After graduating California Institute of the Arts with a multi-focus on several aspects of music including African dance, Indonesian gamelan, songwriting, recording, classical voice and piano, folk guitar, and more, Liz had the excellent opportunity to teach theater to a local musical theater summer youth program. All summer, she taught class sizes ranging from 10 to 26 students of the ages 5-10. Her initiative later led to being hired at this local community theater. Along with this theater teaching experience, she has been teaching piano, guitar, ukulele, flute & voice lessons for over 10 years. Her students have gone from knowing nothing about music to learning and performing entire pieces on their own as well as even auditioning & for agents and becoming signed artists in Los Angeles. Liz knows that it is her place in the world to tea
ch music & spread positivity through her own music and would love nothing more than make learning music a positive and fun experience for everyone.
*** Lesson Details *** I teach out of the Alfred's Piano course, but am open to trying out any music books you may already have in your home. I do expect my students to purchase the books they would like to learn out of and to have the material I have given them for homework ready, completed, and practiced by the time we have our weekly lesson. I recommend at least twenty to thirty minutes of practice every day, and will give rewards for having practiced well, and for performing well in our lessons. I would love it for my students to be clear on what they would like to learn, and I love using songs that the student enjoys to make his or her music learning process fun.
***Rates**** $100 per hour lesson | $90 per 45min lesson | $60 per 30min lesson *A travel fee may be added for house calls.
*** Studio Equipment *** In my home studio, I have a full size Cable-Nelson upright piano, as well as three ukuleles: 1 acoustic soprano*, 1 acoustic electric & 1 acoustic tenor, and three guitars (one left-handed acoustic 3/4 size guitar*, one acoustic-electric and one electric) as well as an electric bass guitar & acoustic mandolin & mini drum set & cajon, as well as several percussive instruments. *Some Instruments now available for rent! Inquire for details.
*** Travel Equipment *** When I travel, I bring my own instrument that the student is learning on so that I can demonstrate, as well as a music stand if necessary.
Want to belt like Beyonce? Broadway dreams? Act in Movies? Voice-overs? Learn how to write hit songs? Need help taking your public speaking and/or sales presentations to the next level?
Tap Into Your Artistry is the ultimate (online) gym for serious, aspiring and professional performers who want to train like a pro in the fields of: TV/Film acting, Broadway, and the Music industry.
Hi, I'm Stephen.
I'm a vocal trainer, private/on-set acting coach, show-biz consultant, and songwriting teacher. My specialty is pop/rock, broadway, on camera, live presentations/sales, and helping songwriters find their voice, both lyrically and sonically.
Discover the fastest and most efficient way to build, strengthen, and condition your voice. Simple, safe, systematic weekly vocal exercises that embrace a Zen like approach with an a
I'm also a SAG-AFTRA and AEA actor and ASCAP songwriter and producer. If you want to learn more about auditioning, acting in movies, performing musicals/plays on Broadway, writing your own songs, and developing show-biz career strategy, (headshots, meeting agents/managers, etc) I help TIYA members every day achieve their artistic dreams.
MORE INFO: I have been singing since I was 3, anything and everything from Michael Jackson to Elvis Presley to Luciano Pavarotti. Originally from Colorado, I studied music/theatre, as well as vocal pedagogy at The University of Colorado at Boulder, where I graduated with highest honors. I made my Broadway debut in "The Phantom of the Opera" at age 24. I also performed in "Chess in concert" as a featured rock tenor soloist at the New Amsterdam Theatre on Broadway with Josh Groban. I have understudied and performed lead roles in the first AEA National Tour of Andrew Lloyd Webber’s "Whistle Down the Wind." Regionally, I have played many lead roles all over the United States in productions including "Les Miserables," "Miss Saigon," "The Wild Party," and "She Loves Me."
I have recently released a singing online course. Feel free to check out Udemy and look for Sing Like You've Always Imagined to see what is new!
As an ASCAP recording artist, currently I am working in the studio with a full production team on my first pop/rock album. I also often sing on demos for producers and write songs for other artists in many different genres.
