Looking for help with Pro Tools? Wondering how to use effects in an "effective" way? Anna can help!
Anna is a San Francisco Bay Area native. A professional drummer for over ten years, Anna has performed, recorded and toured with countless groups of various music styles. Her education includes a B.A. from the University of California, Berkeley (where she was a member of the Cal Band for four years), and Certificates in Commercial Music and Recording Arts from Diablo Valley College in Pleasant Hill, CA.
Anna is not only known throughout the United States as a drummer, but also as a concert producer, live sound engineer, record producer, booking agent, tour manager, web designer, graphic de
signer and instructor. Her teaching experience ranges from preschool education to private instruction to high school drum line. Anna is the director of Music Time Academy, a music lessons/recording studio and retail store in Livermore, CA. Anna is also the owner of Smiling Politely Presents (a production company that has produced hundreds of local shows in the Bay Area) and Hella Buttons (a button manufacturing company that has pressed tens of thousands of buttons for bands).
Anna can currently be seen performing with many groups including: Muncie (American Rock), West Grand Blvd (Motown/R&B/Soul), Seth Chapla Band (Rock/Blues), and Jump Back (50s covers).
*** Lesson Details *** I tailor lessons to the needs and interests of each individual student, doing my best to ensure that all students gain enjoyment and appreciation not only for drums, but also for music as a whole. In general, I focuses on teaching technique and efficiency, reading music, and developing listening skills.
To improve music reading skills, I often use the classic books Syncopation and The Funky Primer (aka the bible of rock and funk drumming). For younger beginners, the Alfred's Kid's Drum Course is one of my favorite methods for learning to read music and for learning general music concepts that the kids can apply to any instrument they may choose to pursue in the future.
For building technique, speed, and endurance, I like to introduce students to standard rudiments (they are like the scales for drummers). I also like to encourage students to try to play a rudiments and other exercises along to their favorite songs, since this is a fun way to not only keep a steady tempo, but also to make the repetitive practice less monotonous.
I try to balance out the sometimes dry and mathematical reading and rudiment work with more artistic and musical ideas, making sure that no matter how much you study and learn from books, you still always remember that you are practicing the art of music making. This includes working on songs of the student's choosing (which I can pull up on online, in case the student does not own the recordings) and working on improvisation.
*** Studio Equipment *** Music Time Academy: Large, sound-treated room with one drum set for the student, with practice drum pads for me to play along with. Home Music Studio: One set of drums in a room of the house dedicated entirely to music
Parents are always welcome to sit in on lessons at either location.
*** Travel Equipment *** For in-home lessons, I would expect the student to have their own drums and preferably a music stand. I can bring in books and other teaching materials, however it is best if students purchase their own copies of the books we use regularly.
*** Specialties *** I teach all styles of drumming. My performing and teaching experience mainly falls in the categories of rock, funk, blues, pop, R&B, soul and jazz. I have 8+ years of experience with marching drum line (tenor drums/quads, snare, cymbals) and have training in classical percussion as well.
My music education began at age 8 when, after a year of pestering my parents, I got my first guitar. My self-taught forays began casually at first, until I was introduced to the likes of Jeff Beck, Eric Clapton (the Cream years) and then later, Frank Marino, John McLaughlin, Al Di Meola, and Allan Holdsworth. By age 15, it was "all about the guitar: eat-sleep-school-guitar," with many countless hours burning the midnight oil, deciphering the solos of my heroes. I moved to the San Francisco Bay Area after high school and began studying guitar under the mentor-ship of virtuoso Marc Bonilla (who
has worked with such luminaries as Ronnie Montrose, Derek Sherinian, Keith Emerson of Emerson, Lake and Palmer, and Glenn Hughes of Deep Purple). Bonilla has since moved to L.A. to pursue an impressive career as a film and T.V. composer, while I stayed on in the Bay Area as full time working guitarist/studio musician/composer/teacher.
My love and passion for teaching guitar is matched only by my love of studio and stage performance as a full time professional musician.
My ability to play many different styles of music has led me to a great diversity of music projects over the years. This versatility has afforded me work with Latin jazz, Caribbean (soca), nouveau flamenco, world-beat, hard rock, and blues bands all over the San Francisco Bay Area for the last 20 years. This also includes a stint with a San Francisco based funk-jazz quartet that performed, among other things, funky and creative renditions of Miles Davis, John Coltrane, and Herbie Hancock.
