As a harp teacher, all of my students play scales, arpeggios, and technical exercises in their lessons. I believe having a strong technical base is the foundation for every part of playing and you can't learn without it. I will set the repertoire for students according to their technical progress and although I may take into consideration a student's desires to learn a certain piece, there has to be time and they have to be ready for it. I have both short term and long term goals for each student that involve theory, technical ability, and repertoire both orchestral and solo. Adult students still have to learn technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before.
I require all students make at least an hour a day commitment to practice. I teach mostly the ...
Alexandra has been teaching harp and piano around the country for eighteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her students have also appeared on National television as well as playing for the Grammy Awards.
A strong supporter of the American Harp Society, she served as Vice President of the American Harp Society Foundation. Alexandra was also co-cha
irman of the distinguished Anne Adams Awards Harp Competition where she was a main Director for almost twenty years. She also served as the Vice President and President of the Orange County Harp Society Chapter as well as a board member of the Bay Area Harp Society Chapter.
Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.
Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.
Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).
In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.
Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.
*** Lesson Details ***
As a HARP teacher, all of my students play scales, arpeggios, and technical exercises in their lessons. I believe having a strong technical base is the foundation for every part of playing and you can't learn without it. I will set the repertoire for students according to their technical progress and although I may take into consideration a student's desires to learn a certain piece, there has to be time and they have to be ready for it. I have both short term and long term goals for each student that involve theory, technical ability, and repertoire: fun, orchestral and solo. Adult students still have to learn technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before.
I require all students make at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I have studied all techniques throughout my education and I find them all beneficial for different reasons. I do, however, believe everyone is built differently and the technique should help the harpist play and not hinder them from achieving their goals. Everyone learns at a different speed, but as a brand new musician, after six months practicing regularly, you should be able to read music fluently, understand basic theory concepts, be able to play with both hands and four fingers on each hand, play all of the basic scales and arpeggios musically and be able to play at least one piece memorized. Curriculum is based on the student's technical ability and issues and is individually created – if you learn slower than someone else, don’t worry about your pace. In the end, lessons are about you personally and not someone else.
As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.
*** Studio Equipment *** I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources.
*** Specialties *** HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.
PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
Alexandra has met all my expectations. She is very patient. I feel like we are moving along at a good pace. I had zero musical experience and after only 3 lessons can read basic sheet music and actually have music come out of the piano!! I am enjoying the whole process.
January 23, 2018
Great first lesson! Looking forward to next week.
March 9, 2016
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
Experienced Harp teacher of 30 years available for eager students aged 10 through adult! I teach using the Suzuki Harp Method and other methods as needed. I structure the lessons around each student so that they are taught at their level and speed while encouraging and challenging them to excel further.
Over 30 years violin teaching experience. I have successfully taught students ages 3 to adult. Anyone can learn to play the violin. Lessons in a comfortable setting in my studio.
*** Lesson Details *** Lessons are taught in my home in a comfortable setting. Parents are encouraged to sit in on lessons and are expected to help their child practice. I teach the Suzuki Method and the Suzuki book and recording are required. I will change details to suit a student, for instance I teach note reading long before a traditional Suzuki teacher would and I will add non-Suzuki materials into lessons if needed.
*** Studio Equipment *** Young students are started out on a play violin so they can learn the proper positions before they graduate to their real violin. I will assist parents in finding the right instrument for their child.
*** Specialties *** I have never found a child who couldn't learn music. Obviously, some will learn faster than others, but with the right encouragement and help from their parents, any child can learn to play the violin.
CHarlene has a great style of teaching kids and she is very patient. My daughter was so happy with what she learned in her first lesson, came home from and practiced for 30 minutes!
December 6, 2018
Mrs. Gulas is a very good teacher, we are very pleased with how far our child has come and so quickly. We have been with her for a year now, and will be continuing his education with her for as long as we can.
Teaching all levels, from beginning through advanced. I recommend adults to take one-hour lessons every other week. Children do better with half hour lessons every week. Ask about renting a harp!
Take harp lessons from a GRAMMY® Award winner! Anne has some 30 years of performance and teaching experience and would love to help you get started learning to play the harp, or help you continue on your harp adventures if you have had some previous lessons and experience. And, you can now take lessons from Anne no matter where you live in the world through a webcam and TakeLessons.com!!
Here is what Anne can help you learn:
Proper hand technique Sight reading skills Improvisation skills Music theory Repertoire building-Learning Celtic, Classical, Renaissance, Folk, and all kinds of tunes Arranging music for the harp Accompaniment skills Performance skills And much more!
Anne studied music theory and received her formal music education at the University of California, Los Angeles (UCLA). When the Celtic harp piqued her in
terest, she studied harp techniques from world-renowned harpist Sylvia Woods and later contributed to her book: Music Theory & Arranging Techniques for Folk Harps. Anne is an active member of the American String Teacher's Association.
