• Chord voicing: triads, four note open/closed chord voicing, chord melodies, comping, strumming, fingerstyle, standard grooves in various styles major & minor scales & modes & arpeggios, blues/pentatonic scales and "licks". • Alternate/sweep & tremolo picking, hammer on/pull offs
I'm lead vocalist, lead guitarist & songwriter for a well-known touring rock band with a worldwide fan base and over 3 million youtube views. I graduated from New York University with Bachelor's of Music in jazz guitar, and am currently teaching around 50 lessons a week to students ranging in ability from beginner to professional. My versatility, experience and formal training helps me to make the learning experience easy, stress free and fun.
Currently, I play in 3 active bands gigging regularly & produce artists for their own projects. I spent much of the past 15 years touring, writing an
d recording for my bands and with internationally known artists/celebrities. My songs have been licensed for national/international TV (E!, MTV, VH1, Oxygen, TBS and more) and in video games.
Last year, I signed a major label publishing deal with Fieldhouse Music/BMG played throughout Europe (and taught online lessons while away). Since 2014, I have released 5 singles and two EPs and in early 2017 another two EPs. I am currently endorsed by PRS guitars, Elixir Strings, & Godin Guitars/Bass Guitars.
I teach my clients in my creative and comfortable home teaching studio in Williamsburg, Brooklyn. I work with singers, guitarists/bassists, pianists & songwriters/producers/composers in a wide age range, assorted skill levels with a variety of musical goals.
Some of the musical styles I regularly teach: Rock, Indie Rock, Metal, Hard Rock, Alternative, Pop, Punk, Blues, Jazz, Funk, Soul, R&B, Classical.
I'm highly experienced as an online (Skype, Facetime and G+) instructor, teaching online lessons worldwide for the past 4 years to students who reside locally, nationally and even internationally.
*** Lesson Details *** My students gain expertise in the following techniques and more...
∙ proper breathing & breath support ∙ vocal placement / resonance ∙ diction ∙ vowels and proper modification techniques ∙ bridging registers & 'the high note' ∙ mixed voice ∙ vibrato ∙ vocal health/maintaining your voice ∙ touring, recording, performing ∙ screaming ∙ rhythmic singing ∙ writing songs/melodies/lyrics to suit your vocal strengths
Lead and Rhythm Guitar:
Chord voicing: triads, four note open/closed chord voicing, chord melodies, comping, strumming, finger-style, standard grooves in various styles. Step-by-step approach to soloing/improvisation: major & minor scales & modes & arpeggios, triads, blues/pentatonic scales and "licks". phrasing & line development over simple & sophisticated harmonic changes.
Right hand: finger style, pick & slapping/popping Groove, rhythms and playing time Time signatures, walking bass lines, arpeggios, double stops, chords & improvising Writing bass lines.
**All of my students learn:
Sight reading (standard notation/tablature) Music Theory & Ear Training Rhythm / Timing (including reading rhythms) Composition/songwriting
We will focus 1/2 of the lesson on repertoire and 1/2 the lesson on technique. Many of my students text/email me a few days prior to our scheduled lesson with a song selection for the week. I focus our lesson's technical study with the song in mind. It has proven to be very effective and makes the technique and theory are less "boring."
*** Studio Equipment *** I have (7) guitars: including (4) electric, (2) acoustic/electric, & (3) electric bass (2) tube guitar amplifiers, and various guitar effects pedals.
(1) full-size 88-key MIDI keyboard, (1) 61-key USB keyboard controller, and (1) Arturia MINILAB MIDI controller.
Also, I have an assortment of industry standard dynamic & condenser microphones for live performance and recording applications.
DAW recording software (Pro Tools 12.x, Logic 10.x, Ableton Live) software synthesizers by Arturia, Fabfilter, Native Instruments, Spectrasonics, Steven Slate, Toontrack and more. I use plugin effects by Izotope, Fabfilter, Plugin Alliance and Universal Audio and Waves for many of my lessons and recording projects.
