Praised for her "rich dramatics" (The Boston Globe), soprano Pamela S. has earned a reputation for bringing passion, intelligence and style to every performance. Through an international singing career that has included everything from Baroque opera to working with some of some of today's most prominent composers, Pamela has performed with Yamaha Young Concert Artist Series, the Britten-Pears Young Artist Programme at Aldeburgh Music Festival, Operafestival di Roma, Yale School of Music's New Music, New Haven, Helix New Music Ensemble at Le Poisson Rouge, the Baroque Orchestra of New Jersey, L
eft Bank Concert Society, Beth Morrison Projects, Opera at Florham, American Opera Projects, and many others. In recent years, she appeared on a PBS documentary singing the music of Pulitzer Prize winning composer David Lang, and created the role of Julia Dehning in the world premier of the opera The Making of Americans at the Walker Art Center in Minneapolis. She received her Master's degree in vocal performance from The Peabody Conservatory of The Johns Hopkins University, where, upon graduation, she was awarded The Phyllis Bryn-Julson Prize for Commitment to and Performance of 20th and 21st Century Music.
Ms. S. currently serves on the Board of Directors of MATA, an organization dedicated to supporting young composers from around the world. She is also co-founder, along with award winning superstar composers Lisa Bielawa and Aaron Jay Kernis, of Your Music Bus, and is the founder and director of Stone Mason Projects, a boutique production company specializing in endeavors related to new music for voice. She is in high demand as a voice teacher for competitive students and professional singers, and lectures on the social significance of music history topics related to contemporary repertoire.
Pamela has been teaching music and voice for more than ten years. Currently, she teaches voice and music theory at Rutgers University Mason Gross School of the Arts Extension Division for their Young Artist Program, and is on the voice faculty of the College of Saint Elizabeth in Morristown, NJ. Prior to these positions, she was an adjunct lecturer at City College of New York, CUNY where she taught music theory, musicianship, and composition. Additionally, she spent two years as the chair of the voice department at The College of Saint Elizabeth, where she has taught private vocal instruction, as well as lecture courses in music history, music theory, vocal pedagogy, and ear training.
Pamela's students have performed with Paper Mill Playhouse, Continuo Arts Foundation, Assisi Performing Arts Festival in Italy, Carnegie Hall, Opera at Florham, the Baroque Orchestra of New Jersey, In Mid Air Productions, and many other companies around the East Coast and abroad. Her students have placed in vocal competitions including Mid Atlantic Music Festival, Golden Key, National League of Performing Arts festival, and many others. In addition to her work as a teacher of music, Pamela has worked as a Teacher's Assistant at Columbia University's Department of Astronomy, for the class Theories of the Universe: From Babylon to the Big Bang.
Pamela also maintains a private studio of voice students, and is available to give lessons from her home in Newtown, PA. In the past, Pamela worked for Rider University as a private tutor for students in music theory, music history, and French. Pamela was active in the vocal pedagogy program at The Peabody Conservatory of Johns Hopkins University through which she taught voice lessons while earning her master's degree in vocal performance. Pamela has held substitute positions teaching voice and piano at Spotlight Music in Flemington, New Jersey and was on the roster of teachers at Bravissimo Music, a branch of Ivy Bound Test Prep.
*** Lesson Details *** My teaching is goal oriented but always supportive and encouraging. Students can expect lessons to consist of vocal technique building and repertoire study. Lessons are very individually geared towards each student's unique needs and goals. Students who follow my instruction always see and hear results.
*** Travel Equipment *** I expect the student to have a piano, or at least a high quality electric keyboard.
*** Specialties *** classical voice, contemporary music performance
Kristian July 22, 2015
I have had a vocal coach before meeting Pam, but she absolutely took it to another level. Pamela does a good job with teaching the mechanics of singing, as she pin points which muscles the body is using and how to use them properly when singing. She has a variety of warm ups and stretches to get your voice and body prepared to perform and is very good and pushing you to become your best. If you are a serious singer and would like to take the knowledge of your craft a step further, I would definitely recommend.
karen B. May 24, 2014
In studio Verified Student
We are so happy with Pamela, she has helped my daughter maximize her talents. Alayna finally was accepted into the singing group at her high school which is very competitive. We are thrilled!! Thanks Pamela :)
Jeff M. January 27, 2014
Singing Verified Student
Pamela is a teacher.
