I have been teaching elementary / middle school band for the past 13 years. In my experience, I have found that taking a play-based approach to music education, helps young beginners remain engaged and excited throughout their lessons and home practice. In lessons, I custom, teaching materials which have been proven to accelerate the process of learning to read music, and am familiar with popular band methods used by school band directors. I look forward to working in partnership with both you and your child!
*** Specialties *** I specialize in young beginning music students and emergent readers. I like to create play-based lesson plans that align with student goals, and provide customized materials that are tailored to each student's individual progress. I have taught elementary school music and beginning band for the past 13 years, and have provided reading intervention in a 1:1 setting for 8 years.
Blake N. October 15, 2015
In home Verified Student
First lesson was awesome!!!
Colin D. September 30, 2015
In home Verified Student
Off to a great start!!
Tara & Emma D. September 29, 2015
In home Verified Student
From Seattle to the Baltimore/Washington DC area, and now San Diego, Ariana has been teaching woodwinds to a wide variety of ages and ability levels. Ariana holds a Doctorate of Musical Arts from the University of California, San Diego and both Bachelor and Master of Music degrees in Performance from the Peabody Institute of the John’s Hopkins University. She began her musical career on alto saxophone in her elementary school beginning band, and quickly added flute and clarinet to her practice. As a performer she is experienced in classical, jazz, and theater, appearing at numerous venues and
festivals around the US and in Europe. Along with performing, Ariana is truly passionate about teaching and sharing music. The encouraging, nurturing technique of her former teachers strongly influences her approach to pedagogy.
Alexandria P. June 28, 2015
In home Verified Student
The Clarinet is one of the most versatile of the woodwind instruments with its huge range, variety of different tone colors, and application in many styles and genres of music. Learn techniques to guide your practice so that you can gain absolute control over your breathing, tonguing and articulation, legato passages, support, tone, and overall musicality.
---------- Now teaching in Orange County AND San Diego! ---------
Hello! Thanks for visiting my profile. Allow me to tell you a bit about myself: I have been performing as a musician for about 20 years and acting since I was a small boy. I started my musical education as a woodwind player and settled in to the wonderful world of singing over time. Music has opened me up to so many opportunities from touring the world to performing in marvelous concert halls and working with some of today's most revered artists, as well as giving me the opportunity to expand my performance through act
ing in various plays, musicals, television, and film.
Performing has been my salvation. It has been a best friend and constant source of joy, and I share this gift with others so that it might offer them the same. After 10 years of teaching, I have new experiences to draw from and share with my students. I've spent my last 6 years performing with Disney in Anaheim and this past year touring Japan in their Tokyo Disney cast, and I must say that my experiences have given "performance" a new depth. I'm excited to dive back into lessons with fresh ideas that will mesh well with my tried and tested teaching techniques.
Originally from Los Angeles, I now reside in Orange County and I'm especially proud to be expanding my studio to San Diego as well! I am so excited to share my experiences with the people of this beautiful and inspiring town. If you're interested in learning more about my lesson style, feel free to contact me and I'd be happy to talk with you about a plan to help you reach your goals!
My Teaching Style
Over the past several years I have focused much of my personal growth on developing my ears' ability to pick out and pinpoint vocal “placement”, resonance, subtleties of timbre, changes in pitch, breath support, air speed and flow, pronunciation and diction, and in general, the way in which all of these work together to create style. From these assessments, I work with the student’s particular needs to address each area individually and based on the learning style of each person. To illustrate to the student their method as I see and hear it, as well as ways in which they might make changes to facilitate the ease of singing --be they changes of tessitura (range), length of phrase, tone color, the release of unnecessary tension etc.-- I make use of vocalise (vocal exercises), simile and metaphor, examples from recorded performances, demonstration, self assessment, and techniques to “trick” the voice into acting in a different way, in addition to videos, diagrams, and texts on anatomy and physiology. I feel that all of these tools provide a unique and personalized learning experience for each student.
Alexa November 18, 2015
Vocal Training ·
Eulis is very attentive and encouraging. In my experience with training with him, I have come to appreciate how great a listener Eulis is as an instructor. he takes great care in making sure both sound and vocal technique are being executed in both a proper and efficient manner. Above everything else, Eulis is very friendly and positive towards the support he lends to his students. I highly recommend him.
Jerry H. November 17, 2015
Speaking Voice ·
In studio Verified Student
I have been working with Eulis for six months and he has helped me improve my speaking skills considerably. He keeps our sessions interesting, is able to focus in on the areas for improvement and provide the tools to make the improvements. Eulis is an excellent instructor and I highly recommend him to anyone seeking to become a better speaker.
