over 15 years and has been producing music for over 10 years. He has developed his own method of teaching to positively build on the student's strengths, dexterity, ear-training, natural technique, memorization and creativity. The goal is to always design lessons around you as an individual to help you reach your goals as an artist and musician. Whether it's guitar, bass, songwriting or production this method is used to maximize results!

A word from Kyle K:
"I love music! To me, it's a way of life. From listening to playing to writing and of course teaching. I grew up with music all around
me at school and home. My dad was a piano player and teacher so music has been a part of my life since day one and I want to share what I have learned. Everyone has a unique musical talent and I enjoy helping them find it. I believe that anyone can be an excellent musician. Playing an instrument should be a fun and creative adventure. Whether it's strumming at home, playing out in the clubs, or writing the next big hit, I will do my best to get you there!

My musical life began when I was in 5th grade and my dad bought me a saxophone, which I played for over 12 years. I quickly learned how fast I could improve if I simply kept playing with focus. When I hit my teen years I fell in love with rock music and mowed enough lawns to buy my first guitar. I jammed and wrote songs with many other musicians and several bands over the years. We played countless shows and released a few albums. Now I write and produce music and sound design daily for TV, Film and Trailers for companies like Disney, Universal, MTV, NFL and many more.

I started teaching 11 years ago and found that it is one of my favorite things to do. Helping others grow into great musicians is rewarding and fun. I've learned that from grade school to retirement, each student is a unique and special individual. My lessons reflect that fact so that we can reach all your goals together. *My personal goal is to get my students to understand and write music that will stay with them and encourage them to continue."

All lessons take place in a fully operational Digital Recording Studio and dedicated lesson room. Gaining real world playing experience with current technology is a definite advantage over traditional lessons. This also allows the student to capture ideas when songwriting and provides a unique playing experience. Imagine looking back years down the line, listening to something you wrote and hearing the improvements and your own personal music history. That's what writing and recording as you learn is all about.

*** Lesson Details ***
Everyone is different, and every lesson should be suited to fit the individual. Depending on the type of lessons (guitar, bass, music production, theory, etc.) the style teaching will be adjusted to fit. It's all about YOUR goals and needs.

Each student is going to receive lessons based on their preferences of genre and style of music they desire to play. I expect my students to practice regularly and have a good time as their abilities and knowledge grow. By working together, we can focus on goals and problem solving to get you to the next level of play. Most importantly, we are going to have a blast while we learn to play music!

*We'll start slow and build your knowledge base with each lesson.
*You can expect to understand what you are playing AND be able to write your own music is desired.
*You will be given everything you'll need to succeed including custom made drums and songs to play with so you can improve at home.

Let's start learning and improving today!

*** Studio Equipment ***
Fender Telecaster
Fender J Bass
Schecter 7 String
Schecter 6 string Hellraiser
Italia Modena Electric gtr
Danelectro U2
Peavey T60
Seagull Acoustic
Saxophone
Tambourine
Egg shaker
Line 6 Spider amp
Vox Valvetronix amp
Novation X-station
KRK Rokit monitors
Alesis monitors
Presonus monitor station
Shure SM57
GT55 Condenser
Ableton Live Suite 9
Guitar Rig 5
Superior Drummer
Dozens of Virtual Instruments
Music stand
Guitar stands
Mic stands

*** Travel Equipment ***
I currently do not travel. My studio is the #1 advantage for learning!

*** Specialties ***
*Instruments: Guitar & Bass -Rock, Blues, Metal, Indy, Folk and Americana styles.
*Production: Ableton Live, Recording, Mixing, Mastering, Programming, Virtual Inst, MIDI, Production, Sound Design.
*General Music: Theory, Songwriting, Producing.
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Reviews
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Dasheonna Allen A. July 8, 2017
· Acoustic Guitar · Online
Kyle is an amazing guitar coach!! He is patient, flexible, and extremely knowledgeable on all things music. It amazes me that he can listen to a track once and immediately know exactly how to play it. I have come so far since I began training with him. I would highly recommend Kyle to anyone interested in learning music, regardless of skill level.
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Ed V. June 20, 2017
· Guitar · Online
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Ed V - Yuma AZ June 11, 2017
· Guitar · Online
Kyle is great! I've invested in guitar lessons more than once but never found an instructor that could "make it all fit together." Kyle is patient and has the ability to explain the essential skills you need. Look no further - You will really enjoy lessons with Kyle.
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Kyle K.

Kyle K.