Pamela was very patient with my young daughter. She taught her the beginning stages of reading music and her voice became clearer and louder because of the confidence she gained during her sessions. I would recommend Pamela as a singing instructor for any age but she was so patient and encouraging for my young daughter. We loved it.
Elizabeth Holmes is an established and respected voice and piano teacher, and also an active, versatile performer in musical theatre, operetta, and opera in the Philadelphia region.
***Teaching Philosophy*** I am a fun, enthusiastic teacher who cares deeply about her students and their growth as musicians and people. I believe teaching works best when students are relaxed, having fun, and are actively engaged in the learning process. It is also important that you practice what we work on during lessons at home if you wish to see real progress. I will work hard along with you and ask for yo
ur input during lessons; we are partners in the learning process.
I also believe each student is unique, and take differences in learning style, interests, goals, and personality into account when I teach. Whichever you choose to study (voice, piano, or both), I tailor lessons to suit each student's needs. I would like to enable you to meet your musical goals, whatever they may be.
***Lesson Details and Recommendations***
Singing voice: I teach classical vocal technique with an emphasis on the body-mind connection. Through the course of my training, I have studied the Alexander Technique, which is a method that has been used by actors, musicians, and athletes to find optimal body-mind coordination to achieve better results. The voice is the only instrument that is literally your body, so we will be using these tools to improve posture, breathing, and resonance. By learning a healthy vocal technique, you can expect improved tone quality, an expanded vocal and dynamic range, greater resonance, increased agility, improved diction, and more. Healthy vocal technique can be applied to any genre, and I teach students who are studying a wide variety of music, but classical and musical theater repertoire is my area of expertise.
Speaking voice: I have had great success helping students who come to me for help with their speaking voices. As the speaking voice and singing voice use the same set of muscles, the same set of functional principles apply. I work with students to improve their posture, breathing, and breath support when speaking, as well as clear diction, better pacing, and conveying emotion and meaning. These tools also lead to increased confidence when speaking.
Piano: I am also an established piano teacher and have had much success teaching beginning and intermediate students from ages 4 to 91 in various styles of music. I believe it is important for students to learn how to read and interpret written music as well as understand the structure behind it, so in addition to learning musical basics, I incorporate music theory into lessons. I encourage my piano students to learn how to read lead sheets and create chord accompaniments as well, which opens the door for comfortably playing in all sorts of styles sooner than would be possible by classical approaches alone. I also work on improvisation and songwriting with my piano students, if desired.
***Lesson Recommendations*** I offer lessons in 30, 45, and 60 minute increments. These are the *minimum* lesson lengths recommended. Longer lessons are more beneficial, except in the case of children with smaller attention spans. A 60 minute lesson is the best choice for serious students (teenagers or adults).
*Please note: I do not reserve regular lesson times in my schedule for students who cannot commit to weekly lessons. With students who wish to take less frequent lessons, I recommend the flex plan, with lessons to be scheduled as we go at our mutual convenience.
***Educational Background*** Elizabeth holds an M.M. in vocal performance from West Virginia University, where she was featured in numerous WVU Opera Theatre productions and was the soprano soloist with WVU Choirs in Faure's Requiem and Handel's Lord Nelson Mass. While at WVU, Elizabeth resumed taking lessons at the piano, which she had previously studied for many years, and exceeded the piano proficiency level required by the university. She also holds a B.A. in music and international studies from Emory University. Elizabeth has studied and performed internationally, both at the American Institute of Musical Studies in Graz, Austria, where she was the recipient of the Lemmonds Scholarship, and at the Bel Canto program in conjunction with L'Arena di Verona opera company in Verona, Italy.
As a graduate assistant at WVU, Elizabeth taught voice lessons to music education and performance majors as well as a course on vocal pedagogy. After graduating, she served as adjunct faculty, in which capacity she taught vocal repertoire and opera theater. She has maintained a private studio since 2005, in which she instructs students in voice and piano. She has also held past teaching positions with the Meridee Winters School of Music and Woodland Country Day School.