Take lessons online at her studio in South Lake Tahoe, California, or in in Placerville, California.
Do I need to have any musical experience to learn to play the Celtic harp?
It's not necessary to have any prior musical background before embarking on harp lessons. If you have never taken up an instrument before, Anne will teach you harp technique and how to read music, too. It's a plus if you have some past musical experience, because you'll already know the rudiments of reading sheet music. Anne teaches from ages 7 and up. If your child is younger than 7 and anxious to play the harp, get them started on the piano first. This way, when they come to Anne at an older age, they will already know how to read music (harp sheet music and piano sheet music look alike).
Is the harp difficult to learn?
It's no more difficult to learn than any other instrument. If you really want to learn and you practice, you'll learn quickly. It's all about motivation.
Do I need to own a harp to learn to play?
For online lessons, you'll need to have your own harp. You can also buy a harp from Anne. She uses Triplett Harps as rentals and can help you get started on a rent-to-own harp, and is an authorized dealer if you decide you want to purchase a harp in the future. (Note: Anne only rents to students taking lessons from her in her studio. Rentals are not available to students taking online lessons.)
What does Anne teach?
Anne assesses your goals and your experience before designing a learning path that is right for you. For this reason, her lessons are always one-on-one and not taught in a group fashion. Of course, parents are welcome to sit in on their child's lesson.
What is Anne's experience?
Anne studied music theory and received her formal music education at the University of California, Los Angeles (UCLA). When the Celtic harp piqued her interest, she studied harp techniques from world-renowned harpist Sylvia Woods and later contributed to her book Music Theory & Arranging Techniques for Folk Harps. Anne also studied professional stage performance with Ed Hooks (San Francisco, CA) and at the Living History Centre (Novato, CA). Anne applied her formal training to teaching music for the Los Angeles Unified School District. She continues to work with students presenting educational demonstrations for school assemblies. Anne has given workshops to students in the Sacramento Waldorf School, El Dorado Union School District, Merced Union High School District, and Minden Elementary School. She has taught harp since 1987, offering educational demonstrations, focused workshops, and taking on private students. She performed on the 2015 GRAMMY® Award Winning Best New Age Album, "Winds of Samsara".
Anne is so patient! I started by having to learn to read music. She was so supportive when I struggled. She guided me through the lessons at a pace that was right for me. She made learning fun! highly recommend her!
July 24, 2019
Anne is an attentive and dedicated teacher! As an adult learner, I have appreciated how she is able to offer practical suggestions on how to effectively practice and gain immediate useable skills. She is able to quickly determine what works best for me, and encourages me all along the way. I would absolutely recommend Anne for anyone wanting to learn harp, or improve upon their abilities. She is fun to work with, always with a smile, and is very personable.
April 23, 2019
Anne was lovely.
She taught me all the nuts and bolts of playing the instrument in a way that was clear This included the integral parts of the harp, how to read music, how to posture the harp, and hand positioning Anne showed a good measure of patience, which was much appreciated.
I teach Harp lessons to students of all levels and ages. You do not need to own a Harp, to begin lessons. I rent Harps to Students, and gear the lessons to your interests and abilities. It is a great instrument!
I provide high-quality piano and harp lessons in my studio in Alpharetta. Lessons are cured specifically towards the individual student. I am a degreed professional musician and have a lot of experience. Harp rentals are available.
I am a soloist, chamber music artist, and music teacher based in Las Vegas, and I currently have openings in my studio for private harp students! I would love to share my love of music and of the harp with you.
Kristie is a professional musician based in Las Vegas, with a strong background in both teaching and performing music. She has over ten years of experience teaching music lessons to students of all ages and levels. Kristie is accepting new students for weekly 40-minute lessons.
*** Kristie's Teaching Background *** Kristie graduated summa cum laude and with Honors with a Bachelor of Music in harp and piano performance from the University of Arizona in 2004, where she studied with Dr. Paula Fan, Regents Professor of Piano and principal pianist of the Tucson Symphony Orchestra. Kristie was honored as the Outstanding Senior of her undergraduate class. She is now a doctoral candidate at the Jacobs School of Music at Indiana University.
As a doctoral candidate at Indiana University, Kristie has the background and capability to teach beg
inning to advanced students. With a doctoral minor field in music theory, Kristie provides students with a thorough understanding of how music actually works.
Kristie also teaches improvisation and playing from lead sheets.