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About Marc M.

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Livonia, MI

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I go over the process of how to create from scratch based on original theme. Most songwriters have a theme or motif that needs to be elaborated upon. Once that theme or motif is explored I'll show you how to place it and come up with surrounding themes that make up the song. These themes when elaborated upon will be the structre of the song that is labeled ""Intro", "Verse", "Chorus", "Bridge", "Outro"

About Marc
I teach all styles of guitar, as I have been in many different types of music situations: Soloist (Classical) Ensemble (Classical and Jazz) Lead and Rhythm (Various Rock and Roll bands) Songwriting and Recording. I am a people person that learned the guitar from many different sources. Most of my learning came from watching others and communicating with others. I like to learn about the people I am teaching so that I can better understand their needs as a musician. My education came as a practical necessity in order to get better as a teacher and performer, as well as make a living doing it. But, by no means do I preach the need to be "educated" but only to be a working, practical musician. I will surely go over the need to read music once the need becomes evident, enlighten you as to why it may be important to understand certain aspect
s of music as opposed to just "picking and grinning", IE learning only "By Ear." I do specialize in music theory, and have many students taking lessons simply for this excellent foundation for songwriting also.

I am a classically trained guitarist that performs both as a soloist and for ensemble in a wide variety of styles. I graduated in 1996 from Schoolcraft College with an Associates degree in Music performance, and then, studying under the tutelage of Brian Roberts went on to receive my Bachelor's degree in Guitar Performance with a secondary in Jazz from Wayne State University in 2004. While at Wayne State and along the way I've performed and participated in several masterclasses with renowned artists: William Kanengiser, John Holmquest, Philip Candelaria, Jason Vieaux, Scott Tennant, and Antigoni Goni. I have also completed the teacher requirements for books 1-a and 1-b for the Suzuki Guitar Institute.

Many of my classical guitar and electric guitar students have went on to study further at the collegiate level, some achieving scholarships. My most recent students are current Berklee school of music graduates now in a band called "Flight of Fire", recently opened for Bonjovi this past summer and are getting air time on local radio stations... well on their way to living the dream! …the bulk of my students become full time professional musicians.

*** Lesson Details ***
I am an extremely patient person who has been teaching for over 20 years. I am laid back so there will be no pressure. With my electric and steel string guitar students, I host a special "Jam Session" 2 - 3 times a year to which will be one of your goals to participate in. This includes playing with a drummer, bassist, singer and another guitar player (usually me) and having it recorded. This should serve as your motivation to practice. This really eliminates the need for me to pull out a "yardstick" and "smack" your hands over the knuckles when not practicing your scales as many old traditional teachers may have done!

At your first lesson I will talk with you and give you examples of music that is played with a Flat-Pick, or music that uses the Finger-Style technique. This will be an important process as it will dictate which direction you will go in as a musician and especially during our lessons.

For the most part, playing with a Flat-Pick is generally used with the electric guitar and with most mainstream styles of music like "Rock and Roll", "Blues", "Rock-a-Billy" "Funk", and playing with the Finger-Style technique is used in styles like "Classical" and "Folk." After a while, I will introduce you to the other style of playing as well, as most great guitar players use both techniques in their playing...musicians (guitarists) such as: “Jimmy Page“, “Brian Setzer”, “Stevie Ray Vaughan”, “Joe Satriani”, “Lindsey Buckingham”, “Paul McCartney”, “John Mayer”, and many, many more.

To make learning the guitar Fun, I make sure to incorporate your main interest(s) first. Whether it be learning your new favorite song(s), learning how to write a song, or just learning some basics that you can use for when sitting around the campfire. This will be intertwined with which style you choose to start with: Flat-Pick or Finger-Style.

Pending on the level that you are starting at, (beginner, intermediate, advanced) I will include tidbits of music theory that will be used in a consistent manner. These will usually be progressive, pending on your level. For example, the songs you learn will be written out in an easy to understand chart that will have the fundamental aspects of theory (IE, chords, key, and rhythm pattern) that all musicians should understand.

With Children learning with a Flat-Pick, I encourage the use of a basic guitar instruction book.
Level One (beginners) :

"Hal Leonard Guitar Method Book One" by Will Schmid.

I will also use as a substitute for Level One:
"Alfred's Basic Guitar Method" by Alfred's Publishing Co.