***Active, Professional Singer/ Actress*** Elizabeth was most recently seen as Joanie in The Full Monty at Candlelight Theatre in Delaware. Other recent performances include June in Musical of Musicals: The Musical and Peaches/ Baby Jane in Jerry Springer: The Opera with Bootless Stageworks in Wilmington, DE, solo performances with the New Voices Cabaret at the Society Hill Playhouse in Center City, and Woman 2 in My Way: A Musical Tribute to Frank Sinatra with Mainstage Center for the Arts in Blackwood, NJ. She has performed numerous leading roles with Philadelphia area Gilbert and Sullivan companies, most notably appearing as Angelina in Trial by Jury with The Savoy Company, winning Best American Production at the 2011 International Gilbert and Sullivan Festival. Her G &S performance credits include the roles of Patience (Patience), Yum-Yum (The Mikado), Rose Maybud (Ruddigore), Phyllis (Iolanthe), and Fiammetta (Gondoliers). Additionally, she has pioneered roles in new operas, including Gwendolyn in The Crowded House at the 2010 Philly Fringe Festival and Zelda in Black Horses with OperaDelaware at the 2009 Wilmington Fringe Festival.
Isabella January 10, 2017
In studio Verified Student
Excellent experience. Going back for more lessons.
Henry T. October 6, 2015
In home Verified Student
We love her = great lessons and very kind teacher.
Willow D. September 28, 2015
In home Verified Student
Elizabeth and my daughter hit it off from the start. It seems like a good fit.
I teach voice using the Bel Canto technique. This technique concentrates on breathing, proper placement and open space, making sure students produce a free and relaxed sound.
Born in Moldova, lyric soprano Galina S. has emerged as a young artist of remarkable versatility and great vocal beauty.
“Galina possesses a most glorious soprano voice… her contributions to music have always been of the highest caliber, amply demonstrating her vocal and intellectual flexibility and accomplishment… she is a great singer and performer.” (John Shirley-Quirk, International baritone)
Ms. S’s impressive voice and sensitive musicianship has lead to performances in numerous cities in the United States as well as Denmark, Sweden, Germany, Israel, Moldova, and St. Petersburg, R
ussia. Her repertoire encompasses a vast gamut and includes lieder, chamber music, oratorio, and opera, sung in various languages, including German, French, Italian, Russian, Czech, English, and Spanish.
Galina will be next heard as Amelia in Un ballo in maschera with Concert Opera Philadelphia, in March 2013. She will also sing the title role in Suor Angelica with OperaOggi NY in 2012/2013 season. Her most recent roles include Donna Anna in Don Giovanni (New York Lyric Opera Theater), Fiordiligi in Così fan tutte, Nedda in I Pagliacci, Mimì and Musetta in La Bohème, and Lauretta in Gianni Schicchi. Some of the other roles are Violetta in La Traviata, Tatiana in Eugene Onegin, the title role in Iolanta, Marfa in Tsar’s Bride, Pamina in Die Zauberflöte, and Konstanze in Die Entführung aus dem Serail.
In oratorio Ms. S. has performed as a soprano soloist in the Lord Nelson Mass and Theresa Mass of Haydn, Handel’s Messiah, J. S. Bach’s Magnificat, and the Neue Liebeslieder, Opus 65 by Brahms. Her recital and chamber repertoire include songs and song cycles by Schubert, Schumann, Brahms, Tchaikovsky, Rachmaninoff, Mussorgsky, Prokofiev, Shostakovich, Dvořak, Manuel de Falla, Poulenc, and Messiaen.
Ms. S. has been the recipient of several awards and scholarships which include Washington International Competition in Washington DC, Center for Contemporary Opera Competition in New York, Giulio Gari Foundation International Vocal Competition in New York, New York Vocal Artists Competition, Peabody Conservatory Graduate Performance Diploma Scholarship and grant, and Mayor’s Scholarship from the University of Pennsylvania where Galina received her undergraduate degrees in music and computer science engineering. Galina has also been chosen to participate in the International Music Competition of the ARD in Munich.