I just had the first session with Eulis for voice acting today! He taught me in really fun and exciting way! He kept encourged me even though I made many mistakes. Also he taught me lost of good techniques to do voice acting! I'm looking forward to have next class with him!
Adrián : Born on October 17, 1975, and raised in Chihuahua, Chihuahua, México, Adrian T. grew up surrounded by the traditional music of Central America from Danzón, Boleros and Rumba, to Son and Mambo. Adrián began developing his musical ability starting at the age of eleven. He was inclined to play the tenor saxophone and the flute with an understanding of classical music and a distinct attraction to jazz, and five years later chose to take on the clarinet. His grandmother, a "Danzón Nut" according to Adrián, urged her grandson in that direction, but the young player was adamant towards a new
found paragon for himself: John W. Coltrane.
2001 was a year that would have a profound impact on Adrián’s music. While pursuing Sociology and Music Studies at The University of Texas, El Paso, he learned more about the transmission of these ideas and theories through music. In an effort to track the development of marked philosophical and spiritual traditions observed by ancient cultures, Adrián arranged to meet, learn, and creatively collaborate with musicians involved with traditions originating from West Africa. One of his primary interests was the Yoruba tradition (predominantly out of Western Nigeria), the ancient African religion underlying Santeria (Cuba and Puerto Rico), Candombl (Baha, Brazil), Vodun (Haiti), and Cu Taan (México).
THE MARS VOLTA
In 2004 Adrián joined The Mars Volta recording the studio album, “Frances the Mute”, and continues to work with the band (as a full-fledged member) on subsequent albums (“Live Scabdates” 2005, “Amputechture” 2006, “The Bedlam in Goliath” 2008) and all of The Mars Volta side projects (movie scores, DVD‘s, etc.). The Mars Volta is comprised of guitarist Omar A. Rodriguez-Lopez, lyricist/vocalist Cedric Bixler-Zavala, bassist John Alderete, guitarist Paul Hinojos-González, drummer Thomas Pridgen, percussionist Marcel Rodriguez-Lopez, and keyboardist Isaiah “Ikey” Owens.
Through his work with The Mars Volta, Adrián went on to earn his first Grammy Award in 2008 for the “Best Rock Performance” category with the song "Wax Simulacra". Working with The Mars Volta has enabled Adrián to gain further exposure as a multi-instrumentalist, particularly in Europe.
Television performances of The Mars Volta include (but not limited to): The Henry Rollins Show, The Tonight Show with David Letterman, and The BBC. THE STUDIO/TOURING MUSICIAN
Adrián ’s solid performance and versatility have allowed him many opportunities to collaborate with a vast array of professionals worldwide. Adrián has shared the stage and/or recorded with the likes of Larry Harlow, Antonio Sánchez, Bob Sheppard, Edwin Livingston, Erik A. Unsworth, Dr. Willy Hill, Dr. Donald G. Wilkinson, Damo Suzuki, Lenny Castro, Money Mark Nishita, Los Lobos, EMI Gospel Artist Smokie Norful, Lisa Papineau (Big Sir), Omar A. Rodriguez-Lopez Quintet/Group (Se Dice Bisonte, No Búfalo 2007, music scoring for the Guillermo Arriaga Jordan and Jorge Hernández Aldana film on El Búfalo de la Noche on La Neta Films/Naco Films performed by The Mars Volta), Hans Glawishing, John Beasley, Brian Lynch, Shaila Dúrcal, John Frusciante, Tosin Abasi (Animals As Leaders), Ken Schalk, Juliette Lewis, Nuriya Michan, Deantoni Parks, Candiria, The Memorials, Trevor Hall, Oscar Stagnaro, Billy Ray Cyrus, David "Fuze" Fiuczynski and Freedom Bremner of Screaming Headless Torsos, Pete Escobedo, Oskar Cartaya, Hadrien Feraud, and Luis Conte among others.
Adrián 's professional involvement with the music industry has continued to develop under his own publishing and record label, EL REGIMEN Music BMI, leading T.R.A.M. and as a full flesh member of one of the strongest lineups in funk music The Earful. This dignified and prolific musician collaborates with an eclectic number of international musicians, tours internationally on an intense and annual schedule, all the while teaching workshops to numerous school districts and universities around the world.
It's extremely rare to come across a band that flips the script of conventionality, throwing caution to the wind. The debut effort from T.R.A.M. does just that, while blazing a trail of creativity quick to turn heads throughout the world. This unit will easily be referred to by many as a “Super Group”. However, the members of this dynamic unit aren't in this for any reason other than to use it as a platform to further express their art without limitations or any preconceived notions.
