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Orinda, CA Flamenco Guitar Lessons

Looking for private in-home or in-studio Flamenco Guitar lessons? Our Orinda teachers are ready to get you started. Find your teacher today!

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Popular Flamenco Guitar Teachers near Orinda, CA

Check out some of our most popular teachers near Orinda, CA including Emeryville, Lafayette, Moraga, Berkeley and Canyon.

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About Chris L.

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Placitas, NM

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About Chris
I have studied music for 26 years. Piano was my first instrument and I have taken classical lessons from an early age and studied jazz piano for 14 years. I play guitar at the same level as piano. I play jazz, classical, flamenco and rock guitar; acoustic, electric and 9-string electric. I have studied at University of North Texas, Musicians institute and have a bachelor's of music from UNM. I have a certification in early childhood education and love to teach children, as well as adults of all ages.

*** Lesson Details ***
I am very patient and flexible. I work with the student to design curriculum that is exciting and engaging for their individual level. Students enjoy studying with me because they can progress quickly if they practice and because I am easy to talk to and work with.

*** Studio Equipment ***
The In-Studio
lessons are taught in the music room in the home which includes an 88 key weighted keyboard, 5 guitars, 3 amps

*** Travel Equipment ***
If I go to their house, I expect them to have their own instruments that they practice on during the week, a metronome, a tuner and the music books they are working on.

*** Specialties ***
I specialize in jazz, rock and classical music. I usually allow the students or their parents to choose their method books based on their interests and goals.
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Reviews
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michael M. August 30, 2016
· Guitar · In home
Great lesson.
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Dwayne March 19, 2016
· Classical Guitar · In studio
He has taught me a lot. Lessons are not rushed. He allows me to learn based on my own interests, but also teaches a lot of basics of technique and music theory. The location is convenient to downtown Albuquerque and UNM neighborhood.
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Nic C. September 25, 2014
· Piano · In studio
Chris is easy to learn with, and knowledgeable. Is always patient and never makes you feel rushed, yet, makes sure you are constantly improving. He directs your playing in the style and direction you want to reach while exposing you to new styles along the way. Great teacher.
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Chris L.

Chris L.

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About David W.

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Berkeley, CA

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I have studied Flamenco for around 17 years. over 10 teachers on guitar, 8 years in a band playing Flamenco Rumba, and doing the odd gig on cajon or palmas. Since 2003, I have been primarily studying Cante Flamenco as well.

About David
Hi there, and thanks for viewing my TakeLessons profile! I am excited to be a part of the team in Berkeley, CA.

I started teaching lessons while in music school for Classical Guitar in 1996. From 1998 onwards, I played with a variety of musicians from Africa and Latin America, as well the as great American traditions of gospel, funk, jazz, and bluegrass. All the while, I continued to study music theory and composition, on my own and in private lessons with both well-known players and local professionals. Flamenco and Indian Classical music have also been great interests which I am still involved with.

Though guitar is generally my "go-to" instrument, I often use a MIDI keyboard for composition, and studied/performed on bass for 10 years. The last few years, I have begun to develop my voice as well.

Since 2006, I have been teachi
ng music theory and composition at Ex’pression College in Emeryville. This is a digital production environment for the arts, and my students come from a variety of backgrounds. Some are musicians/aspiring musicians, and some are primarily interested in working with technology; but all are audio enthusiasts and love music!

*** Lesson Details ***
Whether you are a complete beginner or have been playing gigs for years, are very young or old, I have something to offer you!

How we structure lessons depends in part on you and your goals, as well as your learning style. Having taught music for over 15 years, I have a large amount of resources at my disposal, and can either teach from a method book, or a variety of materials, some of which are my own creations.

I also like to use technology as a teaching aid, and can show you how to use your own computer, keyboard, or music production application (garageband, etc) to practice and create music at home. Another thing that I offer is to make recordings of key parts of the lesson, either as an audio or video file, or both. These can be shared with you through email, dropbox, or a flash drive if you bring one along to your lesson.

Please contact TakeLessons if you have any further questions! I look forward to meeting and working with you or your child.

*** Studio Equipment ***
Home studio: Front room with computer station, guitars, music stand. Waiting area with couches and table, and parents can sit in on lessons. Street parking available, no pets.

College: practice rooms and classrooms available with computers and MIDI controllers.