Galina is a graduate of Peabody Conservatory of Music where she received a Master’s Degree in Vocal Performance, and University of Pennsylvania, which she finished with a Bachelor’s Degree in Music and Computer Science Engineering.
Ms. S. is a dedicated and enthusiastic voice teacher, who has been teaching for the past ten years. Many of her students have become soloists in their schools’ musical productions, and several went on to continue their studies at major conservatories. She has taught at Cabrini College, Settlement Music School, and is presently teaching at Leopold Mozart Academy. She also offers lessons out of her private studio at her home.
*** Lesson Details *** My style of teaching is very straight forward. Students will first learn a proper breathing technique which is essential to good vocal production. The lessons always start with simple vocalizations, followed by repertoire appropriate to each student. The development and progress will greatly depend on students initial level and the time they spend practicing at home.
*** Studio Equipment *** Steinway Grand Piano, Music Stand, Vocal Literature. Large room with hardwood floors, which provides wonderful acoustics for singing.
*** Travel Equipment *** The student must have a piano or keyboard. I will bring music books.
*** Specialties *** I have the most experience teaching classical voice - bel canto style of singing which concentrates on proper breathing technique and production of healthy unstressed sound.
Leon October 7, 2016
Galina has really helped me come far in the past year I had initially started taking lessons with her. With each lesson I can feel my voice getting stronger and clearer and she does a wonderful job at easing me into each exercise. My vocal style differs from hers but the basic techniques she teaches helps me to get stronger and maintain my voice and it also inspires me to push myself further and further. Everything is explained clearly precisely and I highly recommend her for anyone despite what your goals or musical interests may be and she is very flexible with her schedule.
Maura October 7, 2016
Classical Voice ·
My daughter has been taking Voice lessons from Galina for 3 1/2 years starting when she was 14 yrs old. Since studying with Galina she has grown and improved dramatically. She trusts Galina and knows she has her best interest at heart. Galina is an inspiring, dedicated teacher whose passion and knowledge are incredible. Her life has changed because of Galina's guidance and influence. She has worked with her to not only become a better singer, but an all around better performer. We have been exposed to many amazing performance opportunities which have given her the confidence and experience necessary to excel in her art. I enthusiastically recommend Galina!
Laila L. June 21, 2016
In home Verified Student
I am an active Opera singer performing in NYC and Philadelphia and the surrounding area and bring this experience to the lessons along with my degree in vocal pedagogy.
About Maja Lisa
Maja Lisa has maintained a private voice studio since 2005. She has also taught at the University of Iowa and Camden Country Community College. She has also taught at Stagecoach school of the Arts, PA Performing Arts, Mainstage Center for the Arts and the Conservatory of Music and Dance. Her students have been cast as leads in musicals, are performers in NYC and have received top awards.
Maja Lisa is an active member of NATS (National Association of Teachers of Singing), MTNA (Music Teachers National Association) and on Sony's list of teachers.
Maja Lisa is an active performer and r
ecently played Hansel in Hansel and Gretel in Delaware Valley Operaâs summer festival. Upcoming performances include Meg in Falstaff in the Philadelphia Fringe Festival and Orlofsky in Die Fledermaus with Center Stage Opera. This year she performed Mercedes in Carmen with ConcertOPERA Philadelphia (while also covering Carmen), and the Nursing Sister in Suor Angelica in NYC with Opera Manhattan. She has appeared with Poor Richards Opera, Delaware Valley Opera Company, Cedar Rapids Opera Company, Center City Opera Theater, ConcertOPERA Philadelphia, and Bismarck Symphony Orchestra. Recent performances include Dinah in Trouble in Tahiti, Mother in Amahl and the Night Visitors, Lay Sister and Nursing Sister in Suor Angelica, La Chiesca in Gianni Schicchi Mrs. Jenks in The Tenderland, Praskovia in Merry Widow, Wife of the Giant in Jack and the Beanstalk, and Mercy Lewis in The Crucible. She has performed as a Young Artist with the Cedar Rapids Opera and Center City Opera Theatre. She was awarded first place in The Schubert Club Intermediate Category competition. Maja Lisa has been a soloist in the Messiah, the Vivaldi Gloria, and Mozartâs Sparrow Mass and featured at the North Dakota Capital Gala Concert
*** Lesson Details *** My goal for each of my students is to sing any kind of music in a healthy way. Each lesson will include vocal technique exercises where you will learn how to find your voice, sing in a healthy way, build breath support, and improve range, pitch, and sing with ease and clarity. Lessons will also include singing pieces that help your voice grow, or songs you love to sing!