More advanced players who can read music already (and graduates from book one) I prefer;
"Hal Leonard Guitar Method Book Two"

With Adults, I will ask if learning to read music interests you. It is a vital part of a practicing musician, but sometimes your needs may require a more one dimensional approach as time may be of essence. Again, I learned by ear and educated myself later...so I understand the person who wants to hold off on reading right away.

Students who want to learn the Classical (Finger-Style) approach will be encouraged to purchase a beginners book that I use written by one of my first instructors/mentor. It is a very intuitive book that covers the technique in great detail yet is very easy to understand (along with my help.) I will provide means of acquiring this book at your first lesson.

Students who want to learn the Folk (Finger-Style) approach will usually start in the above book, unless your an adult who just wants to learn some basics.

At your first lesson I will also provide you with documentation that goes more in depth about the various styles of guitar as the above info is scaled down.

*** Studio Equipment ***
-Amps

-Guitars (Electric, Acoustic, Classical, Bass)

- PA (loud speakers so you can Turn it Up! When playing along)

-Band in a Box (to play along with real prerecorded instruments seamlessly interleaved into a band type setting with almost unlimited genre choices...very impressive technology)

- Pro Tools (recording gear for all needs)

- Guitar Pro and Finale (to transpose music into sheet music)

-Skype (for out of town interactivity. Can do lessons via Skype)

-Basement with plenty of seating for parents, and or observers.

*** Specialties ***
I specialize in Classical Guitar, Electric Guitar, and Acoustic Guitar; Improvisation, Songwriting, Backup Vocals, Fretboard Harmony, Music Theory, Performance, and Recording.
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Reviews
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Matthew G. August 9, 2017
· Guitar · In home
Friendly, motivating, honest and awesome guy.
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Juanyea K. May 21, 2017
· Guitar · In studio
Mark was very patient, professional as well as being knowledgeable about the guitar. I was impressed with the way he presented the information of his learning technique. Marc knows music by notes as well as play by ear. I would recommend him to for anyone of all levels of experience that want to learn or enhance their level of guitar.
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Damon M. April 12, 2017
· Bass Guitar · In studio
Well, for starters, Marc is a great teacher (and all around great guy). My decision to choose Marc was solely based on his student's reviews. Do yourself a favor and look no further. If you really want to learn and quickly absorb the lessons, choose Marc. I'm learning quite a bit and although I thought that I'd be struggling, I'm picking up things rather quickly due to his style of teaching/explaining.
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Marc M.

Marc M.

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About Alex H.

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Brooklyn, NY

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About Alex
Having grown up with a father who ran a guitar shop and a professional singer for a mother, music was just another language to communicate with in our house. Learning to speak through music taught me how to focus and develop new skills, which helped me in school with everything that I have ever had to learn.

In 5th grade I started playing bass guitar at home, trombone in the school music program, and private lessons for piano. This exposed me to a wide range of music very early on.

When I was a teenager, I was the youngest person to study at Victor Wooten's first bass/nature camp in 2000, a week long master class with some of the world's most decorated musicians in Montgomery Bell State Park outside of Nashville. I played in local bands in the Berkshires, wrote music for Shakespeare & Company in Lenox, and sang such roles as Val
jean in Les Miserables and John Wilkes Booth in Assassins, as well played in orchestras across the county. I performed as both a bass player and a vocalist in the Massachusetts All-State Jazz Ensemble at Symphony Hall in Boston.

I moved to New York to get a degree in Theater as a singer and actor in 2004. Since then I've been fortunate enough to work in NY orchestras, cabarets, theater and national TV, tour the world with a variety of musical artists, work as a studio musician recording albums for songwriters, and develop musical education programs. Most recently I curated and taught the bass guitar curriculum for Yousician, a Helsinki-based music app with 25 million users in 154 countries worldwide. That has been an invaluable experience, working alongside educators and programmers in one of the world's leading countries in both education and technology.

Music has been a life-directing guide for me; from the wonder of discovery to the mastery of new and exciting techniques, music has always been a sort of way for us to communicate intimately, yet on a universal scale. To pass the same experience on to others is such a gift, and one I value greatly.

"When words fail, music speaks."

