Newbury Performing Arts Classes

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Performing Arts Lesson Reviews from Students

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Popular Performing Arts Teachers near Newbury

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About Bulent G.

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Arlington, MA

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About Bulent
Described by The Times Herald-Record, New York, as a "firm bass- baritone", and by The Boston Musical Intelligencer as "outstanding dramatically and musically", Bulent G. is a professional singer, voice teacher and coach with 20 years of teaching experience. He taught voice at The Boston Conservatory Summer Choral Institute; and at Quincy Point Music Academy and A Street Music in Quincy. He maintains his private music studio in Arlington.

Highlights in recent years include the Turkish language premier of the role of Sultan in the Ukranian opera Cossack Beyond The Danube with The Commonwealth Lyric Theater; the roles of The Master and Yefim in the US-premiere of the opera Desire To Sleep by Moshe Shulman with The Juventas New Music Ensemble; the narrator in the English language world-premiere of Expérience by Phivos-Angelos Kollias with
The Juventas New Music Ensemble; the world-premieres of Missa Patri Pio by Leonardo Ciampa; the role of Jewish Man in the world-premiere of the opera The Prioress's Tale by Delvyn Case ; The Omaggio al Bel Canto Best Interpretation Award at The Stelle dell'Anno Nuovo Festival in Boston (organized for the members of The Boston Opera Collaborative by The Dante Alighieri Society Italian Cultural Center of Massachusetts and The Consulate General of Italy); official recognitions by The Massachusetts State Senate and Thomas Menino; a feature program on CCTV; and a performance at the historic USS Salem in the inaugural maritime festival of Quincy, Massachusetts, where he sang the solos of Emile de Becque from the musical South Pacific by Rodgers & Hammerstein.

VOICE / SINGING / SPEECH STUDIO INFO

Greetings,

I teach using a simple, direct, effective, easy-to-understand, holistic and scientific method. The aim is to freely express the natural and style-free voice, which can be applied to any musical style with ease, energized and flowing breath, solid technique, resonance, projection, diction, range and poise. Lessons include physical warm ups, breathing exercises, vocal exercises and technical work, solfeggio, ear training, and musical / repertoire work. My students come from diverse backgrounds such as opera, musical theater, jazz, pop, R&B, bluegrass, country, rock, heavy metal and public speaking. Students of all ages and backgrounds from beginner to professional are welcome. I teach in my Arlington studio, which is T-accessible, and has free and convenient parking.
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Reviews
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Myrna January 9, 2018
· Singing · In studio
Each lesson is a sheer delight! Bulent is extraordinarily talented and an excellent teacher. He is patient and kind and a warm human being whom I have come to treasure as a good friend. I feel very lucky to have found him. I could not be more pleased.
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Nikka January 9, 2018
· Classical Voice · In studio
I studied with Bulent for about eight months and only stopped because I moved across the country. This is the first formal voice training I have had. I was immediately impressed by Bulent’s deep knowledge and passion for music. My first class was quite unique, in that he spent a lot of time going over the anatomy of all the organs that are used when one is singing. I found that foundation very useful when working on different aspects of my voice. The classes consist of two parts — fundamental training and repertoire building. Bulent observes the student and gives instruction based on performance. He will also assign exercises for the student to do while at home; these are important because they are helping to train the relevant muscles. Bulent’s instructions are very detailed and personalized, and most importantly they come from a place of love; it is rare to see a teacher so in love with both the field of music as well as the people he encounters. This love provided an exceptional setting for being able to focus on learning the truths of music, without fear of judgement or ridicule. Not only did I improve my vocal abilities while training with Bulent, my awareness as a singer also grew tremendously. That awareness allows me to help myself improve while I practice on my own.
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Alexander C. November 18, 2014
· Singing · In studio
“I studied with Bulent for 3 months this past summer. Bulent is a fantastic teacher and every single lesson I noticed a prominent increase in my vocal talents, including my range and my breathing. He helped me do exactly what I wanted with my voice and was able to emphasize how I should be practicing to work on certain parts of my voice. He was always very effective and excited about teaching and I had a lot of fun learning from him. I was really grateful to have Bulent as a teacher and if I had the chance I would learn from him again!”
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Bulent G.