*** Travel Equipment *** I can provide a guitar, videos, music recording, music workbooks and everything else a student may need... I prefer for students to print chord/fretboard & staff paper and bring to their lessons... Although I can do it if they can't... Students should just bring a list of songs they wish to learn to our lessons and a desire to learn
*** Specialties ***
Rock, Pop, Indie/Alternative, Hard Rock, Classic Rock, Metal, Punk, EDM / Dance / Electronica, Jazz, Blues, R&B, Funk, Classical and more….I am fluent in the latest recording technology, songwriting/composition, performance coaching, career development. I will help you to find your unique voice, a polished and distinct sound, and your true personality as an artist.
I will recharge your passion for music and making music.
Grant November 20, 2016
Online Verified Student
mark November 13, 2016
In home Verified Student
I've studied voice with a myriad of teachers for 13+ years to maintain my instrument. I've been looking for a rock voice teacher ever since I started who knows their stuff and struck out many times.
Eric is the real deal. He's a knowledgeable technician who has an instructors approach to rock singing and can talk the talk of vocal pedagogy.
Couldn't recommend him more.
Ally Z. November 11, 2016
Acoustic Guitar ·
Online Verified Student
I learned a great deal from Eric in just one lesson! I was feeling frustrated re the guitar but I feel like I am sounding better already! Learned a lot of great tips!
My name is Sylivan. I'm a dedicated musician who is passionate in music education and guitar music. I have majored in Music and received my professional training at City College of New York with a minor in Education. I have been playing music for 20 years and have performed in many different occasions. Over the years, I have developed various kinds of skills in music from my education, formal training and experiences:
- Learned various types of music for over 10 years such as classical, rock, and pop - Avid guitarist and also proficient in bass, drums, piano, and v
ocal - Solid foundation of theory and harmony - Worked as music and guitar instructor for private music lesson and other organizations such as summer camps and private music institutes.
I have also been teaching children and teenagers music for over 10 years, including group classes and private lessons. Below are some of the goals in my teaching method and what students can benefit in every lesson:
- Explaining the structure of guitar and giving the basic information about the instrument - Instructing students about both the basic and advance techniques in guitar playing - Striking a fine blend of theory and practicality while teaching guitar playing - Ability to understand the needs, short and long term goals of different students and changing the methods of teaching accordingly - Preparing students for student recitals or public performances if necessary
I'm funny, friendly, outgoing, and love to play guitar. I’m also flexible and easy to work with, however when it comes to learning I’m strict and serious. Some of my students call me “Three-Face”, for I’m not only your teacher but also your friend and your coach: I will introduce you to the world of guitar as a teacher; jam and have fun with you as a friend; and I will train you and make sure you are on the right as a coach.
I like all kinds of music, from Classical to Metal and everything in between. Some of my favorite bands/artists who influence me include: Joe Satriani, Slash, Santana, Jimi Hendrix, AC/DC, Metallica, Guns N’ Roses, Led Zeppelin, Disturbed, Antoine Carre, Niccolo Paganini, Antonio Vivaldi…
Sharing my knowledge in music and guitar makes me happy, and it is the greatest joy for me to see my students grow and play the music they like. Guitar lessons should be fun and enjoyable, yet challenging.
Thank you very much for visiting my page and I hope to teach you soon!
- Sylivan T.
*** Lesson Details *** During our first lesson, we will first talk about your goal and music direction that you want to pursuit. Then based on your goal and direction, I will customize a curricular track and briefly explain the things that you need to know and what you need to focus on in order to achieve your goal.
As your instructor, my goal is to help you to reach your goals and to have fun with the music you enjoy. In each lesson, according to your progress, I will introduce you new concepts/materials using fun and easy-to-learn activities. Then we will work on the materials together and have fun jamming together. Yes!! You will feel like you are jamming along with your friend instead of taking a guitar lesson, because guitar lessons suppose to be fun!!!
Each particular lesson I will assign you some assignments. They would either be things that we already jammed on during the lesson, or something that I want you to work on your own. Then when we meet again, we will go over the assignments together and I will give you comments and advises to help you play better.
Below are only some of the instructional books that I usually use for teaching beginners. I will also use other instructional books and music repertories according to the ability of the students and their music style:
- Hal Leonard Guitar Method: Will Schmid and Greg Koch - Alfred’s Basic Guitar Method: Alfred d’ Auberge and Morton Manus - Hal Leonard Rock Guitar Method: Michael Mueller - Solo Guitar Playing: Frederick M. Noad
From my experience as a teacher and student, I believe there is no such thing as a “Perfect Instructional Book”. Therefore along with the above instructional books I will add in some other activities and exercises written by myself.