So, let's start talking!
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Reviews
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Jessica M. December 5, 2015
· Singing · In home
Alex is an excellent teacher who has helped me to understand not only where I can make improvements, but also given me a wide range of techniques I can use to do so. His knowledge of breathing techniques is particularly impressive, as his understanding of the impact of nerves and anxiety on the vocal. Alex's teaching style enables him to convey everything from the simple to complicated in an easily understandable, highly effective and very friendly way. I have only had a few lessons with Alex, but have made huge strides already. Very highly recommended!
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Austin August 21, 2015
· Singing · In studio
So far my experience with Alex is going extremely well, within the past few months of taking vocal lessons for the first time Alex has given me a plethora of ways to view and appreciate music to help me grow as a singer. His insightful analogies will not only make you chuckle at times but will actually enhance your knowledge of music as well.
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Kenneth J Bassett August 20, 2015
· Guitar · In studio
I have truly enjoyed my guitar lessons with Alex. After only a handful of sessions with Alex I have been able to dramatically improve my guitar skills including both my technical approach as well as my music theory knowledge. I look forward to continuing my work with Alex and highly recommend him to anyone considering.
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Alex H.

Alex H.

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About Carl S.

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Harrah, OK

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Song writing is about personal expression, but sometimes we need to know a bit more to turn words into music. It needn't be difficult to understand the basics; let me help! I am currently Director of Jazz Ensembles and Instructor of Saxophone at South Dakota State University. For booking, please sign up with TakeLessons today, and then we'll arrange a mutually agreeable meeting time.

About Carl
Dr. Carl S. will be teaching at Oklahoma State University as a Lecturer of Saxophone and Music Theory during Dr. Jeffrey Loeffert's sabbatical replacement beginning August 2017. His duties include graduate saxophone lessons, graduate music theory review, graduate saxophone pedagogy, and saxophone studio class. Carl has an online music studio through TakeLessons, where he teaches several instruments privately and in group settings including saxophone, guitar, oboe, music theory, flute, oboe, and piano.

Prior to working at OSU, Carl was Instructor of Jazz and Saxophone at South Dakota State University from 2014-2017. His responsibilities included directing the annual SDSU/Brookings Optimist Jazz Festival, directing Jazz Ensembles I-II, Jazz Combo, Jazz Improvisation lessons, Jazz Pedagogy, online Jazz Appreciation, private saxophone less
ons, saxophone quartets, private oboe lessons, and group guitar class.

Carl completed his Doctor of Musical Arts degree in saxophone performance at the University of Kansas in 2014, and his Master of Music Pedagogy and Performance from Oklahoma State University in 2011. He graduated from Harrah High School in 2002, earned his Bachelor of Music Education from Southwestern Oklahoma State University in 2008, and was a 5th-12th grade Head Band Director at Fairview Public schools. He is currently a member of the North American Saxophone Alliance, the Jazz Education Network, Music Teachers National Association, treasurer of the National Association of College Wind and Percussion Instructors, and an Honorary Member of Tau Beta Sigma. He has held previous memberships with Kappa Kappa Psi, Phi Mu Alpha Sinfonia, Kappa Delta Pi, and the Oklahoma Bandmasters Association.

While at KU, Carl was also a graduate teaching assistant for the saxophone studio and jazz studies program. His responsibilities included Assistant Director of the KU Jazz Festival, directing Jazz Ensembles II-III, directing Jazz Combo III-VI, assisting with the KU Jazz Festival, directing Saxophone Quartets II-III, teaching private saxophone lessons, assisting in saxophone studio class, and teaching the music education woodwind methods course. His Lecture Recital Document, A Performer’s Analysis of Selected Jazz Works for Saxophone Quartet, featured an interview with Bob Mintzer. Carl was a member of KU Jazz Ensemble I, KU Saxophone Quartet I, and KU's Helianthus New Music Ensemble. As a member of KU's Jazz Ensemble 1, Carl has performed with Dave Douglas, Kurt Rosenwinkel, Alex Sipiagin, Steve Owen, Gary Foster, Steve Houghton, Clint Ashlock, David von Kampen, Peter Epstein, Jeff Miley, James Miley, Roger Shew, and Brian Hamada, Brandon Draper, Rich Wheeler, Beau Bledsoe, Jeff Harshbarger, and Matt Otto. In July 2014, Carl went on a European tour with KU Jazz Ensemble I featuring Steve Leisring and Deborah Brown. Together, they performed at the Montreux Jazz Festival in Switzerland, the Vienne Jazz Festival in France, and performed in several cities in Germany. Recordings by this band resulted in KU winning the DownBeat Student Award (Graduate College Large Jazz Ensemble Division) in 2015.