Bulent G.

Arlington, MA 02474
(19)
starting at
$40 / 30-min

About Cosima Y.

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Moreno Valley, CA

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About Cosima
My specialty is voice but I also teach acoustic guitar, ukulele and songwriting for the student who desires to develop their own style and create their own songs. Not only is it fun but the music education that comes with it is highly valuable for future musicians. (guitar and ukulele rentals available at an additional cost to the student)

For students who are just beginning their vocal journey or are busy performers who want to improve healthy technique and sing with more confidence; or perhaps a worship leader or backup singer is struggling with vocal strain, my goal is to help them find vocal freedom and maintain an amazing, healthy voice that will confidently meet their expectations, year after year, in every situation, every time.

As an active performing vocalist, musician, songwriter, and Christian worship artist and band lea
der, I understand the demands and challenges of a busy performance calendar, singing sets for back-to-back audiences day after day and week after week, and the need for a vocalist to find the vocal freedom that will produce confidence in their voice no matter what the venue.

The first steps to mastering vocal freedom are the building blocks for vocal success. Whether the student is a child or an adult, with little or no training, it is my goal to make singing an enjoyable and freeing experience.

Singing with complete vocal freedom and confidence can seem very elusive. Surprisingly, it's not as elusive as one might think! Vocal freedom is within reach and most students experience a measure of it within the few first lessons, some even gaining a full octave in their range in their first lessons. Using a systematic method incorporating the study of good vocal technique and working on songs the student loves to sing makes learning more fun and gives the student a greater appreciation of music as a whole while encouraging a passion for music that lasts a lifetime. I encourage and teach sight reading, and theory basics especially for those students who are considering music as a profession.

*** Lesson Details ***
Each student learns with material that will be divided into step-by-step doable lessons so they can be sure to learn the best techniques and material along the way. Sheet music and lesson books are provided at a minimal additional cost.

*** Studio Equipment ***
My home-studio is bright and open and set up with an upright piano, full length mirror, music stand, iPad with appropriate applications, guitar, mandolin, ukulele, and computer for recording and playback. Parents are welcome to sit in on lessons or wait for their children in the adjacent room. I also may provide a follow-up email which includes any recordings and lesson notes from the current lesson.

As the student progresses I also provide a PA system to teach mic technique and build performance confidence.

I ask that students come prepared with the following items to their lessons.
~ Bottled water
~ A ring binder with paper for notes and a zippered pouch to keep tools and handouts.
~ A flash drive for recording transfers or they can use their phone or other recording device to record their lessons.
~

*** Specialties ***
I honestly love my students and love teaching! It's such a privilege to be a part of their musical journey. I specialize in church worship vocals, choir, a capella, show tunes and musical theater. I teach free, healthy vocal technique which enables each student to explore and focus on different styles of singing. I also love teaching young voices especially teens who want to have a good time learning to sing.

NOTE ~ My teaching style is more structured therefore some young children may not be ready to take lessons with me.
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Reviews
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Tabitha A. December 7, 2017
· Singing · In studio
This was the first lesson. There was a lot of education, but it seems important to understand the process. Looking forward to the next lesson.
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Kali B. October 12, 2016
· Singing · In studio
She made my daughter feel very comfortable. Looking forward to more classes.
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Stephanie April 30, 2016
· Vocal Training · In home
I have had my first few lessons with Cosima and she has been absolutely amazing. I am a beginner and she has made me feel comfortable throughout the entire process. Very professional, informative, and dedicated to her students. I look forward to more lessons with Cosima.
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Cosima Y.

Cosima Y.

Online
(16)
starting at
$30 / 30-min

About Mariana W.