T.R.A.M. is comprised of such renowned and musically proficient artists as Adrián (The Mars Volta) on saxophone, flute, bass clarinet and percussion, Javier Reyes (Animals As Leaders) on guitar, Tosin Abasi (Animals As Leaders) on guitar, and Eric Moore II (Suicidal Tendencies) on drums. This is a group of likeminded individuals that are naturally gifted with the collaboration of their unique talents resulting in something truly amazing. Their much anticipated debut album, “Lingua Franca”, was released February 2012 through Sumarian Records.
“Tosin Abasi and I were originally introduced by a mutual friend, Raanen Bozzio (Terry Bozzio's son), summer of 2010. This meeting also served as my first introduction to Animals As Leaders and Javier Reyes. Since then, Abasi, Reyes, and I have developed a great relationship. We got together almost every day to try out ideas, and after a month we had already formulated a majority of the record. At this point we contacted Eric Moore, an incredible drummer and the most joyful person to be around, and soon everything we had envisioned rhythmically came together on our first meeting/recording session (at the Farias Productions Studios) on what is now T.R.A.M…
I never know how people will respond to our music, I just never know! My goal is to try to instill a strong feeling or energy in people and I feel that collectively we achieved this goal tenfold with this new project. We all have a great enthusiasm and desire to perform this material live and see this band further develop. We look forward to hearing what you all think of it.”
A concept ensemble with its roots in west coast music, TRANSIENT performs original music inspired by the tradition of Jazz and Chamber Music on today's world. This genuine ensemble led by saxophonist Adrian (The Mars Volta, T.R.A.M. and The Earful) followed by cellist Artyom Manukyan (Peter Erskine and Draco Rosa), trumpeter Mike Cottone (Everette Harp, and Rick Braun), and on the drums the powerful young lion Tim "Figg" Newton, brings a collection of original compositions written as a story line of work of solid experimental material and improvisation. Translating the live performance into the world of sound,
TRANSIENT exists as a unique new voice comprised of some of creative music's fearless players on the globe.
The Adrián Quartet "Cu Taan (2009)." - INDI-O Music Award Nominee 2009
The Mars Volta "Frances The Mute (2005)." "Scabdates (2005)." "Amputechture (2006)." "El Bufalo de la Noche - Soundtrack/Music Score (2007)." "The Bedlam in Goliath - LP (2008)." - Grammy Award Winner 2008
The Omar Rodriguez-Lopez Group "Omar Rodriguez (2005)." "Please Heat This Eventually (2007)." "Se Dice Bisonte, No Bùfalo (2007)." "Omar Rodriguez-Lopez & Lydia Lunch (2007)." "The Apocalypse Inside of An Orange (2007)." "Calibration (Is Pushing Luck and Key Too Far) (2007)." "Absence Makes The Heart Grow Fungus (2008)." "Old Money (2008)." "Woman Gives Birth To Tomato (2013)."
Alavaz Relxib Cirdec "The Special 12 Singles Series - Single (2005)."
Big Sir "Und Die Scheiße Ändert Sich Immer (2006)." Song(s): Cause That Shit's Too Evil (And She's Just A Gangsta Bitch) and I Lie Down
Troker "El Rey Del Camino (2010)." - INDI-O Music Award Winner 2010
Alex Otaola "El Hombre de la Camara (2010)." - INDI-O Music Award Winner 2010
T.R.A.M. (Band Leader) "Lingua Franca (2012)." Sumerian Records - #2 iTunes Jazz Charts 2012
Trevor Hall "Everything Everytime Everywhere (2011)." Song: Different Hunger ("The Change-Up" Movie Soundtrack) Written by Trevor Hall, Jimmy Messer; Courtesy of Vanguard Records, a Welk Music Group Company; Under license from EMI Film & Television Music
Ten Kens "Namesake (2012)." Song(s): Mousetrap
BG5 (The Beach Girl5) "Rock Mafia Mix Tape Vol. 1 (2012)." Song(s): Kids r Ok
The Memorials "Delirium (2012)." Song(s): Mr. Entitled (Arranger and performer).
Le James Davey "Vol 1: Le Processus (2012)." Song(s): Un Mouvement - La Catalyse, and Trois Mouvement - Humilité
Mister Sparx "Default Jazz (2014)."
JAZZTEC "JAZZTEC (2013)."
Billy Ray Cyrus "Change My Mind (2012)." Song(s): Change My Mind
Trey Spruance "Three separate releases (2013)."