*** Studio Equipment *** Lessons in the front room, upright piano, space for parents
*** Specialties *** opera, classical, broadway, show tunes, jazz, pop
Kathie November 4, 2016
In studio Verified Student
Ms Maja, it always kind, energetic and encouraging. She's also ever patient and a joy to work with.
Kathie September 26, 2016
Ms. Maja Lisa was very welcoming, patient, talented and encouraging. For a first lesson, I felt that I could learn a great deal under her guidance.
Lea B. September 5, 2014
In studio Verified Student
Maja has infinite patience and makes the lessons fun. Her sweet puppy is the first to greet you when you walk into the studio and is obviously well trained since he doesn't howl when he's listening to my playing. :) We set some goals and targets and I know that I'll be playing the tunes that I want by Christmas. What do you think Maja, concert pianist by this time next year. LOL... or maybe just Twinkle, twinkle little star.
As a professional opera singer and recitalist, Rachel uses her first-hand experience in the business to guide her students and to teach them healthy vocal technique. Her students find her to be energetic, warm, and one of her biggest goals is to make her students feel more empowered when they leave than when they arrived. Music is a transformative art form and she hopes to enrich her student’s lives.
Learning proper singing technique is essential for the health of singers of all ages and genres. And YES! Everyone can sing! Rachel personalizes each lesson to her students' needs and provides a safe and fun atmosphere that is essential to creative learning. Musicianship, better intonation, breath control, support, tone quality, freedom of sound, and a love of music are all topics covered in voice lessons.
Rachel S. is a Lyric Soprano that hails from Philadelphia, Pennsylvania. In July, she portrayed the role of Mother in Humperdink’s Hansel and Gretel with the Miami Opera Institute. This fall, she recently worked as a Resident Artist with Utah Opera.
Last spring, she completed her Master’s of Music at Rice University, under the instruction of acclaimed voice teacher, Dr. Stephen King. There, she performed the role of Lady Billows in their 2014 production of Britten’s Albert Herring. Rachel made her operatic debut with Rice University in their fall of 2012 production of Volpone as Celia. With
Rice University, she was also featured in their scenes programs as Mimi from La Bohème, Ilia from Idomeneo, Rosalba from Florencia en el Amazonas, and Mrs. Fiorentino from Street Scene.
Rachel has performed extensively with the Aspen Opera Theater Center. Last summer, she understudied Sybil Vane in Loehmann’s The Picture of Dorian Grey. In 2013, she performed the role of Suor Osmina in their production of Suor Angelica, and covered the roles of Fortuna and Venere in their production of L’coronazione di Poppea. She also portrayed Pamina, La Contessa, Ilia, Anne Truelove and Laurie Moss in their various scenes programs.
Rachel completed her Bachelor’s of Music at Mannes College in 2012. There, she performed in their Opera Scenes Workshop and their Rise of Modernism Festival, singing Canciones populares Españolas by Manuel de Falla.
Daniel F. January 2, 2017
Rachel was great! She made me feel very comfortable and taught me so much about singing in the short time that we had. She is extremely knowledgeable about the human voice in general and teaches about proper technique that will not only boost your confidence but will keep you singing down the road. Definitely would recommend for all skill levels!
Kara G. December 13, 2016
Rachel is the best!
Liz September 9, 2016
Rachel is most excellent, and quite learned in the surprisingly confusing art of singing. There are large framed pieces of paper confirming her advanced knowledge next to the piano, one of which is in all caps so it's super official. She's patient but knows the benefits of pushing what you think your singing limits are, and shows you see the whole process from a different, more helpful perspective.