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Astoria, NY

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About Mariana
Hello! After earning my Bachelor of Music degree in Classical Voice from Hunter College in 2011, I have been working successfully as a singer, voice coach, and academic tutor. As a singer, over the past 8 years I have performed at professional theaters across the country, including Off-Broadway and at the world-renown Carnegie Hall. I specialize in musical theatre, but have a thorough classical technique, as well as strong pop/rock/belt training.

My teaching style is highly energetic, and engages the development of the student's self-esteem and enjoyment, but is also focused on a foundational technique and strong work-ethic. I am extraordinarily proud of the accomplishments many of my students have made, from achieving principal parts in their school productions, to even getting cast in Broadway shows. I am determined to help every on
e of my students reach their greatest potentials.

As a tutor, my approach is no different. Trained in the highly specialized and effective Lindamood-Bell programs, I have an intuitive grasp of children's needs and levels. I teach decoding, math, and reading comprehension, and nurture students' self-esteem and independence in their learning.

*** Lesson Details ***
I give lessons in 30, 45, and 60 minute increments. Each lesson will be personalized to the specific needs of the student.
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Reviews
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Cornel D. June 4, 2017
· Music Theory · In home
We practiced the new cadence for example of the deceptive cadence, the plagal cadence, and the phrygian. we learnt the basic root progression. a standard method of connecting triads with roots a fifth apart is to hold the common tone in the same voice and move all the other parts to the closest possible chord number. We learn about mediant triads s well.some ways using cadence that I can expand my harmonization practice is in general, when tempted to part write or analyze a chord in common-practice music as iii (in major), give the context further thought. i imagine with this knowledge it ill help me to compose a better harmonize song.
We practice together the scale degrees that are designated by Arabic numerals (1, 2, 3...), chor ds are similarly designated by Roman numerals (I, II, III). For example, in the key of C major the notes are C,D,E,F,G,A,B and we have designated them as 1,2,3,4,5,6,7. However, when we consider the triad chords in the key of C we have Cmaj, Dm, Em, Fmaj, Gmaj, Am, Bdim. These are designated I,II,III,IV,V,VI,VII. When speaking about these chords, for instance in the key of C major, we would call Gmaj the five chord, Dm the two chord,

Cornel's review of Mariana
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Cornel May 16, 2017
· Music Theory · In home
The easiest way to find an interval's name is to first, count all the pitch names present, including the notes themselves (ignore sharps and flats at this point). Then, find out (had it been missing a flat or sharp) what type of interval it would be, depending on whether it is perfect (a 1,4,5,8) or major (2,6,7). If there are no sharps or flats, you are done. If there are, figure out if the flat or sharp decreases or increases the distance between the two pitches. If it increases the distance, the interval is augmented. If it decreases the distance, and the interval would otherwise be perfect, it is diminished. If it decreases the distance and the interval would otherwise be major, it is min that is what I learnt
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Kristina September 10, 2015
· Singing · In studio
Mariana was great! Very professional and able to explain the techniques in a very clear way. When I began, I was very nervous and self-conscious. She was patient and kind and never made me feel embarrassed!

She really knows her stuff and technique. I'd been to a few voice teachers before and they were great singers, but they didn't seem to have to really KNOW the techniques behind singing. Mariana clearly is a wonderful singer and has great training in what she does.
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Mariana W.

Mariana W.

Online
(3)
starting at
$60 / 30-min

About Melodie F.

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Chicago, IL

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About Melodie
Experience? Check. Flexibility? Check. Welcoming? Check. Easily manipulated? Nope.

I am Melodie, a highly experienced private lesson teacher of voice, piano, and theory. Read my profile carefully before you sign up with me.

How should an adult begin private music lessons? First, decide why you want to spend the money, and what you expect to get for your money. Second, plan how you will manage practicing time and location. Third, find a teacher who is experienced and supporting enough to adjust goals to fit your aspirations and purposes without diluting the minimum standards of traditional artistic education. If you're lucky, you'll find one that keeps prices low and schedules flexible.