While at OSU, Carl was a GTA for the saxophone studio and music theory programs. His responsibilities included Music Theory I-IV tutoring and grading, sight-singing grading, piano labs, classical and jazz saxophone lessons, saxophone quartet coaching, saxophone studio Webmaster, and saxophone studio class. Carl was a member of the OSU Wind Ensemble and Jazz Ensemble 1. He had a regularly performing jazz trio and played in OSU's X2End saxophone quartet. The X2End quartet performed locally at the 2011 Navy Band Saxophone Symposium in Washington D.C., at the 2011 NASA Region IV Conference, and has won the state and division rounds of the 2010-2011 MTNA Chamber Music Competition. The X2End quartet went on to win the 3rd place prize at the national final round of the MTNA Chamber Music Competition. They also were the Division II Chamber Ensemble winners at the 2011 Hubbard Music Competition where they were awarded the 2nd place prize in the overall finals. Carl's final degree paper at OSU was a study of composer/performer collaboration. He traveled to Texas, Michigan, and Ohio to interview saxophonists and composers including David Dees, Peter Fischer, John Sampen,Marilyn Shrude, Joe Lulloff, and Charles Ruggiero. He has presented his lecture at the 2011 Navy Band Saxophone Symposium, the 2011 NASA Region IV Conference, and the 2012 OSU Single Reed Summit. As a member of OSU's Jazz Ensemble 1, he has performed with Bob Sheppard, Conrad Herwig, Wayne Bergeron, and Andy Martin.

While at SWOSU, Carl performed as a member of the marching band, wind ensemble, Jazz Ensemble A, saxophone quartet, and his own jazz combo named Five-Seven. As a member of SWOSU's Jazz Ensemble A, he has performed with Dan Haerle, Bob Bowman, Jack Mouse, Fred Forney, Janice Borla, Eddie Daniels, Pamela York, Lynn Seaton, Carl Allen, Dr. Michael Cox, Tom Williams, Dr. Robert Chambers, Dave Hanson, Drori Mondlak, Delores Williams, Byron Stripling, Frank Wess, Kenny Drew Jr.,Dennis Mackrel, Bill Watrous, Rich Eames, Jennifer Leitham, and Randy Drake.

Carl's primary saxophone instructors have been Vince Gnojek, Dr. Jeffrey Loeffert, Dr. Ann Bradfield, Dr. Keith Talley, and William Rodney Hull. He has had additional instruction in lessons and masterclasses from Gary Foster, Dr. Joseph Murphy, Dr. Michael Cox, Bob Sheppard, Johnny Salinas, Dr. Kimberly Goddard Loeffert, Dr. Geoffrey Deibel, Dr. Jonathan Nichol, Dr. Griffin Campbell, Dr. James Laughlin, and Dr. David Dees. Carl's jazz directors have included Dan Gailey, Bob McCurdy, Dr. Jonathan Martin, Dr. Keith Talley, and Dr. Terry Segress.

​Carl lives in Brookings, South Dakota. He enjoys recording several instruments in his home studio and composing new music. His compositions that have been performed include his big band arrangement of Cat Battles by Joshua Redman,September in the Refrain (alto saxophone and electronics), Funk-o-matic (jazz combo), Smooth (jazz combo), and The Deadline Arrives at Dawn (alto saxophone and electronics). As an advocate of new music involving the saxophone, he has participated in a commissioning consortium for Alone Together by composer David MacDonald through Kick Starter. In 2013, Carl performed the premier of Cuento #3 by Nelson Ramirez Diaz. During summer of 2014, he recorded selections from Dr. John Walker's "The Alto Saxophone in the Attic," published by Carl Fischer. At the 10th Annual SDSU/Brookings Optimist Jazz Festival in 2015, Carl directed SDSU Jazz Ensemble I's premier of Dog, Tired by David von Kampen.

​Dr. Carl is a Conn-Selmer Endorsing Artist. He hosted the North American Saxophone Alliance Region 3 (ND, SD, NE, MN, IA) Conference at South Dakota State University on March 17-18, 2017. On Saturday, April 8, 2017, Carl performed Dreams in the Dusk by David Biedenbender with South Dakota State University's Wind Symphony, directed by Dr. Jacob Wallace. On Monday, February 6, 2017, Carl will be performed the premiere of Lhotse for alto saxophone and percussion by Steve Danyew with Dr. Aaron Ragsdale.
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Reviews
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Minna August 17, 2017
· Oboe · Online
Great teacher, very knowledgeable. Learnt quite a lot of stuff even after being rather experienced in music.
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Eve August 5, 2017
· Songwriting · Online
Carl is a fantastic instructor. My lessons have evolved from bass to songwriting. I'm having so much fun and am learning more than I imagined. I can't recommend him enough!
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Leathia R. S. August 1, 2017
· Oboe · Online
very good at knowing the difference of periods of music.
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Carl S.