*** Travel Equipment *** I expect my students to have a guitar and a chromatic tuner. Also a note book, some staff paper, and a pen and a pencil.
For electric guitar, it's necessary to have an amp and a .25 inch cable at home
*** Specialties *** Usually use Mei Bay Guitar Method as a general guide and text for guitar teaching.
*** Specialized in classical, rock, blues, and pop ***
Sharon C. November 20, 2015
Acoustic Guitar ·
Sylivan is a great teacher with great personality. He was there to help me not only when I struggled with music and guitar but also when I felt down. I asked him why he cared so much and he told me a healthy mind is most important which helps in music learning =) Sylivan is also patient; even sometimes I can't stand myself but he was there to help me to learn lol He has passion in teaching and you can see it once he's in action.
Tiffany November 20, 2015
Classical Guitar ·
Sylivan is patient and kind. I have been taking lesson with him for more than a year already. He builds up my confidence in music and gives me encouragment whenever I need it. I'm so thankful for having him as my guitar teacher.
Rob Meade August 15, 2015
In home Verified Student
First lesson, but Sylivan is very professional and is very concerned with balancing one's work load expectations with what one actually has the time to accomplish. I look forward to our next lesson.
Professor Nick R. (guitar, banjo, mandolin, ukulele, dobro/resonator/slide, tenor guitar, baritone resonator, bass, drums, composition) is currently the adjunct professor at Essex College, Jazz clinician for over 16 years via Kupferberg Center (Queens College) and has been on the staff at Great Neck Music Conservatory. Nick has given lectures at Manhattanville College, at Queens College and at schools, nationally.
-Down Beat magazine current issue [Jan/Feb 2016] Hot Jazz Jumpers' "The Very Next Thing" DVD/CD review
-Jazz Insider magazine current issue [Dec 2015] 2.5 page interview
st Jazz Guitar magazine interview [February 2015 issue]
-Vanity Fair magazine (August 2013) interview
"Summer of 2013, Nick R. performed at Gwyneth Paltrow and Chris Martin's home. It was an honor to meet Paul McCartney and jam with him while he played toy harmonica. Carnegie Hall, Lincoln Center, Iridium, Bluenote, Birdland, U.N., IAJE, Cape Cod Jazz Festival, NJPAC, Sweet Rhythm, Smalls, Zinc Bar, Smoke Jazz Club, internationally: Japan, Spain, Russia, Brasil, St. Kitts, Canada, France, Bermuda, Sweden, Israel
-Toured/recorded and/or worked as sideman with Jimmy McGriff, Teddy Charles, Sonny Dallas, Victor Jones and Cultur-versy, Vince Giordano & The Night Hawks, Frank Vignola/Joe Ascione, Miles Griffith, David Pleasant, Jim Nolet (former violinist for the Jazz Passengers), Anastasia Rene, Jon Weber, Mona's Hot Four, Gordon Au's Grand Street Stompers, Michael Arenella's Dreamland Orchestra, with Jesse Gelber, Raphael McGregor, Emily Asher's Garden Party, and many other groups.
-Appears in Sam Mendes Film "Away We Go"
-Movie Soundtrack: King George.
-Guitar/banjo: "Jew Grows in Brooklyn," "Take Me Along," "The Big Apple Circus" + others.
-Banjo/Guitar Chair: "New Girl In Town" (Irish Rep Theatre)
M.A. from the Aaron Copland School of Music at Queens College (partial scholarship)
B.S. from S.U.N.Y. Stony Brook, graduated magna cum laude. Dean's list all semesters
-Published interview (book): A New Face of Jazz (Cicily Janus)
-Playing guitar/banjo on first episode of new PBS cartoon "Peg and Cat"
- Current adjunct professor at Essex College
-Guest lecturing professor at Manhattanville College
-Substitute adjunct professor at Queens College
-Winning participant: I.A.J.E. with Miles Griffith's New Ting 2007. Performance and educational certificate granted.
