Technique for your voice. Breathing. Placement. Articulation.
Athena has enjoyed tremendous success as a singer/songwriter, actress, musician and teacher. She is originally from Toronto, but is now based out of New York City. Athena has released 5 CDs, toured North America (both as a singer/songwriter and as an actress), and taught voice, piano, guitar, songwriting and acting for the past 13 years. She has shared the stage Sarah McLachlan and Jim Carrey, and taught songwriting to girls with Lisa Loeb (the teaching project with Lisa Loeb was made into a documentary and premiered at Tribeca Cinemas). Her music videos LOVE IS LOVE and LOGICAL SONG charged #1 on MTV's LOGO TV. As a teacher, Athena has worked at numerous schools, organizations, and colleges across North America, including Oregon State University, Montcalm College, Manhattan New ...
I have performed at multiple venues in New York City, including Carnegie Hall and Off-Broadway. I studied opera performance and musical theater at Westminster Choir College in Princeton, NJ and acting at Primary Stages. Along with these qualifications, my positive spirit and belief in my students has yielded outstanding results in their musical accomplishments. I've been teaching voice, guitar, and piano lessons for the past four years, as well as coaching students for specific auditions (school plays, national tours, honors choir auditions). Let me aid you in achieving your dreams! *** Lesson Details *** As a performer, I have learned that "learning" is never done in this field. Even as a professional, I still take private voice lessons, dance classes, and acting classes. As well ...
I completed my Bachelor of Music in Vocal Performance with a certificate in Music in Education from the New England Conservatory of music and completed a Master of Music in Opera Performance from the University of Maryland Opera Studio. I have performed in places such as the historic Jordan Hall, Avery Fischer Hall, Carnegie Hall, The Cornerstone Arts Center, the Academy of Music in Philadelphia, the Clarice Smith Performing Arts Center and the National Gallery of Art. I serve on the music teaching staff of both Highbridge Voices and the National Children's chorus in addition to maintaining an active private teaching studio and a busy international performing schedule.
I have been a voice teacher for over twenty- five years. My background includes ten years of classical training with Maestro Julio Berrocal as well as vocal training through the Feldekrais approach with Marcy Lindhiemer. In acting I have studied with renowned Stanislavsky scholar Sonia Moore and Master acting teacher of the Strasberg Method, Marcia Haufrecht. I believe we all have something distinctive that can be developed and expressed through the voice. I work to help the student discover their individual and unique sound. I give them tools to gain the ability and confidence to achieve their goals. I empathize deeply with the challenges that students face both in studying voice and performance since I have been a professional singer for many years. Through my personal experience in ...
My lessons are fun, engaging and productive. We will work together to improve your:
*passaggio (your "passage" to high notes and ability to regularly achieve them)
*jaw, neck, shoulder and/or tongue tension
Dr. C. was most recently described by Tim Page with the Washington Post as a “funny, exuberant and enormously likable” Papageno during Summer Opera Theater’s performance of The Magic Flute. Previously, the Post critiqued Daniel in Opera Theatre of Northern Virginia’s Barber of Seville as a “bright and bouncy” Figaro who delivered his lines with “aplomb.” Daniel has performed as a young artist in the Studio Programs of El Paso Opera, Kentucky Opera and Portland Opera. He has sung the roles of Sharpless in Madama Butterfly, Sid in Albert Herring, Figaro in The Marriage of Figaro, Belcore in L’elisir d’amore, Jupiter in Orphée aux enfers, Dr. Falke in Die Fledermaus, Bottom in A Midsummer Night’s Dream, Masetto in Don Giovanni, Schaunard in La Boheme, the Clock in L’Enfant et les ...
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