Carl S.

Stillwater, OK 74078
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About Andrew C.

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Henderson, NV

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the art of writing

About Andrew
Andrew is a multi-instrumentalist (guitar, banjo, mandolin, ukulele, backing vocals) who settled in Las Vegas in 2013. After graduating with honors from Musicians Institute in 2008, he wrote a collection of acoustic guitar pieces licensed to The Weather Channel, then spent 5 years working as a show musician and top-40 musician for 3 cruise lines.

Upon arrival in Sin City, Andrew co-founded the local band “Tin Toy Cars” which consists of various Cirque du Soleil musicians from 2 shows. Their debut album entitled "Falling, Rust and Bones" is currently on hundreds of radio stations nationwide and has broken the all-time record for highest new artist debut on the A.M.A. Charts. Look for the album on Spotify, iTunes, Amazon, and CD Baby. In January 2016 the band had feature articles in dozens of newspapers and magazines in Las Vegas,
New York, and Los Angeles, and had many radio interviews scheduled to start the year. Their debut music video was premiered by The Huffington Post in March 2016 along with a feature interview.

Andrew also played the guitar/ukulele/mandolin chair in the pit orchestra for the show "Bright Side" which began in May 2016 and was showcased to pitch to Broadway. It's a musical written by Martin Kaye of "Million Dollar Quartet" (Harrahs Casino) and features a cast made up of performers from "Rock of Ages," "Blue Man Group," "Million Dollar Quartet," and others. The orchestra featured members of "Mystere," "Zarkana," "Vegas The Show," "Ka," and a former musical director for vocalist Andy WIlliams. He closed out 2016 performing in the musicals "The Rocky Horror Picture Show" and "American Idiot" alongside actors and musicians from "Ka," "The Beatles Love," "Million Dollar Quartet," "Blue Man Group," and "Rock of Ages."

Andrew's first 2 years in Las Vegas were also filled with many diverse performing situations up and down The Strip. These included a well-known top 40 and oldies band, a Mo-town tribute show, a country band that headlined the 2015 National Finals Rodeo, and a few others.

Andrew also owns an arranging and publishing company, HLC Publishing, which produces arrangements and sheet music for various Las Vegas performers, and a few cruise ship entertainers. Currently he is creating the guitar book for a new Rod Stewart and Tina Turner co-tribute act that will debut in February 2017, and he will also play guitar and mandolin in the show.

Andrew also teaches weekly lessons and plays Wednesday evenings and Sunday mornings at Family Worship Christian Church. During the lessons, Andrew uses the same software as his professionally arranged sheet music, to keep a journal for each student as they learn, and the journal is regularly emailed to the student as a PDF file.

*** Lesson Details ***
Music Theory (Building Scales, Harmonizing Scales into Chords)
Ear Training
Single String Concepts (Scales, Arpeggios, Intervals)
Rhythm Concepts (Chords, Blending with a Band)
Learning Songs
Writing Licks, Lines, Chord Progressions, Charts, and Songs
Techniques (Pick vs. Fingers vs. Hybrid Picking)
Acoustic vs. Electric vs. Nylon String
Slide and Steel Guitar
Mandolin, Banjo, Ukulele, and Other Doubling Instruments
Playing in a Stylistically Appropriate Manner
Choosing the Right Equipment for the Gig or Project
Music Reading
How to Practice
How to Market Yourself to Acquire Work

*** Studio Equipment ***
various electric and acoustic guitars, mandolin, ukulele, banjo. A few different amplifiers, and many different pieces of effect and accessory equipment.

*** Travel Equipment ***
various electric and acoustic guitars, mandolin, ukulele, banjo.

*** Specialties ***
All Contemporary Styles (Rock, Blues, Country and Country Rock, Mo-Town, Jazz, Latin, Latin Jazz, Fusion, Metal and Tapping Style, Theater)
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Reviews
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Hewan .. May 26, 2017
· Guitar · In studio
it was good start
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Wes C. March 1, 2017
· Banjo · In studio
Very informational instructor!!
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John G. February 10, 2017
· Banjo · In studio
It was a great first lesson. Andrew is quite knowledgeable on banjo, and I feel it was a positive first step on the journey ahead.
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Andrew C.

Andrew C.

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About Bethany R.