As a TV/Film actor, most recently I was on set with Marvel's "Luke Cage" on Netflix, and I played the lead role of (Abraham) Lincoln in the SAG-AFTRA short film, "These Honored Dead." I also have played lead roles in 4 SAG-AFTRA short films, as well as the comedic lead in a SAG-AFTRA Web-series pilot, "Bodega Nights." I was called back for producers as a Series Regular for both Cinemax and HBO.
TIYA clients include (aspiring) Broadway performers, Film and TV actors, singer-songwriters, voice-over artists, news anchors, dancers, comedians, corporate sales presenters, as well as karaoke enthusiasts, and songwriting hobbyists.
My TIYA members have performed on television in Smash, Glee, and venues around NYC ranging from The Underground, Le Poisson Rouge, Drom, Cornelia Street Cafe, Arlene’s Grocery, to the Broadway productions of Ghost, Sister Act, Evita, Wicked, West Side Story, South Pacific, The Phantom of the Opera, and Rent to name a few.
*** Lesson Details *** We will always work on whatever you want.
For Singing, as a vocal technician/trainer I am like going to the gym for your voice. My exercises are safe, simple, and most importantly, I teach you how to practice correctly.
For ACTing, we can explore both the foundation itself, building your acting chops with monologues and scenes, as well as learning how to audition-- the tricks of the trade mastering the camera frame and how to create memorable auditions for TV/Film.
For Songwriting, we can explore the fundamentals of both lyrics and music, as well as catchy hooks, production, and song structure.
You may use my time however you wish (Voice, Acting, Songwriting, or Artistic/Career guidance).
Most vocal sessions will usually be a combination of strengthening/conditioning exercises, and then exploring/performing a song.
The TIYA vocal training method is uniquely my own as it combines both Bel Canto and Speech Level Singing. Emphasis is on developing a relaxed, released, authentic vocal timbre to sing in any style. Concepts explored include: Coordination, Registration, and Intonation. Chest, Head, Edge, and Pharyngel registration, 2 instruments in 1, posture, breath management, vocal cord adduction, trigger phrases, ring, consistency, and more.
Most ACTing sessions will be theatre monologues, TV/Film sides and/or On camera auditioning craft.
Career consultations usually include how to get an agent, headshots, branding, and marketing to align your artistic dreams with a strategy for success.
***Studio Equipment*** -Yamaha PSR 950 Keyboard -SONY Handycam DCR SR100 -600W Continuous Lighting Kit -Omni Directional Lavier -Adjustable InnoGear Microphone Boom -Blue Snowball Microphone -Mac Thunderbolt Display -MacPro -YAMAHA Guitar -Meinl Cajon -BOSE Wave music system -iPhone 8 Plus
Stephen has definitely provided me an insightful way of analyzing songs and for writing my own music myself. He is really helpful and gives you many eye opening advices and tools that encourage you to develop your artistry. Furthermore, he provides a friendly and non judegemental atmosphere, which is essential for a student. I totally recommend him.
January 19, 2018
Very good! Stephen creates a very comfortable setting to try your best in.
I’ve had the chance to learn from some of the greatest, and I am STILL learning from ‘em!
I think anyone can and should sing. Why? Simple. Singing is FUN . Singing is FREEING. You’ve got a voice- why not use it, and as often as possible? Your voice is unique and capable of soooo many cool things- just let me show you! Anxious? Shy? You're in very good hands. I have anxiety myself, and know just how to put you at ease.
I’m different than most voice teachers. I don’t make you practice. If you’re happy, I’m happy! If that means you want a lesson of all vocal exercises, cool! If you want to work on Puccini one lesson and Judas Priest the next.....niice! Why not? The more genres you try the more you’ll love music- and yes, you CAN sing as many styles as you want no matter what you’ve been told. I will never have you sing anything
you are not 100% stoked to sing- promise!
Maybe you don’t like your speaking voice and want that to be stronger for either professional or personal reasons. I do that, too. I can help you with confidence in basic conversations and accent reduction. Maybe you want singing lessons just ‘cause, and don’t ever want to sing in public because that terrifies you. I totally get it. And I say do it!
Acting? Music theory? These are also things I love to teach, especially newbies. I love helping beginner performers get confident in selecting material that shows THEM off- comic and dramatic.
Online voice lessons are my jam. These are especially convenient for those that are pressed for time or maybe a little shy or anxious.