*** Specialties ***
On guitar and bass, I have experience in world music including Africa, Latin America, and Flamenco. I also love American traditional music, including funk, jazz, rock, and gospel. I specialize in teaching music theory and composition, no matter what instrument. Rhythmic concepts applied to any instrument are a favorite topic.
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Suzanne Valentine December 8, 2017
· Guitar · In home
David was a great teacher for our 12-yr-old son who was beginning guitar -- we highly recommend him!
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Elliot November 2, 2017
· Guitar · In home
Really great teacher and person. Would highly recommend him.
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Kelley Martel March 24, 2016
· Guitar ·
It was a great first lesson with David . He is very kind and patient and helpful and I can see he is skilled as a musician. I am excited to work with him !
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David W.

David W.

Berkeley, CA 94703
(14)
starting at
$30 / 30-min

About Marc M.

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Livonia, MI

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rasgueado is the quick down/up percussive strumming you'll hear in flamboyant guitar music

About Marc
I teach all styles of guitar, as I have been in many different types of music situations: Soloist (Classical) Ensemble (Classical and Jazz) Lead and Rhythm (Various Rock and Roll bands) Songwriting and Recording. I am a people person that learned the guitar from many different sources. Most of my learning came from watching others and communicating with others. I like to learn about the people I am teaching so that I can better understand their needs as a musician. My education came as a practical necessity in order to get better as a teacher and performer, as well as make a living doing it. But, by no means do I preach the need to be "educated" but only to be a working, practical musician. I will surely go over the need to read music once the need becomes evident, enlighten you as to why it may be important to understand certain aspect
s of music as opposed to just "picking and grinning", IE learning only "By Ear." I do specialize in music theory, and have many students taking lessons simply for this excellent foundation for songwriting also.

I am a classically trained guitarist that performs both as a soloist and for ensemble in a wide variety of styles. I graduated in 1996 from Schoolcraft College with an Associates degree in Music performance, and then, studying under the tutelage of Brian Roberts went on to receive my Bachelor's degree in Guitar Performance with a secondary in Jazz from Wayne State University in 2004. While at Wayne State and along the way I've performed and participated in several masterclasses with renowned artists: William Kanengiser, John Holmquest, Philip Candelaria, Jason Vieaux, Scott Tennant, and Antigoni Goni. I have also completed the teacher requirements for books 1-a and 1-b for the Suzuki Guitar Institute.

Many of my classical guitar and electric guitar students have went on to study further at the collegiate level, some achieving scholarships. My most recent students are current Berklee school of music graduates now in a band called "Flight of Fire", recently opened for Bonjovi this past summer and are getting air time on local radio stations... well on their way to living the dream! …the bulk of my students become full time professional musicians.

*** Lesson Details ***
I am an extremely patient person who has been teaching for over 20 years. I am laid back so there will be no pressure. With my electric and steel string guitar students, I host a special "Jam Session" 2 - 3 times a year to which will be one of your goals to participate in. This includes playing with a drummer, bassist, singer and another guitar player (usually me) and having it recorded. This should serve as your motivation to practice. This really eliminates the need for me to pull out a "yardstick" and "smack" your hands over the knuckles when not practicing your scales as many old traditional teachers may have done!

At your first lesson I will talk with you and give you examples of music that is played with a Flat-Pick, or music that uses the Finger-Style technique. This will be an important process as it will dictate which direction you will go in as a musician and especially during our lessons.

For the most part, playing with a Flat-Pick is generally used with the electric guitar and with most mainstream styles of music like "Rock and Roll", "Blues", "Rock-a-Billy" "Funk", and playing with the Finger-Style technique is used in styles like "Classical" and "Folk." After a while, I will introduce you to the other style of playing as well, as most great guitar players use both techniques in their playing...musicians (guitarists) such as: “Jimmy Page“, “Brian Setzer”, “Stevie Ray Vaughan”, “Joe Satriani”, “Lindsey Buckingham”, “Paul McCartney”, “John Mayer”, and many, many more.

To make learning the guitar Fun, I make sure to incorporate your main interest(s) first. Whether it be learning your new favorite song(s), learning how to write a song, or just learning some basics that you can use for when sitting around the campfire. This will be intertwined with which style you choose to start with: Flat-Pick or Finger-Style.

Pending on the level that you are starting at, (beginner, intermediate, advanced) I will include tidbits of music theory that will be used in a consistent manner. These will usually be progressive, pending on your level. For example, the songs you learn will be written out in an easy to understand chart that will have the fundamental aspects of theory (IE, chords, key, and rhythm pattern) that all musicians should understand.

With Children learning with a Flat-Pick, I encourage the use of a basic guitar instruction book.
Level One (beginners) :

"Hal Leonard Guitar Method Book One" by Will Schmid.