-Winning participant; part-scholarship award: 2004 International Jazz Workshop at BANFF Centre, Canada (dir, Dave Douglas)
-Winning participant; full-scholarship award of the 2001 JAS academy in Aspen Colorado (dir, Christian McBride (Down Beat Dec. 2001)
-Studying Bol (Indian rhythmic system) with tabla player, Pandit Samir Chatterjee 2006-2007; 2013-current
-Studied with Pat Martino, Billy Bauer, Ben Monder, Tony Purrone, Pete Bernstein, Dr. Stephen Salerno, Dr. David Belser
-Studying African Rhythms with drummer, Harvey Wirht
*** Lesson Details *** With over 20 years teaching experience, Nick is patient with children & adults. He has a creative, unique pedagogy emphasizing hearing through singing, ear-training & natural, organic listening. Nick instills healthy absorption of music while students have fun learning their music, sight reading, internalizing with focus on rhythm and time. As a student, you will get to work on music that you, the student select as well as work on sight-reading, technique, ear-training. We will also work out of method books and use other sources of information.
*** Studio Equipment *** Chairs, music stands, instrument stands, classical foot pedals, classical guitar pillows, guitar amps, guitar, banjo, mandolin, ukulele, drum set. Students usually provide their own instruments but it's possible to borrow an instrument during the lesson at the studio on the first lesson. (free street parking right in front!)
*** Specialties *** Nick's pedagogy emphasizes ear-training, singing, reading and truly hearing the music we are working on. Rather than rote teaching and guitar tablature, he instills natural listening, transcribing, sight-reading and proper technique. Lessons are always enjoyable as Nick observes each student's unique needs and listen's to their song preferences and musical goals. Students have the opportunity to learn pieces and genres they select and they are trained to figure out tunes by ear (ear-training) and transcribe.
-classical guitar and Brazilian guitar (nylon 6 string and nylon 7 string guitar) -acoustic steel string guitar, electric 6 string and electric 7 string guitar - jazz guitar + an eclectic mix of styles: blues, Brazilian music, Latin Jazz, Afro-Peruvian, Indian music, rock, heavy metal, funk, R & B, Motown, reggae + other genres. - tenor banjo (traditional jazz, jazz from New Orleans, Dixieland and world music) -5 string banjo (Earl Scruggs finger picking [bluegrass and country]) -tenor guitar -ukulele -mandolin -resonator slide/Dobro. -baritone resonator (slide)
Bryan October 8, 2016
In home Verified Student
At just my 1st lesson with Mr. Russo -- HE'S THE MAN!!! Very concerned with getting the most out teaching/reaching the student!!! HIGHLY RECOMMENDED; thanks to Takelessons!!!
Sara G. October 3, 2016
In home Verified Student
Great musician, great instructor. Learned more than I ever thought I would be able to at this age. Very patient.
Robert May 24, 2016
In studio Verified Student
Nick was quick to assess my ability and direction and we made immediate progress
at a comfortable pace.
I have taught all levels, using the methods of Giuliani, Carcassi and Sor. Also I encourage my students to develop a basic repertoire for performance, a knowledge of theory and fundamentals.
New York city based guitarist and composer Juan C. immigrated to Miami, Florida at age 21. His work speaks a unique language that blends elements from his early musical experiences in Colombia, as a member of various folk, rock (metal ) ensembles, and his studies in East Asian music fueled by travels and interaction with musicians and artists in China and Japan.
Juan’s music has been performed throughout South America, the United States and Asia. Although Juan cannot return to his native Colombia, his string duet, “Famous Librarians” (commissioned by Olivia de Prato and Victor Lowrie,
was premiered at the Medellín Conservatory of Music.) His piece for electric bass and keyboard, “Glue Pain Ghost,” a collaboration with video artist, Jane Hsu, was invited to a world premiere at the GEISAI Art festival in Tokyo, and the Art Basel festival in Miami.
Juan holds a Master of Music from the Manhattan School of Music, where he studied under the tutelage of Susan Botti in composition, and electronic music with Joel Chadabe. He also holds a Bachelor of Music degree from Miami Dade College, where he studied jazz guitar with Tom Lippincott, and the University of Florida, where he studied composition with Susan Epstein.