In 2005 I released a solo rock album called âLeft Turn on Spanish Highwayâ. The music on this CD is a passionate blend of hard rock instrumental guitar with contemporary flamenco rhythms (think Gipsy Kings meets Joe Satriani). It has received a lot of five star reviews on online stores such as iTunes and CD Baby.
My Jeff Beck-ish electric guitar style has been repeatedly featured in live performances by the world-renowned vertical dance troupe Project Bandaloop in San Francisco, Oregon, and at the Banff Center for the arts in Alberta Canada.
My acoustic guitar performances are heavily featured on the 2004 album "Despi A Alma" by internationally acclaimed fado singer, Ramana Vieira, and subsequently, on her 2009 follow up release, âLagrimas De Rainhaâ.
In the late 90âs, I had the opportunity of challenging my improvisational skills, by performing many seasons with San Francisco's longest running theater improv troupe, Flash Family, where I was called upon to create on-the-spot compositions in real-time, to match the actorâs unscripted and unpredictable story lines.
In the audio/visual world, I've composed music for film and a children's story. I frequently collaborate with local film, theater and T.V. composer Chris Houston (my musical contributions to Houston's compositions can be heard in the movie "Enchantedâ, which in the past has enjoyed wide circulation on Showtime, and also on the soundtrack to the Marin Theater Companyâs 2009 production of âMagic Forrest farmâ, and the San Francisco Playhouseâs production of âOur Lady of 121st street.
Currently, Iâm the lead guitarist for the San Francisco funk-rock originals band, FiveDown, fronted by R and B singer Ishtar Monique. Other music projects include co-writing, recording and producing an upcoming album for the Marin based hard rock band, Urban Fiction. I continue to perform on occasion around the bay area as solo guitarist for corporate events and weddings, and also with Ramana Vieira and ensemble where my Al Di Meola-style approach to acoustic lead guitar playing is sought.
*** Lesson Details *** Think of me not only as your teacher, but also your dedicated coach, whose purpose and goal it is to help you reach your highest musical aspirations. I am very passionate about teaching guitar. Your success is my success. Iâm also very patient and easy going but will push you gently when you need it, to ensure your continued musical growth and success. I will not only teach you what you want to learn, but also what you need to learn in order to progress. During your first lesson with me, Iâll spend some time finding out what your goals and aspirations are, then develop a lesson plan from there. The lesson plans are used as a guide and also as a way to track and monitor your progress.
You will be taking your lessons with me in my home recording studio, which will make learning a lot more fun, creative and rewarding. Youâll also be able to record yourself performing songs and pieces youâre working on, from time to time. Recording yourself is an excellent way to see where your strengths and weaknesses lie; it will also help you to develop a critical and discerning ear.
When applicable, I like to use my studentâs favorite songs as a vehicle for learning crucial aspects of music study, which include music theory, scales, chords, arpeggios and of course, proper technique. I also like to encourage and support sight-reading for very young students and have developed ways to make that fun, interesting and rewarding.
*** Studio Equipment *** The studio has a keyboard, computer with music tutorial software, and guitars. The studio also has an ample supply of books, DVD, and transcription materials. The studio also has amps to be a working studio. The studio also has a nice seating area for parents.
*** Specialties *** Guitar (beginning to advanced): Rock, Blues, Funk, Fusion, Jazz, acoustic finger-style, hybrid picking, cage system, tremolo bar technique, two handed tapping, speed picking, alternate and legato picking. I also teach beginning Flamenco.
I like to meet students were they are musically and build from there. Typically, I like to use a repertoire of songs that inspire them; using their favorite songs (when appropriate) as a means of learning theory, harmony, and technique. Over the years, I've learned that the most important first step with any student (specially beginners), is to get them playing right away - the emphasis is always on fostering love and enjoyment for music - as they move through proficiency levels at their own pace. Having said that, I do like to make sure they are pleasantly challenged but not frustrated (beginners), is to get them playing right away - the emphasis is always on fostering love and enjoyment for music - as they move through proficiency levels at their own pace. Having said that, I do like to make sure they are pleasantly challenged but not frustrated.
Auncharee W. June 4, 2013
Guitar Verified Student
Didier is an Amazing Teacher!