I am the teacher for those that don’t want someone too …well….teacher-y. I want you to laugh as you learn, and love love love the results you’ll get . I understand what what it's REALLY about- expression and fun, not judgement . Vocal exploration that's 100% customized . Join me!
More about me:
BMus Millikin University, further studies Boston Conservatory . Coachings with professionals from Rossini Opera Festival, Metropolitan Opera, Lyric Opera. Rock vocals with Melissa Cross. Musical theatre with Sheri Sanders of Rock the Audition!, Vocal Instrument 101 training with Dr Shannon Coates. Dalcroze Eurythmics. John Henny's Science of Singing course completion. Belting with Lisa Popeil. Teacher masterclass with Maestro David Jones. Proud member of NATS. One of only a few CoreSinging teachers in the USA!
In progress: Ultimate Music Theory Teacher certification.
Former students from ALL walks of life, including many beginners of all ages - an even an American Idol Top 12 Finalist!
*** Lesson Details *** I teach in person ( Schaumburg, Northwest Suburbs of Chicago) and online via Zoom, FaceTime or TakeLessons Classroom, of course!
*** Studio Equipment *** Sing and See Software. Additional materials I use: Funky n' Fun Vocal Exercises, Estelle Liebling Vocal Methods, Bona and Dannhauser for sight-reading, Full Voice workbooks for young and serious singers!
*** Specialties *** Beginner vocalists! Very shy singers. Very young singers. Lapsed singers, and seniors. Post-menopausal voices, adolescent voices. Experience in working with those with learning disabilities, anxiety, special needs, and victims of abuse. Have also worked with the LGBTQ community and studied with experts in transgender voice .I also love to give workshops!
My daughter learned so many tips in one lesson with Molly! She did not want the lesson to end! I loved her feedback and think a lot of the information will stick with my little girl during her upcoming audition!
October 14, 2019
From the very start I felt comfortable and at ease. I’m so excited to see where the next lesson will take me. Very happy working with Molly.
September 29, 2019
Molly was the absolute best and I would recommend her to everyone!! She was such a blast to work with and she gave me so many amazing tips and workouts to practice for my speaking! My coworkers noticed a big difference!
I do workout/dance at the gym 3-4 nights a week, and go out dancing every weekend. I am very active and would love to teach any individuals anything that I've learned along the way.
I can help with most computer problems, from software to hardware and i love office products. I use them, with vba to make quizzes which i can share with you, and/or teach you how to make them yourself.
What a super teacher! We stayed on task and worked hard which is how I used to teach. I am ready for the next lesson, he really is a great teacher, he made it fun but still a workout, I learned so much!
August 4, 2016
He is sure to make the experience helpful and fun. He made me feel at ease and he was super patient and encouraging.
August 4, 2016
He is sure to make the experience helpful and fun. He made me feel at ease and he was super patient and encouraging.
Soprano Jamie Balter most recently received recognition by both The American Prize in Voice and New York Lyric Opera Theatre Competition for her performance of works by Strauss, Mozart, and Wagner. A native of Baltimore, Ms. Balter earned her Bachelor of Music in Vocal Performance from the University of Miami’s Frost School of Music and is currently pursuing a Master of Music degree in Vocal Performance from the University of Alabama under where she is a student of Dr. Paul Houghtaling. As a member of the University of Alabama Opera Theatre, Ms. Balter will sing the role of The Nurse in Philip Seward's Juliet in the 2019/20 season. In the 2018/19 season, Ms. Balter sang the roles of Consuelo in West Side Story and Rosalinda in Die Fledermaus. During the 2017/18 season, Ms. Balter appeared as a guest artist in Visions of Dreams, where she
performed selections by Duparc, Schubert, Mozart, and Lehár. In July 2017, she made her role debut as Donna Anna in Mozart's Don Giovanni at the Centre for Opera Studies in Italy. During the 2015/16 season, Ms. Balter returned to the Hawaii Performing Arts Festival as Marcellina in Mozart’s Le Nozze di Figaro, where she also covered Countess Almaviva under the baton of Maestro James Richman. In addition, she appeared as La Chatte/L’Écureuil in Ravel’s L’Enfant et les Sortilèges. Previously, Ms. Balter joined the roster of Russian Opera Workshop, where she covered Zemfira in Rachmaninoff’s Aleko and the title role in an abridged version of Tchaikovsky’s Romeo and Juliet. Balter began the 2016 season as a guest artist in From Heidelberg to Hanover, where she performed Strauss’ Four Last Songs in addition to selections from Lohengrin, Der Freischütz, and Tannhäuser with Lyric Opera Baltimore Artistic Director, James Harp. Highlights of the 2014/15 season included Second Lady in Mozart’s Die Zauberflöte with the Hawaii Performing Arts Festival, Alice (cover) in Verdi’s Falstaff with Harrower Opera Workshop, and An Evening of Opera & Song with the McDonogh Guest Artist Series.