Armed with a Coe College Bachelor of Music and a Performance Certificate in Vocal Performance from 1981, I (Miss Melodie F.) chose to work in Cos
ta Rica 1982-1984 before calling Chicago home in 1986. My performances have usually been of scored acoustic vocal and choral soprano in mainly traditional formats. I teach private lessons in classical vocal technique from a body awareness perspective, how to sight-read keyboard scores, and music theory translated into something that makes sense.

Consider private singing and voice, music theory, or piano lessons with me. You should sign up for music theory lessons unless you either want to do the physical work it takes to be a better singer, or if you own a "real" piano. Music theory lessons are the most flexible option for general curiosity. The amount of time you should set aside for practicing is an individual estimate. Music Theory assignments should take maybe 45min 3 days a week to accomplish well, but singing or piano should be practiced a minimum of 30-60min 4 or 5 days a week.

Approaching vocal technique from a physical perspective allows us to discover the student's unique and true voice. Reading paper piano music at first sight means you can play it without knowing the song. Music theory is essential to understanding how and why the art works the way it does. Most students need help ditching the confusing silliness they've already been exposed to, and putting together the pieces of the numbers puzzle we call melody, harmony, and rhythm.

Why sing or play piano? Do you want improved balance, posture, relaxation, abdominal strength, confidence, cultural awareness, emotional expression, memory support, and stress relief? You'd be surprised how many people take lessons just to feel better. I can't guarantee you'll have the same results, but I promise you'll know if you want to pay me more money or not after about five lessons.

Label me Traditional, or Classical, or even Persnickety, but we all transcend labels. I can perform opera, simplify unifying concepts, teach folk singing, direct a church choir, suggest country repertoire, coach performance charisma, and even officiate a marriage ceremony as a Dudeist Priest. I also bake a mean pie.

Complete beginners are welcome in all areas. Advanced lessons are available for voice only. In my studio I teach adults only. Singing and voice lessons have minimum 45min duration. Prices for lessons at my studio are $30 for 30min, $41 for 45min, and $50 for 60min. Online lessons, available for singing and theory but not piano, are the same price. Schedule-As-You-Go lessons with no recurring schedule slot are an option, if you prefer that to taking a lesson the same time every single week.

My teaching studio is a residential office on a high second floor walk-up near the intersection of Chicago and Ashland. I might be able to travel within East Village / Ukrainian Village / Wicker Park / Noble Square for an additional $15 travel fee. If I travel to your location, we can negotiate younger ages and group fees.

What do you want to learn? As partners, the student and I build a plan, balancing current aspirations with proven methods. I work with the paper music and workbooks you already own, and TAILOR THE LESSONS TOWARD PRACTICAL VALUE. On the other hand, I believe I have an ethical responsibility to provide a minimum of classical instruction.

I honor the opportunity to share the joy of music with you.

Upfront deal breakers:
• Communication outside of lesson time will be mainly internet and email. The email address in your profile must be a valid form of official business communication.
• Students may not bring pets, children, or guests to the lesson. A quietly observing adult guest is welcome with 48-hour notice.
• My students know if they use too much fragrance, whether it be laundry scent boosters or hair treatments, they may be refused entrance into my studio. It's a big deal.
• You pay for any lessons not canceled or rescheduled before the 24-hour deadline, whether you attend or not. Do not be near me when you are contagiously ill. Ask me to forgive late cancellations caused by true emergencies, but realize I don’t have to.
• If you are a singing student, you need a place where you can practice. Prior to your first cancellation deadline, you must read the "Your First Singing Lesson" section found on each Singing or Voice Subject Page.
• If you want to learn how to read keyboard scores or understand how to play keyboard by ear, sign up for Music Theory. If you don’t have regular access to something that can legally be called a piano, including weighted keys and a damper pedal, sign up for Music Theory. Repeat: if you can’t practice on a real piano, don’t take Piano lessons. Music Theory lessons will probably teach you what you want to learn, anyway.