ESTIRPE (Spain) "Neurasia (2013)." Song(s): R136a1 (Intro), and En Tus Ojos
Los Random (Argentina) "Pidanoma (2014)." Song(s): Mee Changó
CANDIRIA (yet to be titled 2014).
CANDIRIA “Giant MKT/Rising Pulse Records 2014 (7 inch Single Release).” Song(s): Invaders by Iron Maiden
Troy Baker “Sitting in the Fire (2014).” Song: Apparition (horn arrangement and performance)
EL REGIMEN Music President Creative Music Movement, Founding Member Sheet Music & Recordings
EL REGIMEN Music BMI President Music Publishing Publishing Company
“Adrián Terrazas-González performs exclusively on Yamaha Flutes, Saxophones and Clarinets.” Yamaha Corporation, Inc. Hiroshi Tamezawa - Yamaha Music Corp.
“Adrián Terrazas-González is M-Audio Artist and AVID Artist.” José Reveles González Artist Director (Avid/M-Audio) firstname.lastname@example.org
“Adrián Terrazas-González plays González Reeds.” Eduardo Davolos Rio Negro 2240 Guaymallen Mendoza, República Argentina (+54 1 54) 528-0834 email@example.com
“Adrián Terrazas-González is a Samsun and Hartke Artist.” Ira C. Blanco Samson Technologies Corp. 45 Gilpin Avenue, Suite 100 Hauppauge, NY 11788 +1(631) 784-2200 Ext. 107 firstname.lastname@example.org EQUIPMENT
Woodwinds Yamaha Professional Series (piccolo, soprano and alto flutes). Yamaha Custom Z (alto, tenor and baritone saxophones). Selmer 1972 Series 10G clarinet Yamaha YCL-621 bass clarinet
Mouthpieces/Setups Selmer Super Session G Soprano Saxophone Mouthpiece Selmer Super Session E Alto Saxophone Mouthpiece Selmer Soloist H Tenor Saxophone Mouthpiece Vandoren V16 Ebonite E9 Baritone Saxophone Mouthpiece Otto Link New York 7* Tenor Saxophone/The Mars Volta Setup Clark W. Fobes San Francisco Clarinet Custom Mouthpiece 4L Clark W. Fobes San Francisco Bass Clarinet Custom Mouthpiece González Reeds (All Saxophones and Clarinets) Francois Louis Ultimate Ligature for all Saxophones and Clarinets De Jacques Neck Straps
Amplifiers Hartke KM200 Mackie Stage Back Line for (T.R.A.M.)
Effects Pedals Stage/Studio (The Mars Volta) Ernie Ball WAH BOSS PS-5 Super Shifter BOSS RC-2 Loop Station BOSS RE-20 Space Echo W-2 Maestro Woodwind Effects Box MXR Phase 90 Moogerfooger Ring Modulator DigiTech JamMan Looper Performance Loop Pedal TECH 21 SansAmp Bass Driver DI
Zephyr A. November 10, 2015
Arrangement and Composition ·
Adrián and I have now played together many times, and each time I have learned something new about myself. Interacting musically with Adrian has allowed me to expand my compositional horizon, and my understanding of the geography of my own instrument.
Adrián's experience and creativity is unparalleled by nearly anyone you will find in his field, especially when one considers his versatility as a woodwind doubler (sax, flute, clarinet, etc.) in genres including classical, jazz, experimental rock, and traditional mexican folk music.
If you are so lucky to have the opportunity, I would strongly recommend you study with Adrián.
-Zephyr Avalon, Bassist
Chelsea S. November 1, 2015
In home Verified Student
Adrian has been giving my son saxophone lessons and we couldn't be happier. My son is new to the instrument and is progressing very well. Adrian is professional, on time and my son is enjoying his lessons. I highly recommend him.
Daniel D. October 4, 2015
In home Verified Student
I'm a beginning-intermediate piano student and been looking to improve my playing abilities and comprehension. Adrián was able to quickly evaluate my needs and devise a lesson plan to keep me focused. He is very fun, enthusiastic and knowledgeable. I would highly recommend Adrián as your instructor.
I've been teaching the clarinet for the past 10+ years and I am comfortable working with all age groups and ability levels.
Many of my students have participated in the San Diego Honor Band as well as San Diego Youth Symphony. Preparation is the key to success, and I specialize in coaching students for auditions.
I enjoy teaching all levels of clarinetists, from square-one up to the most serious high school students!
Music theory is an integral part of each lesson (as well as some basic piano concepts which can be very useful to woodwind players). Jazz conception and improvisation is also a specialty!