Jamie Balter maintains a private voice studio in Tuscaloosa, Alabama, previously having studios in Springfield, Illinois and Miami and Tallahassee, Florida. She has previously served as the head of the voice program at The Music Factory in Springfield, Illinois and served on the faculty at The Stubbs' Music Center in Tallahassee, Florida. This fall, Ms. Balter will be teaching a masterclass as part of a series at McDonogh School in Owings Mills, Maryland titled An Artist Works: Tools of the Trade where she will discuss vocal technique, the key elements to having a successful audition, and how to make a website and a résumé.
Teaching Philosophy: Singing is a process and a journey and every singer’s journey is different. My goal as a vocal pedagogue is to create a positive environment in my studio where my students can reach all of the goals that they set out to achieve. In addition, it is important for my students to feel a warm, welcoming atmosphere, where they can make mistakes, take big risks, and ask questions. The art of singing is a whole-body experience and it is essential for students to train and practice like an athlete would train for an Olympic event. I encourage my students to do some sort of physical activity that has an emphasis on the abdominal muscles (i.e. yoga, pilates, tai chi, weight routine), so that they feel what it is like to use the whole body as well as strengthen their core muscles, which directly relates to “appoggio” or breath support. I teach my students to use their entire body when they sing. I believe that students should practice with physicality gestures, so they can get connected to their whole body and feel a strong gravitational center. As a vocal pedagogue, I foster a healthy vocal technique and I believe that it is necessary for students to understand how the muscles work for inhalation and exhalation. In addition, I believe that it is important for students to have kinesthetic awareness of the process of singing. After a student has mastered the basic understanding of alignment, the body, and breathing, I then focus on phonation and having a clean onset after the inhalation. Singing is all muscle coordination, so careful practice and patience is needed. The process cannot be rushed. Students in my studio have a solid foundation, which can be applied to any style of music that they wish to sing. Every student has different needs and it is crucial to cater each lesson to the particular student.
Jamie's approachable and friendly personality is reflected in her teaching style - she is not afraid to have you try various unconventional techniques that turn out to be super effective and fun! In the year I've been taking lessons with her, my breath support, technique, and vocal range have all improved significantly - so much so that a high note that I found strenuous a year ago is now almost within my comfort range! She is very receptive to different styles of music, and her suggestions are always challenging, fun, and geared towards developing your voice.
August 19, 2019
Jamie is a fantastic voice teacher. She is extremely patient and encouraging with me as a beginner. I started with hardly any experience at all, and my singing has already improved significantly after only 8 weeks of lessons. She helped me with song choice and voice repertoire, but is also open to my suggestions. I can highly recommend her for anyone who has been thinking about voice lessons, but has not had the courage to start, even at an older age. Just give it a try!
August 7, 2019
Jamie is a great teacher. She helped me with my role for Ariel in the Little Mermaid. Not just the singing but also helped with staging and acting song out. shecheered me on and made me feel better about my voice. she is an amazing teacher.
I have always been an actor first, it is the craft and discipline in which I hold my advanced degrees; it is my first and eternal love. There really isn't much more one could add to such a claim. Simultaneously I have believed a teacher is born, not bred; and I was born to be in theatre, and now, with a few years behind me; I'm ready to pass on what I have learned. At the risk of tooting my own horn; I am well trained, professionally, both as an actor and a teacher with more than a few credentials to support those claims. I invite you to please peruse my background on the site and feel free to ask any questions you desire.