*** Lesson Details *** Guitar teaching encompasses many disciplines. One has to be a bit of a psychologist in order to gauge a potential student needs and musical sensibilities. The mathematical aspect of musical notation and rhythm makes us part mathematicians. In the end, there is also a self-actualizing aspect to guitar teaching in the sense that we are always witness to those moments that made us decide a career on music. During my years of guitar teaching I have encountered many types of students, and I have learned from them as much as they have learned from me as they make me question aspects of music that I would have never thought about. I have learned to not take for granted the definition of concepts such as rhythm and harmony, and to look at guitar technique from different perspectives as I find ways to accommodate to a student’s capabilities. Ultimately, it is also a job that requires a lot of planning and structure. My first step, generally, is to assess the student’s ability and interest to find material suitable for them. Then, I proceed to familiarize with the student’s musical tastes and sensibilities to assign practice material accordingly. For example, if the student is interested in rock or pop music, we will work on a particular song that fits his level and also solves a particular technical problem. During that process I will answer any of the student’s questions, and provide insight into musical terminology. We will also work on basic concepts of rhythm, melody, and harmony. My training as a composer and jazz guitarists also enables me to tap into the student’s creative side. In that case, we would start with a basic blues progression and blues scales, and work on the basics of improvisation or songwriting.
*** Studio Equipment *** Basement studio w/ small keyboard, amp, acoustic guitar, 3 electric guitars, music books w/ seating for parents and lots of magazines!
*** Travel Equipment *** I provide music sheets, students should have an instrument, tuner, paper, pencil, and a metronome.
*** Specialties *** I teach fundamentals of music theory, principles of jazz improvisation, classical guitar technique and repertoire, song writing, pop songs, sight reading, and overall musicianship, as well as Jazz, Rock, Blues, Bossa Nova, and other Latin Styles.
Dawn G. July 13, 2016
In studio Verified Student
Juan is wonderful and very knowledgeable in music. He is very patient and makes you feel comfortable. I leave a lesson feeling like I am accomplished and relaxed. It nice to see progress in such a little time. I go home with enthusiasm to learn more and want practice to do so.
Chrystine R. February 14, 2016
Classical Guitar ·
In studio Verified Student
With a patient and intuitive approach, Juan tailors each lesson to fit not only the student’s skill level, but also desire for depth of understanding. When I first began taking lessons, I was only able to plunk a few chords and play along with a few basic songs. However, over the course of a year and a half with Juan, I gained a foundational knowledge of the classical guitar, as well as the confidence to site read and play a range of other styles of guitar music. He seamlessly integrated music theory concepts into song studies, helping me learn major/minor scales and chord shapes, and then apply this knowledge to better understand song structures and composition. It has been such a great experience learning from Juan, especially because he is both an exemplary teacher and guitar player!
Dionne T. May 4, 2015
In studio Verified Student
Juan is awesome. He makes learning guitar easy and never complicates it .. and makes it fun. He's a great teacher.
I've been teaching 20 years. Classical Guitar technique is the foundation for most fingerpicking styles. Exploring the repertoire of Bach, the classic guitar composers - Sor, Guliani, Carcassi and learning how to arrange melodies for the guitar even if not written for guitar are some of the goals when I teach this style. My specialty is Brazilian Guitar and I have available vast repertoire of guitar music for the "Classical Guitar" plus I've explored the works of Piazolla and Leo Brouwer to name 2 guitarists. For Beginners we begin with 2 fingers, basic reading, getting a feel for your instrument, all made fun through the use of melodic material from various sources, sometimes pop tunes chosen by the student
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been
in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South of Brazil, receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.
Testimonials: From Coda Magazine August 2012: by Seton Hawkins
Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.
A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH
Reviews of my Book on Alfred Brazil: Guitar Atlas, I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!
This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.
*** Lesson Details *** I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".
*** Studio Equipment *** I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.
*** Specialties *** Brazilian Fingerstyle - Choro, Samba, Baiao Solo Jazz Guitar - Pick or Fingers Beginning Flamenco Cavaquinho Improvisation for any instrument Harmony and Theory
Flaminia D. May 12, 2015
Acoustic Guitar ·
In home Verified Student
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
Lynn W. December 17, 2014
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
felicia D. October 17, 2014
Brazilian Guitar ·
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!