>> AS A MUSICIAN, MY WEEKLY SCHEDULE IS CONSTANTLY CHANGING. PLEASE MESSAGE ME REGARDING CURRENTLY AVAILABLE TIMES :) (use the "ASK A QUESTION" button) <
I've been teaching woodwinds (saxophone, flute, and clarinet) for the past 15 years and enjoy the one-on-one interaction with students of all ages. Music is one of the last professions that is truly learned through apprenticeship. Having a good private teacher is absolutely essential to your growth and development!
Over the years I've amassed wide variety of concepts and materials to speed your learning process and keep things FUN. I've taught all ages and abilities: new beginners (elementary and middle school level), older students just picking up the horn again, conservatory-bound high sc
hool students, amateur professionals, marching band & drum core kids, retirees looking for a fun hobby, professional musicians looking to expand their jazz knowledge, and more. We'll start at your level and expand from there! Styles I've performed in include classical, jazz, latin, pop, fusion, rock, funk, and more.
I encourage all my students to enjoy exploring the SOUND of their instrument and to find their own voice. Lessons include everything from reading and basic stylistic concepts, to improvisation, learning songs, playing along with recordings of your favorite players, and jazz transcription. I am a graduate of the University of North Texas Jazz Studies program and have over 15 years of teaching experience. I'm currently adjunct faculty at USD Dept of Music, Mesa College, and have taught as a clinician/coach for numerous high school and middle school programs. In the past I’ve had the opportunity to study with many inspiring musicians and I enjoy passing on the tradition to new students!
>> AS A MUSICIAN, MY WEEKLY SCHEDULE IS CONSTANTLY CHANGING. PLEASE MESSAGE ME REGARDING CURRENTLY AVAILABLE TIMES :) (use the "ASK A QUESTION" button) <<
Christine G. September 25, 2015
In studio Verified Student
Ian is kind and supportive. He's making sure I get good habits and technique from the start.
Bow B. April 30, 2015
I am a beginning Tenor Sax student and a senior citizen. I have played other instruments years ago, but never a woodwind instrument. Ian has been a marvelous instructor for me. Although I had never picked up a sax until December 2014, he already has taught me how to play several simple tunes and a number of scales. His patience and sensitivity to the appropriate pace is impecable. He also keeps me informed of other activities - concerts, recordings, community events to reinforce my interest. I would recommend Ian as a music teacher to anyone without reservation or hesitation.
Bill W. April 30, 2015
I’m an adult beginner student and have been taking lessons for approximately one year. Ian’s approach and method have really motivated me. I’m playing music that I enjoy, while improving my basic skills. He is very patient and is an excellent instructor and outstanding musician. I would definitely recommend anyone who is serious about learning to play woodwind instruments. I’m looking forward to my next year working with Ian.
Students are raving about their Clarinet instructors on TakeLessons.
Check out some of these recent reviews.
Review by Betty
"Manda made clarinet fun for my son! She let him express himself, while still learning the fundamentals!
My son was in junior high and Manda showed him ho
w much fun music can be, and while doing that he gained an appreciation for the instrument and is still active in the high school music program."
Boston, MA teacher:
Review by Edward
"After many years as a music educator, clarinetist, saxophonist playing with Army and concert bands, as well as dance bands, I have had the pleasure of mee
ting and working with Dimitri. Being retired , I made the decision to seriously play clarinet again. His skills, as a musician and teacher have helped me regain my passion for the instrument and ability to play at a high level. I would recommend him most highly."
New York, NY teacher:
Review by Steve
"Kathleen is dedicated, positive and timely. My daughter likes learning from her and I am glad I hired her."
Providence, RI teacher:
Review by David
"The first day went well. He is very enthused!"
San Diego, CA teacher:
Review by Stephen
"I thought skype lessons would not function as well as i thought but i ended up loving it, especially with gerardo's teaching. He is very passionate and ev
inces emotion throughout the pieces being studied."
San Diego, CA teacher:
Review by Sam
"Eulis is one in a million - he gives helpful constructive criticism while making you feel confident and at ease. As someone who can be rattled by being vu
lnerable in front of people, I MUCH appreciate this! On top of his knowledge and skills, his demeanor is also phenomenal. Playful yet professional, friendly yet respectful of boundaries. I'm thrilled I've found him and can't wait to see where my next lessons take me."
San Diego, CA teacher:
Review by Cindy
"My son is extremely happy with Simon and looks forward to his lesson each week."
New York, NY teacher:
Review by Dan
"I have had the privilege of watching Troy perform and teach clarinet. He is outstanding at both. Any student of his would benefit immediately and immense