Ask me a question using the Ask-A-Question feature. Watch my videos and think about it. I'm a good teacher. I sincerely appreciate the time it took you to read my profile. Thank you.
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Reviews
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Bob November 29, 2017
· Piano · In home
Geriatric patient Bob is going along with the program beautifully. Just keep doing what you're doing Melodie. Thanks
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Marisol March 27, 2017
· Singing · In studio
So far I've only had one lesson with Melodie and she really cares to help you achieve what you're trying to accomplish. We went through a few things such as posture, how to breathe, humming, vowels, position of tongue and other things. About myself: I don't know how to sing and this is my first singing lesson.
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Ben March 16, 2017
· Piano · In studio
My lessons with Melodie have been great! She is extremely knowledgeable. I'm a new piano player, and she has been very patient with me as we work our way through the basics. She is great at explaining the theory side in a way I can understand. And the out of class work she suggests not only drives home what we worked on in the lesson, but it also has me playing some basic songs...which is encouraging and keeps practice fun!
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Melodie F.

Melodie F.

Online
(16)
starting at
$30 / 30-min

About Olga K.

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Brooklyn, NY
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About Olga
I was dancing and competing in Ballroom dances for many years and i learned that dancing can be very fun and help you to relax. Or it could be very complicated if you decide to reach certain level. But no matter how old you are and what experience you had, it's possible to become a dancer and enjoy it alone or with a partner every minute of your life. And trust me, from the moment you will be able to do first steps of rumba/waltz or any other dances- you won't stop!
Just tell me your goals and we will try to achieve them.
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Reviews
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mark March 3, 2017
· Ballroom Dance · In studio
she is a patient and a natural teacher. olga adjusts to your skill level and learning curve. was a very good experience.
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GG December 1, 2016
· ·
Olga, is the finest teacher I have come to meet.. she is
full of talent and grace.... comes well prepared...
and makes you feel so comfortable as she eases
you right into it....

I would highly recommend her
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John November 13, 2016
· Dance · In home
Olga taught us an amazing first wedding dance that she also choreographed for us. She combined Rumba and Foxtrot elements – with leans, dips and even a lift – into one unique dance that impressed (and definitely surprised) our friends and family at the reception. Neither of us had ever done any formal dancing before, but Olga got us to a proficient level in a very short time. Besides being a talented teacher, Olga is also very funny, as well as kind, and will make you feel at ease as you begin to dance, no matter your skill or comfort level. Highly recommended!
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Olga K.

Olga K.

Online
(6)
starting at
$85 / 45-min
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About Bryan P.

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Waltham, MA

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About Bryan
Dr. Bryan Pollock, countertenor, completed his Doctorate of Musical Arts (Voice Performance) at Boston University where he taught private voice and class voice for three years in addition to holding his own voice studio. In 2013 he graduated magna cum laude from the University of California, Irvine with his Masters in Fine Arts, vocal performance. In 2010 he received his Bachelors in Music from East Carolina University in vocal performance. He received vocal instruction from Dr. Lynn Eustis, Dr. Darryl Taylor, Dr. Louise Toppin, and John Kramar. His piano instructors were Dr. Keiko Sekino and Rebecca Miller. He has performed in over twenty fully-staged operatic productions and five fully-staged musical theatre productions.

Dr. Pollock has travelled extensively during his career throughout the U.S. as well as England, Austria, Italy
, Turkey, Canada, and the Czech Republic. He has a firm knowledge of German, Italian, and French vocal repertory, diction, and languages while specialising in English diction for the non-native speaker and/or singer.