My 8 yr old daughter has been taking lessons from Didier for the past 6 months and looks forward to her lessons each week. He challenges her while still keeping it fun and teaches her songs that interests her. Didier is a wonderful instructor who is very patient, kind, knowledgeable and easy to talk to. He is an extremely talented and passionate musician who enjoys teaching and it shows.
Sailaja S. November 13, 2012
Guitar Verified Student
Guitar lessons experience with Didier
Hi,here to share my wonderful experience in taking guitar lessons with Didier. Being a beginner, I have started learning the way to hold the guitar, strings, it's notations etc from him, off course the journey still continues.....I am happy that I found an instructor with lots of patience, talent and skill to groom me further in this music world:)
Josephb February 28, 2012
My son is attending lessons with Didier for few months now. He started from scratch and now he is starting to rock. We drive for lessons every weekend from far away and it is definitely worthy...
Colin James G. is one of the most decorated and progressive young music educators in California. He has taught hundreds of students in schools both public and private institutions all throughout California. He is now pleased to be offering private lessons to a limited number of students.
Colin recognizes the individuality in music and in musicians. Therefore, in order for a student to really absorb the most from his lessons, he forms highly structured lessons plans tailored sp
ecifically to the students needs, while still maintaining the basic curriculum that every musician needs to know. The skill level does not matter: from beginners to advanced levels, there are things Colin can teach a student to elevate their drumming to the next progression. Equally as important, Colin always maintains a very exciting and encouraging environment for the student to grow and become their best, because at the end of the day, a teacher is supposed to provide the inspiration so that the student can end up teaching themselves.
JenniferK3 May 10, 2011
Really enjoyed the lessons and feel happy with my progress every week. Colin obviously has the skills AND he knows how to teach them. A really nice person and instructor :)
At age 12 Ken picked up a guitar and fell in love with the instrument. He began with an obsession with Metallica and related bands that later evolved to a passion for classical and jazz music, music theory.
From 2008 -2010 completed the music program at Diablo Valley College in June of 2010, which includes extensive coursework in Music theory, Piano and Guitar. Since 2011 Ken has been a Jazz Guitar Performance Major at Cal State East Bay. There he has studied Classical and jazz Guitar performance with world class musicians.
"Music has many different levels and the beautiful thing is the
re is a place for everybody. I have spent a lot of time throughout my music career going “back to basics” in order to become a better musician. We are all capable of becoming great musicians and just because someone can play faster than you doesn't necessarily make them better. Music provides everything from healing power to just plain fun for the human spirit so I always encourage students to go at there own pace and work within their abilities."
*** Lesson Details *** 20+ years experience as a musician and teacher Ken has taken self taught route and the lessons route. "I believe 100% that being taught by someone who has sufficient experience really provides the roadway for a solid foundation whether you are planning on being a pro, just for fun and all levels in between. The combination of self-discipline and a good teacher are a must to have as a musician."
Amongst many other approaches of teaching music, I try to instill the 3 most lacking areas most musicians usually have to begin.
1. Sight reading: Unfortunately most common with guitarists! Tablature is a somewhat useful way to start but reading music will open many doors and opportunities for any musician
2. Collaboration: A teacher provides one way of collaboration as well as a band or an ensemble at school or in the community.
3. Improvisation: I provide a music theory background and I have a method plan for chord progressions, and help with learning the entire guitar.
I take step-by-step approaches towards giving a student encouragement and instilling music appreciation. I am very organized so every lesson will be documented and we will work on specific areas of fundamental development. Most of all have fun! That what gets us playing music in the first place!
I look Forward to meeting you!
*** Studio Equipment *** Lesson room, music stands, benches, amps, two pianos, computer area for recording,
*** Travel Equipment *** Their own instrument and any necessary cables, amps etc. for them I will provide my own
*** Specialties *** I mostly specialize in jazz and classical guitar and have taught blues, rock, metal and Latin American guitar. All ages and all levels. I also teach western music theory (classical and jazz) from the baroque period to modern day. I teach beginning piano which consists of the basic fundamentals (i.e. scales, posture hand positions, etudes and beginning repertoire)
Rahul S. November 6, 2014
Classical Guitar ·
Ken is an awesome teacher and an great person. He teaches my 5 year daughter and she loves his lessons and his jovial approach. Within 4 weeks, she has picked up a lot of things and is improving day by day. He is patient as you ought to be with the kids and yet persistent enough to stick to the task.