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Holgate, OH
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I can teach using music software or by hand, using chords or notated music, arrangement for different instruments, and melody writing.

About Bethany
I have a Bachelor's degree in Music Education as well as eight years of private teaching experience. My students are all different, so each lesson is different!
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Avah December 15, 2016
· Singing · In studio
Bethany was wonderful and my granddaughter responded well and was very happy after lesson.
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Jacob R. September 23, 2016
· Piano · In home
Bethany has amazing skills with children. As a former teacher, I appreciate the purposeful methods she uses as well as her genuine warmth and positivity! Absolutely hit the jack pot finding Bethany.
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Jeffrey G. September 22, 2016
· Singing · In studio
Really enjoyed my first lesson, singing is way out of my comfort zone and Bethany made it seem achievable
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Bethany R.

Bethany R.

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About Jason L.

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South Windsor, CT
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I tell all of my students that songwriting isn't as difficult as it seems but is a lot more work than is recognized. The trick is writing a great song, something that stands out and is unique. I cover riffs, melodies, lyrics, verse, chorus, bridge, song structure, songwriting credits, song creation/construction, improvisational writing, etc.

About Jason
I provide private music lessons for guitar, bass, saxophone, music theory and songwriting. I have been teaching for over seven years. I combine my passion for teaching and music business expertise to help students achieve their goals. There are many lesson options available including at my studio in Bristol CT, online or at your location. I work with all of my students and parents to create customized teaching plans based on students learning styles, interests and goals. I am available to students outside of lesson time 7 days a week. I provide performance, writing, purchase and music recommendations and take an active interest in each of my students learning. Lesson times are exactly as stated. I allow extra time in between students so as to ensure no overlaps and everyone gets their allotted time.

I try to develop versatility and wel
l rounded musicians no matter the skill or age level. Each student attends lessons for different reasons.Students are encouraged to explore all genres of music and I believe in exposing them to a wide variety of styles and methods. I also encourage students, if interested to write original material. There are no restrictions when it comes to music and I incorporate both old school and contemporary methods into my teaching. Students will learn first hand how what they are learning applies to the real world, including song performance from their favorite artists. I strongly encourage all students to develop an individual personal sense of style when it comes to music performance.
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Reviews
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Bob B. December 5, 2015
· Guitar · In studio
great teacher! !
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Mason M. September 1, 2015
· Guitar · In home
Mason enjoyed Jason first visit, hoping 2nd one Mason will open up more so that Jason can play a song or two with him.
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Elisa F. October 2, 2014
· Acoustic Guitar · In studio
Performance anxiety has always prevented me from following through with lessons. Jason has been very patient and encouraging and I have been able to break through to a new level in just a few weeks. The pace he has set for me is perfect-challenging without being overwhelming.
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Jason L.

Jason L.

Online
(3)
starting at
$25 / 30-min

About Ionie B.

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North Hollywood, CA
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I've been teaching songwriting for 3 years and my students have gone on to write their own songs for their bands and record their own albums. Within the first few lessons, you'll be have a deeper understanding of song structure and how to keep a song interesting and exciting, and as time goes on you'll develop your own song library. I specialize in pop, typically use, and have the following tools available for your lessons: midi keyboard, logic pro, microphone for recording demos. I love working with students of all ages and experience levels and I can't wait to meet you!

About Ionie
Have you always wanted to sing but didn't know where to start? Have a little one with a big voice that needs nurturing? Do you wish to expand your range and your repertoire?

Ionie's Voice Studio can help you find your voice! Your lessons will include the study of vocal technique and health, music theory, acting for the singer, body integration, and more!

With an extensive background in musical theater, pop, jazz, and rock, I have been performing for 20 years. I am also an accomplished songwriter, salsa dancer, and yoga teacher.

I am a kind, patient teacher with high student expectations. I provide a structured class in which students are asked to regularly learn and workshop new songs. I also am very experienced in working with children.

Please feel free to contact me with any questions!
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Reviews
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Rumple Stiltskin September 26, 2015
· Jazz Voice · In studio
An amazing teacher. I really learned so much about stretching, and endurance. Gained so much strength from my one lesson!
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carey C. February 19, 2015
· Singing · In studio
I've so far only taken one lesson with Ionie, but I learned an incredible amount in that short time. She was able to instantly help me find better tone and fluidity with voice. She is very clear with her analogies and descriptions of what she asks you to perform, and overall a very a good communicator.
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Darelo H. February 19, 2015
· Singing · In studio
What's great about Ionie is that she has Classical training and experience in Musical Theater. That really helped me because she could use her classical training to make sure I stopped singing in a way that damaged my voice and understood my goals for singing Pop and Musical Theater style songs. She was prompt, professional, nice, honest, and hardworking.
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Ionie B.