I will also use as a substitute for Level One:
"Alfred's Basic Guitar Method" by Alfred's Publishing Co.

More advanced players who can read music already (and graduates from book one) I prefer;
"Hal Leonard Guitar Method Book Two"

With Adults, I will ask if learning to read music interests you. It is a vital part of a practicing musician, but sometimes your needs may require a more one dimensional approach as time may be of essence. Again, I learned by ear and educated myself later...so I understand the person who wants to hold off on reading right away.

Students who want to learn the Classical (Finger-Style) approach will be encouraged to purchase a beginners book that I use written by one of my first instructors/mentor. It is a very intuitive book that covers the technique in great detail yet is very easy to understand (along with my help.) I will provide means of acquiring this book at your first lesson.

Students who want to learn the Folk (Finger-Style) approach will usually start in the above book, unless your an adult who just wants to learn some basics.

At your first lesson I will also provide you with documentation that goes more in depth about the various styles of guitar as the above info is scaled down.

*** Studio Equipment ***
-Amps

-Guitars (Electric, Acoustic, Classical, Bass)

- PA (loud speakers so you can Turn it Up! When playing along)

-Band in a Box (to play along with real prerecorded instruments seamlessly interleaved into a band type setting with almost unlimited genre choices...very impressive technology)

- Pro Tools (recording gear for all needs)

- Guitar Pro and Finale (to transpose music into sheet music)

-Skype (for out of town interactivity. Can do lessons via Skype)

-Basement with plenty of seating for parents, and or observers.

*** Specialties ***
I specialize in Classical Guitar, Electric Guitar, and Acoustic Guitar; Improvisation, Songwriting, Backup Vocals, Fretboard Harmony, Music Theory, Performance, and Recording.
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Annette August 21, 2017
· Classical Guitar · In studio
Marc is a great classical guitar teacher. He makes learning fun and easy. I highly recommend him.
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Matthew G. August 9, 2017
· Guitar · In home
Friendly, motivating, honest and awesome guy.
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Juanyea K. May 21, 2017
· Guitar · In studio
Mark was very patient, professional as well as being knowledgeable about the guitar. I was impressed with the way he presented the information of his learning technique. Marc knows music by notes as well as play by ear. I would recommend him to for anyone of all levels of experience that want to learn or enhance their level of guitar.
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Marc M.

Marc M.

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starting at
$22 / 30-min

About Speedy B.

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I teach Flamenco guitar from the Traditional method Emilio Medina "Methodo De Guitarra Falmenca" This is a great study for learning all the Flamenco techniques right from the beginning. You will love this study. Come and enjoy real traditional Flamenco.

About Speedy
I have been teaching music for over fifty years. I have taught many professional teachers and students over the years. I have played professionally in Many Classical and Jazz groups. My quick start method gets beginners playing music right away.
I studied classical violin from Don Samuleson, Professor at Western Washington College during my Junior High and High School years. I also studied from Lamar Barus at Ricks College and Paval Farcus at the University of Redlands and from Leslie String of the Redlands Symphony.
I studied Classical guitar from Seko Sessoko a Brazilian guitar player and Jazz guitar from Studio musicians Howard Roberts, Joe Pass and Horace Hatchett.
I have played violin in the Bellingham Junior High School Orchestra, the Bellingham High School Orchestra, the Ricks College Orchestra, the University of R
edlands College Orchestra, the Riverside Symphony, the Palomar Symphony, and the North Coast Symphony in San Diego. I am currently playing with the Timpanogos Symphony in Highland Utah.
I played guitar with the Woody James big band and with the big band and hall of fame orchestra. I've played classical guitar for weddings and dinner parties. I played guitar with the variety band "Sound Investment" and other rock, blues and jazz bands
My theater performance experience includes play violin for Annie, Hello Dolly, Chess, Cinderella and more. I also played guitar in theater performances of Les Miserable, Man of La Mancha, Hairspray, Marvelous Wonderettes, and Catch Me if You Can.
My studio, The Speedy Beers Music Studio is a highly professional studio equipped with computer, recording equipment and video lighting and camera for making highly professional videos.
I teach all styles of music on the guitar and violin including classical, jazz,rock, blues, country, folk and fiddle. I have a strong back ground in applied music theory that works for all instruments.
I have a Bachelors degree from the University of Redlands and I have studied privately from some of the best teachers in the world.
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Gary D. January 4, 2018
· Guitar · Online
Speedy is very competent and is a great teacher, he will take me on a musical journey, thanks
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Hope December 19, 2017
· Violin · Online
Speedy is a very patient & knowledgeable instructor to my super active (not always attentive) 8 year old. He has been making many improvements.
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Miranda November 26, 2017
· Viola · Online
I've been getting lessons for 2 years and I've improved greatly.
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Speedy B.