I am really looking forward to them picking up songs in the coming lessons. I will recommend him anytime and completely vouch for his credentials and ability as an excellent guitarist as well as teacher.
Jon C. August 18, 2014
Classical Guitar ·
In studio Verified Student
Ken is a talented musician, nice person, and a fantastic teacher. I wanted to branch out into classical guitar after many years of playing other styles. Ken was good at adapting to my background and goals.
Francesca G. June 30, 2014
In studio Verified Student
Ken W. is an awesome teacher, my daughter loves her lessons with Ken, he is very patient kind and makes my daughter feel very comfortable. He also is very positive inspiring. I plan on keeping Ken as my daughters instructor for a very very long time
I have recorded and produced over 20 albums of music in many different styles.
I am a graduate of U.C. Berkeley.;I have been teaching and performing music for over 15 years. I have toured the United States and other countries playing many types of music. I play Guitar and Bass and Sing I teach in a fun style that emphasizes the students creativity. Styles range from Rock, Folk, Electronic, Jazz, African, World, Hip Hop to Country. I can give you the skills to go to the next level. From 5-99 years old!
*** Lesson Details *** A typical lesson would look like this: Depending on your level we would first work on some new chords and/or a new scale and how to play them
. We "jam" a little to get the feel. I have a really great way of teaching theory that will get you playing what you want. The second half we usually focus on learning a song of your choice or working on an original of yours. I am very personable and easygoing.
*** Studio Equipment *** Have guitars and amps, basses and amps, drum set, microphones and recording equipment.
*** Travel Equipment *** Have equipment
*** Specialties *** Rock, World, Hip Hop, Folk, Electronica, Classical, Jazz
caroline S. April 23, 2015
In home Verified Student
Vir is a gifted teacher. He has taught my son guitar for more than a year. He meets my son where ever he's at in his practice, attention and interests with calm, skilled focus and intention . Vir's background as performing musician infuses his teaching with an enthusiasm and creativity of practicing his teaching. We are truly grateful for Vir.
Alexander S. March 6, 2014
Singing Verified Student
Vir is beyond your typical vocal coach. He was a huge help on things like pitch accuracy and phrasing, but more than anything, his focus on getting me to tap into and harness my inner power has already paid huge dividends in my recordings and performances. Further, Vir is an amazing person to know and his home-studio in Berkeley is magnificent!
Students are raving about their Music Recording instructors on TakeLessons.
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I have been studying and working with Kenny since 1997. I started and continuing as a student of music. He
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nse talent as a drummer has really helped me hone my skills as a producer. He has challenged me to think outside the box and his style of teaching is perfect for me. He gives you a task and tells you "Make it happen!". After its done he goes through your process step by step, showing you how the quickest and most professional way of achieving a task. He recognizes talent and works hard to cultivate and encourage it. I am glad to have him as a mentor and teacher."
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ogress my son is making. Tim makes my son feel very comfortable, and is more than willing to work with him in any area where he shows an interest. Tim is personable and patient.
Tim is quite flexible with time. He has kindly worked around our schedule whenever necessary. His fees are quite reasonable, and he always errs in our favor in regard to time.
Tim is a great guitar player himself with a true love for the instrument, which shows in his teaching. He was invaluable in helping us pick a reasonably priced, yet quality guitar for our son.
He has taught our son any song my son hears on the radio note for note a real gem.We are quite pleased with Tim's teaching, and highly recommend him."
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Want to add a cool slow-down effect to your music? Learn how in this Logic Pro tutorial from Brevard, NC teacher John C...
If you've listened to popular radio in the past several years, and Im guessing you have, you've heard either a vocal melody line or an instrumental part of a song make a particular effect. Listen to the following Fall Out Boy song and pay attention to the music in the background at 00:27 seconds, again at 1:27, and once again at 2:27:
Did you hear it? Th …
If you've ever stepped on stage to perform, you may not have thought much about the microphone you're about to use. But its history is actually pretty interesting, as music recording equipment has developed drastically since the first condenser microphone came on the market. These changes have made a big impact on the music industry as a whole, and, for better or worse, are here to stay.
Without outside amplification, the loudest musician wins every time. But when you int …
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