During his time in Orange County, CA, he held his own music studio. While there he taught over thirty students (Ages 5-45+) voice and piano privately. Additionally, he taught as a TA for UC Irvine int he subjects of Music Theory, Voice Performance, and an introductory music course for non-majors.
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Reviews
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Tom January 13, 2018
· Vocal Training · In studio
Bryan is a great instructor and seriously knows what he's teaching. I would recommend him to anyone looking for voice lessons!
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Aidan C. December 13, 2017
· Acting · In studio
Aidan needed a good kickstar, Bryan is such a great teacher , gave my son a great introduction to acting . He is kind and an excellent motivator for kids ( our experience ) strongly recommended. Five stars
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Ryan July 26, 2017
· Singing · In studio
He is very professional and perfect teacher. My husband and I were so glad to find him for my son who loves singing.
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Bryan P.

Bryan P.

Charlestown, MA 02129
(6)
starting at
$32 / 30-min

About Corliss P.

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Chicago, IL

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About Corliss
I am an actress that has performed and taught the classics for over 35 years. I love it! I can help you with auditions, study structure, develop skills or simply reach a deeper understanding of your favorite texts.

I believe that the theatre is an arena where we learn about who we are. Acting is being present in the moment and we learn how to live our lives more fully through this study. Each actor has his own unique voice and relationship to the material. It is my job to help each student find their own path.

Corliss
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Reviews
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Jenny January 4, 2018
· Voice Acting · Online
Corliss is a master at her craft! She makes you feel comfortable from the moment you meet her and has a genuine interest in your goals. Corliss tailored lessons to my learning style which was very encouraging for someone with my level of experience. She has a lovely personality and her enthusiasm is infectious. I would highly recommend taking lessons from Corliss!
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Steve May 22, 2017
· Voice Acting · In studio
I took a five-session Beginning Voice Acting class with Corliss in a professional recording studio. The critiques she gave me after every recording I made helped me to speak more clearly, and to increase the energy I was able to put into my recorded presentations. Without the critiques of my recordings, I would not have been able to improve my speaking ability. During the class, she made sure everyone in the class was made to feel welcome, and important. When I take the next level of the Voice Acting class series, I will be looking forward her critiques of my recorded presentations.
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Janet B. May 20, 2017
· Voice Acting · In studio
I recently took lessons with Corliss and couldn’t have been happier! From the minute I walked in the door for the first lesson, Corliss was energetic and enthusiastic. I found her instruction relative to breathing techniques, warm up exercises and copy interpretation extremely valuable in helping me to relax and “think outside of the box,” which enabled me to think more creatively while also helping to identify my own areas of strength and those requiring further development. Corliss provided honest and supportive feedback, all within a fun environment that had me looking forward to the next lesson. I am truly looking forward to taking additional lessons with Corliss!
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Corliss P.

Corliss P.

Online
(7)
starting at
$40 / 30-min

About Madeleine B.

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Cambridge, MA

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About Madeleine
Hello!
My name is Madeleine B. and I have been a professional ballet dancer since the age of 8. Currently, I perform with Jose Mateo Ballet Theatre where I have been dancing lead roles since 2005. I have experience teaching both adults and children, in both full class settings as well as private lessons. Dance is my life's passion and I would love to share what I know with people who want to learn!
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Madeleine B.

Madeleine B.

Cambridge, MA 02138
starting at
$30 / 45-min

About Connor C.

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Burbank, CA

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About Connor
I'm a film composer by trade, but I love teaching as well. I love sharing my passion for music with others. I have a BM from Appalachian State University in piano performance and music theory/composition. I also have an MFA in music composition for the screen from Columbia College Chicago. I studied abroad in Ireland for a summer and learned traditional Irish music. I've been playing piano and composing since I was a young child, and picked up folk instruments along the way. Folk music has been a constant source of joy in my life, and I am continually learning more about it. Music is what gets me out of bed in the morning!
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Kevin March 26, 2017
· Composition · Online
Personalizes the lessons towards your needs and helps you grow as a musician.
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Susan B. March 13, 2017
· Mandolin · In home
It was a great first lesson - she assessed where I was, fixed some technique problems I was having and gave me things to work on for next time. She's very friendly and approachable, which is great for new-student anxiety ;-).
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Saoirse January 7, 2017
· Accordion · Online
First lesson couldn't be better! Connor was totally patient with my kiddo, and she gave good advice on what to look for in a smaller accordion and variations in shoulder straps to help my tiny daughter not get tired from trying to hold up a big (at least for her) accordion.
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Connor C.