*** Ten Great Reasons to Join Kristie's Music Studio *** 1. Kristie loves to really get to know her students, so that she can tailor lessons to fit each student's particular goals and interests. 2. One of Kristie's foremost priorities as a teacher is to help her students learn to teach themselves. Independent learning skills are valuable in all areas of life, particularly schoolwork. 3. Kristie seeks a balance between challenging her students and cultivating creativity. 4. As a professional musician with over fifteen years of experience, Kristie has the capability to take those students who are serious about playing music from the absolute beginning to the advanced collegiate level. 5. Kristie is a nationally award-winning musician known for her impeccable technique, beautiful tone, and precise rhythm. She is committed to imparting these qualities to her students. 6. Kristie uses her strong background in music theory to help her students understand how music is put together, from the simplest concepts of key and meter to complex theories of phrasing. 7. Kristie teaches a range of musical skills, including improvisation and composition. 8. Kristie has been privileged to study with wonderful, internationally respected teachers. She loves to learn and is active in the musical community, both online and locally. This allows her to continually add to her knowledge of the piano and her teaching skills. 9. Kristie encourages all her students to have fun playing music! 10. Kristie's piano studio is a nurturing environment where students of all ages and all levels feel safe, welcome and supported in their musical journey.
*** Getting Started *** At the first lesson, Kristie will get to know you and ask questions about your goals and interests, so that she can tailor the lessons to fit your needs.
If you are a brand-new beginner, Kristie will start with an introduction to music and get you going with several fun pieces to go home and practice.
If you are a transfer student or if you already play another instrument or sing, it is helpful to bring any previous or current music books and to be prepared to play a couple of pieces. These pieces do not necessarily need to be memorized or performance-ready; the idea is to give Kristie an idea of what you already know and where you would like to grow.
*** Lesson Details *** For beginning piano students, Kristie uses the Faber method.
Lessons typically include music theory. Students will be given clear assignments to practice and complete.
Depending on the student's level, background, and interests, piano lessons may also include: Scales, arpeggios, or études (technical development) Improvisation and playing from lead sheets (for pop or jazz music) Composition (learning how to create and notate your own music)
*** Studio Equipment *** Kawai baby grand piano Lyon and Healy harps
*** Special Needs *** Please inquire, as this is on a case by case basis.
Kristie taught my son harp for 1.5 years before he left for college. He absolutely loved Kristie. She is patient, and makes the lessons interesting and engaging. She allows students to choose from a selection of music so that they learn how to play something they like. She encourages experimentation and engagement. My son wanted to learn the harp because it was interesting, not because he wanted to be a world class performer. Kristie really got that and made the lessons something he looked forward to every week. And she herself was a world class performer so if that's what you're looking for in a teacher, she can deliver that to. Kristie is a super teacher; my son still keeps in touch with her and says lessons with Kristie were one of the highlights of high school.
July 22, 2019
I was nervous walking into my first piano lesson, as I was COMPLETELY out of my element, though I knew that I had a passion to start learning. Kristie made me feel at home and reassured me that this was normal. She is extremely informative, and not only teaches you what you need to know, but explains WHY things are the way they are- which further developed my love for the music. Also, I have noticed that she is good at knowing where to start. She saw that I was picking it up quickly, so advanced quickly to challenge me more. Loved every lesson so far, and look forward to the future ones as well!!!!
October 17, 2014
We've had the best first time lessons experience with Kristie. She is knowledgeable, patient and extremely flexible. I especially appreciate the way she is able to reign in my seven year old's often wandering attention span. I look forward to continuing to work with Kristie in the future.
I hope to inspire, educate and connect your with your inner creative self. I use humor as starting a new instrument can be daunting. As a full time professional harpist and educator, I hope to give you the best musical experience possible.
Hi, I love to teach! The harp is my passion and I am eager to show you how to play this amazing instrument. I studied the harp at the Cleveland Institute of Music and received my Masters in Music Education from Case Western Reserve University. Since then, I've performed , taught the harp, opened my own company, a full service harp store on the West Coast. My students can participate in music workshops, concerts, recitals, chamber music and harp festival.
I look forward to hearing from you to find out how I can best help you meet your goals.
My daughter has been taking lessons with Jessica for six years (since she was 7 years old) . Jessica immediately developed a rapport with her and put her at ease to focus on enjoying the harp. As an instructor, she is extremely patient and kind. Also, she teaches at her harp store so it is very convenient for instrument maintenance such as getting replacement strings. Most recently, she has gotten my daughter performance-ready for several competitions and auditions. What we most appreciate is Jessica providing opportunities to expand her world through harp.
I am an experienced teacher who is committed to helping every student achieve their personal goals at the harp. I have worked with all ages and abilities and I'm excited to work with you! I am open to working on any type of music you'd like to and can also help you develop a better understanding of music theory. I earned my harp performance degree from the Lamont School of Music at the University of Denver.