Speedy B.

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$35 / 30-min

About Tony M.

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Seminole, FL

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Experienced guitar teacher of 23 years available for eager students of all experience levels and ages! I structure my lessons so students learn what they want to learn, while also building a strong foundation of classical guitar skills. I specialize in finger picking for classical, pop, rock, ETC...Typically use Hal Leonard books, and also have the following tools available to use during lessons: sound recording equipment, Guitar Amps, effect pedals, sheet music, and more.

About Tony
If you want to be the best, learn from the best. Talent, skill, confidence- priceless!.

Choosing the right voice coach or singing teacher can be a difficult task, as there are so many coaches and teachers out there. My approach is unique in a sense that I do not believe in a "One size fits all". With Decades of working with professionals in this music industry including celebrities, platinum recording artists from American, Eastern and African continents. I have worked with contestants and music industry professionals and producers from American Idol, America's Most Talented Kids, and America's Got Talent, as well as industry insiders, AR reps, TV networks, and many venues across the USA.

*** Specialties ***
Voice coach, all genre. beginners, intermediates, advanced and professionals.
Advanced Vocal Coaching, for professional
s,
Pop, Rock, R&B, Jazz, Classical, Broadway.

*** Lesson Details ***
Guitar: Learning to properly handle the guitar, left and right hand techniques. learn to tune the instrument. read notes, and lean all major, minor, and seven chords by the end of book 1

Piano: learning all 12 scales by heart, proper fingers technique for both hands, reading both left and right hand notation by end of book 1.

*** Studio Equipment ***
Tascam D8000 40 Ch. Digital mixer
Alesus quad Reverb,
Yamaha EX5
Korg Sound module
Digitech Vocalist II Harmony...
Pro Tools 10
Sonar XL XIII
D Drums,
7 Pianos
5 Guitars,
Bass,
2 Saxophones

*** Travel Equipment ***
Guitar, Keyboard, Saxophone, Mic, Laptop, Amplifier, Karaoke hard drive, and software.

*** Specialties ***
Advanced Vocal Coaching, for professionals,
Pop, R&B, JAZZ, Classical, Broadway.

Composition for pro artists, 256 mix tracks, 48 khz,
Top of the line recording gear.

Classical guitar, Music Theory and Composition for writers.
...
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Jennifer D. November 29, 2017
· Singing · In studio
This teacher is impossible to get a hold of. Tried leaving several voicemails and text messages. He has a couple different phone #'s. Don't know which, if any, is the active # to use. No response from him ever. Couldn't reschedule because of this. Plus he lied and said I never contacted him. Now I am out a ton of money for lessons I wasn't able to use. Very greedy. I am not happy.
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Stephanie P. September 8, 2017
· Piano · In home
Great start. Learned how to read the base notes. And immediate hands on practice. 😃
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linda June 8, 2017
· Singing · In home
My first meeting with Tony, & I feel confident that Tony will help me in getting my voice back. I was impressed with his knowledge & his absorption into his music. Looking forward to more lessons & being able to sing the way I used to.
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Tony M.

Tony M.

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About Billy N.

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Brooklyn, NY
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I don't consider myself a Flamenco Guitarist but I'm schooled for over 5 years in the techniques and styles. I love the music and as an excellent teacher I have an excellent method from my own guitar master that will get you going on your way. If you stay with Flamenco to a certain level, I'll try to help you find a teacher that would really specialize in advanced playing

About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

Billy N.

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About Ben S.

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Fullerton, CA

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I have three goals for each individual student. First, is for the student to understand and learn the fundamentals of the basic flamenco forms and techniques. Second, is to take what he or she has learned and apply it (e.g., composing his or her own falsettas and/or accompanying baile and cante). Finally, I want each student to share what he or she has learned with others--pass it on!

About Ben
EDUCATION

I graduated from California State University, Fullerton (CSUF) with a B.A. in Public Administration (what does that have to do with the Flamenco guitar?); prior to that degree, I received an A.A. in Political Science (again, what does that have to do with Flamenco guitar?). Currently I am in the process of completing my M.P.A. at CSUF (again…?). The answer to the aforementioned question is that, I enjoy politics and government work—it’s my profession. Nonetheless, I enjoy Flamenco most of all, and I want you to enjoy it too! ¡Vamonos!