Connor C.

Online
(5)
starting at
$30 / 30-min

About Ana G.

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Boston, MA
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About Ana
Hi!

My name is Ana Gouveia and I'm a 28-year-old gal who loves music, languages & science! I love helping others and have been praised for being a good teacher. Do you need help with computers, math, or something about music theory?

I'm here for ya!
For more information on my background please check out: localwiz.us
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Reviews
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Rebecca January 11, 2018
· Algebra · In home
Ana is a terrific Algebra tutor. Our daughter is a freshman and Ana is really helping her to not only understand the work but also learn ways to approach problem solving and assessments strategically. She is very positive, approachable and great with teens.
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Andrew January 1, 2018
· Civil Engineering · In studio
Ana is nice and smart. She is not only who you want to work with, she is who you want to work with your children.
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Ana G.

Ana G.

Boston, MA 02116
(2)
starting at
$50 / 60-min

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Acting for Kids: How to Find Chicago Theater Opportunities & Auditions

Acting for Kids: How to Find Chicago Theater Opportunities & Auditions

Does your kid have what it takes to storm the Windy City? If you live in Chicago, you'll find inspiration abounds as theater and the performing arts are such a big part of the culture. This means that your child has lots of opportunities to become a star within the Chicago theater scene! Know the Big Opportunities There are a number of production agencies in Chicago, including Alphabet Soup Productions. These performances are not exclusively cast with children, but they do audition for child … Read More

Acting for Kids: How to Find Chicago Theater Opportunities & Auditions
Does your kid have what it takes to storm the Windy City? If you live in Chicago, you'll find inspiration abounds as theater and the performing arts are such a big part of the culture. This means that your child has lots of opportunities to become a star within the Chicago theater scene! Know the Big Opportunities There are a number of production agencies in Chicago, including Alphabet Soup Productions. These performances are not exclusively cast with children, but they do audition for child
Acting for the Camera vs. Onstage - Is There a Difference?
Many professional actors have flawlessly transitioned between acting onstage and acting for the camera over the years. While the two mediums are distinct and require a specific skill set, there is much debate about how different they really are. In this article we’d like to take you through a few of the common differences between stage and screen performances, as well as offer some advice on technique and approach should you aspire to hone a well-rounded acting skill set. People are often quick
An Actor's Life: Your Career Path to New York Shows
If you're an aspiring Broadway performer, the steps you take during high school play a significant role in your success on the stages of New York shows in the future. Sure, you sometimes hear stories of people who book amazing lead roles in shows after a single audition, but that’s not a realistic view of how it all happens - for most actors, at least. Ask any working Broadway performer – New York is not a city that hands you success simply because you’ve just moved there. Hard work, discipline,
3 Holiday Movies Aspiring Actors Need to Watch
The holiday season always brings a curious mix of movies to the big screen. With the Academy Awards just a few months away, studios often choose November and December to release their most anticipated movies. Designed to bait film reviewers and Oscar voters, these films wow with top-tier performances and serious, often epic plots. However, fluffy and family-friendly fare is also a hot commodity every winter, especially as Christmas approaches. Holiday-themed movies don't have a great track reco
5 Swing Dance Trivia Tidbits You May Not Have Known
For almost a century, swing dancing has attracted enthusiastic, carefree, and highly musical people from all walks of life. If you love its unrestrained movements and nostalgic charm, here are five interesting facts to know before you hit the dance floor. 1. Swing dance goes by many names Swing belongs to the jazz school of dance, but the term doesn't apply to one single technique. There are several distinct swing styles, and they each developed alongside shifting musical and cultural trends

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