I am a friendly, outgoing, and passionate music teacher! I play the harp and piano and absolutely love to spread the joy of music. I started playing the harp because my grandmother was a harpist and I thought it was the most beautiful instrument. After all these years, I still love the amazing sound of the harp. I completed my degree in Harp Performance from University of Denver's Lamont School of Music where I received a well-rounded education in both performance and academics (including theory, history, and technology). Please let me know if you have any questions- can't wait to get started!
I make sure to create a custom lesson plan, tailored to each individual student's level and learning style. I share my knowledge from my own education at The Juilliard School and the Yale School of Music, as well as practical advice from on the job, musician experience in orchestras, chamber music settings, recitals, competitions, and other collaborative projects.
Thanks for viewing my TakeLessons profile! I am a professional harpist with a Bachelor of Harp degree from Juilliard, and a Master of Music degree from the Yale School of Music. Since finishing school, I've worked as a harpist performing a range of genres in New York City, Connecticut, Massachusetts, Washington DC, New Jersey, Seattle, New Hampshire, and now, Texas. My training is in classical harp, but I spend a lot of time playing recording jazz and pop music as well. Being a versatile musician is important both for musical growth and development, and also for diverse career opportunities.
Teaching harp lessons is one of my favorite things; it's extremely rewarding to notice expansion in a student's skillset and practical knowledge. My harp teachers at Juilliard and Yale are very important to me, and I frequently relay th
eir sentiments to my students. I always try to be aware of my students' interests and other activities/obligations, and tailor a lesson plan based on how much time they are able to devote to practicing, what repertoire would develop their technique and musical abilities, and, of course, what repertoire interests and appeals to them. I also discuss music theory and tips and tricks for orchestra, chamber music, and other performance opportunities at length in my lessons. I'm comfortable with concert, competition, and audition prep, and apply my experience in all of those areas.
Please feel free to reach out with any questions or concerns. I look forward to speaking with you!
My 10 year old daughter studied with Margaret this year. Margaret is unfailingly patient and encouraging. She has a wealth of knowledge about music theory, and conveys the information in a way that makes it seem easy. She was great about tailoring the lessons to fit my daughter’s interests, strengths, and needs.
August 5, 2019
I took harp lessons with Margaret for 3 years and would have continued if I hadn't relocated to a different city. Margaret helped me drastically improve my technique with etudes and advice. She is great at explaining what changes need to be made to achieve a more accurate technique, and her musical suggestions really changed the way I think about preparing pieces and took my performance skills to a new level. She's honest, clear, and really fun to work with. I always looked forward to our lessons because she has a way of making even tricky, difficult pieces fun to work on.
"Anne is an attentive and dedicated teacher! As an adult learner, I have appreciated how she is able to offer practical suggestions on how to effectively p
ractice and gain immediate useable skills. She is able to quickly determine what works best for me, and encourages me all along the way. I would absolutely recommend Anne for anyone wanting to learn harp, or improve upon their abilities. She is fun to work with, always with a smile, and is very personable."
"I’ve been one of Eleonora’s first students and I’ve studied harp with her for 4 years. It has been very rewarding. I was always looking forward to her le
ssons: she inspired us to practice for competitions and she always encouraged me to play in front of an audience, giving the very best of my self. Playing the harp has always been a great joy for me thanks to her lessons."
"Anne is so patient! I started by having to learn to read music. She was so supportive when I struggled. She guided me through the lessons at a pace that w
as right for me. She made learning fun! highly recommend her!"
"Tom is an excellent harp teacher! He’s guided me in the right directions on my harp journey, expanded my knowledge of folk music, and helped me with my te
"I am a beginner harp student at the age of 64, and also a Professor with fairly high expectations. I wasn't sure what to expect from a young teacher like
Becca. Within minutes I could tell she is a natural at teaching the harp. What impressed me the most was that she understands every person learns differently. She is sensitive and thus listens to the student's comments and intuitively knows how to respond in the best way. She also has a lot of patience - being a perfectionist I wanted to repeat over and over certain movements and Becca was right there with me, giving me fresh guidance along the way. I learned so much with her and will always remember our lessons with gratitude."
"Best harp teacher I've had - adjusts teaching methods to fit the needs of the student while maintaining high standards and expectations from her students.
Very warm and caring as well."
Alex is both focused and fun. She is very strict, but she makes you laugh all the time. She communicates very well, so you understand all
her corrections, and get the very most you can out of your lessons. I've only been taking lessons with her for a 1 1/2 months, and so far I'm thrilled!"
"Excellent professional harpist who taught me how to replace two strings and taught me how to tune my lever harp at first lesson. Very excited to continue
my lessons with her."
"Lydia is a great instructor. I am a beginning student and I think l I learned a lot in the first session. I really enjoyed the lesson. She has inspired me
to learn to play the harp and to practice every day. I am looking forward to my next lesson. I would recommend Lydia to any prospective student.. Dennis"