Ionie B.

Online
(4)
starting at
$25 / 30-min

About Kevin J.

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Denver, CO
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I have written over 100 songs and recorded the and am currently selling on iTunes. I'd love to help you write music.

About Kevin
I truly enjoy teaching. I've taught in the public school classroom for 11 years. Teaching music is so so much FUN! And it should be fun for the students to learn. When I'm teaching I tell all my students that if they don't enjoy and smile about something, then we need to change something.

I would love to start lessons with you soon.

Check out my website: http://www.strum2thebeatguitar.com/

My Video: https://youtu.be/qw9BpEU1t08
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Reviews
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Aidan May 7, 2017
· Guitar · In home
I was out of town when my 15-year old son had his lesson with Kevin, so I sent a text to my son to find out how it went. "He is the best guitar teacher ever!!" my son replied. I think that says it all.
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Ava Z. March 29, 2017
· Guitar · In studio
First lesson was great! On the drive home Ava said, " I'm so excited I feel like I could run a marathon!"
Haha Thank you Kevin!
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Igor March 7, 2017
· Acoustic Guitar · Online
Exceptional pro - highly recommend!
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Kevin J.

Kevin J.

Online
(37)
starting at
$28 / 30-min

About Lenny R.

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Philadelphia, PA

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I have been writing songs since 14. I have recorded my songs with the Dharma Bums and Thunderbug Collective. During my time at Oberlin, I sought to improve my songwriting through courses in the creative writing department and workshops with the Oberlin Songwriters Association. I was an active member of this organization and was a featured performer at the annual showcase from 2014-2016.

About Lenny
Studying music has tremendous benefits including: discipline, self confidence, problem solving, and stronger connections in the brain! Understanding music can give you new perspectives on how to look at the world. If you have felt the power of music then you owe it to yourself to understand and harness what is already a part of you. OWN IT!

While studying with me we will work on many facets of music including technique, sight reading, critical listening, music theory, improvisation, and how to apply these skills to a piece of music to truly express yourself. My goal is to instill a deep understanding of music to my students while letting their individual sensibilities show.

STYLES: I can teach all styles of American music (i.e Rock, Blues, Country, Jazz, R&B etc.) as well as classical and fingerstyle.
I have a degree in classical
guitar and have performed with the Buffalo Philharmonic Orchestra as well as done concerts in the USA, Italy, and the UK.
I have experience playing in many different bands in many styles including: Rock, Reggae, African, Blues, and Jazz groups.

SUZUKI METHOD: I am trained and certified in the Suzuki Guitar Method and spent 3 years teaching Suzuki in studio with children as young as 5. This involves a significant parent-teacher-student commitment and regularly yields impressive results.

ON TALENT: I agree with Shin-ichi Suzuki that talent is irrelevant and a myth. I believe that the potential of all my students are the same but they come to me with various starting skills levels and all learn at a very different pace. I believe that the myth of “talent” really just means that the individual has had a long exposure to music. This is why I emphasize critical listening in my lessons. If you have a large knowledge of music and sounds in your head it makes it easier to make connections and better assess your ideas.
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Reviews
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Brandon March 9, 2017
· Blues Guitar · In studio
Lenny is a great instructor. He's both personable and patient, brings extensive theory knowledge as well as technical guitar playing abilities to the table. His rates are reasonable and he's flexible with scheduling. I highly recommend lessons with Lenny, regardless of your level of experience.
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Louise November 5, 2016
· Acoustic Guitar · In studio
Lenny was my daughter's first instructor for guitar, she had two years of piano - she was not as motivated with the piano instructor as with Lenny. He took his time with any questions she had, he was totally patient with her, he really has a understanding of music and is able to explain it in a way with minimal if no confusion. No matter what kind of day he may have had at school he remained absolutely consistent from week to week with how he taught during the lesson. His focus was where it should be, even when other family members needed to take my daughter he was undaunted yet caring. I would highly recommend this young man hands down. I told him personally through emails how thankful and blessed we were with him as a teacher. I have other children, older, and I have had them through various teachers with various instruments and Lenny is definitely a 5-Star.
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Lenny R.

Lenny R.

Online
(2)
starting at
$25 / 30-min

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