Regarding Texas Hold 'em (poker), I have been playing and teaching the game, and working for online casinos for over thirty years. My approach is simple, requires extreme discipline, but I can show you how to win mo
re than you lose. And this is true of all subjects I teach whether literal or figurative.
My undergraduate Bachelors is in Acting & Directing I was taught by the same professors who launched the students that formed the now famous Steppenwolf Theatre in Chicago (Illinois State University); I also have a Masters degree in Theatre History and Criticism (Theatrical Critical Theory). I have teaching experience both as a GA and in the private sector. I have been exposed to many different types of teaching styles and locales, (i.e. classroom, studio et.al). I hope that gives you a thumbnail concurrently I hope I didn't bore you to death.
Randy is a first rate coach. He is knowledgeable, experienced, and with an easy going natural style. Was very adaptable to my level of experience and was patient - no question was too dumb. I highly recommend him without any reservation. I have already booked my next session.
My name is Brad, I’m a professional improviser who trained and worked with “The Second City” for 3 years. Now I do musical theater along with stand up comedy and teaching improv to kids with CYT (Christian Youth Theater). I’ve been doing improv comedy for 8 years and musical theater for 13 years! I’ve played roles such as: Alex the Lion in Madagascar Mr. warbucks in Annie Bert in Mary Poppins Roger in Rent William Barfee in Putnam spelling bee Beast in Beauty and the Beast Bobby Strong in Urinetown The Cat in The Hat in Suessical And most recently Jesus in Godspell!
If you have any questions please let me know! I’m looking forward to working with you!
Brad was really fun to work with, has a true teaching gift, and taught a huge amount of information in a small amount of time.
July 3, 2019
I’ve gone to Brad before the last 3 auditions I did and he has helped tremendously. He’s very knowledgeable when it comes to understanding a monologue. Brad cares about this art form and thinks far beyond just saying lines with an emotion and it shows. I highly recommend you ask him for help on your next audition.
July 2, 2019
Brad has been my daughter’s (age 13) improv teacher for a year. It has been such a great experience for her! Brad is patient, encouraging, and fun. His wit resonates so well with her and his example and prompting have not only helped her with improv, but also with how she responds and interacts with others in general. He communicates in a way that she understands and helps her to feel confident in expressing herself (no fear of repercussions or embarrassment) - easy-going and in a way that has helped her grow. Five plus plus stars!!
"great first session, building a foundation on the basics, good pace, explanation, and instruction, highly recommended instructor"
"Enthusiastic and very nice"
"I love working with Crystal. She has such a beautiful spirit and she's so genuine. Thank you so much to her for encouraging me..."
"Only a couple lessons thus far and fabulous!! Looking forward to witnessing his gift and potential to help my duaghter shine."
"We (my grand daughter and I ) did not know what to expect. I did try to prepare by having the room and computer ready and by making notes about what G nee
ded to review. Sara is an excellent teacher and started with a warm up that included feet. G is a full time gymnast and her Achilles had been tight and sore and this was very beneficial. Sara had G doing basic barre work, then she worked on her musicality, progressions and turns. It provided G with the correction and attention that she cannot receive in her regular ballet class and best of all we were able to stay home. It is great for my grand daughter's situation because she does not have to commute one more time in the week. Visually Sara made corrections as G was doing her movement, that is a testament to Sara's professionalism, expertise and training. It also shows that even a technology deficient grandmother can make this work."
"Simply amazing! Good energy and knows what she’s doing :)"
"Tamika is such a great instructor. She helped me break out of my comfort zone and worked with me to schedule lessons around my work schedule. I only got t
o be her student for a short period of time because school started back up, however, I would DEFINITELY recommend her to anyone who is interested in taking lessons with her. She will bring out the actress/actor in you you never knew was there!"
"Carissa is one of the best teachers i ever had!"
"Amazing! Knows how to push you, but not brake you. Loved working with her for years, I even followed her to a different studio."
As with any profession, actors have tools. Just as a doctor needs a stethoscope or a fireman needs a hose, there are certain items an actor must keep in their toolbox. I usually start classes or lessons by asking my new students or clients what they think these tools might be. Sometimes, the answer is very literal ("Script!"), and other times abstract ("Passion!").
None of these is a wrong answer. Being an actor or artist is subjective and everyone's process is different and valid. But t …