EXPERIENCE

The guitar is a wonderful instrument, which I began playing at the age of six. I began my studies with the classical guitar for the first 15 years of playing; and for these past 15 years I have studied the flamenco guitar—playing various concerts, events, and giving professional
instruction.

My experience as a guitarist in Southern California has led me to explore different genres of music, playing for various musical groups ranging from surf rock, concert band, and jazz. As a co-founding member of the band, Ballistico, we opened up for acts such as Dick Dale and the Del Tones, the Grandmothers of Invention (featuring members of Frank Zappa’s original band, “Mothers of Invention”), Avenged Sevenfold, and many others.

EXPERTISE

Having received first hand instruction from the some of the most sough-after professional Flamenco guitarists living and working in Spain (and touring internationally), I offer each of my students an unrivaled degree of authenticity in technique, tone, and style.

LEARNING MATERIALS

Each lesson includes tablature and audio recordings of the material that we will have gone over together. It is completely normal that only a day or two after a lesson—or even a few hours afterwards—the mind can (and will) quickly forget the material. Don’t worry! I’ve got you covered. By having the accompanying written and audio material with you after each lesson, you will be well-prepared for a successful next lesson!
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Michael H. October 28, 2017
· Flamenco Guitar · Online
Had some platform issue to start even though I'd prepped and tested days in advance, called Ben and patiently got me onboard. He let the lesson go on for extra time to make up for the glitch at the start. In the lesson, he has patience with beginners and still covered a LOT of new techniques (new to me anyway.) Got me psyched up to learn. Already looking forward to next lesson.
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Tatiana July 30, 2017
· Vocal Training · Online
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Phillip S. June 23, 2017
· Flamenco Guitar · Online
Great instructor! Ben goes out of his way to record what you learn in class so you can reference it later on at home. He also is very good about preparing sheet music on new material. Very understanding with time and very knowledgable in guitar.
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Ben S.

Ben S.

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About Jeff B.

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Seattle, WA

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A major priority of my guitar teaching is to have students making expressive music every time they touch the instrument.

I begin by working on tone production on the open strings of the guitar, so that students are able to produce a full, beautiful tone on the first day. From there, we study left- and right- hand techniques in the context of real pieces of music, giving students the chance to apply the mechanics of guitar playing to the expression of musical ideas. At the same time, I work with students through progressive studies and warm-up exercises that have built-in expressive goals, so that they can learn to rely on their own ears to further refine their playing.

As I believe that a good guitarist is, first and foremost, a strong musician, I fold a number of diverse activities into weekly lessons, developing skills in music theory, ear training, sight reading, composition, and improvisation, all of which reinforce the acquisition of strong technique.

About Jeff
I’m a composer and guitarist, with 20 years of experience playing and performing on classical and electric guitars. I’ve given solo and chamber performances across the United States, with recent Seattle performances including Astor Piazzola’s complete "Histoire du Tango", the world premiere of Brian Cobb’s "Campfire Songs," and the Seattle premiere of James Bonney’s electric guitar concerto "darkLIGHTness."

In 2010, I received a Bachelor of Arts degree in classical guitar performance and composition from Stanford University, where I performed solo recitals of Bach, Mozart, Turina, and Henze, collaborated with the Stanford New Ensemble on contemporary chamber pieces, and played lead guitar in the heavy metal band Full Metal Apocalypse.
I recently received a Doctorate in music composition from the University of Washington in Seattle, wher
e I’ve taught music theory, composition, and musicianship at the college level for seven years, and where I continue to perform with the UW Modern Ensemble, Inverted Space Ensemble, and Seattle Modern Orchestra.

A major priority of my guitar teaching is to have students making expressive, compelling music every time they touch the instrument. And as I believe that a good guitarist is, first and foremost, a strong musician, I fold a number of diverse activities into weekly lessons, developing skills in music theory, fretboard knowledge, ear training, sight reading, composition, and improvisation, all of which reinforce the acquisition of strong technique.

I teach a wide array of styles—including classical, folk, rock, flamenco, and heavy metal—and I look forward to helping you realize your musical goals!
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Jeff B.

Jeff B.

Online
starting at
$45 / 30-min

About Barack D.

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Alameda, CA
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I put an emphasis on reading the music and having a oneness with the instrument.

About Barack
I like having fun with music. It is exciting and it gives me something to look forward to.
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Barack D.

Barack D.

Alameda, CA 94501
starting at
$50 / 30-min

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